I'm currently doing an online art school program and I thought I'd share some notes on clothing pieces for anyone else whose like me and for some reason can't understand objects with free from lol I hope you find some of these observations/ notes useful for any of your art journeys!
Saya Woolfalk at Leslie Tonkonow Artwork + Projects in New York, New York, USA through 23 November 2022. Saya Woolfalk creates works of art that combine elements of her African American, Japanese, and European heritage, with allusions to anthropology, feminist theory, science fiction, and Eastern religions. In this exhibition, Woolfalk introduces “The Woods Women”, a secret society that predates her Empathic Universe. The exhibition includes the artist’s newest works on paper, inspired by her study of the renowned Hudson River School and herbarium collections at The Newark Museum of Art where she was the Artist-in-Residence in 2019. MORE
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.
Brush used: "Oil Rich" from the Megapack Paintbox in my Adobe brush sets. You can basically use any brush that allows you to control opacity/flow with pen pressure.
For a more in-depth demo of this process, check out my video.
For those of you who don’t know, I’m teaching a class on Visdev with a focus on personal aesthetic growth in October this year vis Underpaint Academy! Signups for the Spectator option are still available! I’ll be going into detail about my experience and process working on games and Animated films such as TMNT Mutant Mayhem, Spider-man Across the Spider-verse and Mitchell’s vs the Machines! The class is 9 sessions, 4 hours each. we will also have guest lectures and critiques focused on specific assignment weeks (character design, set design and key frame. Come learn with us! We had a great time last class!
Sister Corita Kent’s "10 Rules for Students, Teachers, and Life," 1967-68.
Corita Kent’s list for students, educators, and everyday experiences, serves as sagely and flexible advice for living life in a more creative capacity. It incorporates the trials and tribulations, as well as the joys of being an artist (or being artful) and/or an educator. Read more about the pedagogy behind Kent's list in my Artfully Learning post "Making a list, checking it twice, going to receive some artistic advice"
I'm going to start teaching my nephews some basic colour theory; they're 9 and 10 and really passionate artists, and I think a little knowledge now will help them push themselves a lot further.
I'm going to start with colour mixing. I really think that color mixing using paint is a valuable metaphor even if you are working digitally 99% of the time. who knows what my nephews will end up focusing on as they get older, but having the metaphor of mixing paint to achieve different colors and understand how colors relate to each other visually should be a really useful ground level structure in any ongoing learning they do with color theory.
so I've put together a watercolor palette using student grade non-toxic paints. we've got two reds, two yellows, two blues, and burnt sienna.
I'm going to include white gouache as well, so we can talk about tinting colors, and how colors appear different when they are diluted versus tinted. also, honestly when I was their age I think watercolor was really punishing, and just bringing in some white gouache gives them a chance to rework areas if they want to. I'm hoping this makes stuff a little less frustrating and helps them feel more empowered to keep fixing and pushing their work instead of just giving up.
I don't currently have a plan to have black paint in there right now, because I want us to focus on color mixing, but I wouldn't on principal prevent them from having a pan of black paint in future for their own time with the paint. I just think it might be distracting or confusing when I'd rather we focus on mixing neutrals with these colorful pigments.
I've got five Windsor and Newton Cotman brand pans - phthalo blue, lemon yellow, cadmium yellow hue, cadmium red medium hue, and burnt sienna; and the other two pans i filled with van Gogh brand tube paint - ultramarine deep and madder lake deep.
This gets me a decent spread of secondaries without confusing anything by introducing the CMY approach.
I think learning the CMY palette will be valuable too! but it made sense to me to start with palette that most resembled what they are likely to be learning in school in terms of subtractive color mixing. if they do learn about additive color mixing, they'll be working with the cmy palette with light, so I figure I'll let this be different at the moment.
I've included burnt sienna after weighing my options, because I think it's important for them to learn how to neutralize colors in a few different ways. burnt sienna and ultramarine blue are such a classic neutral formula, and such a great way to mix something that's nearly black, that it felt important to include. the fact that when you mix it with the phthalo blue you get a green instead of a neutral, I think that's a really great example of how color mixing can be surprising as well.
I'm working on a couple little example paintings to help them see the range that is possible with this palette, so here's one with greens and purples; I'll do one in neutrals overall and another maybe in oranges and teals.
I think for exercises we might want to work up to the colour wheel - maybe starting first with the basics of mxing using different rations to get different colours, and go from there.
If anyone has any advice on teaching this to 9 and 10 year olds, I'd love to hear it! I think they'll be excited to try something new and open up more possibilities for themselves as artists right now; beyond that I won't be particularly intense about it.
Also, do you remember when you learned paint mixing and basic colour theory? What were some moments that stood out to you or stuck in your mind forever?
learning how to draw! resources masterlists | Month 1 Part 1
Collections of videos, references, tips and takeaways and other helpful resources I've gathered on my drawing journey :)
To keep it concise, the list is curated down to include only things relevant to a months 'assignments', and only the resources that were the most helpful to me. My notes and takeaways will also be linked as seperate posts!
A) figure drawing 1
Assignment (from Marc Brunet's 1 Year Plan):
"FIGURE DRAWING (30+ neutral standing poses, 2-5m)"
[ ⊱ my notes & takeaways (types of figure drawing and their purpose, what advice to take and what not to, different learning goals, random tips, etc)]
warm-ups / exercises
⊱ 'the Bean'
⊱ sketching with easy lines
most helpful videos
⊱ 'figure drawing will make sense after this video'
⊱ how to draw gesture step by step
⊱ figure drawing fundamentals [#1] and [#2]
⊱ drawing fast gesture for animation and
figure drawing exercises for action animators and story artists
⊱ figure drawing for animators
best references
⊱ 3dscanstore anatomy reference bundles
⊱ ootd videos like [this] and [this] where they move into poses
coming up:
"DIY Curriculum", or how to make yourself a plan | Month 1 Assignment Resources: a) figure drawing [this post] / b) perspective basics / c) studies of art you like | Lists of Warm-ups, Exercises, and ideas for Drawing studies | Tools Recommendations | Lists of youtube channels eg I love so far | Maybe more :)
Todd Bartel at the Art Center Gallery at Anna Maria College in Paxton, Massachusetts, USA through 10 April 2024. Todd Bartel’s “Landscape Vernacular” series is an ongoing, decade-long research-based collage series addressing the history of land depiction and changing attitudes about land use and ecology. Catalyzed by interlocking combinations of dictionary definitions, texts, and images, “Landscape Vernacular” collages juxtapose vintage imagery and ephemera from the 18th- through 21st centuries, chronicling the dawn of the Anthropocene. Read More
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.
I want to see #drawing fundamentals taught in K-12 schools as part of a well-rounded curriculum. I taught 1 & 2-point perspective to my kids when they were in 2nd & 4th grade; they ate it up! Giving kids some academic drawing knowledge helps them understand more of the world around them.