❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )
𝟭. improve your writing skills ( ✒️ )
i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.
bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara
𝟮. develop critical thinking ( 💭 )
if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.
𝟯. find yourself an interest ( 🌷 )
it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.
𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )
there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.
𝟱. don't be afraid of doing researches ( 🧃 )
the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.
𝟲. master communication ( ♟️ )
mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.
𝟳. push yourself out of your comfort zone ( 🧸 )
build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.
𝟴. stay informed about the news (but not too much!) ( 🌍 )
this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.
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Signalis and Dungeon Meshi: Unorganized Analysis
Both are about crawling through dungeons, fighting monsters, and picking things up to get into inaccessible places.
There's a pair of siblings and a lesbian couple, both are cruelly separated by powerful forces. The living half (Marcille Donato, Elster, Isa Itou, Laios Touden) is willing to do anything to bring back their loved one (Falin Touden, Erika Itou, Ariane Yeong) from the depths of the dungeon. The searchers are motivated not just by love but guilt too, a stubborn refusal to fail their beloved one last time by abandoning then.
Both stories are about the evils of anthropocentric ideologies. It is the inescapable first lense that we all see the world through. It is a subjective, selfish, and almost nihilistic view point. It is the belief that the universe cannot match the significance of humanities existence. For anyone who has loved another human, this is an easy ideology to embrace.
It's also the foundation for hierarchical authoritarianism which dictates that you are either a productive member of humanity or a nonhuman agent of a hostile universe. Those who try to view the universe as itself and not as a means of, or obstacle to, the gratification of human desire are put into the latter grouping. Those who conform are elevated to positions of power within the hierarchy. This is illustrated by the suffering of Ariane Yeong and Laios Touden. As well as the elevation of various political figures in Dungeon Meshi and Kommandant Falke in Signalis.
Both universes feature similar world building elements: a cosmic force grants individual humans their anthropocentric desires resulting in the formation of impossible things. In Signalis, bioresonance allows for the colonization of other worlds and the creation of replikas. In Dungeon Meshi, the Demon's intercession has resulted in the formation of different races, monsters, dungeons, and the magical arts.
And now we come to where the two narratives truly differ with each other:
The characters in Dungeon Meshi are able to triumph over anthropocentric thought and create a better world. Tragically, the characters in Signalis are not able to do the same and become trapped in a hellish existence. This isn't exclusively because of their traits, they are unconsciously conforming to a larger pattern.
In Dungeon Meshi, the natural world still exists and can be defended from corrupting supernatural influence. Even when the earth is devastated by magically augmented warfare, the world is big enough to recover. There are trained specialists, like the canaries, who are able to counter the expansion of dungeons and it's associated threats. Because magic is so important to the world dungeon meshi, knowledge is prevalent with a few severe restrictions.
In Signalis, Vineta/Earth was destroyed by the war between the Eusan Nation and Empire. The closest that people can get to nature is potted plants and a nights sky. The Eusan Nation limits knowledge about bioresonance so that no one can use that to challenge their authority. As a result, no one can understand what's happening during a bioresonance crisis.
In Dungeon Meshi, food preparation is a narrative focal point, it connects people to the world and each other. In Signalis, food is a secondary consideration, it is rationed out by the Eusan Nation, given to good citizens and denied to dissidents.
Ryoku Kui is a japanese manga creator and Rose Engine are a pair of german game developers. One could guess that the artistic differences between them are reflective of their nations history during a certain conflict that happened in the last century...
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🎶 They’re burning all the witches even if you aren’t one…..so light me up! 🔥
As I’ve been listening to TTPD, Who’s afraid of little old me keeps scratching something in my brain.
Obviously the line “So I leap from the gallows and I levitate down your street” gives an immediate “they’re burning all the witches” call back. The whole concept of the crazy hysterical dangerous woman who dared to stand up for herself and tell the truth.
But every time I hear that line I picture The Chicks standing together in their Salem Witch Trials looking attire in I’m Not Ready To Make Nice, holding hands and telling the world fuck you! I’m pissed!
So I finally sat down this morning and watched the music video (which I haven’t for years) and WOW! 🤯 Watch it guys!
The black and white imagery….the dress….the insane asylum….so much Fortnight music video connections!
The way they start off in white then end up on black just like Taylor in Fortnight.
We know Taylor loves The Chicks and how they were used as a Clara Bow of sorts in her early career…..warning warning….don’t be like them! Be the nice girl!
I think this link was intentional. It’s sad seeing how the entertainment industry takes women and chews them up and then brands them as crazy dangerous hysterical women when they break the status quo and start speaking up. That has been Taylor’s whole career. When she does what the world wants…plays the nice girl, dates the football star, writes the love songs, it’s all good. When she gets messy and real and speaks the uncomfortable truths…
(Like say….. “I choose the 1830s but without all that racism and toxic patriarchy”)
Everyone recoils…..no one wants to hear those things because then we would have to acknowledge them and change them.
One other image kept coming to mind as well. The intro to the movie Practical Magic….the whole leap from the gallows….
Combined with the Burning all the witches line it definitely ties this album to the reputation era.
I really hope reputation tv and those vault tracks she herself says are 🔥 (more burning the witches imagery!) will be her claiming her failed coming out. It really does feel like she’s replaying that whole time of her life again for us. The performance art is so loud. TTPD is the very veiled first step like rep was.
It makes me wonder if maybe someday we might get a new version of Lover….the way it was supposed to be. One can hope!
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Idc anymore i think i'm a good enough writer that i can say that when i noticed the pattern in what exactly makes a book "good" on booktok (and, bc of that, what makes it popular and top bestseller lists), it feels almost demeaning and denigrating to the entire craft. Idk if i should blame the way tiktok-esque social media has utterly rotted everyone's ability to concentrate and read more than three sentences, but literally none of those books are objectively good.
(Yes, yes, art is subjective. HOWEVER. Art is subjective when you look at style, at themes, at motifs, at plots and characters. Art is still a craft, it still requires skill. I've seen beyond the tiktok quotes of these books. Not even their editors are good given the amount of typos/spelling mistakes. That is not something that you should find in a traditionally published book.)
You look at these books, and you know the only reason for their existence is to make money. I cannot and will not accept that as art.
(I'm on Tumblr, of course I have to explain every point. Artists who make money off their art =/= people who only create art meant to be profitable. There is a difference between an artist who hopes to monetise doing what they love, who creates what they wish to see more of and who happens to then create something that other people wish to see more of, and a person who looks at what's trending and decides that making an unholy frankenstein's monster of a book that mashes all those trending tropes and motifs together would get them rich quick. The fact that a lot of these booktok books become popular because of nepotism is just the cherry on top. It's soulless.)
And to finally say what I wanted to say, it's because none of these books have any deeper message or even artistic value to them. You will find a few out of context quotes or paragraphs, ones written specifically so they'd look deep and beautiful when taken out of context, so that people would post them, so that people would buy the books. Entire books written just so those few lines could become viral and make cash. It cannot even be compared to a hook line writers would post to get people interested in their works, because in booktok's case, those are the only lines of quality and in the context itself, they are often out of place and forced.
I just hate booktok, i hate what modern social media has done to art. It's all created to be quickly consumed, for the few ☆aesthetic☆ glances, and then discarded. Just to make more money for those who are already nepo babies. As if artists needed more obstacles to jump over.
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@pax-thuban left these tags on a post:
#well. first of all. this is so. bittersweet
#like screaming and crying and throwing up on the floor etc
#second of all. maybe i'm looking too much into this but.
#it's interesting to see that there's blood splatters on tenzo's face /and/ his mask
#if i recall correctly. the mask covers his happuri as well
#the implication that tenzo lost his mask during battle. put it back on presumably /still/ in battle. continued killing
#idk. just hurts
#like something something anbu work forces him to feel more comfortable wearing a mask and conforming to a nameless org and set of ideals#and forgoing individuality
#or like. something something maybe he feels worse that his face got 'stained' because it's basically a reminder that 'cat' and 'tenzo'
#are one and the same and not two distinct entities no matter how much he wants to separate his identity and his anbu lifestyle
#and the fact that the happuri is blank and doesn't have a konoha leaf on it.... he doesn't feel connected to the community even as he kills
#for it...
#i feel like it's kind of obvious that it's significant that the comic shows tenzo taking off his mask as he shows his weariness/depression
#regarding anbu work and then how he thinks about kakashi as a jonin sensei. like representing himself as tenzo the individual rather than#'cat' a faceless tool of konoha in the shadows
#i also feel like it's kind of noteworthy that the perspective(? is that what it's called for images?) zooms in on tenzo's face
#first panel is mostly black and tenzo's body is off-center(?). like his face is centered but his body's not. and that leaves more room for
#the black background. but the second panel fills it up with the kakashi thought bubble and tenzo's body comes into the center to fill up
#the bottom half. and then the third panel makes tenzo himself fill up more space. there's less 'darkness' now
#not sure how to say it other than. his sole saving grace in anbu at the moment is preserving his self and bond with kakashi ig
#i also like how the black background isn't pure black. there's a tinge of red(? idk it could also be orange? but i'm taking it as red)
#like one hand. maybe a reference to the whole blood thing. a reflection of how he feels surrounded by that reminder of murder instead
#of just it being select patches on his skin
#on the other hand (and this might be looking too deep 😔) maybe how allusion to the sharingan. how even though he left root
#anbu still feels very similar to it that he feels reminded of how he was watched by danzo?
#sorry for rambling. i am in an analysing mood today
#but i'm also not that great at analysing visual art lmao
nooo no sorries! this is really useful and EXTREMELY flattering to receive such detailed thoughts, i feel like im back in a School Crit Circle or something, which is really fun and helpful. Critique like this rlly helps me understand what people are bringing to my art when I make it and how it's getting interpreted, which as somebody who wants to tell understandable stories via images, is useful to me beyond what words can describe!
like—there's no "right" or "wrong" when it comes to interpreting art, there is my intention, but my intention isn't necessarily what comes out (like how kishimoto somehow accidentally wrote two teenagers who he meant for us to perceive as straight, in the pains and throes of love for each other. like he wrote that, whether or not he intended to. i dont even actually ship s/n bc it doesn't have The One Ingredient for me, but its...also something thats hard to ignore about the text)
and similarly, since theres no way to objectively read a text, when you read it you're putting it in your own context, finishing the painting yourself with whatever colors you've got in your palette to use
that said! I can answer for my intentions in some of these
The blood and the mask: Practically, you're 100% right! Mask needs to be off to get at the happuri. That he's got blood on both his mask, and his happuri, means that at some point in the battle, he lost his mask and then put it on.
In terms of art, I did this because the juxaposition contrast between the blood and the small amount of joy he's taking in thinking about a scarecrow, felt really important, and I didn't want to lose that with the removal of the mask.
I also put the blood splatter in the same place, coming in from Tenzō's left, and splattering upward across his forehead area. Practically, this would mean that he was in the same position by a spatter of blood twice, but symbolically this implies that he is or feels like the same with or without the mask—like u talk about them being the same entity.
I didn't really do that intentionally though—like I didn't think about it. I just kinda was like "yea that feels right. anyway moving on."
No leaf on the happuri: I AGREE WITH YOU ABT THE SYMBOLISM...he doesnt feel connected to konoha in a Real way until he's co-captaining, I think. He needs to be allowed to LIVE in Konoha to be a part of it... That said, if I'm not drawing Captain Yamato Post-Sunlight-Exposure I straight up forget that he had the leaf at all–I know it's supposed to be a Danzō thing, but I keep thinking it's an anbu thing. Honestly, since I agree with the symbolism, whether or not I forget or make an intentional choice not to depict it really doesn't matter I suppose
The Zoom In: Kind of the same as the last! i felt in my heart that we had to zoom in...I didn't think about it in terms of ''lessening darkness'' although now that I've read you write that I like THAT reading much more—esp since so much of yamato's themes in canon seem to be about sunlight and darkness...there's an interesting reading of darkness lessening (because he takes up more space) without light gaining any footing (he's still, as always, situated in the dark) about like, the little things that one can do to manage their depression or a dark situation, even when they still aren't able to be fully FREE of it quite yet (if ever).
I think, when I was thinking abt it, I was thinking about making Tenzō seem very small and alone in the first panel, and then even after thinking about Kakashi, he's not quite so small in the panel, even though he still remains alone. This being said, the darkness reading is much stronger than the loneliness reading, even though they go hand in hand, I much prefer your interpretation.
the red in the black: This is interesting!!!! I like your interpretations a lot...in terms of materials this is only black india ink, so there's no red actually in it, but in the photo I can see what you mean—the ink I'm using is shiny because the "matte" ink is twice the price of it and I'm a cheapskate, and it inevitably creates shines of color when scanned or photographed.
Obviously though, the lack of intention or the material contrast doesn't mean you're wrong—I saw the colorful patches in the image and decided it was fine enough to post anyway, they're a piece of the art as it exists digitally! Open for critique and interpretation. I like the idea that the darkness is connected to the blood very much especially, because it is for Tenzō, isn't it?
anyway, ty v much for your analysis, i was incredibly flattered to receive it, and i think you're actually super good at it, in my opinion!
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