Pt 4 - Drunk words are sober thoughts.
✩ Theodore Nott x Reader
Summary: The one where Pansy organises a dinner party, you’re on the run from Theo, and bad decisions are made. Alternatively: Uncomfortable awkward tension, then smut.
A/N: We aren’t out of the trenches yet. We’ve only dug ourselves deeper with this one.
REQUESTS ARE OPEN.
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MDNI!
Tags: Smut (duh),Drunk sex, PIV, Hair pulling, praise.
Songs: Love survive - Michael Nau
Star Treatment - Arctic Monkeys
The sun filters through the cracks in the blinds, casting an almost heavenly glow on your bed. The warmth was soothing, and you’d almost call it a very peaceful morning.
That is, of course, if you weren’t woken by Pansy yanking the covers off you, tossing them to the side.
You groan sleepily, rolling over as you try to shield your eyes.
“Oh come on! Merlin, you've been asleep for so long! Everyone else is up! I refuse to let you spend all holiday rotting in bed.” She nags, grabbing your arm as she tries to pull you up. You let your body go limp, the dead weight pulling you back onto the bed as you use your free hand to pull a pillow over your head.
“You know Pansy, have you ever considered my idea of a holiday is sleeping in all day?” You mumble and she tuts, grabbing the pillow from you.
“Nonsense. I’ll kill you if we don't make the most of this.”She admonishes, faffing around you like a mother hen as she walks around your shared room with Theodore (who notably wasn't there, his bed made.) She opens your closet and takes the liberty of choosing you an outfit as she flicks through your clothing, speaking again.
“We're going to celebrate the start of this beautiful Holiday I have so kindly provided us with. We’re making dinner and having a small dinner party. Nice clothes, naturally. Mattheo, Lorenzo and Theodore will be making the starters, and Draco, Blaise and I will be making the main, which means you’re in charge of dessert. Consider it a penalty for waking so late.” Pansy explained as she crouched down to sort through your other clothes.
You grumble, muttering childishly under your breath as you sit up, on the edge of your bed as you come to your senses.
“I'm putting poison in yours.” You half-joke, and she isn't phased as she tosses you a floral white sundress and a handful of jewellery. You dodge the assortment of gold sent towards you and you glare at her.
“There. You’ll have to change for dinner but this is good for now. We’re all downstairs, but I sent some of the boys to fetch the ingredients. Chop chop!” She calls out, as she descends down the stairs.
Pansy. She truly tested your patience.
You manage to drag yourself up from the warm confines of your bed as you head over to the bathroom, going to take a shower. You walk past Theodore's bed as you do so, and you see his copy of Little Women lying on his bedside table. Curiosity tugs at you.
It would be bad to take a peek, right? I mean, he did hand it to you that day in the library. Granted, he took it back right after, but surely that implied you could take a look.
You (rather weakly) justify your decision and pick up the book, thumbing through the pages as your eyes scan over the various annotations and underlined passages Theodore had analysed.
One in certain catches your attention. There, messily underlined, is the quote:
“Watch and pray, dear, never get tired of trying, and never think it is impossible to conquer your fault.”
Followed by “No. 4” scrawled in Theodore's handwriting. You frown, confusion etched on your face as you try to decipher what the four could possibly mean. You flick through the rest of the book, trying to spot any other instances.
“You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.”
No. 7
I've loved you ever since I've known you, Jo, - couldn't help it, you've been so good to me, - I've tried to show it, but you wouldn't let me; now I'm going to make you hear, and give me an answer, for I can't go on so any longer.
No. 5
You couldn't seem to find any rhyme or reason for this labelling. It was simply random parts of the text underlined every now and then with a number next to them, as though some sort of list. Your curiosity gets the best of you, and you're itching to look for more when the sound of footsteps coming up the stairs snaps you out of it. You quickly shut the book, placing it back down as you grab your dress and towel, dashing into the bathroom. You just manage to lock the bathroom door when you hear the door to your room click open, and you let out a small breath of relief. Your mind is working tirelessly, trying to decipher the cryptic annotations as you take a shower.
You finish off and get dressed in the bathroom, taking your time to avoid Theodore. By your luck, when you unlock the bathroom door and peer out the small gap, Theodore is not there, and you let out a small sigh as you step out.
You put on the jewellery Pansy set out for you and slip on some socks, combing through your wet hair as you dry it lightly. Satisfied with how you looked (you did feel rather pretty, in all honesty), you make your way downstairs.
The kitchen is empty, save for Blaise putting the groceries away into the fridge. You grin as you walk over to join him, his eyes flickering over to you as you walk in.
“Morning. You got your rest, didn't you?” He teases and you shoot him a mocking smile, rolling your eyes.
“Yeah yeah, make fun of me all you want.” You sigh as you reach for the second bag, helping him put everything away.
“Where is everyone else?” You ask.
“Pansy and Lorenzo went out to get drinks, and I'm pretty sure the rest found some sort of creek or something so I think they went out for a swim,” Blaise says and you hum, nodding.
Come to think of it, you had completely forgotten about the rather surprising development between Blaise and Pansy. You and Lorenzo had bet on it as well. Deciding to pay Pansy back the favour, you begin probing into their little dilemma.
“So Blaise, tell me. What's going on between you and Pansy?” You ask, and he chokes on the coffee he was sipping as he sets the cup down. You open one of the cupboards, storing away a packet of pasta as he looks at you.
“What do you mean?” He responded, and a small grin tugged at your lips.
“Oh come on, don't act all shy now. This whole flirting thing you have going on.” You say, vaguely motioning in his direction as you put some fruits in the fruit bowl resting on the kitchen island.
“There's nothing. Just friend.” He denies, and you turn to him, resting against the island.
“Sure. Just one thing? You're both stubborn fools. Don't let that prevent anything.” You advise, looking at him. You grab an apple, tossing it into the air before catching it as you walk past Blaise, patting him on the back.
“Right now, out. I need to start prepping the dessert.” You say, and for the first time in your life, you see Blaise ever so slightly red.
He playfully grins as he walks out, and you tie your damp hair up as you look through what the boys bought.
You settle on a classic after taking note of the copious amounts of cream cheese the boys had bought (You were reminded to never ever ask them to go shopping, and you'd be sure to remind Pansy the same.)
A salted caramel cheesecake. You decided to make the biscuit base yourself - it would serve as a good way to pass the time seeing as you had the whole day to yourself.
Before you begin cooking, you wander over to the living room. Your eyes settle on a collection of vinyl records in the corner, and you sift through the sleeves, settling on one that doesn't look immediately terrible.
You carefully place the vinyl onto the turntable, the soft crackle of the needle hitting the record filling the room. The sound of a smooth jazz melody starts playing, creating a cosy atmosphere in the kitchen. As the music envelops the space, you begin gathering the ingredients for the biscuit base.
You preheat the oven and begin making the biscuits, sifting flour into the bowl as you work. It's surprisingly relaxing, the villa is empty and you're left to your own devices, humming along to the music as you bake. Sure, you definitely weren't the cleanest baker. A simple biscuit recipe had left you with a white powder coating over the kitchen, stacks of bowls in the sink and somehow, flour on your clothes as well. You huff, dusting down your dress as you place the haphazardly shapen uncooked biscuits into the oven. It didn't matter whether they looked good or not - you'd be crushing them anyway.
It only takes about 15 minutes before the delicious aroma of vanilla fills the kitchen, You're admittedly pleased at just how good they smell, and you can only hope they taste as good as they smell.
Whilst those finish off, you begin making the actual filling of the cake. You reach for one of the bowls when a certain song begins playing, your ears perking up at the sound.
“This is my conquering song
played on a wave so strong
pulled the broke-down ride for far too long”
You lightly sing along to the lyrics, a small smile tugging on your lips as you do so. You had always imagined this song to be blissfully domestic, something you'd willingly play if you were to cook or bake, so the fact you selected it by chance made you oddly happy.
Sometimes it was the little things that count.
With a little pep in your step, you walk around the kitchen as you gather the ingredients. Liberated by the villa having no other occupants, your movements are freer, a small little (unnecessary) spin or a little break to sing along as you cook.
Now, it had been long established that you really did not have the best awareness of your surroundings. This continued to be the case now because you were sure you would have stopped immediately if you had seen Theodore leaning against the doorway of the kitchen, looking over at you.
Unfortunately for you, you did not notice him.
Theodore leans against the doorway, his eyes fixated on you. They always would be, he couldn't not look at you even if he tried to.
A fond smile is tugging at his lips, watching as you lightly sing along to the song. It's offkey, and your impromptu dance moves incorporated with your haphazard baking skills is laughable, but Theodore can only look at you and feel simultaneously so happy yet also so terrified. Terrified because he acknowledges how such a simple sight can't get that smile off his face, and the fact someone has the capability of doing that to him seems daunting. He was scared because, for a brief second, he imagined walking over and helping you. You'd look up at him with that smile of yours.
God, that smile.
You have that little impish look in your eyes, ready to poke fun at him. He does the same with you. The worst thing is if he hadn't fucked up so royally, you could have been doing that.
Instead, he pushes off the doorway to go and help you. The first part goes as expected, you see him and you yelp, spinning around. He knew your ears would turn red, as they usually did when you got embarrassed. Theodore knew you like that.
He knew you'd look at him akin to a deer caught in headlights because your mind would go blank for a second. Theodore knew you like that.
He also knew you well enough to know that, despite his own hopes of your once confused and mortified face breaking into a wide grin, it would instead fall and you would avert your eyes.
Theodore knew you like that.
He hated it.
“Oh. Hey.” You utter, clearing your throat. You berated yourself for always acting so obviously on edge when Theodore was near. He looks down at you with an indescribable look in his eyes before he speaks.
“Hey. Need help?” He asks, and you look around at the messy kitchen, before shaking your head.
You actually did, but you'd be damned if you had to spend more time with Theodore, alone. You'd either end up dead silent or stammering some embarrassing declaration. You couldn't tell which one would be worse.
“Alright.” He mused, looking down at you. He doesn't make any move to leave though, and you're hyper-aware of the fact that he is very close to you.
His hand comes up, cupping the side of your face gently as his thumb brushes against your cheekbone. His hand is there for a second too long, crossing the boundary of what it should have been. Again, it seemed as though everything you and Theodore did crossed that boundary.
“You had flour on your cheek,” he says, and you nod, drawing away your face. You turn around, praying to the gods above that they'd stop torturing you and make Theodore leave. You keep your back to him as you continue cooking, and he seems to finally leave, making you release a breath you didn't know you were holding.
You hasten your cooking after that and you're out of the kitchen in no less than 20 minutes with the cheesecake stored in the fridge as you make your way to Pansy’s room. You absolutely would not go back up to yours, as you were sure Theodore was there.
Exactly how long did you plan on running from him?
Hours have passed lazing away on Pansy’s bed, bored out of your mind when she finally returns.
“Finally.” You sassed, sitting up as she raised a brow at you.
“Why are you waiting here?” She asks, and you shrug.
“Can I not miss my friend?” You quip and she eyes you, knowing there must be another reason. She chooses not to probe further, however, joining you on her bed.
“We ought to get ready. I did tell the boys to dress nicely, we’re dignified people.”She chided as she got up, walking over to her closet.
You giggle at her swift change of actions and lean back on her bed, looking over at Pansy.
Her love for micromanaging you often was a negative, but now it could very much be a huge positive.
“Pans… You always know just how to style me right. Can you run up to my room and choose a look for me? I'm hopeless.” You groan, putting your hand on your chin in an exaggerated display of hopelessness. Her eyes light up, as though she was a little kid playing dress up, and she nods.
“Finally, you've come to your senses! I know exactly what I'm getting, wait here.” She gasps, scampering upstairs. You grin, having successfully avoided Theodore once again.
(The answer to the previous question? You'd run from him for a very long time, seemingly.)
Despite her reassurances, Panys arrives a solid half an hour later, a scarlet lace dress clutched in her hands. An impulse buy, the dress was shorter than what you usually wore. It had a fitted bodice but a flowy skirt, though it only reached your upper thigh. The long sleeves that extended down into flowy bell sleeves had to be your favourite feature of it, alongside the bustier style bodice at the front. She grins as she passes over the dress, alongside a pair of black boots.
“Dressed nicely but not too fancy. Plus I've been dying to see you wear this, so up and change.” She demands, pushing you up. You grin lightly at her antics as you take the dress, disappearing into the bathroom to change. You run your hands down your body as you admire yourself in the mirror. A hell of a good impulse buy, the dress looked incredible. The low cut was far out of your comfort zone but boundaries were meant to be pushed, right?
(No, they were not.)
Pansy gasps as you step out, pulling you over as she admires the dress, words of praise leaving her lips.
“You look so good! Oh my god, wear this everywhere.” She gushes, and you smile shyly.
“Thanks, Pans. Really. And you look incredible too, like positively mouthwatering,” You say and she grins, doing a small twirl in her satin black dress. After styling your hair and doing some light makeup, you make your way over to the dining room, which had already been set up beautifully.
The table, adorned with a crisp white tablecloth, is set meticulously with polished silverware, crystal glasses, and porcelain plates. A centrepiece of fresh flowers in varying shades of red and white adds a touch of elegance, their fragrance mingling with the soft glow of candles placed strategically around the room.
Pansy's attention to detail is evident in every aspect of the setup. Delicate linen napkins, folded artfully, rest atop each plate. You begin to feel excited for the evening, walking over to the kitchen as you look for everyone else. Theodore, Lorenzo and Mattheo are all in the kitchen, sorting panicking over the starters as they rush around like headless chickens. You step in and Lorenzo spots you, a wide grin breaking out on his face.
“Wow wow wow. Look at who we have here.” Lorenzo says admiringly, calling over the attention of the other two boys. You grin, ironically doing a small little pose to shake away the awkwardness of their gazes on you.
“Stunning!” Mattheo announces, slinging an arm over your shoulder as he ruffles your hair. You groan with disdain as you jab him in the side.
“Ow!” Mattheo complains, letting go as he frowns, rubbing his side.
“The bloody devil, you are.” He mumbles, glaring at you, A small laugh escapes your lips.
You affectionately pat him on the cheek, before turning to Lorenzo.
“What do you need help with?” You ask them, and Lorenzo shakes his head.
“Nothing. You go and rest, we’ll come serve them soon.” He says, and you nod.
You've been avoiding Theodore's gaze the whole time you've been in here, but you stupidly can't resist looking up at him and instantly regret it when he staring at you so intently. His eyes meet yours and he seemingly snaps out of it, swallowing harshly.
You quickly walk back to the dining room.
A solid 4 hours or so later, you're all lounging in the living room, stomachs full with what was a surprisingly good meal. Whilst the starters were good, Blaise, Pansy and Draco had really knocked it out of the park with the main, a mouthwateringly good risotto that you helped yourself twice to. The cheesecake seemed to be a crowd-pleaser though, with Draco having three slices.
With a glass of whiskey loosely held in your hand, you take a sip, leaning back into the couch. Whilst you tried to fit the aesthetic and sip some wine, you couldn't bear the taste and (truthfully) wanted to get drunk tonight.
It was a lazy and subdued atmosphere, and you didn't even notice Pansy, Blaise, Draco and Mattheo all retiring back to their rooms. You yawn as you get up, stumbling slightly (you had drunk quite a bit actually). You sleepily bid goodnight to the remaining two ( as vaguely as possible because god forbid you say Theodore's name) and make your way upstairs (in one piece.)
You walk into your room and kick off your boots, wandering over to your bed as you begin taking off your jewellery. You look up a mere few seconds later when Theodore walks in, seemingly equally as drunk as he looks at you. He shuts the door, yawning as he pulls off his knitted jumper, leaving him with his white t-shirt on. He throws his sweater somewhere to the side as he flops down onto his bed with a sigh, rummaging through his pockets as he produces a lighter. You can't help but openly stare at him as he does so, alcohol freeing you of what little inhibitions you had.
Something about the sight of Theodore laying on his bed, lazily smoking a cigarette with his slightly messy hair and those damn eyes….
You could see his muscles shift every time he brought the cigarette up to his lips, and you didn't realise smoking could be so erotic.
For some awfully stupid reason, really I mean, you had to question your own sanity, you get up, walking over to Theodore. You're alarmingly quiet as you approach him, and don't say a word as you stand there. His eyes flicker up to you, and suddenly you realise:
Alcohol + tension + two rash people
Is not a very good mix.
You reach down, plucking the cigarette from his fingers. Theodore observes you with a small smile, those sinful eyes of his boring into you as you take a drag, before passing the cigarette back to him.
“He was right,” Theodore says after a second, looking up at you, You tilt your head. If you were already slow at making these connections, the alcohol only made it worse.
“Hmm?” You hum.
“Mattheo. You did look stunning today.” Theodore says, voice low.
Instead of doing what you usually did (some awful combination of looking away, panicking or just remaining quiet), a lazy smirk tugs at your lips as you look down at Theodore.
“Yeah?” You question, and you're 100% sure you watch his eyes flicker down to your lips.
Theodore's eyes widen slightly, a mix of surprise and excitement flickering across his face as he absorbs your murmured words.
Tentatively, as though testing the waters, he sits up, back propped up against the headboard as he looks up at you. His hand tugs at the sleeve of your dress, pulling you down, His hand rests on the curve of your hip, massaging light circles, and you go dizzy at the feeling.
You make no effort to move.
Rather, in a bold surge of confidence that quite literally materialised from nowhere, you swing your leg over Theodore's lap, straddling him. His hands immediately find their place on your hips, as though they're meant to be there, and he's looking at you through half-lidded eyes.
You knew this was a bad idea, but the alcohol spoke prettier words than your rationale did.
“You certainly know how to make an impression.” He murmurs his fingers trailing lightly along your thigh. You resist the urge to shudder at his touch, goosebumps erupting on your skin as he touches you. You lean closer, admiring the features of his face as you speak, mere inches away from one another.
“Well, I had someone to impress.” You say. He lets out a small, wry laugh, though he's far too consumed with looking at you.
Close the gap. Do it.
You do.
With a surge of hunger, your hands fist his shirt, pulling him in. His hand cups the back of your head as he meets your lips in a passionate kiss, mouths melding together. He holds you tightly, his grip both possessive and comforting at the same time.
The bulge of his clothed cock presses against your wetness, grinding against you with a desperate need. A small meek escapes your lips and it’s as though Theodore immediately swallows the sound, tongue slipping into your mouth as you continue to make out. It’s simultaneously lazy yet desperate - hungry.
"Fuck," Theodore murmurs against your lips, his voice laced with desire. "You're driving me insane." He mutters, trailing open-mouth kisses down your jaw and neck. You moan, arching your back as you tilt your head back, giving him easier access. He wastes no time in sucking and kissing the delicate skin of your neck, tongue soothing the places he nips at you, your skin blossoming red and purple.
His hand trails down your body, his fingertips tracing along the swell of your breasts. A low groan escapes your lips, hands coming up to thread through his hair. You tug lightly and feel him smile against your neck. With deliberate slowness, he undoes the lace on the back of your dress as he continues to press sloppy kisses to your skin, undoing the top as he tugs it down. He pulls back, eyes hungrily taking in the sight.
He flips you over with alarming ease, pinning you down onto the mattress as he hovers above you, holding your hands down by the side of your head as he begins kissing down your neck to your breasts.
“Beautiful.” He murmurs, large hands coming up to cup one of them, the other holding your hands in place. He squeezes one of your nipples, pinching the bud lightly between his fingers as you gasp, arching off the bed. The sound is music to his ears, and he grins, his eyes remaining on you as he leans down and takes the other one into his mouth, tongue running over the sensitive bud as he pulls away, blowing lightly.
The contrast sends you into a haze, and a whimper escapes your lips. Theodore wants to devour the sound, he simply can’t get enough.
“Do you know how fucking long you’ve been on my mind?” He mutters, voice laced with desperation as he leans back down to kiss you, bulge grinding against your clothed cunt in a way that had you desperate for more. You can’t even formulate a response, because you’re all too consumed by Theodore. Everything about him.
He sits up slightly, hands resting on your thigh as he runs his hands up and down, his fingers disappearing under the hem of your dress.
You feel his fingers brush against the damp spot on your panties and swear that Theodore Nott will be the death of you.
Seemingly satisfied, a small smirk tugs at his lips, observing your reactions as he slowly pulls them down. He throws them to the side, and words cannot describe the look on his face as his eyes hungrily rake over you.
You needed him, every bone in your body ached with a visceral need for Theodore. Your hands come down to his belt, tugging at the buckle as you look over at Theodore, eyes glazed over as you were driven mad with your need for him.
He undoes his belt, the sound of the metal buckle clinking as he throws it onto your bed, unzipping his slacks. You can make out the bulge of his erection against his boxers and your heart skips a beat. You’re filled with this primal need to just have Theodore, you need as much of him as physically possible.
You tug his boxers down, freeing his strained erection from its confines. You swallow harshly at the sight of his cock, the tip glistening. You lean up to meet his lips in a kiss, your hands wrapping around his length as you give him a single jerk. You suddenly realise why Theodore was kissing you the way he was because the low groan that escaped Theodore's lips had you mad for more.
“Look at what you’ve done to me.” He murmurs, pushing you back onto the bed. He hiked the skirt of your dress up over your hips, eyes straying down as he spoke.
“You’ve unravelled every thread of control I have.” He says against your lips, teasingly running the head of his cock between your folds. A low moan escapes you, desperately seeking more friction.
“I’m going fucking crazy for you. I ache for you every second of the fucking day.” He mutters, and you pull back from the kiss, looking up at him.
“You have me now.” You respond.
His lips surge forward and meet yours in a kiss with renewed intensity, slowly thrusting into you.
You both let out a collective low groan as he slowly thrusts into you, and you can feel every inch of Theodore within, stretching you out so good you feel as though the simplest movement would split you open. A plethora of gasped curses escape your lips, but Theodore silences them instantly, coming down to kiss you deeply. He buried himself inside you fully, savouring the way you stretched to accommodate him, clenching tightly. He gives you a second to adjust before slowly pulling out. He rocks back in again, his moments slow and measured, but strained as though it’s taking every inch of self-restraint to not ravage you there and then.
“More. Don’t be nice.” You moan, and Theodores swears he won’t ever be the same again. One look at you, hair splayed out against the mattress, your back arched off the bed. It’s a sight he’d never forget.
“Don’t say shit like that. I’m already close to losing it.” He utters, voice strained as his hand grip your hips harshly, surely leaving imprints.
“Good. Ruin me.” You whisper, a fucked-out grin on your face.
Theodore groans, pulling out slightly before slamming back into you. You gasp, cursing as your hands grip Theodore's sheets. He sets a ruthless pace, fucking into you hard. The sound of skin slapping against skin fills the room, though you’re sure it had to be muffled by the moans leaving your lips. It was only then that you were thankful for having a room all the way on the top floor. You both were too drunk to realise Muffliato did exist.
“God, you’re so fucking tight. Taking me so well. It’s like you were fucking made for my cock” Theodore groans, leaning down to capture your lips in a kiss. Your hands come up, running along his back as you lean up (to the best of your ability) to meet him in a kiss.
Theodore's forehead presses against yours, breaths mingling as he shifts slightly, before thrusting back into you. You can feel every inch of his cock brush against your walls, and you can’t help the pathetic plethora of moans and whimpers escaping your lips when he brushes against that spot, stoking a fire in your stomach.
“Theodore- Fuck! ‘m gonna…” You babble, and he lazily smirks, slowing down slightly as one hand tangles in your hair, tugging at it lightly. He experimentally plays with it for a second before harshly tugging your hair, eliciting another moan that felt like it came from the depths of your body, the line of pain and pleasure blurred.
“Hmm? You’ll have to speak up.” He hums, teasing you with shallow, slow thrusts.
You let out a whimper at the loss of contact, frustration gnawing at you as you look up at Theodore.
“Fuck, stop being such a tease. Please just..” You whimper, trailing off and he tuts, his grip on your hair tightening slightly as he forces you to look up at him.
“You have to tell me what you want. I don’t speak in half sentences, sweetheart.” He says, voice laced with an almost animalistic pleasure.
You groan, nails digging into Theodore's back as some slight form of retaliation.
“I’m gonna cum- please.” You say, breathlessly, and a small smirk tugs at his lips, his hand loosening its vice-like grip from your hair as it trails down the side of your face, his thumb running along your bottom lip.
“Good girl. Since you asked so nicely,” He muses, no longer teasing you with shallow thrusts as he wastes no time slamming back into you, cock brushing against your cervix. You moan, eyes rolling back as the heat in your stomach rises rapidly; the sensation of Theodore fucking into you was pure perfection.
“Theo…” You moan, breathlessly. He responds to you moaning his name with a harsh snap of his hips, nails digging into your hips as he grabs them tightly.
“Say it again.” He grunts, his thumb coming down to rub harsh circles against your neglected clit, sending a surge of electricity through you.
“Mmm- Ah, Fuck- Theo-“ You moan, and you’re sure you would have done it without him even asking.
“You close? Gonna cum on my cock?” He groans, and you’re sure you’ve become mush because you can’t respond, can’t think, your mind and body reduced down to one simple thing.
Theodore. Theodore, Theodore, Theodore.
You teeter impossibly close to your climax, nails scratching down his back. The sheer ecstasy was too much, and you felt like you couldn’t handle it but also like you needed more and more.
His eyes take over you, as if even though you're both inebriated, he tried to commit every little detail to memory, the way you moaned, mascara streaked around those eyes of yours.
His thrusts grow more intense, fingers working their magic against your clit as he brings you to your release. His relentless thrusts push you close to the edge over and over again,, eliciting a strangled moan from your lips as you feel his thrusts become sloppier, indicating that he was close. With what little strength you have left you wrap your legs around him, pulling him closer as his lips descend down onto you, ravishing you with messy kisses. It takes one last thrust for you to be sent hurtling over the edge, a cry of pleasure escaping your lips as your orgasm crashes through your body with frightening force. Your walls clench around Theodore's cock, eliciting a low groan from him as he chases his own release, eyes never leaving yours.
It’s positively sinful, but he’s sure he’s never seen a prettier sight.
“Fuck-“ He grunts, his movements becoming erratic as you feel him twitch inside you. your legs don’t give in, though you’re surprised you have the strength as the rest of your body convulses with the sheer intensity of your orgasm.
“So fucking perfect.” He gasps, and with one final thrust, he stalls, burying himself deep inside you as he groans, hands momentarily tightening their grip on your hips before relaxing slightly. He utters your name with reverence like a sinful prayer, coming down to press lazy kisses to your lips as he releases deep inside you.
You reciprocate the kisses, and embarrassingly whimper at the loss of contact as Theodore pulls out of you, collapsing down next to you. You’re both breathless, panting as you come down from a high you've never experienced before. The post-orgasmic haze lingers over you, making you feel impossibly sleepy. Your eyes flicker over to Theodore and it’s evident that he feels the same. Your eyes widen slightly when you see the red spattering along his neck, not realising when you had done that.
In any other situation, you both wouldn’t have done this in the first place. But the effects of the alcohol had you both giving into temptation, and you didn’t fully comprehend just how badly you both had fucked up.
You roll over, pressing a teasing kiss to the hollow of his throat as he tugs the blankets over the two of you, an arm wrapping around your waist as he pulls you into him. He rests his face in the crook between your neck and your shoulder, pressing a light kiss to your shoulder with an arm wrapped around your waist. You let out a small sigh of contentment, wrapping an arm around him as his hand massages your back and side lightly, the tender feeling sending you further into that sleepy state. The sheets smell of Theodore, and you find yourself (as you often did) consumed by him.
You and Theodore both fall asleep in each other's arms, holding onto one another as the night passes by.
You had fucked up, truly.
If only you knew the consequences your actions would bring in the morning.
You couldn’t even blame it on the alcohol, for it was a known saying that drunk words are sober thoughts.
The same undeniably applied to actions too.
@llpovi @camille-1019 @lovelyygirl8
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beyond the unending night (reader + satoru gojo)
notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.
contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.
please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.
wc: 21,883
read on ao3 (account required) || playlist
Please tell me what happened in this night.
It's like the cat inside the box.
Please tell me what happened in this night.
You don't know if the cat in the box is dead or alive.
Please tell me what happened in this night.
The cat in the box was dead.
The first time, it is instant— you don’t even know what’s happening.
The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.
The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.
The fourth time you realize what’s going on; what’s really going on.
You realize you’ve been dying.
You think your head is going to explode.
At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.
There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.
It’s the night of October 31, 2018— Halloween in Shibuya.
For the eighth time.
Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—
Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.
Your corpse— lifeless on the ground.
Your corpse— burning to ash.
Your corpse— bleeding out.
You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.
There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—
The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.
Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—
The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.
Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.
It’s too late.
You die an eighth time.
You think your chest is going to explode.
At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.
There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.
It’s the night of October 31, 2018— Halloween in Shibuya.
You think it's the ninth time now.
Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—
Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,
and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.
Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.
“...hey,” you say softly.
Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”
If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.
You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.
Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.
Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?
“We have to get out of here,” the woman says. “Before they kill us.”
Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.
People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—
The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.
The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—
“Help! Help!”
It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.
And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.
Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.
You can’t save her.
There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.
You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.
It's too late.
You die a ninth time.
It’s October 31, 2018— Halloween in Shibuya.
This is the tenth time.
Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.
For now.
She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.
“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.
The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.
“Do I… know you?” she finally asks when you don’t say anything.
Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.
If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.
You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”
She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.
“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.
“Sorry,” you blurt out before you can stop yourself.
“For?”
For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”
She laughs. “It’s okay.”
It’s not.
You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.
You don’t.
“Stay safe, okay?” you say. It almost sounds like you’re begging.
She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”
“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.
You die for the tenth time.
It’s October 31, 2018— Halloween in Shibuya.
This is the fourteenth time.
There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.
Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—
You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.
At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?
Maybe you really are becoming numb to all this.
Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.
Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.
You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.
It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.
“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.
There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.
“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”
You die a fourteenth time.
It’s October 31, 2018— Halloween in Shibuya.
This is the seventeenth time now.
Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.
You have to make the most of each and every death.
It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.
The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.
This is borderline horror.
Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.
And this, you’ve found, is where you start to get in trouble.
You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.
He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.
You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.
You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.
You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.
Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.
You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—
With a feral and sadistic smile, he rips their eyes straight out of their skull.
Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.
There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.
The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.
But you do.
Satoru Gojo.
You make sure to remember that.
It’s October 31, 2018— Halloween in Shibuya.
And this is the eighteenth time.
You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.
It does not work.
Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.
He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.
No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.
But not you.
Especially since you’ve made it this far— you’ve never made it this far before.
A voice echoes throughout the platform; you realize it’s the automated announcement.
An eight car train is pulling in. Please wait behind the yellow line.
You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.
All you feel is dread.
It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.
No.
You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.
It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.
But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?
The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.
The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.
You.
Hope is gone.
What do you have left?
You die for the eighteenth time.
It’s October 31, 2018— Halloween in Shibuya.
This is probably the twenty-sixth time now.
If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.
Whether you want it or not.
You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.
With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.
You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.
The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?
With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.
You need to get up those stairs.
Now.
If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.
The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.
But you trip.
And you die for the twenty-sixth time.
It’s October 31, 2018— Halloween in Shibuya.
This marks the thirtieth time.
And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.
A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.
That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.
Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.
It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—
A thought hits you like an eight car train.
You were supposed to meet up with your friends.
That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.
You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.
Did one of them maybe make it here though? Surely, you would have run into them if—
The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.
Would you even have a choice?
No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.
That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.
You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.
You press your forehead to the screen, like a prayer, like a promise.
You will make it out of this nightmare.
No matter what.
A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.
It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.
You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.
The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.
And you’ve had to swallow that pill thirty times now, so what’s once more?
“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.
“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”
There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.
“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”
You have a bad feeling about this.
Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.
Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?
An eight car train is pulling in. Please wait behind the yellow line.
It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—
It dawns on you that the people on the platform are the monsters' first course.
And you, and those around you here in the shrubbery, are the second.
As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.
You die for the thirtieth time.
It’s October 31, 2018— Halloween in Shibuya.
You've done this nearly sixty times now.
After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.
If anything, you can try again later, but you sincerely hope you don't have to.
It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.
You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.
You don't need to watch, but there's something in you that wants to.
It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.
The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.
When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.
He's a terrifying sort of beauty and you can't help but be captivated by him.
An eight car train is pulling in. Please wait behind the yellow line.
The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?
You can see the train pulling in and you brace yourself, praying that it'll work out somehow.
The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.
Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.
You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.
And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.
The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.
Maybe you can do this.
As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.
He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.
Satoru Gojo is doing something.
You just can't tell what.
It’s October 31, 2018— Halloween in Shibuya.
And you are utterly confused.
Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.
You do not remember dying.
In fact, you don't think you did.
And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.
You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.
Something else must have happened.
Something having to do with Satoru Gojo.
You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.
Miraculously, you do.
The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?
You don't know.
You do know.
Your brain feels like it's going to explode.
Again.
It’s October 31, 2018— Halloween in Shibuya.
Again.
You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.
What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.
You do prefer it to dying— it's far less painful.
But if anything, you wish you could just die permanently and never have to repeat this night ever again.
Unfortunately, you know better.
The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.
But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…
There has to be a breaking point.
For both your mind and this time loop.
If you’re lucky, you’ll reach the latter first.
There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.
Groggy.
It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.
As you think this, you realize that something is different.
You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.
You need to find out what’s going on.
The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?
More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…
Were you like that too before you woke up?
You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—
Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.
Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.
“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”
“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”
When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.
You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.
It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.
You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.
The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.
Inwardly, you breathe a sigh of relief— you’re still safe.
For now.
You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.
Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”
“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.
“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.
“Now give us back Master Geto’s body like you promised!”
“Don’t toy with Master Geto any further than you have!”
You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.
Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”
One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.
“You can come out, you know,” he says after a while.
You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.
“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”
Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.
Looks like this loop is a bust after all.
Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.
That makes you even more nervous.
You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.
“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”
Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”
He hums. “How interesting.”
“...what do you mean?” you ask before you can help yourself.
“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."
You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"
He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."
"...does that mean you're going to leave him in there forever?"
"If I'm feeling nice, I might unseal him in a hundred years or so."
One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"
"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."
Time doesn't flow in the box.
The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—
"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"
You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.
Time doesn't flow in the box.
"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."
As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.
You're scared.
Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.
Time doesn't flow in the box.
"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."
"...I appreciate it," you say and close your eyes hoping that he's not lying about it.
Time doesn't flow in the box.
He didn't lie.
You die again.
It’s October 31, 2018— Halloween in Shibuya.
And you're trapped.
You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.
You are so very tired.
But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.
“Time doesn't flow in the box.”
Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.
You finally realize why.
“Time doesn't flow in the box.”
It's 8:25PM when you wake up; that should be plenty of time.
You need to find Satoru Gojo.
After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.
You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.
When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.
Luckily for you, you find him very easily on the third basement floor.
The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.
You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.
You’re going to need more time.
The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.
You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.
The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.
Yes, getting over there would be extremely difficult.
You don’t want to think about it right now; you’ll deal with it when the time comes.
Especially since Satoru Gojo has now entered your field of vision.
Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.
Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?
You need to make him.
“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.
And his attention is on you.
All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.
“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.
Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”
The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.
He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”
“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”
Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.
“...mind handing me your phone?”
You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.
“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”
You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?
“Are you… hitting on me?” you mutter in your confusion.
He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”
You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.
This is not good.
He gives you a little wave, cheery as he says, “I’ll talk to you later!”
You watch, helpless as he hops over the barricade beyond your reach.
Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.
You'll just have to try again.
Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.
Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…
It’s just so frustrating.
It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.
What really matters is that you’re able to convince him to help you.
You have to convince him.
“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.
“Yes?”
His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.
You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”
He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”
Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.
“That’s not what I mean!” you sputter.
“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”
You stare, bewildered. Did you maybe just spew all of that aloud?
Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”
“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.
“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”
Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.
“I don’t need your phone number,” you say. “I need to talk.”
Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.
“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”
What?
Gojo tilts his head. “Well?”
“I do, but…” You trail off, unsure why he’s asking.
He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.
You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.
It’s Satoru Gojo’s name and number.
He even drew a little star next to his name.
“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”
You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—
“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.
You can’t let him get away.
Again.
You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.
“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—
Satoru Gojo reaches the barricade.
“Wait!” you yell again. “Satoru Gojo, wait!”
He does not even acknowledge you.
You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.
Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.
This fucking sucks.
Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.
If only you could fucking break it.
Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.
You don’t.
The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.
You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—
And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—
Something’s wrong; your world is turning on its axis, but—
Satoru Gojo is looking at you, and—
Up is very quickly becoming down, and—
Satoru Gojo is coming closer, but—
You’re slipping—
But he’s right there, and—
You’re falling, but—
He’s trying to catch you, but—
It’s too late. It’s too late.
The last thing you think you feel—
—is Satoru Gojo’s arms around you.
It’s October 31, 2018— Halloween in Shibuya.
And you are causing a commotion.
“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.
You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.
Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.
And he caught you, you definitely remember that.
You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.
Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?
You don’t know.
All you know is that you have to try again.
The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.
Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.
Except—
Except Satoru Gojo is already here.
The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.
What the hell is going on?
Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.
And yet, here Satoru Gojo is, nine minutes early now.
You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.
Or someone.
This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.
The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—
You stop breathing.
He’s headed toward you.
All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.
He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”
You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?
Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”
He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”
All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.
Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”
“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”
“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”
“...unfortunately.”
Gojo hums. “So when you said you didn’t need my phone number…”
“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.
“Really now?”
Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.
Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”
Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”
You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”
“You mean you don’t— oh. I get it; no wonder you’re trapped.”
That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”
“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”
What he's saying makes sense, but… “How come you were sent back too?”
He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”
You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”
“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”
Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”
“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”
When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.
“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”
Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.
“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”
“...dying counts as an ‘extreme circumstance,’ right?”
“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”
“So, if I could control it I’d be able to make it out of this time loop.”
“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”
You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…
“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”
The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.
You do have one concern though. “That… won’t create a time paradox or anything, will it?”
“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”
You’re still not quite sure.
“Trust me, it’ll be fine.”
His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.
“...okay.”
Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.
Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.
It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.
“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”
You stare at him. What a weird question. “...yeah?”
His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”
It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.
“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”
Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”
“Yeah.”
He hums. “Interesting.”
You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”
“I probably do,” he says casually. “But what about Volcano Head?”
“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…
You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.
There's no doubt in your mind that he will not take this news well.
“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”
It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.
You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.
Having made it this far, you'd like to avoid all that.
“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”
The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.
You almost wish that it would.
“You can’t be serious,” Gojo finally says, once your words have fully sunk in.
“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.
The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—
“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.
“Yes, but—”
“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”
There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”
“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”
“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”
The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.
“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.
“I’m not.”
Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”
“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…
It had to be done, for the sake of getting past this unending night, it had to be done.
Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”
You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.
“Fat chance of that,” he says derisively.
You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”
“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.
You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”
“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”
You give him a pointed glare and all Gojo does is laugh.
“Just think of it like having a lot of MP.”
“...Like in a video game?”
“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.
“He does ask me if I'm a sorcerer, whatever that is. Is that why?”
“Probably. Ordinary people don't have even a fraction of the energy you're packing.”
‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…
“Does he kill you when you answer?” Gojo asks to get the conversation back on track.
“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”
“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?
“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.
“You know, your technique kind of reminds me of save scumming.”
He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.
“So what did you learn?”
“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”
“I see… And what about our body jacker?”
“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.
“Huh. Interesting. Wonder how he was gonna go about doing that.”
“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”
Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”
You would think him overconfident if you hadn't seen the magnitude of his strength first hand.
“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”
“So, in short, what you want help with is getting past that point, right?”
“More or less.”
“And all I have to do is avoid getting caught by the prison realm?”
You nod.
“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”
Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”
“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”
Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.
“Don't tell me you don't think I can do it,” he says, tilting his head.
“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”
Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.
“You've made it pretty far on your own, though, right?”
“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”
Speaking of time, you check your phone. It's 8:39PM. You curse.
Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”
“Yeah, this is when you’re descending down onto the platform.”
“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”
That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”
You certainly hope so.
“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”
It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.
“I'll protect you.”
You think your heart stops beating in your chest and your words dissolve in your throat.
He grins at you. “Did you fall in love with me just now?”
That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”
Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”
You blink. Is that it? “Wait, shouldn’t we make a plan or something?”
“Isn’t the plan for me to not get caught in the prison realm?”
Yes, but… “But what about me? Is there anything I can do?”
Gojo stares at you, or at least you think he does. “...I don’t know, is there?”
You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”
His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”
You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”
Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”
“How?”
“Just trust me.”
“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.
Despite all that, you want to believe.
You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.
“...okay,” you say quietly. “Okay.”
Gojo chuckles then asks, “Anything else before I head off?”
You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”
For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.
When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.
Now, all you can do is wait.
You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.
Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.
Surely, just as Gojo said, a few minutes aren’t going to change anything, but—
No.
You agreed to trust him. To trust that everything would be fine.
When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.
You are afraid.
There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.
It’ll be fine, you tell yourself, it’ll be okay.
You just have to trust Gojo.
An eight car train is pulling in. Please wait behind the yellow line.
You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.
It’ll be fine. It’ll be okay.
The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?
As you fall, you realize almost instantly that something is different.
You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.
Is this Gojo’s doing?
Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—
Right in front of you is Satoru Gojo.
His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.
Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.
Anyone you happen to be touching when you activate your technique gets affected by it too!
Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—
A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.
“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—
Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.
Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.
“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”
Something happens and your vision flashes for a fraction of a second. And then—
The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.
The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”
And then he’s gone.
You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.
And what you see unfold before you is that Satoru Gojo was right.
He is the one to kill all the monsters.
It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…
There’s a difference between knowing and seeing.
All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.
Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?
Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—
No.
Gojo said you wouldn’t die.
He said he’d protect you.
It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.
You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.
There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.
Which you're not, not really anyway.
The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.
Disgusting.
If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—
“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”
Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.
Your body moves before you can even think about it.
You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.
The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.
A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.
The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”
You scowl. Is he still trying to play the role of Suguru Geto?
He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”
You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”
The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”
“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”
The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.
He’s going to kill you.
“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”
Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.
Something touches your back.
Your eyes shoot open.
Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.
Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.
This is Satoru Gojo’s doing.
He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”
You’re not sure if he’s talking to you or the body snatcher.
Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.
The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”
“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”
You hear a loud crack as Gojo telekinetically snaps his neck.
The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”
He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.
You almost relax. Almost.
But the body is still standing.
Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.
What the hell is going on?
“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”
You don’t bother asking what he means. There are bigger problems right now. “What do we do?”
“No choice to exorcise them,” he answers plainly.
For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…
Everything will have been for naught.
You’ll reset time and have to do this all over again— assuming you can even get to this point again.
There has to be something, you just have to think outside the box.
Or rather—
“Gojo!”
He glances back at you.
“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”
Gojo frowns, looking conflicted. “You don’t think I can do it?”
“Wouldn't it be easier if you didn’t have to?”
He tilts head and you think he’s conceding your point.
“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”
You don’t have to explain that you mean Volcano Head and friends.
It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”
“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”
If anything, it’s worth a shot.
Gojo nods. “Do you know how to break the seal?”
“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…
That time doesn’t flow in the box.
“...you don’t have to break the seal.”
Gojo frowns, “Wait a sec—”
“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”
You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.
It feels like an eternity passes before Gojo says anything.
“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.
“...before I do, though, mind if I ask you just one thing?”
You blink. “Not sure what I can do for you in this state…”
He laughs. “I just want to know your name.”
What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.
You tell him your name.
He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”
You try to think of something. Nothing comes to mind and you just shake your head.
Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”
Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.
You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.
Will it be quiet inside?
In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”
You burn the glittering glow of his brilliant bright blue eyes into your mind.
And then, everything is engulfed in an unending black.
It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.
Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.
“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.
“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”
Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”
“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”
“...well, if you say so.”
The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.
He doesn’t think it will, but it’s always good to take at least a few precautions.
“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”
“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—
“Prison realm, gate open.”
if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride.
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She's Not Here
This is a new Evan Buckley imagine which will have a follow up. I had a few different ideas about this theme and suddenly got inspired. I hope you will all like it, let me know what you think.
Taglist: @lunaticspoem@sj-thefanthefan@hellsdragon@im-an-adult-ish@crazylittlethingg@allauraleigh@onceuponadetectivedemigod@ceres27@avyannadawn@sleepylunarwolf@coverupps@justagirlthatlovedtoread @musicistheway @avada-kedavra-bitch-187 @luula @missdreamofendless @bradleybeachbabe @woderfulkawaii @amberpanda99 @daggersquadphantom @marvel-and-chicago-fan @angryknightstatesmantrash @minjix @lyjen @kmc1989 @itsmytimetoodream @noonenuts @hiireadstuff @ashie-babie @classyunknownlover @jayyeahthatsme @sp1ritssz @dumb-fawkin-bitch @oliverstarksbae @gimatida @heart-35 @supernaturalstilinski @stefansalvatoresgf @kyky9103 @wutheringhearts2275 @gay4hotmilfs @itshamleth @gillybear17 @chaoticnosleepinfluencer @gs29 @wh0reforsmutstuff @mel-vaz @natashamea18
Evan Buckley Masterlist
Summary: While Evan is on a long weekend at work, (Y/n) takes their girls out with their family. Things don't go to plan when something happens to one of their daughters.
Enjoy.
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Evan wasn't looking forward to this weekend.
With Hen off on holiday with her family, two new probie's transferred to a different station house that needed them and the local weather warnings going crazy, Evan was hauled in for the weekend. Once he arrived at work today, he would be staying at the station all day Friday, Saturday and Sunday without coming home and he didn't even know what time he was due to finish on Sunday night.
The whole weekend would be spent living at the station with the team and getting what sleep he could in the bunker room. And only God knew how many callouts Evan was going to see this weekend.
Evan wasn't ready for such a long stretch of shifts without coming home. The longest shift he had done was two full days away from home and a while back he did five days in a row, but he had come home to sleep during the night so he at least saw his family; somewhat.
Evan didn't want the balance to shift the wrong way where he lived at the station and visited his home.
He wanted to stay right where he was, laid in bed with his wife in his arms and his daughters close by in their rooms.
A smile wormed its way onto Evan's face when he felt (Y/n) murmur something softly into his chest. He shuffled closer and buried his lips against the top of her head in her hair. His fingers ran up and down her back like feathers tickling over her skin and he felt the way it made her shiver.
He could feel (Y/n)'s lips pressing into his chest, silently letting him know that she was awake too. His body clock had woken him a little while before his alarm and (Y/n) always woke up whenever she felt Evan awake beside her. She didn't sleep well without him which was another reason Evan wasn't too happy about being away from home for two nights and three days.
He would come home to a sleep-deprived wife.
Her fingertips tickled along his back but it was her lips that caught Evan's attention and livened him up. Wet, hollow kisses pressed up his sternum in a slow trail as she tilted her head back until her chin pressed into his chest and she could shimmy up the bed a little. They usually woke up with (Y/n) halfway down the bed and Evan with his head bashing the headboard. He was over six foot so moving an inch down the bed caused his feet to dangle out the bed, something he hated.
The feel of (Y/n)'s lips pressing to his neck made him take in a deep breath but when she grazed her teeth along his skin, he growled into her hair.
This was a better morning wake up than he had a few days ago. He wondered why he dreamt he had been drowning until he realised he had been laid on his back with (Y/n) sprawled out on his chest, making it hard to breathe.
Evan liked mornings like these the best when they woke up before the alarm went off and had time together. He used to be a morning person before he got married. Having (Y/n) in the bed changed his ideals and made it hard to get up now.
And when there was no kids in the bed with them, mornings like this got even better.
"Do you have to go soon?" (Y/n) muttered the words quietly against his neck, her voice laced with sleep but her actions proved she was wide awake.
"Hm, I've got time."
(Y/n)'s eyes shot open and a gasp tumbled past her lips when the arm around her waist tightened and his palm pressed flat against her lower back so he could flip them over. He rolled her onto her back, muffling her quiet laugh as he moved to kneel between her legs. Evan's hands planted down on the pillow either side of her head, caging her in beneath him like she was his prey and his teeth flashed in a sharp grin that looked animalistic.
She brought her hands up to cup his face, smoothing her thumbs over his cheekbones as he leaned down to press a kiss to her lips.
"This has to go," Evan muttered the words quietly against her lips, drinking in the taste of them until he was positively drunk and (Y/n) was gasping against his mouth. His hands moved down to her sides as his weight shifted to rest on his knees so he could scrunch up the bottom of her shirt that clung to her curves like a second skin that left very little to the imagination.
He didn't have to say anything for (Y/n) to lean up so he could slowly peel it off and her grin made his heart jump.
He threw the small, flimsy material down on the floor and gave the cover a nudge until it fell off his back and crumpled to the bottom of the bed. He was starting to burn up already, they didn't need any extra layers covering them.
While he took a moment to admire the view in front of him, (Y/n) took her chance to scrape her nails agonisingly slow over his skin, starting from his abdomen and she worked her way up until her hands were curved around his neck. Her fingers tickled the small hairs at the back of his neck and she sat up to meet him in the middle, moulding her chest against his before she pulled his lips down to hers.
(Y/n) could feel the fever behind his kiss and the way his fingertips dug bruisingly into her hips when she pushed her chest up against him just to irritate him and goad him further.
When she pulled back, (Y/n) sucked his lower lip between her teeth and gave a small tug until she could feel the growl deep within his chest, rumbling through into her own.
"Baby," Evan's groan was deep and the word was a warning.
He didn't have a lot of time before the alarm was going to go off and he didn't like being teased.
Her fingertips slid away from the back of his neck and trailed their way back down the middle of his chest, covering every square inch that she could. Her plump lips left Evan's and moved towards his razor sharp jaw and when she could feel him starting to quiver beneath her, she started to kiss down his neck.
The moment her teeth grazed against the junction between his neck and shoulder, about to leave a mark, Evan suddenly clenched her wrists in a tight grip and leaned his weight onto her again. He pushed her down on the bed and fell forward until his chest slammed into hers and her hands were pinned down on the mattress. Evan tried to keep some of his weight pushed back on his legs and his elbows so he didn't crush his wife beneath him, but he could still feel every crevace of her moulded up against him.
"Hmm, my turn." There was something demanding and authorative in his voice that was not to be messed with and all (Y/n) could do was turn to jelly beneath his touch.
She barely had chance to gasp before Evan smothered her mouth with his and let his tongue explore past her lips.
Wet, panting kisses were peppered along her neck and down the middle of her throat so every time she gasped or swallowed, Evan could feel each movement. He let go of her hands and moved his fingertips across her sides and down the dips and curves to that special area just above her hips where (Y/n) was ticklish. He loved the way her stomach would pull in and she would jump against his touch when all he had to do was lightly trace the pad of his finger along her skin and it had her gasping and laughing beneath him.
"We won't be needing these any more." He hooked his fingers into the top of her underwear and shuffled back on his knees to remove them when (Y/n) lifted her legs.
(Y/n) grinned up at him as he threw the dark red lace to the floor, adding it to the growing pile of clothes. But she let her eyes fall down to watch him roll his boxers past his knees so he could kick them onto the floor. When they were off, (Y/n) sat up and looped her arms back round his neck, desperate to be as close as possible.
"Do you have to leave us for three whole days, Evan?" She knew exactly what kind of reaction she got from using his name and as expected, something burned deeper and darker in his eyes.
She felt his hand move and his arm wrapped like an iron bar around her back just above her bum so he could reel her in and pull her closer. He held her so close and tight that he lifted her up from her bed and she had to shuffle her weight onto the back of her legs to stay tall against him like this. Her hands dug tightly into his shoulders to steady herself, but a silent gasp left her lips when his other hand dug lovingly into the underside of her thigh.
(Y/n) felt her back hit the headboard and her knees coiled up as Evan shifted forward so he was leaning on her chest and kneeled between her spread legs. He looked- and acted- like he always had always belonged there between her thighs, and he always would.
"It's not by choice, baby, I'd much rather stay right here," His voice was gruff and thick but he barely got the last word out before he crashed his lips against hers in a silent battle. He dug his nails tighter into her thigh and moved her leg to hook it around his hip so he could brace his hand on the wall behind the bed. The last thing he wanted was to put all of his weight onto (Y/n) or give her bruises down her spine from the wooden headboard.
"Your alarm," (Y/n) panted against his lips, barely feeling able to speak from how close Evan's lips were hovering over hers. Swallowing up her words and getting ready to attack her lips again. "If the girls hear it, they'll come in here."
(Y/n) knew three out of their four girls would barge into their bedroom if they heard Evan's alarm go off. Usually they would wait for one of their parents to wake them up, but if they happened to hear the alarm, they would know it was time to get up. And they would bustle their way in without knocking or caring at all.
"We've got ten minutes," He muttered back, dragging her lower lip between his teeth as something darkened in his eyes. "Think you can stay quiet, baby?"
Evan leaned down and buried his face in the crook of (Y/n)'s neck, panting against her skin as he flapped his left hand out to turn off his alarm that was now blaring out. His lips curved into a grin when he felt (Y/n) shudder against him as he parted his lips and sank his teeth down into the soft flesh.
"It's starting." (Y/n) mumbled, carding her fingers through Evan's hair as he paused to try and strain his ears.
Evie was crying. Footsteps were crashing about in the next room; Lois was awake. Two out of four of their girls were awake and if Evie was crying, then Minnie would certainly wake up. And if Lois was getting up, she would undoubtedly go into Ellie's room and wake her up too.
"I'll get the baby," (Y/n) cupped Evan's face in her hands so she could peck his lips again. But she didn't get to move far before Evan nudged her back against the bed an gave her thigh a squeeze.
"No, she's mine until I have to leave," With a lasting kiss to her lips and his teeth nipped at the corner of her mouth, Evan pulled away and clambered off the bed.
Evan wanted to help get the girls up and ready for school. He would eat breakfast with his family, take Lois and Ellie to school and then head to the station and wait for the chaos to ensue and the weekend to drag out into a year.
He snapped his pants back over his hips, stretched his arms above his head and left the room to head over into the nursery.
As expected, the one year old was sat up in her cot, tears traced down her face and her hair a mess of curls sticking up at all angles like she had been electrocuted.
"Hi," A grin curved onto Evan's lips and he flashed his teeth as he stretched his arms out to pick Evie up. "Morning baby girl. Come here, you can get ready with daddy, hm?"
Evan loved the way Evie snuggled into his bare chest and tucked her face into his neck. Her small hand curled up into a fist and settled over Evan's chest as her cries instantly ceased at having some contact. Evan swayed from side to side as he pressed his lips down on her temple, making kissing noises until Evie gurgled and squealed.
She couldn't speak yet, she had only just turned one last month. But she was forever making a round of strange noises, and high-pitch squeals was one of her new favourite things to do.
Evie let out a particularly loud squeal as Evan turned around to look across at the small bed on the other side of the room. He looked down at his youngest with raised brows and made a similar noise of excitement just to see his daughter grin.
He let his eyes drift over to the bed and he bent down beside it, reaching a hand out to card his fingers through Minnie's hair as she started to wake up.
"Mornin' little mouse, you gonna get up with me today?"
Her tired, toothy grin made Evan's heart leap in his chest and he smiled brightly when she sat up and held her arms out expectingly. Her head tilted back and she pursed her lips until Evan gave her a kiss and curled his free arm around her so he had one girl in each arm.
He lifted Minnie up, cuddled her for a few seconds, then gently set her down to her feet and let her hold his hand while he made sure Evie was settled on his hip.
Evan could feel the heartache gnawing away at his chest already. Leaving them this morning was going to be near impossible.
"Evan!"
He looked down and shared a look with Minnie as they wandered out the nursery and looked into the hall. Their eyes landed on (Y/n) and Evan bit his lip at the sight, unable to tear his gaze away. She was stood leaning against their bedroom door, one arm crossed over her chest and one knee bent forward, exposing her thighs to his prying gaze.
It was clear (Y/n) had grabbed the closest piece of clothing she could so she was somewhat decent in front of the girls. She was stood in one of Evan's shirt and it was clear to his perceptive gaze that she wasn't wearing a bra or any underwear. And he grinned triumphantly when he noticed her hair was skewed and stuck up at all angles, giving away their morning activity.
Moving her hand, (Y/n) shook her phone from side to side, silently beckoning Evan over to her so he could see what had her looking rather unimpressed and unsettled.
He walked over until he was stood in front of her and raked his eyes up and down her body a few more times until (Y/n) nudged him and held the phone out. Evan leaned down and narrowed his eyes, bouncing Evie on his hip while Minnie started to tug on his hand and slouch up against his leg.
*Hey,
Just giving you and Buck a heads up. Mum and dad are coming into town this weekend and they want to spend time with us and the girls.
Sorry in advance. XXX
A groan tumbled past Evan's lips and he tilted his head back as he closed his eyes and tried to take a normal breath.
Great. Their parents were coming into town, unannounced, or at least unannounced to Evan. They never told him when they were coming down in case he made plans or tried not to spend much time with them. He and (Y/n)were civil for the sake of the girls, but needless to say, his parents weren't in the girl's lives very much.
Not like Bobby and Athena. At least they were always there for Evan, their daughter, and all four girls. They made Evan glad every day that they were his in-laws and his kids had one set of decent, reliable and loving grandparents.
"You're going to work- for the whole weekend, I'm gonna be stuck with them, not you." (Y/n) bit her lip to hide her smile when Evan looked down at her with those puppy dog eyes.
She wanted to be annoyed with him. She wanted to be angry that he had wormed his way out of this without even having to try. He was working days and nights this weekend, he wasn't coming home until Sunday night so he would likely have one night with his parents before they left. (Y/n) could only presume they were down for the weekend, their trips didn't usually last very long.
(Y/n) and Maddie were going to be the ones entertaining Margaret and Phillip all weekend and being around them while Evan got out of it because of his job.
"I… I'll talk to Bobby, see if I can come back any earlier on Sunday. Baby I am sorry."
Bobby was understanding. He knew Evan's relationship with his parents was very strained and he knew (Y/n) didn't have the best relationship with them either. He might be obliged to let Evan come home Sunday afternoon, he was pulling a lot of overtime this weekend alone because they were short staffed.
(Y/n) folded her arms back over her chest but nodded all the same. She knew it wasn't Evan's fault and they couldn't do very much about it now.
"Morning dad."
Evan's eyes widened and he looked over his shoulder when Lois ran up from behind him and smacked her hand down on his bum before running past him. Her laughter could be heard down the hall as she bolted to the stairs and zoomed down so Evan couldn't get her back.
"Oi!"
"Morning daddy," He tilted his head down towards Ellie when she scurried up next to Minnie and wrapped around his leg. She looked up at him with those big doe eyes that all the girls inherited from (Y/n). Just one look from any of Evan's girls would turn his knees to jelly and make him cave in to just about anything.
"Hi baby. Your gran and grandad are coming down to see you this weekend." He couldn't get his hand free from Minnie's viper grip so Evan settled on leaning over to kiss Ellie's forehead.
"Nanny Nash?" Minnie asked with a wide grin that started to fade when Evan grimaced and shook his head.
Athena was the favourite. She was the grandparent all the girls clung to and wanted to look after them. Whenever Evan's parents came to town, his girls were never enthusiastic or best pleased, and he understood completely. He would choose Bobby and Athena over his own parents every time.
"Oh, grumpy gran?" Ellie murmured quietly with a deflated spirit even as her dad rolled his eyes and her mum laughed.
Evan dreaded to think what was going to happen while he worked away this weekend. What chaos was he going to come home to?
***
"Can we go in the book store?" Lois tilted her head to the right and leaned her cheek on (Y/n)'s arm, staying as close to her mum's side as she could manage.
"Sure, we can go on the way back."
(Y/n) glanced her eyes around their little group and when she looked to the left, she found Maddie smiling tiredly at her.
The weekend seemed to be dragging by as slow as they had ever known it, the minutes dragged into hours and the hours never seemed to pass into days. All day yesterday, Maddie and her parents had spent the day at (Y/n)'s home with the girls. Playing games, catching up and having takeaway for tea. The day had lasted longer than any of them expected.
Since it was Sunday and Maddie and (Y/n) both agreed they didn't want to be shut in the house, they came out. They had left Phillip to his own devices and he said he would probably pop by the station to see Evan and Chimney. While Margaret went with all the girls to the shopping centre for the morning.
It wasn't as bad as (Y/n) expected, Margaret was trying her best to get on with the girls and show an interest in them and that was all she was asking for.
It would have been nice if Athena wasn't working this weekend. She could of joined them and made it a bit more bearable, but (Y/n) had Maddie. The two had the same kind of bond that Maddie had with Evan, for all intents and purposes they were sisters and they stuck together when her parents were around.
"Do you like reading books too?" Margaret looked down at Ellie. The six year old was walking between her and (Y/n), keeping hold of the pram so she didn't get lost in the crowds.
Margaret had offered to hold her hand but Ellie politely declined. She would rather cling to the pram or walk slightly ahead of the group since she was the fast walker out of them all.
"I like when daddy reads to me, he does the funny voices." Ellie pushed her glasses further up her nose and leaned to look up at her mum when (Y/n) slowed down.
Reaching into the bag hanging beneath the pram, (Y/n) found a pre-mixed bottle and gave it a shake before she leaned forwards. She rested her arms on the pram handle and kept walking at a slow pace while she rolled up the blanket covering Evie. She set the bottle on top of the blanket so she didn't have to hold it to feed Evie.
It was an easy trick (Y/n) had learnt early on with the girls that saved a lot of time and effort. Evie was one, she was able enough to sit and take her bottle with it angled down to her and she was starting to hold it herself now too.
"I can feed her if you like."
"No, she's fine." (Y/n) hummed quietly, smiling down at her little girl before she looked around.
It was calming to have Maddie and Margaret with her, it meant (Y/n) didn't have to keep worrying and keeping hold of the girls and make sure they all weren't wandering off or hanging behind. Ellie was on her right near Margaret, Lois was on her left with Maddie on her other side and Minnie was holding Maddie's hand.
(Y/n) would have been a little more relaxed if they had the other pram with them that held both Evie and Minnie. She knew Minnie got tired easily and liked to be carried, the other pram was easier so she didn't grow tired or wander off or walk slow. But they couldn't fit it in the car with them today.
"Shall we go in here?" Maddie pointed to the clothes shop on her left and when they all nodded, the group steered through the crowd and into the store.
The shopping centre wasn't as busy today with it being a Sunday and it was good not to be caught in a crowd or around people pushing and shoving to get past. But this shop in particular looked to be lively and bustling with people hovering around and trying on different items.
Turning to her left, Lois tugged on Maddie's sleeve and leaned closer to her aunt before she pointed towards the escalator.
"Can we look at the Disney stuff?"
It was no secret that Lois and Maddie had a connection. She was the eldest of all Evan's daughters. Maddie had brought Evan up and she had been so thrilled when he had his first child. She was always round to take Lois out and spend some one to one time with her. Then as the other girls were born, she took them all out.
But Maddie and Lois usually ended up picking matching clothes from the stores, like the Disney shirts they always chose in the adult and children's section. Or the matching family pyjamas they came home with last time they went out.
"Of couse, we need some new tops, don't we?" Maddie grinned down at her and moved so Minnie could stand next to (Y/n) while she and Lois made a beeline for the escalator.
"What do you want to look at, baby?" (Y/n) darted her eyes between Ellie and Minnie. She knew Minnie didn't really care, she was just happy to be scouting round looking at all the pretty things whereas Ellie and Lois had preferences.
"Blankets?" Ellie whispered before she took the lead towards the right side of the shop on the ground floor.
They had homeware at the back of the store and Ellie loved collecting new fluffy blankets and pillows to snuggle into. She had more pillows on her bed to the point she could barely fit in her bed anymore.
"Come on- Minnie no this way,"
(Y/n)'s eyes switched between Ellie who was already disappearing out of sight, and Minnie who was aiming for the escalator. She wanted to follow Maddie and Lois. She had a nose for all the Disney items and Minnie Mouse was her favourite, obviously.
"I'll get her, we can find her something upstairs to match those little ears." With a hand on (Y/n)'s shoulder, Margaret smiled at her before she aimed after the three year old.
Since Evan found a pair of Minnie Mouse ears and a bright red bow sewn onto a headband, Minnie had scarcely taken them off. She wore them almost every day. She was so used to Evan calling her his 'little mouse' that if he said her name, she now thought she was in trouble. Evan barely called the girls by their names anymore, they each had their own petname with him and they all loved it.
Leaning forward, (Y/n) took the half-finished bottle from Evie and placed it back in the bag hanging beneath the pram. She was asleep.
For the past few weeks, whenever Evan did a night shift and came home, he and Evie would have a power nap after dinner. And Minnie usually fell asleep with them too.
After wandering around for a few minutes, Ellie found a dark grey teddy fleece blanket that felt like a cloud. She held it up towards (Y/n) and grinned. "Can we get this one?" She looped it around her shoulders as soon as (Y/n) nodded and wore it like a cape.
(Y/n) knew what would happen with that blanket. Ellie wouldn't let any of her sisters use it. She had a thing about blankets or pillows being washed, the fluffy ones always felt crimped and deflated after being washed. So Ellie would keep the blanket out of reach of others so it wouldn't have to be put in the washer.
"Let's go see what's upstairs."
Ellie led the way towards the back of the store and pushed the button for the lift, standing dutifully beside the pram while they waited.
"When's daddy coming home?"
"I'm not sure, sometime tonight I think, baby. He might be home for tea." She hadn't heard from Evan since last night when he rang to talk to the girls before they went to bed. (Y/n) knew her husband and dad had been busy this weekend and she knew Evan would be in need of some sleep when he finally came home. She didn't want to message him and bother him when he was busy, it would be better to just wait and be surprised when he finally came home.
When the lift opened, (Y/n) followed Ellie and let her lead the way between clothes racks and shelves stocked with various jumpers and shirts and bottoms. They passed the boys section and moved towards the other side where there was a large corner dedicated to Disney items.
They found Maddie and Lois easily. The two were stood with a few clothes draped over Maddie's arm and Lois's pigtails shook from side to side when she tilted her head left to right.
"What have you girls found?" (Y/n) folded her arms over the pram handle and leaned forward, clicking her spine into place. She smiled softly at them as Lois held out the shirt that she found which Maddie had got the matching adult one to. It was a pale grey short-sleeved shirt with the Disney castle painted on the front in baby blue and had Tinkerbell in the top left corner.
"We found you one too." Lois held a matching shirt out towards Ellie who brightened up and gingerly took the top.
She moved to stand closer to Maddie and looked along the rack with Lois to see what other designs they had. While (Y/n) looked around for her mother in law.
"Where's Minnie?"
Margaret was slowly approaching their group, her handbag slung down on her elbow instead of her shoulder. She had a tired smile on her face and a onesie in her hand that (Y/n) could only presume was meant for Evie. But she didn't have Minnie clinging to her arm or pulling her in the other direction or showing her around.
"She's- oh, she's wandered again." Looking to her right, Margaret's tired smile softened somewhat and she turned to backtrack the way she had just come from. She hadn't been holding Minnie's hand because the toddler was always pulling this way and that. It was easier to follow Minnie around or let her trail behind her than keep hold of her hand all the time.
"She was with mum a moment ago." Maddie smiled and did a quick scan of their surroundings. "I'm sure she's found something she wants."
There weren't many people up on this floor, the shop had been much busier downstairs in the adult section which was good for the girls. They could roam around up here without getting in the way or bumping into people.
(Y/n) nodded, but she could feel her smile fading when she watched Margaret walk back over to them, empty-handed and without a smile.
"She… she was just here."
A shudder tore through (Y/n)'s blood and she locked eyes with Maddie who started to bite down on her lip, all traces of a smile gone from her face. Minnie wasn't the kind of child to wander far. She was a nervous child by nature, she didn't like being far from her family, but she was likely to talk to strangers. The first time she went to the station to meet Evan's team, she talked to anyone and everyone and followed them around.
If people were friendly with her, she assumed they were nice and safe to be around.
Without saying anything, (Y/n) reached out and deadlocked her hand around Ellie's nimble fingers. She tugged the six year old into her side when she noticed Maddie take Lois's hand out of instinct and fright. She left the pram next to her sister in law and strode off, Ellie rushing at her side.
"Minnie? Minnie, baby come here."
"Minnie… Minnie?" Ellie raised her voice and sniffed, pushing her glasses further up her nose as she leaned to look for her sister. But she felt her mum pull her back to her side. She wasn't having any of the girls stray further than arms-length away from her until Minnie was back at her side.
They scoured around the shop, looking behind racks, peering through clothes on hangers to see if Minnie was weaving through the garments or trying to play hide and seek. But she never liked that game. She feared no one would find her if she found a good hiding spot.
They circled around the teddies, looked through the empty fitting room and looped past the escalator and back towards Maddie.
Maddie was stood with her arm around Lois and the pushchair in front of her, near the escalator. She had a store worker in front of her. This didn't look good.
"-She's three and she's wandered off."
"I can't find her up here, I'm checking downstairs." (Y/n) didn't believe for a second that Minnie would go down that escalator on her own, nor would she get into a lift without one of her sisters or her mum or auntie with her. But she wasn't up here, and (Y/n) couldn't do constant circles up here, praying her daughter would pop out of thin air.
She clenched Ellie's hand tighter and grabbed the pram with her other hand, steering towards the lift while Maddie and Lois went down the escalator together.
"Minnie?"
(Y/n) could feel tears burning in her eyes when she watched Maddie and Lois burn through the crowds and scatter around the shop. She watched Margaret go towards the entrance of the shop and grab the security guard and that only escalated (Y/n)'s panic.
Minnie wouldn't leave without them. She wouldn't walk out of here alone, but (Y/n) didn't know if her toddler would leave with anyone else. She wouldn't just leave them willingly, would she?
"Mum?" Fright flooded through Ellie's voice and she leaned her head on (Y/n)'s arm and stared up at her.
When (Y/n) noticed the tears falling behind Ellie's glasses, she gulped harshly and pulled on her hand. "Do not let go of me." She instructed before they set off into a sprint, looking anywhere and everywhere they could.
Ellie grabbed the pram with her free hand to steady herself as she stumbled beside her mum, trying to look for her little sister. Tears blurred her eyes and she sniffed. None of her sisters had ever gone missing before. They had never wandered or come close to being lost, ever.
By the time they looped back to the entrance after two rounds of scouting round the ground floor, (Y/n) could barely breathe.
They checked all the racks, all the shelves and units Minnie could hide in or behind. They stopped people to ask if they had seen a toddler matching Minnie's description, but no one had seen her. Some women trailed behind (Y/n), calling out Minnie's name and trying to help locate her, but it was becoming apparent that Minnie was no longer in this store.
The checkouts had ceased operation, all staff encouraging people to stop and group together in the middle of the store so Minnie couldn't hide behind people if she was still here. Workers scattered through the shop to look for her and security weren't letting people in or out of the shop without being talked to and checked first.
"She isn't here." Shallow, rumbling breaths passed through (Y/n)'s lips and she let a few tears trace down her face.
Evie was stirring in the pram from all the rushing about and the sudden commotion. Ellie was now whimpering into (Y/n)'s arm. Lois was crying and clutching Maddie like she thought she was going to become lost too. Maddie was fighting off tears of panic and Margaret was shaking, unable to talk at all.
"Come and stand out here, away from the commotion. My colleagues aren't allowing anyone in or out, if she's still in there they will find her soon." The security guard moved his hand to Maddie's shoulder and kindly motioned for them to follow him. They couldn't stand in the doorway and talk when panic was growing inside the shop and the bustle was getting louder.
(Y/n) could feel her stomach churning and she knew in a few minutes, if her daughter wasn't back in her arms, she was going to be sick.
Her legs turned to jelly as she shuffled away from the shop and out into the centre of the mall. Her eyes scanned around rapidly but she couldn't keep in focus. All she wanted was to look for her daughter. She just wanted to see Minnie wearing her headband, bounding her way, crying out for her or laughing.
(Y/n) couldn't make sense of the people passing by. Anyone with a pushchair, she tried to move closer to and check to make sure they hadn't strapped her daughter in them. She watched women walk past, holding tighter to their child's hands as if they could sense the looming panic.
"She's not here." It was the only thing that (Y/n) could process.
Her daughter wasn't here. She wasn't in the shop. She wasn't anywhere in their sights. She had disappeared and no one had noticed. No one had stopped her or anyone around her. They let her walk right past them. Where had she gone?
"Can you show me a recent picture and describe what she was wearing? We'll get an announcement out and put security on every exit, just to be safe."
"Um…" A look passed between (Y/n) and Maddie before Maddie got out her phone and scrolled through for a picture of Minnie. She had thousands of pictures of her nieces, it wouldn't be hard to find a recent one. "S-she's wearing a purple dress, with white flowers, and white tights. Red shoes,"
"Her headband," Lois looked from her aunt to her mum. They would spot Minnie from a mile away with her headband.
"Yes! It's a Minnie Mouse headband, big black ears and a pink bow in the centre, s-she wouldn't take that off."
"Does she have any nicknames she might respond to?"
"Um… her dad calls her little mouse…" (Y/n) couldn't think of any other nicknames they used for her. Evan had so many petnames for the girls, but that was the only one he seemed to use for Minnie, and (Y/n) either called her by her name or baby. She didn't use many other terms that Minnie would respond to.
"Shop's clear."
Those two words crackled through the security guard's radio pinned to his shoulder and it made (Y/n)'s blood go cold. She barely heard Margaret whimper that she was going to look round for her. She couldn't feel Ellie sobbing into her arm or Maddie gripping her elbow tightly.
All (Y/n) could feel was the way her ribs were aching with each breath she took like they had splintered and were puncturing into her lungs. Each thud of her heartbeat had her chest aching and make her skin prickle with heat and droplets of cold sweat. She could feel her head pounding and pulsing, her knees going weak and her throat closing up as her stomach did summersaults.
She wasn't in the store. She had gotten out into the shopping centre. She could be out of the centre already. She could be in somebody's car, walking down the street, getting into a taxi or on the bus. Minnie could be on her way out of their lives by now.
No one was helping fast enough.
"I'm calling 911, I'll get Josh on the line and get him to set up contact with Athena."
Maddie squeezed (Y/n)'s shoulder and took a few steps away towards the seating area in front of them. She sat Lois down beside her and curved her arm around her eldest niece, tucking her under her arm like a bird offering her protection beneath her wing. Even as she got her phone from her bag, Maddie could feel her sister in law staring at her. Checking Lois wasn't about to disappear too.
Clenching Ellie's hand tightly in hers, (Y/n) went numb as she walked over to Maddie. An air of calmness surrounded her as if she had left her body behind. She sat Ellie down next to Lois and moved the pram behind them before she turned and took a few steps away.
When the security guard reached out for her, she shook her head and pulled away. She didn't want touch or help or comfort. She wanted her daughter back in her arms.
She didn't feel or see herself moving until her phone was in her hand and the dialling tone was suddenly ringing in her ear.
Her body cringed and pulled inwards when a tanoid announcement roared through the air like shockwaves rippling through the sky. Minnie's description. Her age, her height, her clothes and hair and headband, all circulating through the speakers. Asking anyone to find her, approach her and take her to the nearest security or safety point.
"Hello?"
Bobby. She had called her dad. Of course she had. She didn't know whether Evan was out on a call or getting a shower or busy doing inventory. He might not have his phone to hand whereas her dad was more likely to answer.
"Dad, is Evan with you?" Her voice came out so quiet and meek that (Y/n) barely recognised it as her own. She could hear the wobble in her words and the way her voice cracked like it was glass heating up and fracturing into pieces.
"Yeah, we're just about to sit down for dinner. Why, what's wrong?"
"Oh God…"
She couldn't say it. She couldn't say what was wrong or what was running through her head. All she could do was lean forwards like she was going to be sick with one arm around her stomach and the other clenching her phone tight.
Tears streamed down her face, her vision blurred and her throat felt like it was swelling up as she gasped and wheezed down the line.
"(Y/n)… (Y/n) honey, calm down." His words did nothing to alleviate the panic in (Y/n)'s heart and she couldn't stop crying now she had started. "Buck, we've got a situation."
"Baby, it's me. What's going on?"
"Minnie's gone."
"What?"
What the Hell did that mean? Where had she gone? What were they doing- where were they? How had she gone, was she hurt, run off, taken, fallen down somewhere, stuck in a taxi or on the bus or somewhere away from them? What did that mean?
(Y/n) rattled her hand through her hair but she had to wind her arm back around her stomach again. The pressure felt good, it felt calming and grounding to have that touch and try to prevent herself from being sick.
"We- we're all in the shopping centre… she went with your mum and Maddie but she's disappeared. Evan we can't find her anywhere, security haven't seen her… M-Maddie's calling the police… I d- I don't know what to do."
She pulled the phone away from her ear so she could wipe her sleeve beneath her eyes and nose. She was suddenly glad that her back was turned to the girls, she didn't like them seeing her cry.
"Fuck! Oh shit… look, I'm gonna come down there now, okay? I- I'll get down to you, if you find her before I get there call me. You hear anything you call me. Try not to panic, sweetheart, she- she might have wandered off after someone, look what she was like at the Christmas party."
Evan felt like the world was crashing down around him.
His little girl wouldn't just wander off without anyone. She didn't follow after people or run away or stray far from whoever she was out with. And she was only three, she wouldn't do this on purpose to cause a scene or create panic or because she thought this was a funny game to play.
His free hand slammed down on the table so hard and fast everyone froze. Hen stopped serving up lunch, people began to put down their plates as slowly as they could manage, and all eyes landed on Evan.
He turned to look over at Bobby, and realising that he still had Bobby's phone, he handed it over with (Y/n) still on the line. "Call Athena."
His voice turned raspy and his blue eyes darkened as tears pooled on his lashes and his face began to turn a very worrying shade of red. He pushed his chair back and scrambled to turn around, even as Eddie reached out to stop him and Bobby rushed from the table. His daughter was crying on the phone and Evan was trying to leave. No one was telling him what was happening.
"Buck!"
He shrugged off Eddie's touch and bolted from the table, checking his pockets for his phone and his wallet. He needed to find his keys from his locker and leave. He had to get down there and get in that shopping centre. Evan needed to scout round every inch of that building. Every corner, every crevace, every hidden crook and cranny, he needed to look round them all.
He needed to watch and search every person who tried to leave and every car needed to be stopped and checked.
"Buck what's going on?"
"One of my daughters is missing."
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