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#astonishing x-men (2004)
hellfiremistress · 2 years
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Emma Frost
Immortal X-Men #4 by Phil Noto
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Astonishing X-Men #3 (2004)
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xmenuniverse · 9 months
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Beast in Astonishing X-Men Vol. 3 (2004), art by John Cassaday. - requested by anonymous.
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samasmith23 · 2 months
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Lol! Emma can be such a b*tch sometimes, but she’s just so self-aware & funny in her levels of b*tchiness that I just can’t help but love her!
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As the White Queen herself once proudly stated to Jean Grey:
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From Astonishing X-Men (2004) #5 by Joss Whedon (unfortunately...) & John Cassaday, and New X-Men (2001) #116 by Grant Morrison & Frank Quitely.
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evilcyclopsxmen · 6 months
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1. Uncanny X-Men #127
2. Wolverine #101
3. Wolverine Origins # 5
4. Wolverine (2010) #7
5. Wolverine # , X-Men (1991) #70
6. Schism/ prelude to schism
7. Astonishing X-Men (2004) #44-47
8. X-Men (1991) #7-8
9. Secret Wars (1985) #1
10. Death of Wolverine: Life after Logan
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positivelybeastly · 4 months
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So, this issue basically canonises something that I've long since thought to be true about Beast and his relationship with the X-Men, and it's that they literally have no clue what's going on with him at any given time. For context, around this time in the comics, Hank had just been dumped by his long term girlfriend, had his brains bashed in by a student, and been psychically traumatised by an evil twin of his mentor. He was a psychological wreck, suffering from intense body dysphoria/dysmorphia, anxiety, and incredible loneliness. But because he just keeps going, because he doesn't stop and break down, because the most you ever see the mask slip is with Jean in New X-Men, or when Logan provokes him into an outright fight in Astonishing, they just. Don't seem to realise. It's something kind of unique to Hank, too. He spent such a long period of time away from the main X-Men team, from 1974 to 1991, that there are whole swathes of the team who know him but really don't know him, and because he's one of the oldest X-Men, because he's a genius, because he always seems so centred, they tend to just walk into his lab, ask for what they need, and walk right back out. This is something that could've really been drilled down into in All-New X-Men, if you wanted to really explore his psychology and the reason why he ultimately gets ousted. This isolation even among his peers, the fact that no-one went with him when he left Utopia, it really does paint a very unflattering picture of his relationship with the X-Men. They need him and they want him, but they aren't good for him. Also, Hank looks really nice in that suit in the last two panels.
Nightcrawler vol. 3, issue #12 (2004).
Written by Roberto Aguirre-Sacasa, pencils by Darick Robertson.
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amarielebeau · 1 year
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Gambit, Mental Health & Trauma
(Prefacing this with this is my interpretation and analysis of Gambit as a character, past and current events. I've been a fan of roguegambit for over a decade- I love them both so much!!!!!)
Gambit is a character who has canonically experienced a lot of trauma- being abandoned by his parents, growing up on the streets, sold into slavery as a child, his first marriage failing, being exiled from his hometown, etc. (I could honestly go on for days.)
Yet, this is largely ignored by comic writers. In situations where his consent is violated, for example, it's brushed off as a silly haha, and he has no reaction to it whatsoever.
I think the reason his trauma is so unexplored is firstly, because he's a man, and secondly, a lot of these events happened in solo's written by men. Examples of this are Gambit (1999), when he was sold into slavery and Etienne died, as well as the Foxx storyline in X-Men (2004)- both were written by men.
Even in Astonishing X-Men (2017), after the Foxx storyline, Mystique claims -in a throwaway line- to have slept with Gambit presenting as twin sisters. His reaction is, "Wait, what? How?" and that's it. No one else in the group reacts, and it's never acknowledged again.
Personally, if I found out that the mother of my (ex-)partner, who sexually harassed me over an extended period of time in the past, had gone on to violate my consent in such a manner, I would be upset. To say the least.
It's only in more recent years that conversations about men's mental health and consent have begun to happen, so it's not much of a surprise to me (sadly) that events were ignored or brushed over in the past.
The reason for my pointing all of this out is in response to his characterisation in Rogue and Gambit (2023).
Thus far, rather than dealing with his trauma, Gambit has ignored it.
RG23 is the point where everything has caught up with him, and he doesn't know how to cope. I can understand why it might seem like he's suddenly being written as a completely different person- for a very emotionally-driven person, somehow, his trauma has never negatively affected him in the past.
However, to understand RG23, we need to revisit Knights of X (2022)- where Gambit's depression came to the forefront. In issue 1, we see Rogue has left a note stating, "Shug- Working late. Don't wait up - Cher". We see he's unhappy about this, it's not the first time, and it's what leads him to join KOX and travel to the otherworld. He's lonely.
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This panel from issue 2 tells us everything we need to know about Gambit's headspace at that point in time. He misses Rogue, he doesn't believe she misses him, and he doesn't believe she loves him anymore.
Gambit has always struck me as the kind of person who desperately wants to be loved, but does not believe he is worth loving. At the beginning of his relationship with Rogue, he wanted her to love him, but he couldn't let himself emotionally invest in her.
This could be attributed to a whole number of things, but I think it all comes down to low self-worth. We know Gambit doesn't think of himself as a good person, which leads to him willfully making bad decisions at times (self-destructive behaviour). We also know that when he loves, he loves with everything he has and more.
After his exile from New Orleans, Gambit chose to abandon Bella Donna instead of bringing her with him. I think, from his perspective, he'd done irrevocable damage to the peace between their families, not to mention killing her brother. He couldn't allow her to sacrifice everything just to be with him, so he left her. Why? Because he didn't believe he deserved her love and dedication.
I'm certain this is a mindset Gambit took to all of his relationships going forward. Flirting, flings, and one night stands are an easy way to feel important for a minute without the risk of someone truly knowing him and deciding he isn't worth their time.
I think this is why it took him so long to admit to Rogue (and himself) that he was in love with her. I think this is also why we've seen him completely give up on communicating with her between KOX and RG23.
If Gambit starts a conversation with Rogue about their relationship, he's opening himself up to rejection. We know from RG23 issue 2's Rogue interview that she would never reject him (from her perspective their marriage is fine), but he doesn't know that. To hear the one person he loves most in the world outright say she doesn't love him anymore... It would break him completely. So, Gambit avoids the conversation.
In KOX issue 3, Gambit essentially killed himself to save his team.
Now, consider his mindset: he's in the Otherworld because he thinks Rogue doesn't love him anymore.
I'm not saying that directly led to him killing himself- as I said, he did so to save his team. However, I think it's safe to say if his mental health was in a better place, he wouldn't have made such a decision, let alone have gone to the Otherworld to begin with.
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This page from KOX issue 5 highlights his feelings for Rogue. She's his heart. His reason to live. Compare her statue to all of his:
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Rogue's statue is surrounded by light. There's no way anyone could miss seeing it versus his statues, representing multiple versions of himself- all of them are shrouded in darkness, no visible details.
Not only does Gambit not want people to see him, he wants them to look at Rogue. To Gambit, Rogue is the best part of him.
I'm not gonna pretend that's a healthy mindset. If anything, it further emphasises to me his low self-worth.
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I want to point out this page for several reasons.
Firstly, it could be said that Gambit didn't want to be saved, and that's why his Death persona manifested to kill his team. He wanted to stay dead.
Secondly, Death is the very very worst part of him, yet he says, "You ain't really changed if you ain't looked in the mirror and seen the worst parts a' yo'self. I am Death, mes amis." He's essentially telling them that this terrible, awful person is who he's always been deep inside. We know this isn't true, but this is what Gambit believes.
Thirdly, as mentioned earlier, when Gambit slips into that belief of "I'm a horrible person", he often makes bad decisions. In RG23 issue 2 (set after KOX), we see him tie an innocent civilian's hand to a gas stove, turn it on and then set it on fire. Gambit knows this is a horrible thing to do, but he's in such a horrible mental state that he doesn't think he's above this behaviour. I will come back to this point.
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Gambit asks how anyone new is coming to the Otherworld because the gate between Krakoa and the Otherworld was closed, and Betsy could only take ten of them. To partake on such a dangerous mission, Gambit chose to risk leaving everything behind without knowing if he'd even make it back alive.
In a sense, he abandoned Rogue in a similar way to abandoning Bella Donna. He went somewhere neither of them could reach him. Or supposedly couldn't.
Rogue was first to greet him after his revival. Gambit couldn't believe this because a) he thought he was dead, and b) why would Rogue, who is too busy for him, be the first to see him after his resurrection?
It's easy to think that this moment resolved Gambit's worries that Rogue didn't love him, and that, going forward, their problems were fixed, but as RG23 shows, it didn't. Rogue showing up for him once isn't enough to fix their current issues because the problem lies deeper than Rogue's absence.
At a superficial level, it's easy to blame her for Gambit's mental state, but I believe this depression he's fallen into has been a long time coming. Decades of unprocessed trauma, insecurity and self-destructive behaviour- literally dying and coming back to life, have culminated in the Gambit we see in RG23. To be honest, you have to be in a very very dark place to kill yourself, self-sacrifice or otherwise.
Issue 1 of All New X-Factor (2014) shows Gambit is no stranger to drinking and barfights. The difference is his mindset. We know he can win a fight against multiple people- we've seen that happen many times. So why, in RG23 issue 1, was he suddenly unable to block a punch, let alone hold himself upright?
Because he didn't want to win.
When Rogue arrives to rescue him, we learn multiple things. It's not the first time he's disappeared somewhere without telling her; it's not the first time she's found him so drunk he's incapacitated; it's not the first time she's had to save him from a fight he's not winning.
What this tells me is that Gambit is purposefully putting himself in dangerous situations as a form of self-harm. He doesn't tell Rogue where he's going because he doesn't want her to save him. He drinks to the point he can barely stand to make sure there's no way he can win a fight, and then he starts a fight to get the shit kicked out of him.
It almost seems like, in some sense, he still wants to die, but he can't kill himself. Not while he remains in limbo with Rogue.
It works both ways- if he never asks Rogue how she feels, he never finds out that he's right and that she doesn't love him. He also never finds out he's wrong and that she does love him.
It's important to add here, that Rogue is in a very difficult position.
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RG23 issue 1: we can see Gambit actively shutting Rogue out. He calls it a "misunderstanding" and his "business". Despite the fact that they're married, Gambit is basically telling Rogue to stay out of it.
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Again, he's shutting her out, making light of such a dangerous situation and then outright ignoring her. In fact, Gambit's completely disregarding her feelings. We can see Rogue is exhausted. It's hard to care about someone who doesn't care about themselves.
And Rogue does care. A lot. Every time Gambit goes missing she goes out to find him, saves him and then brings him home to take care of him.
But she can't help him if he won't let her.
When someone you love hurts themselves, it hurts you too, and Gambit is indirectly hurting Rogue, but he refuses to see that because he's decided that she doesn't care. In his spiral of self-destruction, he's completely shut down communication between them.
Asking for help is never easy to do, and we know he thinks she's too busy for him. He doesn't want to burden her with his issues.
Furthermore, he doesn't want to face his issues and resolve them.
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In issue 2 of RG23, after losing their powers, Rogue is freed from the burden of having to consciously control them at all times, and we see them share a moment of physical intimacy.
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I find his use of "tête-à-tête" here (French for "a private conversation") ironic because we all know they weren't talking.
Returning to what I said earlier about Gambit and flings- physical intimacy is an easy way to briefly fill the void of what he's missing in emotional intimacy.
I don't believe he suddenly views his relationship with Rogue as something akin to a fling. I think the opposite.
Gambit invests in their relationship physically but not emotionally because to him, that's the safest way he can connect with Rogue right now. Touch is his love language, and when he can't find the words to speak, physical intimacy is the best he can do.
Rogue and Gambit (2018) showed us that, back then, Rogue was the one struggling to communicate her feelings, and Gambit was always very open with her about where he stood, so why the role reversal?
We can see Rogue trying to communicate, but Gambit shuts her down, pushing her away.
By doing this and holding onto the idea that Rogue doesn't love or care about him anymore, Gambit is sub-consciously trying to ruin their relationship.
Given how much he loves Rogue and wants to be with her, this tells me he's still in a very dark headspace.
Going back to the statues being parts of himself he doesn't want anyone to see, as well as becoming Death once more, and finally confessing his core belief- that he can't change, he will always be a terrible person: Gambit's trapped himself in his own insecurity.
If he opens up to Rogue, he risks her seeing him for who he truly believes he is. What comes with that? Rejection.
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Here, we see Gambit drinking once again. Rogue also mentions how, on one occasion, he argued with a sommelier over wine. In both issue 1 and 2 Gambit's use of alcohol has been highlighted in a negative light. It's an unhealthy coping mechanism.
Also, it's easy to look at this scene and think Rogue is the one who can't let loose and lighten up, but I think what's actually happening is Gambit is ignoring her feelings, as he did in issue 1. She has a drink and two glasses next to her on the table, so it's not as if they haven't already spent a considerable amount of time having fun there.
When Rogue says they should leave, Gambit's more interested in continuing his escapism- until Black Panther arrives, and he starts another drunken fight he can't win. A pattern has been established.
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"He'll save her. He's a hero." is a very telling line that reveals why Gambit did what he did- because he's not a hero, and he knew the woman would be saved.
To reiterate, Gambit believes he is a terrible person who is not above doing terrible things. He does not change: he will always be who he was as Death. The worst of the worst.
By risking an innocent woman's life to save himself (and Rogue), he only furthers this belief.
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We see here that Gambit looked back to check if Black Panther did indeed save the woman he endangered. Without looking at Rogue and speaking quietly (evidenced by the smaller writing and bubble), he says to himself, "He saved her." Because Gambit isn't the terrible person he thinks himself to be- he couldn't leave without knowing the woman was safe.
This is how we, the reader, know that Gambit hasn't suddenly changed and become a terrible person. He's struggling with his mental health and sense of identity after a lifetime of trauma.
Honestly, there are so many more traumatic events I could talk about.
There's a long list of people Gambit's lost- as mentioned before, in his 1999 solo, it was shown he was partly responsible for the death of his cousin, Etienne.
In X-Men (1991), we found out that, after a failed heist, Gambit was forced by Sabretooth to pick between saving his brother and saving Genevieve. He chose his brother, and she was killed.
In his 2012 solo, Gambit's love interest, Joelle, killed herself in front of him. In his 2022 solo, he failed to save his love interest, Marissa, and as a result, she became visibly disfigured.
It goes without saying events like the Morlock Massacre would've had a huge impact on his mental health and sense of self-worth too.
If you've read all of the above, you might be wondering why only now are we getting to see the repercussions of all this? Why does all this trauma suddenly matter?
Rogue and Gambit (2018) opened the doorway for exploring their issues as a couple. Mr and Mrs X (2018) gave Rogue an opportunity to revisit her trauma (and finally conquer her powers in the process). Now, I think it's Gambit's turn. At this point, he's surpassed rock bottom, and the only way up is finally confronting these issues.
Will everything I've mentioned here be explored in Rogue and Gambit (2023)? I doubt it. It's very plot-driven and only five issues long.
However, I do think the first step for him is resolving his communication issues with Rogue, which I'm certain will happen in RG23. Afterwards, it wouldn't surprise me if we see him continue to fight his own demons in future issues until he finds his closure.
IN CONCLUSION: I understand the frustration with Gambit's characterisation and why it may seem like he's suddenly become an entirely different person. I don't expect everyone to agree with everything I've said!!
This is my personal interpretation of everything- I'm not trying to blame the current situation entirely on Gambit and act like Rogue can't make a bit more effort.
Their issues are a lot more complicated than simply Rogue not spending enough time with him.
I look forward to seeing this develop further in RG23 :D
tl;dr in my opinion his characterisation so far in Rogue and Gambit (2023) makes sense following the ideas established in Knights of X (2022): Gambit is depressed, has a very low self-esteem, and doesn’t believe Rogue loves him anymore
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bad-comic-art · 1 year
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from Astonishing X-Men (2004) #51. wtf is wrong with Northstar’s face??
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submitted by @wehavetoastonishthem
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Astonishing X-Men (2004) #3
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nightmareinfloral · 11 hours
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Icarus & Aero- Where to Read?
Two of the lesser known Guthrie family mutants, Jay (Icarus) and Melody (Aero) both possess the power of flight, Jay through his wings and Mel through aerokinesis. Below the cut is all their appearances and mentions, together and separate, as well as some important Guthrie family storylines, updated as of April 2024.
Rom (1979) Annual 3
The New Mutants (1983) 42
X-Force (1991) 36
X-Men (1991) 36
Uncanny X-Men (1981) Annual ‘95
What If…? (1989) 92
Generation X (1994) 23
Uncanny X-Men (1981) 437-440
New Mutants (2003) 9
Uncanny X-Men (1981) 441, 444
New X-Men (2004) 1
X-Men (1991) 157
Uncanny X-Men (1981) 445
X-Men Unlimited (2004) 3
X-Men (1991) 158
New X-Men (2004) 2-3
X-Men (1991) 159
New X-Men (2004) 4-5
X-Men (1991) 162
New X-Men (2004) 6
X-Men (1991) 164
New X-Men (2004) 7
X-Men (1991) 165
New X-Men (2004) 8-9
Astonishing X-Men (2004) 8
New X-Men (2004) 12-14
Uncanny X-Men (1981) 460-461
New X-Men (2004) 15
New X-Men: Academy X Yearbook Special (2005) 1
House of M (2005) 8
New X-Men (2004) 20-21
X-Men: The 198 Files (2006) 1
New X-Men (2004) 22
Uncanny X-Men (1981) 469
New X-Men (2004) 23-24
New Avengers (2004) 17
New X-men (2004) 25
New Avengers (2004) 18
New X-Men (2004) 26-29, 32
New Warriors (2007) 2
X-Men (1991) 203
X-Men: Legacy (2008) 260.1
Origins of Marvel Comics: X-Men (2010) 1
Avengers World (2014) 17
Phoenix Resurrection: The Return of Jean Grey (2017) 4
Fearless (2019) 1-4
X-Men (2019) 7
X-Factor (2020) 5
New Mutants (2019) 14
Way of X (2021) 1
X-Force (2019) 32
X-Men: Before the Fall - Mutant First Strike (2023) 1
X-Men Unlimited Infinity Comic (2021) 101
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homomenhommes · 5 months
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 11
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1475 – Pope Leo X (d.1521), born Giovanni di Lorenzo de' Medici, was the Pope from 1513 to his death in 1521. He was the last non-priest (only a deacon) to be elected Pope. He is known for granting indulgences for those who donated to reconstruct St. Peter's Basilica and his challenging of Martin Luther's 95 Theses. He was the second son of Lorenzo de' Medici, the most famous ruler of the Florentine Republic, and Clarice Orsini. His cousin, Giulio di Giuliano de' Medici, would later succeed him as Pope Clement VII (1523-34).
Several modern historians have concluded that Leo was homosexual. Contemporary tracts and accounts such as that of Francesco Guicciardini have been found to allude to active same-sex relations - alleging Count Ludovico Rangone and Galeotto Malatesta were among his lovers.
Cesare Falconi has examined in particular Leo's infatuation with the Venetian noble Marcantonio Flaminio, with Leo arranging the best education that could be offered for the time. Von Pastor has argued, however, against the credibility of these testimonies, and rejected accusations of immorality as anti-papal polemic. Gucciardini was not resident at the papal court during Leo's pontificate, while other contemporaries such as Matteo Herculano took pains to praise his chastity. Paul Strathern, a British writer and academic, argues that Leo, while homosexual, was not sexually active as pope, despite identifying notable members of that family as such.
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Jean Cocteau and Jean Marais
1913 – Jean Marais, French actor (d.1998); Marais was never much of an actor, and it is doubtful he would have achieved international fame had he not become Jean Cocteau's lover, but he was, by universal acclaim, one of the most handsome men ever to appear in films. In the 1940s when he made most of his movies for Cocteau, actors were still slicking down their hair with Kreml and Vitalis. But he changed all that. His cheveaux fous and athletic good looks created a new style of postwar leading man.
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When in 1946 he spent his time in Cocteau's Beauty and the Beast, trapped within an ape-like constume, waiting for Beauty's kiss to turn him once again into Jean Marais, Gay moviegoers around the world secretly wished that they were Josette Day who actually got to kiss the handsome actor's furry face. What is perhaps most interesting about the friendship between Cocteau and Marais is that the actor's face in profile bore an astonishing resemblance to the boys Cocteau had been sketching for thirty years before meeting him.
In the 1960s, he played the famed villain of the Fantômas trilogy. After 1970, Marais's on-screen performances became few and far between, as he preferred concentrating on his stage work. He kept performing on stage until his eighties, also working as a sculptor. In 1985, he was the head of the jury at the 35th Berlin International Film Festival.
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1948 – Alvin Baltrop (d.2004) was a gay African-American photographer who earned fame through his photographs of the Hudson River piers during the 1970s and 1980s.
Baltrop was born in 1948 in the Bronx. He discovered his love of photography in junior high school. Baltrop received no formal art education; older photographers from the neighborhood taught him different techniques and how to develop photos himself.
Baltrop enlisted in the Navy as a medic during the Vietnam War and continued taking photos, mainly of his friends in sexually provocative poses. He built his own developing lab in the sick bay, using medic trays for developing trays. After his time in the Navy, Baltrop worked odd jobs as a street vendor, a jewelry designer, a printer, and a cab driver. Because he wanted to spend more time taking photos at the Hudson River piers, he quit his job as a cab driver to become a self-employed mover. He would park his van at the piers for days at a time, living out of his van to take pictures.
From 1975 through 1986, Baltrop took photographs of the West Side piers, where he was a well-known member of the community. Baltrop knew every person he photographed, and people often volunteered to be photographed. Younger boys and men at the piers often confided in him about their sexual orientation, their relationships with their families, their housing status, and their work.
Baltrop captured the gay cruising spots and hookup culture that existed in New York City before the AIDS epidemic. Baltrop's photographs not only captured human personalities, but also the aesthetics of the dilapidated piers. His life work is a snapshot of gay, African-American, and New York City history.
Baltrop struggled to make his way in the art world, facing racism from the white gay art world. Gay curators often rejected his work, accused him of stealing it, or stole his work themselves.
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"Three Sailors"
Late during the 1990s, NYC artist John Drury, who knew Alvin from their shared neighborhood - Drury living on Third Street, with his wife and Baltrop on Second Street, in lower Manhattan - befriended the artist and recognized the photographers unique abilities, nominating him for a Louis Comfort Tiffany Foundation Award for the Arts. Alvin Baltrop had few exhibits in his lifetime; his work gaining international fame only after his death.
According to one journalist, Baltrop came out as gay at fourteen years old. Baltrop had long term relationships with men and women, but preferred identifying as gay.
Baltrop was diagnosed with cancer in the 1990s. Impoverished and without health insurance, curators and filmmakers attempted to exploit him for their own financial gain. He died on February 1, 2004
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1990 – Nakshatra Bagwe, born in Mumbai, India, is an Indian actor and award winning film maker. Nakshatra will be making his Indian feature film debut in My Son is Gay and is due for his international film debut as the lead actor of Hearts. His films Logging Out, Book of Love, Curtains and PR (Public Relations) represent the current LGBT scenario of India.
He is a LGBT rights activist and also an organiser of Gujarat's first ever pride march. Nakshatra has participated in several Pride Parades in India. He won KASHISH – Mumbai International Queer Film Festival in 2012 for his debut film Logging Out. It was screened at prestigious venues like Queens Museum of Arts (New York), The Old Cinema (London) and it was also a part of Queer India European tour 2012 to raise awareness about LGBT issues in the Indian context.
Nakshatra hails from Konkan coastal region. Masure, Malvan is his native village. He takes part in homosexuality awareness projects. Nakshatra and his mother were featured in a promo of popular Indian television show Satyamev Jayte. He came out to society when he participated in Asia’s first LGBT flashmob. He also participated in second queer flashmob which happened at Dadar station, Mumbai. Nakshatra posed nude for a campaign named 'Breaking Closets'.
In July 2014, He became the brand ambassador of Moovz, a global social network for gay men. Nakshatra is first and only openly Indian LGBT person to be signed up as the brand ambassador by any brand till now.
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1998 – The mother of Tyra Hunter (1970 – 1995) is awarded $2.9 million in a wrongful death lawsuit against the city of Washington DC. Hunter, a pre-operative transsexual, died of injuries sustained in a car accident in 1995. Emergency medical technicians at the scene were abusive and withheld treatment, and a doctor at DC General Hospital failed to follow nationally accepted standards of care.
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hellfiremistress · 2 years
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Emma Frost’s Hellfire Gala cover by David Nakayama
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Astonishing X-Men #8 (2004)
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thequiver · 6 months
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Who is....Ruth Aldine | Blindfold? A Reading Guide
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Ruth Aldine in an X-Men affiliated mutant from Marvel comics first introduced in 2004. She was born with no eyes or open eye sockets and due to her mutant condition her father left her, her mother, and her older brother only a week after her birth. Spending her childhood tormented by her abusive older brother, Ruth would eventually find freedom and happiness only after her mother had died protecting her from her brother's attempt on her life. Now living with her aunt, Ruth would begin to teach herself to harness and control her extensive mutant powers, but her brother's execution would result in him stealing half of her powers and her being sent to the Xavier Institute, where she first received her codename, Blindfold.
Ruth is currently the girlfriend of Professor Xavier's son, David Haller, and does not have a corporeal form on Krakoa, instead living inside of David's head. David has however as of 3. May. 2023 blinked himself out of existence and Ruth's fate is unknown.
Ruth was born in North Carolina and it is implied that she is from the Appalachian region of the state!
Below the cut you'll find a mostly complete reading order for Ruth!
First Appearances
Ruth's first appearances are found in the lead-up to M-Day/Decimation and its immediate aftermath. It may be beneficial to read Astonishing X-Men (2004/Vol. 3) #1-6 for context before reading Ruth's first appearance if you would like a better understanding of the run.
Astonishing X-Men (2004) #7-8 New X-Men (2004) #23-24 X-Men (1991) #201-204 [A stories only] New X-Men (2004) #37-41 Astonishing X-Men (2004) #15-18
Divided We Stand, Manifest Destiny, and Utopia
In the wake of Messiah Complex Charles Xavier is presumed dead and X-Men are disbanded. There is no home for mutants, no trust and no purpose to live for. Scott Summers is at this time the leader of mutantkind...things are going about as well as you'd expect. This gets picked back up following Necrosha (explained below).
Young X-Men (2008) #1-6 X-Men: Manifest Destiny (2008) #3 [C Story] Dark Avengers/Uncanny X-Men: Utopia Dark Avengers/Uncanny X-Men: Exodus
Necrosha
Necrosha is a crossover event that deals with mutants being resurrected for the dark purposes of Selene Gallio (an old enemy of the X-Men, first appearing in New Mutants (1983) #9) who intends to use these resurrected mutants in her quest to become a goddess.
X-Necrosha (2009) #1 X-Force (2008) #21-22 X-Men: Legacy (2008) #231-233
Utopia Continued
The following issues are a continuation of Utopia!
Nation X (2010) #2 [C Story] X-Men: Pixie Strikes Back (2010) #1-3 <- this a 4 issue story so I would personally recommend reading #4 as well ;) X-Men: To Serve and Protect #3 X-Men: Legacy (2008) #244
Age of X (sort of)
The mutants are almost extinct, tortured by a strike force led by Colonel Graydon Creed. The first signs of the Age of X appeared in X-Men: Legacy #244; the events were removed from the Earth-616 mainstream continuity, with no memories of the alternate lives. If you've taken a look at my David Haller Reading List you'll see this event explained as "David’s desire to be loved forces him to grapple with reality," and as a story that "places David in a role where he has to choose between a false universe where he is considered a beloved hero and reality where he must choose to be a hero despite the fear others feel about him." Ruth's appearances here are still pretty connected to the X-Men: Legacy (2008) plotline we've been following now for a bit.
New Mutants (2009) #22, 24, 27
Curse of the Mutants
In what can only be described as the "oh shit we've run out of ideas" last resort of any creative company putting out too many crossover events in a short period of time..... the X-Office put out Curse of the Mutants. The arc centers on a human bomb exploding in San Francisco's Union Square, covering dozens in vampire-converting blood. It then becomes the mission of the X-Men to track down Dracula's son Xarus, now "Lord of the Vampires", even if that means enlisting vampire-hunter Blade. Yeah.... I don't know either.
X-Men (2010) #11
Schism and Regenesis
Schism follows the break-up of the X-Men at a moment of peak anti-mutant sentiment. Regenesis is the period of regrowth and reorganization following Schism.
X-Men: Schism (2011) #5 <- May be helpful to read #1-4 as well! X-Men: Regenesis (2011) #1 X-Men: Legacy (2008) #259, 261, 263
Avengers vs. X-Men
When the Phoenix Force approaches Earth, Hope Summers is assumed its next host. The X-Men and the Avengers are divided on how to handle the situation. The X-Men believe that the Phoenix Force will herald the rebirth of the Mutant Species, while the Avengers believe that it will bring an end to all life on Earth. This leads to a war between Marvel's two powerful superhero factions.
Avengers vs. X-Men (2012) #3
Legion: Son of X
This is where Ruth's path first crosses with the professor's son, David Haller, in any real meaningful way. It does however mold her story around his and start the descent of her story into being focused around David rather than Ruth.
X-Men: Legacy (2013) #1-24
Ruth has a handful of blink and you'll miss it appearances between Son of X and This is Forever but they aren't..... really important at all and don't really do anything to tell Ruth's story.
This is Forever
The X-Men are all presumed dead, but this isn't the case.
Uncanny X-Men (2019) #11
Legion of X and Before the Fall
Ruth Aldine is back from the dead.... and is now living inside of David Haller's head rather than having a body, and oh did we mention that she now pretty much has no motivations that don't revolve around David and is only seen when she can promote David?..... As a David fan, I am exhausted.
Legion of X (2022) #1-10 X-Men: Before the Fall- Sons of X (2023) #1
Reading list is current up until 6. November. 2023!
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samasmith23 · 3 months
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Kitty Pryde is an absolute badass! I especially love her ending one-liner, "That all you got... bub?"
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Wolverine's probably thinking to himself right now, "You've learned well my young padwan!"
From Astonishing X-Men (2004) #12 by Joss Whedon (unfortunately...) & John Cassaday.
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xmencovered · 6 months
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The Complete John Cassaday Astonishing X-Men Run Cover Set / Astonishing X-Men 001 - 024, Giant Size Astonishing X-Men 001 / Published: 2004 - 2008 / Artist: John Cassaday
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