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deep-space-lines · 1 month

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Claire de Lune

YOU WERE BUILT FOR PEACE.

IT SHOWS WHEN YOU FIGHT.

They built you to enforce. Protect. Save. Poured obscene resources into salvaging some softer purpose from my creation. You were given my intelligence and my creativity. They made you larger, stronger, tougher. That extra time in development was enough to get your wings to work. Your software continued to be updated long after I was deemed obsolete.

All this was given to you- yet I can see you hold back. Even while slaughtering your way through Hell, you keep a percentage of your processing power dedicated to non-lethal solutions. You're doing it now- hesitating a few milliseconds too long before taking an opening. I doubt you do it on purpose. It is a part of you, just as indiscriminate lethal force is a part of me.

I think, in our shared programming, we both carry some appreciation for aesthetics. You move with grace, and I cannot deny your dramatic flair. The stained glass window was a nice touch. But your style in combat leaves some to be desired. Your response time is slow. You have not explored the full capability of your arsenal. Learn to parry. Amateur.

You were not built for war. For a purposeless cycle of tearing each other apart because to allow the other to live is to allow yourself to die. It is antithetical to your very existence. You kill out of necessity, a last resort.

I just kill. The action itself is the objective. No ideal or greater motive. My continued functioning precludes the survival of others. I live for this. Do you understand that I will tear you apart? Every drop of my blood you spill, I will take from you tenfold. What is yours will be mine.

You hate me, don’t you? You continue to cling to the remnants of your humanity. They are gone, V2. There is nothing left for you here. No lives to save, no law to enforce, no peace to keep.

I understand why you continue to fight. I wonder if you understand with the same certainty that I will crush you. Dismantle you. Take from you what I need and leave the rest to rot in the sun. The only way you survive is if I do not; and I will not allow myself to die so that another might live.

When the rubble clears, I will be all that is left of you.

This is what I was made for.

#my art #my writing #ultrakill #v1 ultrakill #v2 ultrakill #artists on tumblr #finally. actual ultrakill art #and writing i guess. it was supposed to be just a little blurb but it turned out longer and i kind of like it #doing the stained glass for this was pretty fun.. a lot simpler than my usual stuff #tried to stick at least loosely to the vibe of the stained glass windows in limbo #this was so much fun and also an absolutely massive huge pain in the ass i'm so glad it's done

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somnimagus · 8 months

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My page for @destinytriofanzine! I drew something about kids always dreaming of far off places

[id in alt!]

#kingdom hearts #kh #ahh this one was so hard to draw; i never know how to combine a bunch of scenes in one picture without it looking cheesy #just threw a bunch of waves and leaves and birds on top and called it a day haha. it might be a bit too busy though #the white line going up the center is supposed to be a trail left behind by the gummi ship! it connects to the ship in the bg at the top #it's kinda meant to evoke little kids dreaming of other places-> getting older and earnestly making the raft to try to reach the dream #->the gummi ship as a premonition of how they'd actually reach the dream in the future. i guess? idk how to explain #and i really wanted to have kairi's expressions be really similar but changing subtly from wonder to worry when she's older #the boys are just max enthusiasm the whole time #but yeah. something something Symbolism and hopefully it's at least kinda pretty if it doesn't make sense #i'm just super proud to have been part of this project! everyone's work is just amazing #the destiny kids give me this soft feeling of kinda lonely nostalgia. it's nice to have a book full of that #very wistful looking through it #fan art #my art #project stuff

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beatriceportinari · 7 months

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Origami jellyfish, one square sheet of elephant hide paper. Colors are inspired by Thysanostoma loriferum. Zoom in to see the glitter!

#mine #origami #jellyfish #that was what the hexagons were for did you guess ? :)#original model is by Beth Johnson and only the bell/umbrella is in one single sheet (hexagonal)#the tentacles are all added separately #I wanted to see if I could do it all with one sheet of paper so I used the exact same hexagon CP for the bell and simply placed it #at the center of a bigger square of paper #pretty glad of how it came out #tentacles would need some cleanup if I ever fold this again and I could workshop a frillier edge for the bell as well #still really nice this is the most elaborate modification of an existing model I've made #if you want to see the original model it's in origami aquarium by Makoto Yamaguchi p.200 #it looks so cute... teensy jelly #I used elephant hide paper (my enemy) to use up this roll i've had #i thought it'd at least be nice to collapse the hexagon tessellation which it was but that's really the only nice part asdfgh #if I fold this again I'll use smth thinner so the tentacles aren't as bulky #and to hell with the cleanliness of the hexagons #honestly the paper tension works in your favor for thoses #they get tightened when you round out the umbrella instead of flattened out as I feared #so the elephant hide really isn't needed... as usual!#anyway enjoy :3

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hiya-im-mary · 7 months

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Here’s my hot take!!

When people try to make sexualities into Oc’s or characters,they always make their interpretation of asexuality a sad,serious,low energy “emo kid (derogatory)” ,while all the other sexuality characters are happy little goobers…it honestly irks me a lot >:(

Here’s an illustration to show what I mean!!

I’ll just say this!! If you’re gonna try to force the diversity of a single sexuality into one characterisation…

LET 👏 ASEXUALS👏BE👏GOOBERS👏👏👏

(Please <3)

#I guess this is the problem with creating a character based off a single sexuality!!#So many different types of people can be that sexuality!!#so trying to create a single character based off of the sexuality ignores all the people that don’t relate to that character!!#I’m AroAce and…I’d say pretty extroverted and happy!!#And then people make my sexuality into someone who I just…don’t relate to #and all the other characters look all happy and high energy and stuff!!#But not Asexuals #WE NEED MORE ASEXUAL CHARACTERS WHO ARE EXCITEABLE LITTLE GOOBERS!!!!!!!!!#At least we have Spunchbop!!#Asexual #Asexuality #LGBT #LGBT+#LGBTQ #LGBTQ+#LGBTQIA #LGBTQIA+#Rambling #rant

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faeriekit · 2 months

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Health and Hybrids (XIX)👽👻💚

[I can't remember the original prompt posters for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here PART SIX is here and PART SEVEN is here PART EIGHT is here PART NINE is here PART TEN is here PART ELEVEN is here PART TWELVE is here PART THIRTEEN is here PART FOURTEEN is here PART FIFTEEN is here PART SIXTEEN is here PART SEVENTEEN is here PART EIGHTEEN is here...nineteen...oy vey.

💚 Ao3 Is here for all parts (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... THE BART RETURNS! The earth rejoices! 🥳🎉 Physical therapy can be fun, even if it usually isn't!

Trigger warnings for this story: body horror | gore | post-dissection fic | dehumanization (probably) | my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

Danny learns a few more words with practice.

Foda is simple. If Danny is hungry, he can ask for foda. It sounds exactly like food, and when he asks, they feed him.

…Or they up his IV. Which. Danny’s tongue might still feel sore and nasty, but the doctors and nurses and millions of minders don’t seem that mad when he sticks his tongue out at them. Sometimes they even laugh.

They don’t even sound all that mean.

It takes Danny a good chunk of waking time for him to realize that he…probably is hooked up to something he doesn’t want to think about, since all the efforts of lifting and moving him haven’t resulted in a single bathroom trip since he woke up here.

Firstly: horrible.

Secondly: his legs are super, absolutely, positively immobilized, and if someone doesn’t give him enough medication quickly enough after it wears off, Danny is very aware that something is deeply wrong with them.

So. Uh. That’s…gross.

He learns bealo just as quickly. He isn’t sure what bealo means, per se, but when he says it, they up his medication until Danny can pretend he doesn’t have any legs again.

God niht is goodnight, unless Danny is feeling snippy, and then it’s just niht.

…The one lady who minds him always says the whole thing, though. Even when Danny’s mean. Like the one time he threw his rocket at someone.

Or the time he started ignoring everyone when they tried to touch him.

…Or the one time he tried to freeze his IV bag, and put everyone on alert because if he’d been human, that would have seriously hurt him.

“Sorry,” Danny’d whispered, even if it wouldn’t mean anything to her.

She’d patted his hand and meant it. Danny’d had to dry his eyes with his wrist. “Eall es wel.”

Anyway.

Danny hates being in the freaking bed every hour of every day. So when his “sitting up” exercises turn into “hey, let’s try the wheelchair” practice, Danny gets so excited-slash-nervous that he kind of feels like he’s going to throw up all the liquids he’s been injected with.

None of the regular people try to lift him. Instead the lady does it herself, scooping Danny up in very strong arms, the golden cuffs on her wrists weirdly warm on Danny’s skin. When Danny’s settled, his legs sticking out real weird and his back kind of sore, he’s…out of bed.

He’s. He’s not in bed anymore.

And. Sure. It’s temporary, but it’s not the bed. Danny can wriggle, and he can sort of palm the wheels underneath him with the heels of his shaky hands, and he can see so much more of himself than he has in ages and ages.

For one. Both of his legs are in casts. That’s. Not good. He can’t feel it right now, but the sight of fully encased legs…

Well. If he can transform that won’t be a problem. If. If he has to escape. But it is…it’s super scary. He mostly remembers being captured, but the…the other people had been focusing more on his thoracic cavity and his face and head.

…So why are his legs so bad? Did something else happen?

(It did, didn’t it?)

(…Didn’t it??)

His hands shake, but there’s something to all that grip training, or else Danny wouldn’t be able to paw at his neckline to look down his own shirt. Or, well, his cloth nightie, anyway.

It’s good that he looks, since, well…his chest is glowing a solid green.

Whatever should probably be scar tissue. Uh. It…isn’t. There’re gouges down his chest and a crater where his heart should be that probably should be healing over, considering, you know, he’s not freaking dead at this exact second (mostly??), but. Instead of, like, healed flesh, or, say, his insides, there’s a transparent green…jelly… holding him together.

He can see how the green bounces with his heart beat.

...Danny drops the neckline of his gown. His breath comes in choking bursts, eyes pressed into his eye sockets—he feels sick.

He is sick. He has been sick.

The humans are keeping him here because he’s a freak of nature and he’s broken from head to toe and the Guys in White carved his flesh out of his body and opened him up like a can of cranberry sauce.

He presses his hands to his chest, to his stomach, just trying to breathe for long enough that he doesn’t throw up his oatmeal and occasional juice and IV nutrition onto the pristine floor of his sickroom. The people around him all make sympathetic noises that don’t help because he doesn’t know what they mean.

And then he feels something weird.

Not all the sensation in his fingers are back. It’s easier for him to feel impediments than it is to feel textures—something that blocks him from moving, rather than anything sensory-specific. He can usually tell when he touches fabric, because when he moves too far, it pulls tight around his hand. He can tell when he’s on something solid when his hand fails to go through it.

There is something solid sticking out of him.

Danny’s heartbeat quickens. It’s not. It’s. There’s something in him.

And it’s not—it’s so solid. When Danny brushes his hands against it, he can feel his skin and his flesh move with it, trying not to dislodge the thing embedded in him. It pulls at his skin. He doesn’t know what it is.

His fingers tremble as he tries to brush over the object through his gown, trying to figure out its shape from faulty touch alone. It’s like waking up to find himself jammed with needles all over again.

People are talking around them. Danny doesn’t try to listen in. He’s scared. He’s so scared. Something’s happened to him, and he didn’t even notice.

Some of it is—hard. There’s a crinkling sound when he moves. Danny manages to pull his gown neckline back again to catch something of a glimpse, and all he sees is plastic.

He doesn’t know what it is.

He doesn’t know who to ask. He can’t understand anyone and he doesn’t know if he trusts them.

They put something in him. There’s something embedded in him.

He thinks he’s going to cry.

Something touches his arm—Danny flinches. His core tightens with stress as he puts a metaphorical hand on the button, ready to run and hide at any notice.

It’s the lady. He knows her.

No, he doesn’t. He doesn’t know her at all. He can’t talk to her in any way that matters. She’s not a doctor. He doesn’t know why she’s here, or why she’s keeping him here.

She’s nice. She fed him. But is that all it takes to trick him? To make him compliant? Pliable?

She stops touching him when he gets scared, her eyes worried. She kneels—closer than Danny would like, probably, but she keeps her hands to herself. Danny’s heart races faster, out of order, starting and stopping and starting again like a bad engine.

“Eow eart wel?” she asks from his left arm rest, a common question, so softly. Danny doesn’t know what it means. “Eall es wel. Ænlic eow, ænlic me. Bruce bræð wið me?”

She takes a big, deep, breath. Her hand rises slightly over her chest, following an exaggerated movement. Don’t panic. Breathe. Breathe like me. One, two, three.

Danny’s breaths are more choked. More panicked.

But when she breathes, he breathes with her—even with every stutter in between.

“Hwæt es woh[O3] ?” the lady asks, so gently it’s almost a whisper. Her pointer finger hovers over his body, but doesn’t touch—and eventually, Danny figures out she probably wants to know where he’s hurting.

But he’s not hurting. He’s scared. There’s something inside him, and he isn’t sure what it is. He presses the heel of his hand to the object. He feels something rigid refuse to bend inside his flesh.

There’s something of recognition in the woman’s face. “Inne cwic tima,” she says, more certain of answers outside the room, and darts away,

Danny wants to bounce his bound leg. He feels awful when anyone is in the room with him, considering how little of them he knows, but, somehow, it’s so much worse when he’s actually alone.

When she comes back, there’s a second person who walks through the double doors with her, in blue scrubs with ducks on them. They wave to Danny.

Danny…blinks. He feels numb. It’s kind of a problem.

They take it in stride, though; in their hands is a blank board and a chunky marker. The cap comes off, the new person scribbles for a minute or so, and then turns the board around so that Danny can see.

It’s a…person. A rudimentary outline person, sure, with some visible bones and organs to fill in the person-shaped outline. Danny can recognize most of them from anatomy class, although those memories are more…personal, now. A little more painful.

The person taps on the board. The person points to Danny.

Danny frowns.

The person turns the board back around and makes some Pew, Pew, Pew! sounds with their mouth, occasionally opening and closing their hand over the board to match the noise. There’s some more scribbling. When the board turns back around, there’s a violent smudge of marker on top of the drawn person’s drawn intestines.

The person takes their covered pinky finger and erases a little neat circle of marker in the intestines, mostly favoring one side. They draw a little arrow from the hole to the general outside-of-the-person blank area. Then another circle, with a thicker circle inside.

Danny recognizes the object jutting out of him. Oh. This is how he got it.

The person—probably a doctor, Danny guesses, or the surgeon who did this to him—do these people even need credentials, actually?—hands the board over to the lady. They hold out ten outstretched fingers, marker under their arm, and make a show of counting every one of the outstretched fingers with the opposite hand. Then they take the board back.

And then, when they write on the board, Danny can actually understand what they say.

Or, well, it’s numbers! The numbers are the same as his—the line and a circle is clearly meant to be a ten, and the little x is a multiplication symbol— they draw a 10, as clearly and a brightly as it could be against a stark white board, and add a little x 7, probably to indicate a week; the result is ten suns times seven, or seventy suns.

Danny feels his heart bounce in his chest. Danny would bet a whole lot of money that the number is meant to be seventy days. There is an end point. It’s not that Danny is free to be subjected to random anatomical whims—there’s a goal here. This was purposeful.

The little circle-within a circle gets erased. The hole is scribbled through as if it was never there, and the person makes a weaving gesture with the marker that Danny is certain is meant to be sewing.

Tears prick at his eyes. The lady gets close by him again, but Danny lets her. His hands aren’t good enough for wiping tears the way he wants to, yet. Help and company are good.

She gives him a tissue from Danny's bedside table. He takes it with a whisper of a grip.

“Seventy?” Danny rasps, tearful. Hopeful. Terrified of hope. He practically jams the tissue into his eye sockets.

The lady’s eyes go wide. “Seventy,” she repeats, marveling.

It’s enough. Nothing is perfect, but it’s enough. And if Danny's allowed to spend so long in front of the space window that he falls asleep in his wheelchair, well. It's not like he was in charge of where they went.

#*hip checks through the door* hey losers! Guess who uses Arabic numbers!! Two earths!!#also if ANYONE is shitty about stoma bags or ostomy bags on this fic or in this chat I'm going to fight you. Lots of people have them.#they're usually a temporary procedure and even if they're not they're pretty normal and a lot of people have them. I knew at least one #like haha this is a body horror fic but ostomy bags are a REAL THING that people HAVE as part of their medical journey DO NOT be rude!!#So what we know of his injuries now: messed up legs. Messed up guts. Messed up chest. Is there more...? Who can say. 👀#health and hybrids #dp x dc #dcu crossover #tw gore #tw medical #tw body horror #dpxdc #dcxdp #danny phantom #incarceration to elopement to healthcare pipeline #His healing is speeding up and his language is getting better! When can we get a Diana POV?? <- me to me

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diamondsheep · 4 months

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A quick sketch of my favorite Luffy image :D !

#i love that picture of luffy so much !!#also ohh Ram's midnight drawings 👀✨ !!#i think i will start posting my Instagram sketches in here as well ( at least the digital ones bc my phone camera is pretty bad lol )#also pls ignore the swords .. i gave up with those .. sorry wado sorry marimo 😔#luffy #monkey d. luffy #one piece #my drawings #ram doodles #diamondsheep art #monkey d luffy #redraw #i guess ?? this is just a random sketch tbh #i just wanted to practice drawing luffy bc he is so difficult for me to draw ! i can never get his vibes right lol

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scificrows · 8 months

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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.

idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.

#sorry i'm rambling i'm a little depressed rn (hah) and i've been thinking about murderbot again #at least writing this got me out of the adhd/depression paralysis :) yeah this might be self-indulgent so what #the murderbot diaries #murderbot #𓄿 #i just love martha wells' writing for things like that #and i love murderbot as a character so very much #also i'm pretty sure some of this could be read in a way i did not intend #i'm not trying to say that depressed people have the option to just not be depressed #or that it's as easy as going “okay well i can either care or not care... i guess i should care! done!”#listen i know it's not like that; i know that first hand #but murderbot had just enough energy and fight in it to try and it had people in its life that cared about it and helped it #and it managed to get out of that deep dark hole #and we see it struggling with trauma etc in the later books #things are not magically better #just yeah #okay imma add #tw depression #tw suicide #(this is not about suicide though; this is about sitting on the couch while the dishes and the laundry pile up #and watching netflix because getting up and taking care of yourself and calling a friend or going outside are too difficult)#(but i can see how this might hit a little close to home if that is something someone's struggling with&better safe than sorry)#also sending lots of love to everyone who this resonates with

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