What type of Hanfu would old women wear? All models seem young
Hi, thanks for the question!
Old women would wear the same type of hanfu as any other adult women. As far as I know, adult women did not have to change their hanfu style once they reached a certain age. Plus, there’s also the fact that average life expectancy was shorter back then.
All the current hanfu models seem young because the hanfu customer base is young. As I mentioned in this post, the average age of hanfu devotees is 21 years old (as of 2019), so hanfu brands use younger models to appeal to their main clientele. This is the same reasoning behind why there’s more women’s hanfu available compared to men’s hanfu.
However, things seem to be improving as we are seeing more older women participate in hanfu photoshoots and fashion shows. For example, there’s an article here about a 76-year-old grandmother (and former Beijing opera actress) who loves wearing hanfu and has walked in several hanfu fashion shows. Here are some photos/gifs of her:
As you can see from the photos, Ming dynasty-style hanfu is the hanfu style most commonly associated with elderly folks nowadays because of its relatively more conservative design. I personally would love to see them rocking other styles of hanfu as well!
For more photos, please see my senior hanfu tag. And if any followers have additional information/resources, do share!
This is very important, please do not ignore this.
Watch the video till the very end please (the end is when the explosion goes off.)
I live in Lebanon and the fiercest explosion went off in the midst of Beirut today, killing off an ungodly amount of human beings (more and more people are dying as I write this) and injuring up to 5000 people whose cases are immensely critical. Today,, at approximately 6 pm, hospitals were completely torn to shreds, people have been buried underneath fallen buildings, fires have been ignited almost everywhere, blood staining the streets in an excruciating manner, in addition to people that flew and fell to the sea due to the impact of the explosion. And it is certainly worth mentioning the millions upon millions' worth of damages what with buildings and cars and stores. Plenty of people are missing, it's an overall mess that is quite frankly very traumatizing.
What Lebanese people have been undergoing in recent times:
Lebanon has been going through a major economical decline that grows worse and worse by the day. The prices have heightened and the salaries remain the same, scarcely anyone has the capacity of affording basic needs anymore. There has been an unfolding revolution the past year, and the lebanese society has been protesting against the humiliation thrust upon our lives due to our miserable excuse for a government, and though the streets bled with thrashing, screaming citizens fighting for their utmost basic human rights, that caused mere to no change in the way things go around here, in fact, it only made it worse. We're being provided with, metaphorically, a droplet's worth of water and nearly no electricity, a pregnant woman has even passed away recently due to a heat stroke (as there were no means of cooling off)
What caused the setting off of this explosion?
The ignorance, heartlessness, and overall brutality of the government and the people in control.
A critical amount of chemicals (2700 tons of ammonium and other nitrates) were left inside a ship along the port of Beirut, and though the people in charge of this transaction were warned that heat and perspiration have the capability of destroying the whole of Lebanon in ode to a massive explosion, they refused to do anything about it and left the chemicals in there for years on end.
Up until, surprise surprise, the explosion went off and devestated Lebanon almost entirely.
I don't have much followers, and I know that this post isn't going to magically heal what is unfolding in this, priorly gorgeous, magnificent country, but I truly hope with all my heart that you find it within yours to spread awareness on this topic so that it would be more widespread,, so that Lebanon gets the aiding it deserves and the people from outer places slap the 'big bosses' awake, or at least pressure them into resigning, whatever it takes to make this place sufferable, tolerable, somewhere you can picture yourself residing in.
Lebanon is a place of infinite traditions, diversity, creativity, joy, and love. Most of the people here are open-hearted and wholesome. We all deserve far better.
My heart aches for the people that have passed away today, and I shall pray for the ones stuck in hellish suffering.
Love is not a category of relationships. Nor is it something ‘out there’ that you can fall into, or — years later — out of,” explains Barbara Fredrickson, PhD, in her book Love 2.0. “Love blossoms virtually anytime two or more people — even strangers — connect over a shared positive emotion.” Fredrickson, who teaches in the psychology department at the University of North Carolina, Chapel Hill, calls these moments of connection “positivity resonance.” This expansive, science-based approach to love offers us many chances to experience it in the course of a single day. While it’s not easy to set aside the Western idea that true love must be exclusive, lasting, and intimate, we have a lot to gain by letting it go. That 90-second conversation you had with the stranger this morning while walking your dog? If there was eye contact, a sense of connection, and mutual respect — that’s love. Whenever we exchange smiles or friendly gestures with strangers, or take a little extra time to have warm exchanges with people we see every day, those “micro-moments of positivity” change us at the biological level. Princeton University neuroscientist Uri Hasson, PhD, a pioneer in neural mirroring (also known as “brain coupling”), examined brain scans of subjects in conversation. What he found was surprising, Fredrickson writes. “Far from being isolated to one or two brain areas, really clicking with someone else appears to be a whole brain dance in a fully mirrored room.” In good communication, she continues, “two individuals come to feel a single, shared emotion … distributed across their two brains.” The vagus nerve is also involved in forging personal connections. It stimulates the facial muscles necessary for making eye contact and synchronizing our expressions with others; it even helps the tiny muscles in the inner ear better track another voice amid background noise. We appear to be programmed to harmonize with fellow humans. Micro-moments of positivity resonance also improve our health, she notes. “People who experience more caring connections with others have fewer colds and lower blood pressure, and they less often succumb to heart disease and stroke, diabetes, Alzheimer’s disease, and some cancers.” When our hearts are open, love happens. All day.
Laverne Cox and her friend were victims of a transphobic attack three days ago — and not enough people are talking about it and what it means, say transgender-rights advocates.
Cox, best known for playing Sophia Burset in Netflix’s Orange is the New Black, revealed on Instagram that she was targeted while walking in Los Angeles. The Emmy-nominated actress gave a sobering account of the ordeal and the underlying message: “It doesn’t matter who you are... if you’re trans, you’re going to experience stuff like this.”
Trans women of colour are especially vulnerable to hate crimes such of these, with the vast majority of the record-high numbers of trans people murdered for being trans or GNC in the US alone being trans women of colour.
At issue is a legalistic question of whether the 18th-century Alien Tort Claims Act, or Alien Tort Statute (ATS), can be used by foreigners to sue U.S. corporations for gross violations abroad, including ones that violate international law like child slavery. That debate seems abstract on the surface, but it could have major implications for American businesses, whose labyrinthine global supply chains may reach into poor countries with patchy labor conditions far away from corporate headquarters.
The foreigners at the heart of Tuesday’s Supreme Court hearing could hardly be a starker contrast to the nine justices sitting in Washington. Six Malian former child slaves were trafficked to Ivory Coast and forced to work up to 14 hours a day, six days a week, without pay, in the backbreaking harvest of cocoa beans, according to the lawsuit brought on their behalf against the two companies. The lawsuit says they slept on the ground under armed guard to prevent them from escaping. Ivory Coast and Mali supply about 70% of the world’s cocoa beans, including large quantities to U.S. chocolate companies. In October, a report commissioned by the U.S. Department of Labor found that 1.5 million children work on cocoa farms, despite repeated promises over the years by the $100 billion industry to try to root out the practice.
« Most people mistakenly believe that all you have to do to stop working is not work. The inventors of the Sabbath understood that it was a much more complicated undertaking. You cannot downshift casually and easily, the way you might slip into bed at the end of a long day. As the Cat in the Hat says, “It is fun to have fun but you have to know how.”
This is why the Puritan and Jewish Sabbaths were so exactingly intentional, requiring extensive advance preparation—at the very least a scrubbed house, a full larder and a bath. The rules did not exist to torture the faithful. They were meant to communicate the insight that interrupting the ceaseless round of striving requires a surprisingly strenuous act of will, one that has to be bolstered by habit as well as by social sanction. [...]
The Israelite Sabbath institutionalized an astonishing, hitherto undreamed-of notion: that every single creature has the right to rest, not just the rich and the privileged. Covered under the Fourth Commandment are women, slaves, strangers and, improbably, animals. The verse in Deuteronomy that elaborates on this aspect of the Sabbath repeats, twice, that slaves were not to work, as if to drive home what must have been very hard to understand in the ancient world. [...]
What was Creation's climactic culmination? The act of stopping. Why should God have considered it so important to stop? [...] God stopped to show us that what we create becomes meaningful to us only once we stop creating it and start to think about why we did so. The implication is clear. We could let the world wind us up and set us to marching, like mechanical dolls that go and go until they fall over, because they don't have a mechanism that allows them to pause. But that would make us less than human. We have to remember to stop because we have to stop to remember.
The Sabbath provides two things essential to anyone who wishes to lift himself out of the banality of mercantile culture: time to contemplate and distance from everyday demands. The Sabbath is to the week what the line break is to poetic language. It is the silence that forces you to return to what came before to find its meaning. »
— Judith Shulevitz, “Bring Back the Sabbath” in The New York Times
Rolling Stone’s new study shows that “Speak Now“ and “folklore“ are among albums the most listened to in their entirety.
Using streaming data from Alpha Data, the analytics provider that powers the RS Charts, Rolling Stone has analyzed thousands of albums released in the past 10 years to see how completely streaming audiences listen to albums. Each album was given a score based on how equally an album’s streams are divided among its songs. The closer an album’s score is to 100, the more of it the average listener has consumed. Check out the infographic above to see some of the results of the study.
“As we speak, there’s a block of old growth forest that has been felled. There’s a crew in the block and they are yarding the trees out and loading them onto logging trucks.”
Two more Spuzzum Valley cut blocks, auctioned off by the government agency BC Timber Sales, are slated for logging in the near future, said Foy, who has been documenting road-building and clear-cutting in endangered spotted owl habitat in the Fraser Canyon, including in the Spuzzum Valley.
(Pictured: Joe Foy from the Wilderness Committee.)
You can speak up for the Northern spotted owl and its old-growth forest home [ HERE ]
(Learn more about northern spotted owls and their plight here.)
Tom Hiddleston made his glorious debut as Loki in 2011's Thor, which celebrated its 10th anniversary exactly two weeks ago today. Since then, the 40-year-old actor's God of Mischief has gone on a remarkable journey in the Marvel Cinematic Universe, as he grappled with the living in his heroic brother Thor's (Chris Hemsworth) shadow and evolved from villain to antihero. Now, it's time for Loki to step into the spotlight on Disney+'s Loki. Ahead of the six-episode drama's premiere, though, EW asked Hiddleston to take us through Loki's greatest hits.
The audition (2009)
It's well-known that Hiddleston actually auditioned for Thor's titular role. "I remember thinking I should probably do some exercise because Thor is a very athletic character. So I did that, got into his kind of regime and did my camera test, and put on the blonde wig, and swung the hammer," he says. "But I do remember on the piece of paper I signed, it said, 'The role of Thor/Loki.' I thought, 'Okay...' Long-story short: Chris Hemsworth is definitive in the role of Thor. I certainly think so, and the right decision was made on that day. I'm very glad it went the way it went."
Directed by Kenneth Branagh, The first Thor contains the scene that truly set the stage for Hiddleston and Loki's post-Avengers breakout. After discovering he's actually descended from the Frost Giants, Loki confronts his (adopted) father, Odin (Anthony Hopkins), about the deception in a harrowing and transformative scene. "That's the creation, in a way, of Loki's status as a villain, is this intense feeling of marginalization and isolation, [and] that he does not belong, that Thor is not his brother," says Hiddleston. "I'll never forget doing that scene because I had such respect, and still do, for Sir Anthony Hopkins, and suddenly I was having to play tennis with him in a very emotional place."
Marvel Studios President Kevin Feige adds: "There's just so much pain and angst in it. I think that is the moment that Tom really got his hooks into the audience."
The Avengers (2012)
Loki has many memorable moments in The Avengers, but Hulk interrupting the "puny" god's egomaniacal speech and pounding him to the ground is the funniest. "I had a piece of wire tied to my ankle and there was a mat on the floor, which was out of shot, and three of the strongest stunt guys holding the wire at the end behind the camera. The experience being yanked out of frame was one I will not forget in a hurry," says Hiddleston, explaining he was the only one in front of the camera when they shot it because Mark Ruffalo didn't perform the role via motion-capture in that first Avengers film. "For about two years after that, I couldn't go through airports anywhere in the world without somebody kind of going, 'Hey, Mr. Loki, I love it when you get Hulk smashed.' It became a bit of a thing in a fun way,"
Thor: The Dark World (2013)
Loki loves to use his powers to guard himself both physically and emotionally, as seen in Thor: The Dark World when Thor visits his imprisoned brother after the Dark Elves murdered their mother. At first, Loki is smug as always and everything seems in order, but Thor calls him out and the illusion dissipates, revealing that Loki is broken and grieving. "There's this love of their mother that unites these two brothers, adopted or not, and they form a kind of unpredictable and unstable alliance," says Hiddleston. "That scene was really key to anchoring that film in something honest and emotional."
Thor: Ragnarok (2017)
Loki learns nothing hurts like apathy when his brother reveals he's completely given up on him in this pivotal elevator scene from Taika Waititi's eccentric and warm threequel. "I think it really affects Loki. He thinks, 'Oh maybe I got this wrong. Maybe I did have a place in that family. Maybe this guy is my brother.' But it was a really enjoyable scene because it was just a very quiet moment with Chris in a very calm space in a big, colorful, spectacular film" says Hiddleston.
Avengers: Infinity War (2018)
After evading death many times, Loki finally met his end when Thanos (Josh Brolin) crushed his windpipe — but not before delivering a powerful speech in which he accepted all parts of himself, the Frost Giant and the Asgardian. "The redemption of Loki as a character was achieved in that moment of sacrifice and catharsis — that after all this time, after all this journey of feeling marginalized and fueled by jealous rage, he would risk his life to save his brother and call himself an Odinson. And I saw this perfect closure in a way," says Hiddleston. "I remember Josh Brolin could not have been sweeter. He was so generous. I walked into the room and he turned around and saw me come in, and just broke into this big wide smile, and opened up his arms, and enveloped me in a big hug and said, 'I'm sorry, man.'"
Avengers: Endgame (2019)
But Infinity War wasn't the end for Loki. Hiddleston appeared as the Avengers-era version of his character for Endgame's time heist. "It was really enjoyable to go back to this version of this character that I played before all of the evolution with those actors who I got to know so well and we'd all been on this journey together," he says. Of course, that Loki ends up stealing the Tesseract and disappearing, setting the stage for the Disney+ series. "Where does he go? When does he go? How does he get there?"
"If you've seen the trailer for Loki the show, you will know that Loki finds himself face-to-face with the TVA, the Time Variance Authority, who are an organization within Marvel Comics that govern the order of time," Hiddleston says. "I suppose Loki picking up the Tesseract in Endgame might have caused some concern. It is very exciting. The world of the TVA is a world of bureaucratic order, and of course Loki is the God of Mischief and Chaos. So you have the forces of order and chaos coming together, and that's where our story starts."
Bonus moment: Thor: The Dark World (2013)
At one point in the Thor sequel, Loki shape-shifts into Captain America, with Chris Evans making a cameo, while he and his brother escape Asgard. However, there's a version of that scene in which Hiddleston actually puts on the star-spangled hero's costumes himself. "[That] was a very strange and surreal moment, nevertheless enjoyable. So I got to feel whatever the feeling of wearing that suit [is], which is definitely a moment," Hiddleston recalls. "Then, they played that footage to Chris, and he did his best impression of me doing an impression him, and he does it brilliantly." High-praise from the God of impressions.
« Everyone should sometimes write by hand, to recall what it’s like to have second thoughts before the first ones are completely recorded.
Human beings have long wanted our technologies of writing to approximate as closely as possible the speed of thought: from writing on clay, to writing on paper, to writing some version of shorthand, to typing on a typewriter, to typing on a computer’s keyboard, to dictating to voice-recognition software — each technological development asymptotically approaches falling into step with our thinking. Rarely is the possibility considered that thought moves too quickly, and that matching our writing to the pace of the body’s movements may yield something, well, more thoughtful. »
— Alan Jacobs, “Attending to technology: Theses for disputation” (x)
Daniel Dae Kim And Randall Park Team For Asian American-Led Heist Film At Amazon Studios
EXCLUSIVE: Daniel Dae Kim and Randall Park are going from polar opposite love interests to Ali Wong in Always Be My Maybe to teaming up for the ultimate plan to snatch some loot. The duo is partnering for an untitled Asian American-led heist film that will be penned by screenwriter Young Il Kim, who has worked on Showtime’s Billions wrote the Black List script Rodham. Several studios and streamers were thirsty for the pitch, but after a heated bidding war, Amazon Studios came out on top to acquire it.
The logline is being kept under wraps but what we do know is that it will be loosely focused on a reunion of high school friends who come together in a nod to the classic, fun ensemble heist films.
“I think it has nods to Ocean’s 11, The Full Monty as well as Better Luck Tomorrow,” Kim tells Deadline. The original story came from an idea that Kim, Park and 3AD’s Head of Development John Cheng brewed. It will be led by Park and Kim who will assemble an ensemble made up of primarily Asian American actors. Kim added, “It’s a story that kind of highlights community, friendship, unity in a very familiar genre that people I think will enjoy.”
"Despite the widening celebration of self-love and body positivity that she encountered on social media when she joined Instagram in 2018, “there’s still a lot of pressure to look a certain way” in film and television.
The Lovecraft team understood what they had in her. Mosaku, who is wild about fabric and loves to sew, reflects that she “felt really beautiful on Lovecraft,” giving props to costume designer Dayna Pink for her selections. Off-set, without elaborate hair and makeup assistance, her aesthetic is streamlined. “Day-to-day, I feel most beautiful wearing some skinny jeans, a little sweatshirt, and an African head wrap with my glasses, maybe a little bit of lipstick and blush, and some hoops. Especially when I’m on my bike. I don’t know why, but when I’m on my bike I feel on top of the world. That is when I feel most myself.”
Lovecraft creator, writer, director, and executive producer Misha Green praises Mosaku’s versatility, one possible explanation for the parts that keep coming her way. “The role of Ruby was easily one of the most complex and dangerous roles. It required an actor who could be sexy and confident yet vulnerable; someone who is a bit jaded by life, but also an ingenue introduced to a world of magic where anything is possible, even her darkest fantasies. Wunmi threaded all of those complicated layers seamlessly from her first audition—where she left both Jurnee Smollett and me in tears.”
FYI this isn't because Nestle and Cargill are innocent, but because of the watering down of laws surrounding corporate human rights violations overseas. The law wasn't strong enough, basically. Capitalism flourishes due to neocolonialism and human rights violations like this. Rarely can you stand up to it, even through the law. Fuck Nestle and Cargill, but far more, fuck the system that created them and embraces child slavery as a necessary evil in economic development.
I've posted about this case before; here are more details on the lawsuit.
Sam Wilson, formerly known as Falcon, recently stated to the press that he is “The new Captain America.” When asked for comment on the possibility of Ikaris becoming the new leader of the Avengers, Sam Wilson said, “Did I fucking stutter?”