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#asian edit
shesnake · 28 days
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“Monkey Man” was shot and completed in 2021, and Netflix soon after acquired the rights for around $30 million, but it’s been on the shelf for three years and they‘ve all of a sudden decided to get rid of it? What gives? It turns out, according to an in-the-know source, that it was the portrayal of a fictional right-wing Hindu Nationalist character in the film that worried Netflix about their future dealings in India. And even though they had paid more than twice the production cost, they decided to give the film back to the producers, which is what caused the long delay. Universal and Peele eventually took a particular liking to the film, so much so that they suggested possible editing changes and delayed the release until what they thought would be the right date. It’s as simple as that. In the end, it was all about politics and optics for the streaming giant, especially since India has become the current top growth market for Netflix. Co-Founder Reed Hastings has mentioned that a majority of the service's next 100 million subscribers would most likely come from India.
Universal/Jordan Peele's "suggested possible editing changes" in question:
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5mcsinatrenchcoat · 6 months
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To whomever it may concern: Karlach without make up (and with scars). Bless the modders.
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walrus150915 · 7 months
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"Ballister..."
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"Whose goddamn white baby is that"
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writingwithcolor · 4 months
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Diversity Win: Is "Crazy Rich" POC Representation Necessarily Empowering?
sodapopsculptor asked:
I’m writing a story with two sets of protagonists: A trio with a Black girl, a Latino, and a Vietnamese-American boy who all come from middle-upper class to ridiculously rich families, and a pair of white working-middle class sisters. They’re all heroes of this story. I’ve seen way too many rich white people and poor poc people in fiction, and I’m kinda getting sick of it, but I’m worried that by having the poc kids be rich and the white girls not so much, I’ll be reinforcing the idea that poc somehow rule the world. The only time the rich kids use their status as leverage is when the Asian threatens to sic his cop dad on a bully (race unstated but I imagined him as white) picking on a freshman, and during the Black girl’s birthday party, when she pays the biggest jock there fifty bucks (And later says offhandedly that it was just what she had in her pocket) to chase off a creep hitting on her.
OP, have you ever seen the “diversity win!” meme before?
I understand that your motivation for these narrative choices is to give POC a chance, if you will, to be the rich characters. But it is evident from this ask that you have not asked yourself what this entails. I want to ask you to critically examine the race and class intersections you’re creating here, as well as these kids’ roles in oppressive systems.
You explain that these rich POC are heroes and only have righteous reasons for leveraging their power.
But is your Black girl character aware of the potential disciplinary and/or legal consequences her jock accomplice might face while she has the resources to keep her hands clean? Are you?
Is your Asian character aware of how much of an abuse of power it is to “sic” a cop on someone, and the sheer amount of harm a criminal record or incarceration does to a juvenile with behavior issues? Are you?
So you want to put POC in positions of power for #representation.
Does it resonate with the group you’re representing?
Do you research and portray the unique ways race, ethnicity, class, and majority vs. minority status come together?
Or are you putting these characters in oppressive hegemonic roles for the sake of a power fantasy, on behalf of a group you're not even in?
To your question, you're not reinforcing the idea that "POC rule the world" because such a generalized belief does not exist. Instead, you're reinforcing:
The idea that society has “winners” and “losers.”
The idea that the problem with disproportionately powerful people is the lack of “equal opportunity” as opposed to the power imbalance to begin with.
The idea that those in oppressive positions of power need only have the right intentions to justify their use of it.
To be clear: that is not to say that you can't have jerk aristocrat billionaire millionaire crazy rich POC. Evil or mean rich characters are fun! I have some myself! You can even have rich characters who are gentle-hearted and well-intentioned, but you have to know the ways in which they’re privileged and decide how aware of that your characters are. That’s no problem.
But if you think that wealthy and powerful POC would have the same values and priorities as their poorer counterparts, you’re deluding yourself. There’s a reason why the quote “power corrupts” exists. There’s a reason why no matter where you look on the globe, there are historical dictators and tyrants.
If you want bratty rich POC who lack regard for the consequences of their actions, because you want bratty rich characters, great! If you want them because it would be uplifting or empowering representation? You’re doing it for the wrong reason.
~ Rina
I fully agree with Rina, and truly want to emphasize the last paragraph.
If you want bratty rich POC who lack regard for the consequences of their actions, because you want bratty rich characters, great! If you want them because it would be uplifting or empowering representation? You’re doing it for the wrong reason.
I don't think you need to aim to subvert or purposely make all the BIPOC rich and powerful and the white people poor and suffering. Add diversity and include upper class rich and class privileged BIPOC, sure thing! And you can avoid your fears of intentional subversion message by including rich and powerful white characters as well, even if they're not the focus of your story. Just their existence helps. You could also include middle-class characters of Color as well.
More reading: Black in upper-class society
~Mod Colette
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riinasawayama · 2 years
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in the mood for love (2000), dir. wong kar wai
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ohshinytrinketsmine · 3 months
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I had wayyyy too much fun making this hehehe~
The Sign, Ep 9
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peachyypanda · 8 months
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A splash of color for your day 🐠
──★ ˙ ̟ twitter ⊹ reddit ⊹ of ̟ ˙★──
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zyafics · 18 days
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𖥔 ࣪ ᥫ᭡ꗃ⋆࣪. rafe cameron + his south asian! gf 𖥔 ࣪ ᥫ᭡ꗃ⋆࣪.
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— based on this ask right here ✧
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hiromicota · 1 year
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Earlier today, Paizo announced long awaited books for their Asian inspired continent Tian Xia. Unlike many other companies attempting projects that large, Paizo went out of their way to hire damn near every Asian TTRPG writer in the business.
 I’ve worked on ~100 books & games. I’m often the only Asian on a project. It’s rare to have more than 1 other Asian on a book with me.
The Tian Xia books?
There were like 40 of us! 😲
I’m really glad that Paizo took the time to do this right. 💚
Players are going to see what a difference that level of representation makes when they get their hands on Tian Xia & see the massive diversity of Asian cultures & experiences reflected in the books.
I’m not just talking about countries or ethnicities; there’s also different stories of identity — diasporic groups, immigrant experiences, people reconnecting with their heritage, refugees, people finding & making places of belonging, … The sheer breadth of Asian experiences and identities represented in Pathfinder’s Tian Xia team and in our books is astounding. 
This is why representation matters.
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khaotunq · 2 months
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TYPECAST: First Kanaphan edition
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madeleineengland · 1 year
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Bro same
- ALICE IN BORDERLAND [2x05]
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pbnmj · 9 months
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i deserve a spider-woman nepal..... miles doesn't have to be the only teen spider with a terrible bisexual mentor (enter my own sketches of the world's most annoying spiderperson, who i fling towards pavitr, complete with a design that's subject to change)
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enananhearts · 6 months
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HATSUNE FUCKING MIKU?????
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harbinger-archives · 9 months
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Commander Shepard? Garrus Vakarian.
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I romanced Garrus in my first playthrough and now in my second playthrough, I noticed that there's just something funnily romantic about the scenery between their first meeting. LIKE-
These are their POV's when they first saw each other:
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The way Shepard's red complements with the cherry blossoms and Garrus infront a fountain, sparking that adventure that Shepard is looking for at the start of her story - there's just something poetic about it. 🤣🤣
and I love it even more because there's some genuine irony, that the ME developers never expected Garrus to be so popular and the end product of it all turned out to be more like a romance story between them by the fans. 🤣 I love them both sm!! Their 🔴🔵 chemistry is just so perfect. 🙏
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rubyjnee · 2 months
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ohshinytrinketsmine · 4 months
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I don't want you to be lonely any more. At least, you can try opening your heart and getting to know me. I'll try it out. But I don't know if it will work.
Pit Babe, ep 6
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