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#at least without a base. if I can insert it into a story where characters already exist and the world has its own rules already
tyrantisterror · 21 days
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You've stated that you’ve found every Dracula adaptation EXCEPT Netflix’s Castlevania to a pale imitation of Bram Stoker’s original novel. Why then do you have a soft spot for Legosi’s Dracula? Are there any other unfaithful adaptations of Dracula you feel particularly affectionate towards?
...I don't think that's quite what I've stated, actually. While I think almost every adaptation of Dracula I've seen/listened to/read has altered and cut a lot of the things I love about the book they're supposedly based on, often to the point of being unrecgonizable, I don't think that means they have no merit as stories of their own. Like, an adaptation can be unfaithful to the source material and still be a good story in its own right. And you can be disappointed that an adaptation took so many divergences from the source material while still liking the end product.
I have affection for the vast majority of Dracula adaptations I've seen. The Hammer Dracula movies are some of my favorites - they're really what people are adapting when they turn Van Helsing into Dracula's nemesis, and Peter Cushing's take on Van Helsing is, while not quite true to his literary counterpart, absolutely iconic. He's like the Sherlock Holmes or MacGuyver of vampire slaying, constantly improvising new methods of fending off and fighting vampires.
Or, like, Abbott and Costello Meet Frankenstein, which is one of the first and absolute best horror comedies ever made, and marked the only time Bela Lugosi returned to play Dracula. It has almost nothing in common with the book by Bram Stoker, taking just the concept of Count Dracula and inserting him into this farce where he tries to make the Frankenstein monster his minion by giving it Lou Costello's brain. Not a "faithful" adaptation, but the world would be worse without it.
Almost every adaptation of Dracula takes every character from the book who isn't named "Dracula" or "Van Helsing" and either drains them of personality so they're no longer recognizable, or cuts them altogether, and I will always find that disappointing as a fan of the book. But those adaptations often have other things going on that compensate for it and make them good or at least interesting stories in their own right. Do I wish more adaptations were faithful to the book? Yeah, because the characters in the book are excellent and deserve to be known just as well as the Count himself. But that doesn't mean the adaptations that gut them don't have their own charms.
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eerna · 3 months
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heyyy sorry if this is awkward but can I ask… how… graphic are the sex scenes in blue eyed samurai? Cos I really wanna watch it (it looks so cool) but I really don’t enjoy sex scenes in general and the warnings on Netflix kinda scared me off so. Like also is it multiple scenes? is it very heavy ahaha
(sorry if this is weird but I don’t know anyone irl who’s watched bes so I don’t have anyone to ask 🥲 hope this was an okay question and I’m not overstepping lolol)
No worries, security is security :) Putting under read more, hope it helps!
The show has a lot of casual nudity, almost every episode, where both men and women are just chilling naked (these are mostly casual without sexualization, but I figured I should mention them just to cover all bases). The sex scenes themselves don't feature genitalia or fluids or any kind of hard rated material, but they got the moaning and obvious insertion motions. Basically they aren't porn and don't serve as titillating content, but I wouldn't watch the show as a fun family hangout. I don't remember the exact number, but there are definitely at least 3. There's also some kink situations set in a brothel, but the physical aspect reaches kissing at most. Even ignoring the on-screen sex, the show definitely deals with sexuality and all of the main characters are connected to it in one way or another, with one of them even doing a short stint as a prostitute. The cool part is that it's very obviously a female-perspective story and never objectifies or dehumanizes the characters - I don't know if that's a me thing or a widely sensed phenomenon, but there's a big difference in my mind between this kind of sex scenes and smut/Game-of-Thrones-esque sex scenes, where the latter is pretty dirty and icky while the former just feels like something normal and natural for people to do.
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lxgentlefolkcomic · 1 year
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Info and FAQ (Please read before sending asks)
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What is this?
This is the League of Extraordinary Gentlefolk, a comic project based on the premise of Alan Moore’s League of Extraordinary Gentlemen. Think The Avengers, but with characters from Victorian lit.
If you’re familiar with the Alan Moore comic, or the 2003 movie, don’t expect this project to look much like either one. I’m keeping the name, the basic premise, and most but not all of the core cast, and going my own way with all the rest.
Where can I start reading?
For the start of episode 1, click here. For non-canonical bonus material, click here.  I’ll be updating this post with more links as the comic proceeds.
Who’s working on this thing?
The LXGF team consists of:
Chicken (@mayhemchicken-artblog​): Project leader, artist, blog owner, part-time writer
linguisticparadox (@linguisticparadox​): Writer, blog admin
Dathen ( @dathen​, @datheneth on Twitter, Dathen on AO3): Editor, image description writer
L. Spooner (@fruitviking​, @voiceofspoon on Twitter): Writer
@see-arcane​: Writer
Mr. Pinniped (@mrpinniped​, Mr_Pinniped on AO3): Writer
Rosie C. (@absolutely-and-always13​): Writer
Lemur (@drowninginaseaoflemurs​): Writer
The Collector of the Whimsies (@pop-goes-the-weasel​): Writer
Jesterbells (@jesterbells): Writer
Luna: Editor
Drakontissa (@thegoatsongs​): Writer, image description writer
@cattuladaily​: Writer
@severedfeetpics​: Writer
@kouvei​: Writer
@the-constellation-collective: Image description writer
Hiri (@hirilelfwraith): Image description writer
Jade (@riseofthesea​): Image description writer
Do I need to read all the books and stories this is based on?
We’re aiming to make the comic accessible to people who have never read the original works. Reading the stories will enrich your experience with the comic, but it is by no means necessary.
If you’re interested in reading the original works, @linguisticparadox​ compiled a fantastic Google doc with links to all the texts we’re using as inspiration. (at least, all the ones we can currently share without giving away future spoilers... :3c)
How will you be handling [insert issue/plot point/character portrayal from either LoEG or one of the source texts here]?
Hopefully, in a respectful and nuanced fashion. We’re doing our utmost to remain faithful to the source texts we’re drawing from whenever possible, while at the same time avoiding uncritically reproducing the prejudices present in those texts.
What are the guidelines for sending in asks?
Be respectful. This is the “goes without saying” rule, but this is Tumblr, so I’ll say it anyway. Trolls, hate, bad-faith questions, and exclusionism will be deleted.
Read the FAQ. If your question is covered in this post, odds are I’m not going to answer it.
Be patient. I’m only one person, and I’m not always going to be able to answer asks in a timely fashion - or at all. This is my first time running a blog that receives this level of interaction, and I’m still figuring a lot of things out as I go.
Are you looking for guest artists/writers?
Not currently. We’ve talked about this possibility for the future, but as of right now we’re not accepting submissions for new writers. I’ve also had a couple people offer to help with inking/backgrounds, and while I appreciate the offer, I would like to clarify that I do not intend to do either. The comic will remain black and white and sketchy indefinitely.
What characters are part of this?
There are a LOT of characters planned to appear in this thing. I’m working on a separate cast list page, but in the meantime, the core League by the end of Episode 2 will consist of: Mina and Jonathan Harker, Irene Norton (better known as Irene Adler), Dr. John “Jack” Seward, Dr. Henry Jekyll/Edward Hyde, Ashley Griffin, and Captain Nemo. Additionally, expect to see a wide variety of supporting cast members in roles both large and small, including more official League members to be added down the road.
Why is Jonathan Harker here?
Because he loves his wife!! And I love him. Also, he’s a white-haired kukri-wielding genderqueer possibly-a-cryptid, and how can you NOT put a character like that in your comic?
(Slightly more serious answer: Because this comic is founded almost entirely on spite and self-indulgence, and in my humble opinion the Harkers were done dirty by Alan Moore. I’m a huge Dracula fan thanks to Dracula Daily, and I want to give Jonathan Harker the spotlight I feel he deserves.)
Where can I learn more?
Join the Discord server! We’re discussing the comic, the works that inspired it, Alan Moore’s uhh...questionable creative choices, and more! There’s some bonus art in there, too.
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OKAY, SO WE FINALLY BEAT PERSONA 5 TACTICA AND THE REPAINT YOUR HEART DLC, FULL SPOILER REVIEW AHEAD
- First of all, I think the game is very good. I rate it 9/10, because although there are some stuff I don’t like, the good stuff is SO good that it makes up for it perfectly. It is a great game, and I don’t regret at all buying the Deluxe Edition on release.
- The gameplay is VERY good, no doubt one of the greatest points in the game. As a fan of tactical RPG fan, it’s a system that is very different than the usual “your character’s turn, move these squares, do your action, proceed”. The fact that you freely move the characters makes for a very peculiar experience, and it makes for a very fun gameplay, with cool puzzles that, although I recognized may be annoying for some people, were very fun to me. Very cool!
- However, I think the gameplay lacked more Persona/SMT elements. For example, the lack of a system based on elemental weaknesses was something I didn’t like. Because of that, I spent 90% of the game’s battle with a party composed of Joker, Panther and Queen, without feeling any need to alternate between different characters. Sure, there’s this mechanic that the characters have better status if you let them rest, só it’s valid to alternate the party, but that was literally the only reason, the aspect of changing characters because of their strong or weak points was kinda lost. Also, no Social Links aside from the Quests and the Talk menu, that provide some fun scenes, but doesn’t replace the social aspect of the Persona games.
- That said, the Quests and Talk scenes were REALLY cool, it provided us with some awesome interactions between characters and did a wonderful job at including the newcomers Erina and Toshiro. Things like Yusuke wanting to see Legionnaires fall from the sky, Haru blowing up everything to let off steam, Erina trying to summon a Persona and being a worthy rival of Ryuji in the aspect of yelling at inappropriate times… it was all very cool. Also, the Quests were amazing in gameplay if you like puzzles. I don’t like it, but I had lots of fun with it.
- The game is kinda short, and it felt like a waste to have only two Kingdoms with a strong historical theme (the French Revolution and the Meiji Revolution), the other two Kingdoms felt kinda bland. I think it would have been nice to insert at least one or two other Kingdoms with strong revolution sceneries.
- The story itself is very cool. Erina is amazing since the start, but Toshiro is a character that really grows on you. He starts off being very annoying, but since the main story is all about his development, you end up liking him more, and the transition from “adult pain in the ass” to “honest man trying to do the right thing” is very nice, and his background is amazing.
- There’s a specific scene where you, as Joker, can pick someone on the Phantom Thieves you’d want to marry, and that includes Ryuji and Yusuke as well. I really loved that scene because, although Ryuji and Yusuke scenes are more inclined to comedy, in no moment it goes like “whaaaaat, you want to marry Ryuji, that’s weird man, no homo”, quite the opposite, in both Ryuji and Yusuke options the act of them marrying Joker is seen as totally normal, without making fun of it, and well, it’s not just the boys’ options that tend to comedy, if you pick Makoto the scene is also hilarious. Sure, it could have been better, but we’re talking about Atlus, every baby step is a reason to rejoice in that way. Who knows, maybe in Persona 6 we’ll FINALLY have a MLM romance option.
- LAVENZA IS BETTER THAN EVER, it’s her best version of all times, she radiates 1000000% of that Elizabeth and Margaret chaotic energy and I FUCKING SCREAMED WHEN VELVET ROOM TURNED INTO A FUCKING TRAIN OH MY GOD THAT WAS SO FUCKING AWESOME HELL YEAH
- Salmael is the generic god final boss, normal to every Persona game. But one thing I didn’t like is how it’s not directly based on any entity like Nyx, Izanami or Yaldabaoth. Sure, you can argue that it’s based on Samael, but it doesn’t make any sense, since it’s only in the name, nothing in Salmael’s motivations have anything to do with Samael. Aside from that, well, can’t say much about it, just the regular “god-that-looks-for-excuses-to-fuck-up-humanity-while-trying-to-justify-saying-they’re-actually-saving-it” that we have on every Persona game.
- I think the game is kinda easy. Sure, it’s a good thing for those who want to enjoy the story, but I beat the game on Medium and had literally no difficult whatsoever aside from some Quests (and in those cases, the difficulty is more related to solving a puzzle than facing actually difficult enemies). The damage input is mostly small, the AI is not really smart and you have access to very strong skills early on. Dunno how that would go if I tried on Hard, but Medium felt more like Easy to me. And I don’t mean that as “I’m too good for this game, it’s so easy for my standards”, but I really think the game difficulty is not that high, which can be good for some and disappointing for others.
Now about Repaint Your Heart, the DLC:
- CAN’T BELIEVE THEY ADDED SPLATOON TO THE PERSONA + FIRE EMBLEM MIX, THAT’S SO CREATIVE, SOUNDS REALLY DUMB AT FIRST BUT WORKED SO WELL
- The story itself is not that bad, but not that good either. Guernica is cool, Luca is cute, but their story wasn’t that touching for me, I couldn’t empathize with them properly.
- Still, the DLC was cool not only because of the Splatoon mechanics, but also because of Akechi and Kasumi interactions. If you play it knowing what is happening at that time (it’s before Sae’s calling card, so Akechi is already part of the Phantom Thieves, is in the middle of the plot to betray them and assassinate Joker, and Joker is fully aware of that), it’s awesome because you can clearly see the moments when Akechi’s figurative mask fells off, and you have many dialogue options made to provoke him.
- Don’t have much to say about Kasumi, she’s cute and nice as always. Also, THAT SCENE OF HER LEGIT WILLING TO PICK UP TRASH WITH LUCA, HOLY SHIT
- I want to turn Jerri into fried chicken, but her motivations seem kinda dumb, I mean, she’s a servant of Salmael, who wants to “save” mankind erasing all will of conflicts, then she brainwashes Guernica to kill all of manking using conflict? Makes no sense at all unless she was rebelling against him, and that’s clearly not the case.
Well… it was quite an experience. I loved it.
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threewaysdivided · 5 months
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for the ask game: 💥🤔📚
if we can only do one, your pick :)
(Fanfic writer ask game)
💥 What is one canon thing that you wish you could change?
I've talked about some other changes in a previous ask, but I think Danny Phantom could have been improved by either re-writing the episode Memory Blank or at the very least, cutting a couple of the jokes. The base-premise is potentially interesting but it was definitely one of the ones where the show did characters dirty for the sake of jokes.
If I had to leave it mostly as-is, I would at least want to ditch the two random insert jokes where Danny "remembers" using his powers to peep in the girl's locker room. Not only is the base joke a gross, sexist "boys will be boys" gag, it also just feels really jarring and almost out of character for Danny in particular. That's not to say that Danny isn't canonically chauvinistic in other ways at times, but this one doesn't jive with how he reacts to similar situations (and behaviors from Tucker) in other, more character-centric episodes. The abrupt musical punctuation feels more like a sudden insert of Fairly Odd Parents humour and I would say it's probably only there because this kind of "adorkable misogynist" punchline is a common staple in both Butch Hartman and Steve Marmel's comedy styles.
Ideally though, since the main purpose of the episode is to give Danny his marketable DP insignia, I would rather do a full re-write around all three trio members actively trying to design a logo for Phantom. Rather than doing Danny and Tucker dirty by making them into boring butt-monkeys who live empty lives without Sam (and doing Sam dirty by making her seem like a weird stalker who changes Danny's suit without his knowledge or consent) we could have had an episode that let the icon have actual symbolic meaning for the whole of "Team Phantom". It's sad that one if the most iconic symbols of the show ends up being tacked onto a character assassinating goof-story when there were so many ways it could have been great.
🤔 Would you ever want to write something canon if you got the opportunity?
Going to go with a soft no on this one.
For one thing, I believe the best stories happen when someone has a specific story to tell, and at the moment my Deathly Weapons fanfic is the main story I feel the need to make exist. As a mystery nerd, I guess I could maybe do a decent detective story involving Batman or Gotham, but on the other hand I don't think it would be the kind of story Modern DC wants to sell.
From a practical point of view, I also think the things and stories I find the most fascinating within the Danny Phantom fandom would probably be too tonally serious to "fit with the brand" of official canon material. (Although it has been awesome to see some of the Phandom olds getting ascended to the level of official canon creators with the AGiT comics!)
As for Young Justice Animated I think I'm one of several fans who wouldn't mind being tagged-in (or at least a fly on the wall) if DC/Warner Bros ever decided to give it the Fullmetal Alchemist: Brotherhood treatment, kick Greg Weisman's Whedon-worshipping incel ass out the door and let some of the prominent staff who were dropped after Season 1 have a do-over to continue the story they were actually setting up. I think there was a lot of potential in that initial cast, and there were some really cool character-centric standalone episodes that could have come from things like digging into Artemis and Jade having a diegetic connection to Alice In Wonderland while living in the same city as Jervis "Mad Hatter" Tech. But as it stands, I found Weisman's multi-season vandalisation of his colleagues' work to be so egregious that I ended up blocking both the main series tag and his name for the sake of my blood pressure. Look, even when he's not writing like the kind of man who probably fantasises about impregnating his colleague's daughter, the Nostalgia-Critic-level incompetence at basic narrative coherence is just exhausting.
📚 Is there a fanfic or fanfic writer you recommend?
Many!
For today's tasting, I would like to recommend Developmental Milestones and the broader Cor Et Cerebrum series by @audreycritter. Actually, let's just make that a general rec' for all Audreycritter's DC stuff.
I really like their interpretations of the Batfam and Superfam. They do such a good job of capturing the humanity of these characters in their non-cape moments, and I love their approach to dialogue. I think it speaks volumes to the strength of their character-writing that, despite not being a reader who generally goes in for Original Characters, I have become deeply obsessed with their on-call OC Batdoctor Kiran "Dev" Devabhaktuni. He is indeed the light of my life. Developmental Milestones is Dev's focus story but plenty of others put the focus on the canon DC roster if you prefer.
Go enjoy seeing Bruce get yelled at by a deeply affronted, potty-mouthed British Doctor with a heart of gold, though he'll stringently deny it.
Thanks for playing!
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cidylee · 4 months
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Welcome to the Future - Kicho x Y/N (Ikémen Sengoku)
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Here is my entry for A Series of Firsts hosted by @aquagirl1978. I'm super nervous to post it because it's the first time I'm writing a fanfiction and English is not my first language. Also, I know only a little about Kicho. I've only read a few of his birthday events available on the Enslig server. So, expect it to be out of character.
Prompt: First look
Pairing: Kicho x Y/N (but consider it a self-insert)
Word Count: 1628
There are really few spoilers from his route. I think we all already know where he has been and when.
The story takes place in the present day. A university student travels to Japan for her master degree. She visits Honno-Ji temple. There is a thunderstorm and she finds... a man?
The wind is blowing through my hair, bringing with it a light scent of greenery, reminiscent of the few threes around. I can also smell the scent of wet wood and wet stone. The sky is grey. Not a grey that conveys sadness, just an old plain boring grey, perfect for the boring days.
I’m so stupid. So, so, so stupid. What did I decided to do my master’s degree on Dazai Osamu? I’m studying French literature not Japanese literature. At least, since it’s only a master’s degree, not a doctorate degree, I could write my mémoire based on translations. My university allows it. The thing is, French and Japanese are incredibly different. Reading Osamu Dazai in French is not the same thing as reading him in Japanese. I want to respect the creator’s work, so I told myself I would learn Japanese and visit Japan. Such a good idea. A degree that should take two years to finish has been extended to at least four years. I am already twenty-six-year-old. After my university studies, I’ll need to find a job.
I’m dumb. Even a lifetime won’t be enough to fully understand Osamu Dazai’s work. Will I ever be able to read his novels in their original language? Scrap that. I will never obtain my degree.
I sigh as I walk through Honno-Ji’s main entrance. As an international student, I get to visit a lot of places. I am quite pleased to be able to explore Kyoto. I mean, a trip to Japan is not complete without some sightseeing through Kyoto, right? Though, for some reason, a friend of mine recommended me to go to Honno-Ji temple. It’s not that I lack culture, but... I didn’t know what that temple was. I never saw it passed on travel guide. Oda Nobunaga was a name I’ve never heard before. Yet, here I am, about to pay my respect to that guy.
There are few people around. They are talking or looking at their phone. Yeah, nobody cares about Oda Nobunaga.
Suddenly, the surroundings are darkening. Well, I guess it’s going to rain. A lightning tears the sky, creating a root-like pattern. Seconds later, the thunder resonates in the air. The people around are quick to get up from their seat and find shelter under the roofs. Once they are safe from the rain and the thunder, people resume talking and looking at their phone. The storm seems to worsen. Light and electricity are spreading in the sky. Thunder is deafening. I hear a shrill noise in my head, like a powerful ringing. I cover my ears with my hands.
The rain splattering against the ground. The blinding lights. The roaring of the thunder. The heat and the dampness. The tense atmosphere I seem to be the only one feeling. It’s too much. I’m out of breath. My legs are trembling. My heart is about to burst out of my chest. My blood is boiling. I’m about to faint.
The next moment, a lightning strikes the memorial. The ground vibrates under my feet, and I collapse. All eyes are converging where the lightning struck. There, I see a man, lying down. What the… What is he doing?
People around are screaming, pointing at his direction, but nobody goes to help him. I understand. Even if I could move, I wouldn’t risk my life.
Soon, there is no more lightning and thunder. After a while, the sky is clearing up and I can see the sun above. The few people disperse, and I find myself alone in Honno-Ji memorial with a man only meters away. Is he unconscious? He didn’t run away when the storm was raging. I… I don’t want. I don’t want to go look after him, ask him if he’s fine, if he needs some help… I’m not good at that.
Despite my reluctance, I find the courage to look after him. I get up while holding myself against the wall, then walk in direction of the man, my heart still beating fast. Cautious, I lean over him. The man is soaked. His eyes are close, but his chest is slowly rising and falling. He wears a kimono, way too open in the chest area. His black hair falls on his face. He is unconscious, yet he looks irritated.
OK, time to wake him up. I kneel next to him and shake his body. Soon enough, his eyes flutter open. Well, that was easy. It means he is not seriously injured. The man stares at me with green orbs. I can’t help but notice the bags under his eyes. They give him an annoyed look. He’s still quite attractive. His jaw is sharp, his neck long and he possesses an elegant flair to him. I don’t think I’ve met a guy as handsome as him before. Now, what do I do?
"Hello?" I said in a broken Japanese. "Are you alright? Do you need help?"
The man stares at me, confused and more irritated. That’s it. He didn’t understand a word I said. I try again:
"Are you hurt somewhere? What is your name? Should I take you to the hospital?
The man stares at me for a while, and I feel more nervous. He scoffs at me and says something. What… what it is? That’s… I understood nothing. I look at his clothes again. He wears a kimono and the way he is speaking is weird, it is not the Japanese I usually hear on the streets. We are in a temple. The man is handsome… He must be an actor acting the role of a Japanese of the ancient times! He is certainly taking his role seriously. If I were him, I would’ve break character the moment the thunderstorm started. He even kept acting when I woke him up. That’s what I call talent and dedication.
"You’re an actor, right? You’re good, but I don’t think you need to keep acting. I just want to make sure you’re alright. Can you, maybe, answer me in modern Japanese? Please? If you tell me you are alright, I promise to let you alone."
The man scoffs again. He is talking again and… something mysterious happens. I hear him talking to me in Japanese, yet I understand him as if he were speaking to me in my native language.
"Your Japanese is horrible to the ears." He smirks, and I hate him. He’s not wrong, though. "You’re not from here."
"Of course, I’m not from here! It’s written all over my face and body. Do I look Japanese to you? Arg… Anyway, are you not supposed to be an actor for the Honno-Ji temple? If so, shouldn’t you be a bit nicer to the visitors? I was worried about you!"
The man’s gaze darkens. He is not smiling anymore. He scans the surroundings, and he looks confused. "An actor?" he repeats.
"Come on! Don’t pretend you don’t know what I’m talking about. I’m not dumb to the point of not knowing there was some sort of actors back in… the old days."
He frowns. "Where are we? What is this place? It’s terrible. Whatever you are wearing is distasteful for a woman… or just any human being."
Geez… That man is something else. "We are at Honno-Ji temple, where Oda Nobunaga died… hum… many years ago."
The man appears to be even more confused. Then, he puts one hand on my neck and forces me to look at him right in the eyes. The effect is immediate. I lower my gaze to his lips. He seems to notice as he sighs, but he doesn’t comment about it. "You said Oda Nobunaga is dead?"
"Yeah… He died some 450 years ago, or so my friend told me."
The man’s eyes widen. What is going on? My heart’s rate hasn’t slowed down since the end of the thunderstorm. I can only keep staring at his lips, his neck and chest. Did he hit his head that badly? He looks like he really doesn’t know what is going on. I should take him to the hospital.
The man has now a serious expression. "Introduce yourself. What is your name? What year are you born? Where do you come from? What year is it?" His voice is commanding, and I see no problem to answering his questions. "I’m Y/N. I was born in 1992. We are now in 2018. I’m from Canada."
I didn’t think he could look more surprised, yet he seems even more dumbfounded. "Canada?" At the end of the 16th century, Canada had already been discovered for some decades. Either the information had not yet reach Japan at that time, or Japan didn’t know Canada by that name. "It’s a far away land. Now, would you tell me who you are?"
The man answers a few seconds later. "My name is Kicho. I am a vassal of Oda Nobunaga." he murmurs. I nod, then I grab my phone, searching for "Kicho". Oh, OK. That guy definitely hit his head. Kicho is a woman, and she is Nobunaga’s wife. "Sorry, but Internet is telling me Kicho is Nobunaga’s wife. She is also known as Nohime." "Nohime?" repeats the man calling himself Kicho. He then stands up and grabs me by the wrist. I am forced to get up with him. "Y/N, you are coming with me. You will show me around and will explain to me everything about this place, and about Canada too." His gaze is piercing, and I feel compelled to obey, but I am not afraid.
"But first, we need to find you new clothes. You can’t go flashing your tits like that."
Kicho’s eyes widen, then he frowns. "Flashing my what? My… tits?"
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tamelee · 1 year
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Hi Tamelee,
Love your blog and thanks so much for the meta, these are a gold mine!
I am not sure if it was your blog or another that pointed out how jarring it is that Naruto would choose to get a new arm without Sasuke, since both of them are in agreement that they would share each other's burdens. And that it seems inherently a selfish choice for him to choose it while Sasuke refused.
I honestly never thought of it, because I assumed that since both of them were without arms for some time during the blank period and they discussed it and Sasuke chose not to since he didn't trust it would not fail in battle and Naruto agreed with him.
It's more of a realisation for me, since I just thought that they were both in agreement, but this other take made me wonder and hence I decided to send you this ask.
Long post:
Hi @helenarasmussen87 ,
Thankyou! I'm glad to read that ♡!
Oh, that would not have been me for sure. As you say, it was "a take" from someone because I can't think of a moment (at least in canon) where they.. discuss this matter. (Perhaps in 'Boruto'? If so then ignore the rest 😆)
And if they haven't discussed it, then don't you think that all talk regarding this are theories? We don't really know why Sasuke chose to not get a new arm. That's not to say that some theories are more probable than others but Naruto making a decision while disregarding Sasuke? That didn't happen whether we saw it or not because it wouldn't make sense for their characters. In their case, they've developed too much for it to be a possibility.
There are many in-character theories though, things that would make sense too.. but the problem with those as well is that it's just that: theories. Or, headcanons. E.g. Naruto never said that he'd get an arm because it'd be irresponsible otherwise as Hokage and Sasuke never mentioned that a missing arm would remind him of VotE2. (I'm saying it simply, the original theories go deeper than that, but you get what I mean..)
Naruto-Reddit is all in agreement with each other that Sasuke didn't get a new arm "to atone for his sins" and that it is "explicitly stated somewhere". On Twitter they even bring up Sakura and that it is to punish himself for her sake.. *insert major eyeroll* Although they can't tell you where any of this was stated. Of course, this also isn't true and don't mind the lack of reading comprehension..
Now what I think..
Well…
I like that our sub fandom, or the people who understand Sasuke's character can somewhat understand that Sasuke wouldn't necessarily want a new arm, need it to battle or feel the need to receive this.. "gift" from Konoha/Tsunade- or whatever.
As a SNS-fan I certainly enjoy many of the headcanons about this subject because most of them are based on canon material. Canon as in: the removal of it holds a lot of meaning, as much as the entirety of the story itself almost as it serves as a conclusion and beginning at the same time:
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And yeah, there they were, finally.
This visual is incredible and I do think it is a reminder of sorts, but (I'm sorry..) I think the choice to not get the prosthetic has less to do with Naruto alone personally. Although he is part of it. Sasuke without Naruto is a practical character and given the entire story and the fact that they're separating at the end of the Manga.. (temporarily but also in preparation for its sequel :/ they ((shueisha)) tried at least ykwim) don't you think that suddenly receiving an arm from Konoha after they wanted to put him in jail and punish him for changing a corrupt system after they've failed him first, seems kind of like he'd be indebted to them? Like, "we're letting you go free because we've pardoned you and giving you an arm out of the kindness~ of our hearts.. so…." Yeah, no. And isn't is also true (not sure, because this was mentioned in 'Boruto' right?) that if something happened to it he'd need a new one? Meaning: he'd be depending on Konoha for an arm as they constantly are doing research on it and improving the thing.. so don't you think that Sasuke would be the type of character to just learn how to use his powers/weapons/Jutsu with one arm- if he could?
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*gasp*
Which he can now? Instead of depending and being "sorta but not really" indebted to Konoha who then so kindly provided this new arm for him? "Despite him having been a rogue Shinobi who went against them"? < general narrative.
Yeah.
Which one sounds like a burden to you?? Seems like an easy choice to me.
But having said that, I don't think Sasuke minds it because of the way it happened and with who. He had no reaction to having lost his own arm, but when he saw Naruto lost his as well..
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He looks shocked, defeated, turns away and then Kishimoto decides to cover his eyes and make Sasuke question Naruto again more out of desperation than anything else.. several times. It hurts and not just because he's bleeding to death.
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There is so much meaning and symbolism behind the missing arm.
And that's the big difference. Not minding and holding the meaning/history closely as a personal matter or "resenting Naruto for getting an arm without him" as some posts here make it sound like is something else entirely. There is sort of a… jealous/bitter(?) tone to that which isn't necessary and doesn't suit him/them. There are things bigger than them and the fact that there are proves how important they are to each other. Growth in contrast as shown to the audience (us). Sasuke understands Naruto's connections as much as he does his own (including lack thereof) and the one they have with each other. If there wasn't they wouldn't have developed as much.
So I understand it, but there is one thing I dislike. The general fandom, without explanation is holding onto this idea of "Sasuke sinning" all because of one panel and seeing him without an arm is validation for them as if to say "see? He's feeling guilty, as he should! And that's why he doesn't have an arm." As I said before, they even make up entire theories relating this to.. Sakura? Who especially has nothing to do with it as Sasuke even says himself. (IN THE SAME PANEL LMAO!) It's depressing. Which, sort of fits the Shinobi life I guess. One who doesn't live for themselves.. that's the burden here. Not the missing arm. Apparently for this audience it is necessary to give it a panel or two because they take most things at face value or grab things out of context.
Sasuke did leave Konoha before the arm that was made for him was finished and Kishimoto did mention that notably because people would otherwise question it. This however, I find interesting because the question actually still remains.. "why?"
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He simply says that he can't "miss this chance" to go travel, to see the world, go on a journey by himself and although that's true, that doesn't seem like the sole reason for rushing his leave, not staying in Konoha any longer and therefore not getting the arm that's almost finished. Sakura also says the arm is made out of Hashirama's cells- which is where things could get complicated.
And I believe, although I'm not sure about this, this is currently completely retconned in 'Boruto'. The whole "using of Hashirama's cells" is confusing to me because I've been reading theories and everyone is saying different things and 'Boruto' makes no sense anymore. I'd have to study it.. For now I'd say that Kishimoto deliberately chose to leave it and not go the route of figuring out how to work with it and what it would mean if Naruto/Sasuke have an arm made up of Hashirama's cells which they could potentially use for other things.
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Why does he suddenly have an elbow?
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And why does it look like that under the bandages?? 😆 (So natural, I mean) Why use bandages in the first place then? This is some BS!!
Also:
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"Boruto" everyone. I don't know much about it yet but I'll read the damn thing when I get back from my travel, hence these screenshots- these are not my opinions/observations.
I think in conclusion that's why Sasuke refused the arm, but the reason for Kishimoto was much simpler and dismissive as it wasn't for him to deal with (he thought). And now 'Boruto' doesn't really know how to handle the lore regarding power dynamics at all, changing it to all kinds of scientific stuff to make it easier on them I guess.
But admittedly, I do like some of the SNS-headcanons.. *shrug*. I just take them for what they are.
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variousqueerthings · 4 months
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They were both Zygon and human at the same time / I spend an awful lot of time being kidnapped, tortured, shot at and exterminated, doesn't mean I like it
The Zygon Invasion/Inversion -- the Zygons are back and it's a direct continuation to the last Zygon episode, which I'm always a fan of. I think I'm probably slightly affected by not being a big fan of UNIT and this story is very UNIT heavy. I do like Osgood though, I think Osgood and to an extent Kate Stewart are indicators of different kinds of writing women that came around bit by bit in this era. I do think Osgood should be too smart not to doubt UNIT at this point, considering how flipping ineffectual at best they are! Anyway!
I continue down the lane of "not having taken notes for s9 RIP me"
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 10/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 4/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 6/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 6/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 6/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 8/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 9/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 10/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 6/10
Politics (how conservative is the story): 7/10
FULL RATING: 72/100 (if I can count….)
I think these episodes are quite good -- they're not really for me and the things I enjoy about Doctor Who, but in order to have Osgood I have to watch big spy nonsense unfortunately. EDIT: I do enjoy them more now I've written a bit about them
OBJECTIFICATION: there is, once again, nothing that sticks out. in fact I'm not sure if anything sticks out for the rest of the season? genuinely think we're just good here?? correct me if I'm wrong, again, I really should've taken note RIP
PLOT-POINT: I think there's some interesting back and forth between Clara and her Zygon double, however I do notice that Clara is mostly there to forward her (their?) development, and isn't herself going through an emotional journey in this. there's this bit at the end where she's interacting with the Doctor and she's asking if there was a moment when he thought she was dead, and he says "longest month of my life" and again it's... it's good, but it's not Clara's feelings, it's Clara being there affecting someone else
Osgood, Kate, Zygella, they've all got some trajectory in this, some form of change or confirmation -- Osgood as someone who fundamentally resists violence and who bonded with her other self and continues to have these foundations making her able to work with the Doctor based around his way of doing things, Kate who initially doesn't do that/is very violence based just like in the previous Zygon episode, but is convinced to step away from the box, and Zygella who goes from wanting to destroy humanity to becoming the second Osgood
Clara does a few neat things in the plot, but it doesn't really revolve around her emotional complexity
COMPLEXITY: it's quite a simple plot on the whoooole, but I think there was some needless "now we're in America" stuff in it that I... I just don't enjoy Doctor Who in America, because it always uses America-as-place to piggyback off of genre-type TV that just doesn't feel like Doctor Who to me. the exception to this is Daleks in Manhatten to me, and no, I can't tell you why either. I'm sure if I thought about it I'd have a compelling reasoning, but it's a sleepy day on the whole
but yeah, otherwise. Zygons. they look like humans. they're trying to start a war by making humans lash out against the idea of aliens in their midst and the Doctor talks them out of it. actually I'm not 100% clear on how the Doctor talks them out of it, but the Doctor does talk very eloquently + I appreciate a plot that ultimately isn't solved with violence. I have some questions that may come up in the politics section around Zygon oppression and how the Doctor interacts with that as a scifi concept with very real life underpinnings, but that's not for this section
CHARACTERS/LORE/PLOT: Zygons are still here. uh, UNIT still kinda sucks and a whole bunch of its soldiers got zapped, but also sometimes you come across characters too stupid to live, and honestly at this point that's every soldier in UNIT
the Doctor had a teaser of the idea of Clara dying and wasn't happy about it
COMPANIONS MATTER: Clara does more in this episode! this despite being in a pod for a lot of it! (she also has some great outfits, but that's an aside) (I have clearly got a whole bee in my bonnet about how Clara is dressed as a character, maybe I should make a separate post about it at some point) (but this was great)
Clara inapod! VS Zygon Clara! I quite enjoyed all of that, I enjoyed Clara saving the Doctor's life by using her own smarts, I enjoyed her finding ways to communicate with the Doctor that she was alive, I enjoyed her getting Zygon!Clara to the base. I wish she maybe had a bit more to do after that, but this is a whooole lot more than Clara usually gets in an episode
“GODLIKE” DOCTOR: the Doctor gets shit wrong in this episode, Osgood notices things (like Clara being alive) that the Doctor doesn't, there's a whole bit of trial and error, I enjoyed that. it gets a bit more high and mighty at the end with the speech -- full disclosure I'm reading transcripts of the episodes as I go along, because I was silly enough to not take notes in the moment! (always take notes!)
and I do remember watching and going "oh is there something I missed" because the Doctor gets them there, declares that this is wrong, and the Zygon!Clara goes "oh yeah, you're right" and steps back <- it's more complicated speeching than that, but I'm not sure I quite understand the shift that happens in this moment. as a sleight of hand it doesn't quuiiiite work for me, even though I enjoy it
PREVIOUS DOCTOR WHO: there's a whole bunch of references, as is standard with UNIT episodes -- lotta things I don't know yet, because I haven't reached it on my classic!who watch. that's the thing about UNIT. I may not like them much in the writing, but they are a great way to get a treasure trove of past lore references into a story. now make them villains cowards!
“SEXINESS”: again, I cannot recall anything on this front in this episode, and indeed, for the rest of the season. we may. be cured.
INTERNAL WORLD: I know, I know, the Doctor is "president of the world" so they can just fly a jet to New Mexico and then back to London in a jiffy, but I often think DW stretches itself waaay too thin when it tries these "big" spy drama type setups (I feel, btw, similarly unconvinced by that big UNIT avengers tower in the new special, but at least the action isn't actually led by them)
DW just doesn't do this kind of idk. American Action Drama type thing well, nor is that what I watch it for anyway. my suspension of disbelief is ohhhh so close to snapping!
POLITICS: okok so there's a few contrasting thoughts I have here. first of course, we love a story about non-violence, and we love a DW that's about peoplehood, in fact those are amongst some of my favourite. everyone is People. howeeever, this is where we get to the parts of the speechifying I'm not quite onboard with, which is that Zygon!Clara says "we've been treated like cattle"
and the Doctor basically says "so what" not because the episode is saying they should be second-class citizens, but because the Zygons currently have the power to start a war and have a revolution and it'll be bloody and awful and beget more violence, this is something I agree with. where I think there's a bit of a blip, is that I don't think the episode fully deals with the fact that Zygons are second-class citizens in the first place
I mean, firstly, it's not something I actually had much of a sense of was the driving force behind this want for war, but then I'd question the ideas of "Zygons need to stay undercover for the sake of peace" as a sort of "as long as you pass you're welcome" type situation and that is... I mean it's not quite so deep in this episode, but that's the thing, I think it should be that deep or else it comes off a bit weak
if you're dealing with a story about a people who have been oppressed, then the focus of that story can be "Do Not Try To Oppress Others In Turn," but I personally think it also needs to be more cognizant of the oppression in the first place
I think Osgood once again is a great addition to the story, in that she represents a future of co-existence that appears to be based in equality and non-violence -- if it were someone like Kate I would be waaay more wary of what this episode were trying to say at the end, but Kate gets her memory wiped, so we know what the Doctor -- at the end of the day -- thinks about her way of thinking and handling situations (Kate Stewart villain arc When)
but this is still a relatively highly rated point, I think a lot of its heart is in the right place, and although I don't like how UNIT is portrayed, it does seem to be saying "yeah they got it wrong" -- the fact that they continuously choose violence and it's continuously wrong throughout nu!who and the Doctor still works with them, is why I'm scratching my head
FULL RATING: 71/100 (if I can count….)
we're over halfway through the season now and it has been a consistently quite highly rated season. Clara still fails to take a centre stage, which as you know is my main Thing that I'll probably continue to gripe about, but while it did occasionally go a bit too hard on the soldiers and American Location Where We Can Conveniently Situate The Violence at the end of the day UNIT were not in the right
is it just me or is Osgood way more of a Companion type than Clara a lot of the time? I mean I get that she's not a Companion, because she seems to prefer being on earth and helping out there and she's very well-grounded in herself, but she's just so efficient. maybe a bit too fanboy and meta for me to ever have wanted to see her as a full-on Companion, but certainly enjoyable to me every time she's there
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shuttershocky · 2 years
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If you don't mind me asking, what do you mean with that bit about Arknights doing everything you wanted FGO to do for years?
Better character designs (Just like with its writing, FGO peaks much higher than Arknights, but averages lower overall)
Pity rate that carries between banners
A spark in case of emergency
Higher rates
Very infrequent limited units
10-roll guarantee on new banners
Automated farming (very important)
A base builder mode where you can see your characters chilling inside
A way to roll for free (and not the nigh-worthless FP roll I mean actually get 4-5 star servants every now and then)
AK challenges are actually real strategic challenges and not 5 break bars with bullshit buffs per bar that you have to read up on beforehand and you can eat random critical hits that you can't control
Events/Chapters done without the player self-insert, allowing for other types of stories
The Player self-insert is a real character within the world instead of being just a vehicle to partake of waifus
Treat child characters like children and not like... that.
Consistent characterization
A way to passively gain resources without farming (AK's base resource production is a godsend)
A very cheap monthly card for when a favorite character is coming up
No doubling on characters allowed via support, meaning double skadi / merlin / whatever doesn't exist in Arknights. You're not expected to own an important meta unit to double up on them.
Saber has visible muscle definition on at least one of her skins
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lumine-no-hikari · 29 days
Text
Dear Sephiroth: (a letter to a fictional character, because why not) #98
Therapy today was rather enlightening.
Up until now, one of the notions that I used to carry was that "sometimes having your back up against a wall is good medicine, because, properly wielded, it forces you to get out of your own damn way."
…So, practically speaking, for example, if you're normally a meek person who doesn't wanna hurt people and cowers in the face of a threat, then being in a dangerous situation can bring out a certain, "clock them over the fucking head with a blunt, heavy object" out of you that you previously didn't know you had (long story; not gonna get into it, but nobody died or was seriously hurt, so don't worry).
To my knowledge up until this point, being in a "do or die" type of situation can give a person the "oomph" they need to do whatever it takes to get out of their own damn way, to change a longstanding behavioral pattern, or to let go of things that are destroying them. And in one way or another, I've been in situations where I've used this framework to do all sorts of things that I thought were impossible previously - for example, finally cutting ties with an abusive relationship with someone named S, the thing with the blunt object in the previous paragraph, and… perhaps this won't seem like a big deal, but… going to therapy. All of these things were things that I was terrified of doing for one reason or another, but failure to do all these things would result in CONSEQUENCES, so then you do them, and then you realize that you're strong enough to do difficult, terrifying things, and then those things become less difficult and terrifying.
And ya know? I lived most of my life either being in situations that felt like "do-or-die", or watching others be in situations that felt like "do-or-die", and until today, I guess I simply took it at face value as though it is the fundamental way of things, without so much as a second thought - you want an excuse to get over your own destructive shit really fast? Then get into a situation where there's no other viable choice. Or so I thought.
But today, my therapist pointed out that no one should ever have to be put in a "do-or-die" situation in the first place. And that notion motivated me to take pause; it was unfamiliar, so I listened.
He cited people who are self-medicating with various substances as an example. Addiction is borne from trauma, not from moral failure. So the person using substances is, in the absence of other resources that feel safe, doing what they can to drown out the horrors in their head long enough to make their existence feel less painful, at least temporarily. Unfortunately, a lot of the behaviors associated with self-medication end up hurting both the person doing it and the people around them, and so interventions are sometimes held, where the person is COMPELLED to do the thing, and… in my therapist's experience, this is usually less helpful than simply being all like…
"Hey, cool, you wanna go self-medicate like that - it's allowed. But I don't feel safe around you when you do that, and I don't like the things you end up doing to me in service to continuing to do that, and so I will protect myself by creating distance between myself and you." …And that's a LOT different from "go get help or else." The first thing in quotes gives the person a choice. The second is a rejection and a threat. Rejection is disempowering, and people ALWAYS do better with choices than with threats.
There's a situation in my social circle right now in which my initial assessment of what must be done in order for everyone to be safe was somewhat callous - reflective of the harsh, fear-based lens of the old life that I lived. "Perhaps the potential of ending up [insert unpleasant situation here] will prompt them to re-evaluate their priorities," (essentially, "do-or-die") as a concept, is not reflective of the kind of person I want to be. So I'm going to have to reevaluate my thinking and choose a more loving alternative - one closer to, "You can [very unsafe behaviors], but you will then have to find somewhere else to live because [very unsafe behaviors] are not conducive to my safety or wellbeing, and I must protect myself. If you must continue [very unsafe behaviors], then perhaps you can find a space to [very unsafe behaviors] elsewhere."
…The distinction between these things still feels subtle to me, but I can see how they are not the same, even if I'm still struggling to articulate how they differ. But that's merely a function of everything being very black-and-white within the old life I used to live; if I want to be able to lovingly move through this world, I have to be able to learn how to distinguish between more shades of grey. The prospect is both exciting and terrifying! I'll get better at it the more I practice.
The folks involved do not live in my house, but they do live in the house of a person who is close to me, and this person who is close to me is having a very hard time from it all. I do hope the situation can resolve amicably soon. I'll keep doing my best to be a source of support.
There's still so much that I don't know; I've gotta try a little harder, do a little better, and so… the temptation from my old life is to think that these things mean I am a bad person. But I think I will try to choose an interpretation closer to, "I am still learning and growing, and this means that I am alive." Not knowing everything means that I will never have any shortage of things to learn and do!
In any case. I am tired and cold, so I fixed myself up a big ol' glass of warm milk; it's a great way to chase both the chill from one's bones, and the restlessness from one's mind. I can't give you a glass, but I can share a picture. It's not fancy, but… here:
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…I have finished this glass, and the restlessness is gone, but the chill is still in my bones. So I think I'm going to soak in a hot shower, and then go to sleep.
I will keep working on becoming a kinder and more loving person. I'll hope with everything in me that you will work on doing the same - both for yourself and for the people around you. You deserve your own love - regardless of how you came into being and regardless of the mistakes you've made before. Treat yourself like someone who is worthwhile so that you don't end up going for a number of consecutive days without food, water, or sleep ever again, because stuff like that is VERY UNSAFE BEHAVIOR.
I love you and I'll write again tomorrow.
Your friend, Lumine
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harapeveco · 7 months
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ik no one asked me but personally i feel like the ONLY reason why the light novels even exist is because eve originally wanted to shift focus off of rei and onto tobi in knk but didnt know how to do it properly without like messing up the story or something ( even though i am fully convinced eve does NOT have this stuff written down and is literally just making it up as he goes ) so he just decided to write a spinoff series instead thats basically like an oc insert au fanfiction for knk,,,
this is not to make fun of eve though i PROMISE,,, i feel like hes just like a little kid showing off his first ever oc hes made that hes totally obsessed with and were all just the parents and family members that just need to nod and go along with whatever hes talking about / aff / lh
Oks so first of all dw bestie I know you are not making fun of him I know you are voicing your opinion and I think you are right actually he’s showing off his angsty emo OC kdkekdkkd
Now the truth is idk about enough about the manga or light novel industry so I honestly can’t say how the novels came to be tho what you say may be right. To me it feels more like he wanted to do more with Tobi and expand more on him in knk but bc knk has a story that has to be followed there are some restraints of what he can show and where can he show it so yeh it would make sense to make a spinoff or a different series that can get into that. Like I said idk enough about the manga/light novel industry but I believe it’s cheaper to write them in novels rather than a manga so ig he had the opportunity and took it y’know?
As for the feeling of “Eve going along with whatever at this point” I agree completely with you bc i remember when the manga was first announced (yeh im that old I saw this shit come out) it was promoted to be a manga with Mah characters that’s why the Mah characters even appear in the first cover…this is speculation but I feel like they were supposed to appear earlier or something but were pushed aside in favor of Tobi THO it’s kinda complicated to say bc rereading Nagi’s arc i noticed that, even if there’s some inconsistencies in it, it feels like there was some planning and feels for the most part cohesive. I remember I complained a lot back in the day about it bc it didn’t make sense but now that the arc is completed it does! The current arc tho….I’m not so sure like it makes sense too for the most part but so far so many things are left unexplained that it makes me wonder if he really wrote down at least some of it or if he texts Newo at 2 am to tell them the idea he had so they can draw it 😭😭😭
The time line is kinda messed up to me it’s been 3 years after all so if someone can help I would appreciate it very much, anyway my theory is that yeh Mah characters were meant to appear earlier and that Tobi was actually meant to be a character early on too but just got way more popular than Eve expected. Going back to the time line knk was released on April 15th 2020 and Tobi appeared a month later on May 15th 2020 HOWEVER the int MV came out exactly 7 days after that chapter on May 22nd 2020…so like I said I could have the time line messed up bc it’s been years but like i remember that chapter coming out and me and a lot of people being excited about him appearing but technically his MV wasn’t out yet like I feel we all knew him and that so I wonder if it was bc around that time Eve started to promote him a lot? I know that the reason why int even exists is bc Mariyasu made a mini MV of the song I think and people liked it so much both them and Eve went with it but yeh…just wanted to point this out bc if it was popularity based if they put him bc the MV was insanely popular then it would make more sense that the character of the MV came before the one in the manga and that the MV’s influence put him there but he came before??? Idk besties if someone can help me with this one…
Anyway yeh I just feel like Tobi got too popular and was the one appearing in fanarts, official arts, merch and all that stuff and with time Eve just…probably started seeing him in a different light and started caring for him more. Like I said idk anything about the manga industry but I also think that when it comes to Rei it has to be harder to do something with him bc I assume the magazine has some ownership over him I feel Eve can’t use him as freely but that also wouldn’t explain the Tobi case bc even after knk and the int novels came out that could put some restraints on his usage he still was marketed as he always has been so…I really don’t know all I know is that most we have on Rei that is not knk is a few promotional drawings made for the magazine and that one drawing Taiga did for the app that was just dropped there and disappeared into the ether when the app died
It’s really sad bc Rei as a character has potential…we could had a soft boyo that the more he learns about his missing memories and the more fucked up things he experiences the more he changes as a person and the more he loses himself. The very famous phrase “find me before I eat myself” from int I always interpreted it as “find me before I lose myself” and like idk how to explain it but it fits not only Tobi but Rei too???? Like it works???? The fact that his memories are fucked up and his past is fucked up and everyone he loves is getting fucked up is perfect to use in this concept and Eve is not doing anything with it. Like literally Rei has no personality other than being friends with Yukito, not knowing shit about anything and lowkey not liking Tobi that much and like that’s all I can think about him and it frustrates me! He can be more! He can do more! But no! It’s just Tobi! It’s only Tobi!
Anyway I won’t make this any more longer I think I ranted enough so yeh you are completely right anon he just likes his angsty emo OC a lot and we’ll have to nod and go along with it
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distortedwhite · 27 days
Text
(naru and gender)
(if my conversation partner somehow sees this, i am deeply sorry. i don't hold any grudges against you personally but i am a bitch with horrible opinions unfortunately)
gutted that somehow it's now acceptable to publicly shit on other people's opinions. or it's probably a normal thing now—idk i don't venture outside my personal bubble. fact is that it's absolutely disheartening to experience getting called transphobic.
and the reason? difference in opinions. that's it. none of the "pronouns = gender" bs or "using he/him would invalidate her as a woman" but "based on my interpretation of her, using he/him would be transphobic"
absolutely Stunned about this mindset truly. like how dare you label me, and others, as someone who doesn't accept transgender people based on the fact we have a different interpretation of naru's character. "i get where you're coming from but i think this wouldn't work for naru because of [insert reasoning for their interpretation of naru]" my dude literally 5mins earlier i was saying that different opinions about the same character is what used to make fandom fun and enjoyable. i have seen and acknowledged different takes on naru. i respect them even if some make me wanna tear my hair out. is it too much to ask to get the same amount of respect back. is it too much to ask to not be labeled a transphobe based on your personal opinion regarding gender.
i mentioned it before, but gender is something so unique and personal to every person out there. holding everyone to Your personal take about gender and judging them based on that is not fair. yes, the world isn't fair but that's why i think it's better to just do your best and make it a little more fair through your actions. it's incredibly idealistic and probably very unrealistic, but i'd rather do that than stewing in hate and negativity just because someone has a different opinion on my blorbs than me. especially in a series like enst where the average fan only reads the stories involving their faves.
i'm not trying to bash other people, like LOL i'm very flawed too. i used to think people who cisswapped characters in fanfics but didn't change anything else (course of story, relationship with other characters, ectect.) were homophobic. but after a discussion i've come to realize that those people too are just doing what they love. they are literally strangers and i shouldn't judge them based on what i see. i don't Enjoy the trope of changing a character's physical body without changing anything else, but i've come to understand and respect it. and that's one of the reasons why i think it's so important to hold conversations with one another... we can come to an understanding if we at least attempt to communicate with each other.
point is, you don't have to Like someone's opinion to be able to respect it. you don't have to Support someone else's opinion to be able to respect it.
for fuck's sake don't label someone a transphobe just because they have a different opinion on a Fictional character than you do.
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So I think I'm coming to a decision and here's what I want to say:
I am choosing to be neutral. I do not want to take sides, and I don't really wanna be involved in discourse and see people say that someone should die or something. That's wayyyy too hard for me, as someone who has lost someone close to me to suicide, and has witnessed many more crack under the opinions of people who don't even know them.
More under cut.
I come from a fandom where darker topics are roleplayed all the time, but the people there agree that certain topics are yikes and do not support them irl. We agree that characters intentions, thoughts, opinions, etc. do not equal the intentions, thoughts, opinions, etc. of the roleplayer; the fandom source is dark, and it allows us to explore darker themes, angsty plots, and interesting stories. We recognize that some stuff just isn't our cup of tea so when engaging with each other we don't engage in those topics!
Additionally, I think characters and ships and narratives all rely on the source and CONTEXT they are based on.
Another example: It's like cancelling George R.R. Martin for writing about war and murder and incest and rape in Game of Thrones. These things, unfortunately, happen, and exploring them in fiction is normal for a lot of writers and they are still able to admit that these actions irl are wrong. And yet Martin is not cancelled. People who are not comfortable with these topics don't watch the show nor read the books. People who do engage with the media make ocs and ships with murder and darker themes as it is within the realm of belief for the source. It does not mean that they, nor Martin, support rape or murder or incest.
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This. This is what I'm understanding of Proship at the very least. I do not know enough about comship as it is a new label that I'm not as familiar with and I am still struggling to understand it. I think it is VERY important to be critical about the media you consume, to question themes and the creators is healthy, but I do just as genuinely believe that people can explore darker themes without actually endorsing it irl. THAT is the most important thing to me. If someone is prancing around saying they whole heartedly wanna do things to children... that is a completely different story. That is not even in the realm of shipping. Those are the people to watch out for.
Think about the memes about this, too. The "i could fix him" and "i could make him worse" memes. That's toxic idealization, but put in a way that is humorous and something a lot of people can chalk their very own ship dynamics up to. I don't see people sending death threats over that.
Which means it's all about context and intent. Not all proshippers agree with various dark themes, and from what I've had explained to me and from what I've seen it is generally just letting people explore fiction the way they want to. Sometimes it's a way to cope. Sometimes it's to create a story. Sometimes it's just to have fun.
If you're reading this and choose to disagree, that's your decision and it will be respected. People are allowed to agree to disagree over something as simple as fiction. Feel free to block me.
This said, here are my boundaries, I would like for them to be respected if we have a conversation/talk about ships.
-I do not support incest irl and would prefer not to engage with romantic incest ships. I will block if this is disrespected.
-I do not support pedophilia and would prefer not to engage with adult/minor age gap romantic ships. I do not mind ships with age gaps as long as a MINOR is NOT involved. I will block if this is disrespected.
-I do not support rape irl. I do not support unhealthy relationships where sex is more important than the emotional well-being of the partner. I do not support situations where 'no' is not respected. I do not support non-consensual actions between individuals. I do not mind it as a detail of narrative, I do not mind it as being part of a character's/oc's/insert's back story. But if there are heavy themes of active noncon in a ship then I do not want to engage. I will block if this is disrespected.
-I would like to get to know the actual human person I'm talking to before judgement is made over the little things.
-However, fascists, racists, pedophiles/MAPs, terfs, anti-lgbt, antishippers/anyone who actively harasses anyone for differences or brings harm to others ARE NOT welcomed here. If you identify as these or with the ideologies of these identities then please do not engage with me. These are not little things. That's a person's life.
Thank you for reading, regardless of your stance on the subject of pro/neutral/antishippers. I hope you have a nice day whoever you are.
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…So…about The Dragon Prince Season 4: Mysteries of Aaravos…
So I just wrapped up the season and just wanted to give my overall thoughts on it.
The General Gist:
As I told a fellow TDP fan friend of mine, as a whole, I thought this season was a good start to this new chapter of the series.
Despite being a direct continuation from the last season of the Dragon Prince, I feel like it would be more fitting of me to just view Mysteries of Aaravos as its own separate story; within the Dragon Prince universe and following up from where the previous story left off but still being unique and different enough to be perceived as its own think.
In all honesty, I found this fourth season to be more comparable to the very first season of the Dragon Prince. Like I said, it’s a solid good start; providing the audience with just enough storytelling and worldbuilding to get us invested in the characters who will be become the key players in this new chapter of the story as well as the new overarching plot.
So on that front, I liked S4. However, if I were to compare S4 to the last book---Book 3, this is where my opinion will change. As I’ll reiterate, S4 was good BUT, was it better for me than S3? In my opinion, no.  
Not by a long shot. S3 left me fat and fed in terms of being completely satisfied with the way things were left off in terms of story and character development. S4 felt more like a refresher. Getting this squiggle meister right back into the world of Xadia and what made the series so great for me before while getting me prepared and hyped for what’s to come next. There is no doubt in my mind that I am more than excited to see what comes next for the next few chapter of MoA and in true TDP fashion, I can only expect the story to get better from here since that was my experience with the first installment.
Book 1 of the TDP hooked me in and each book after that from 2 to 3 just kept further improving upon the story and of course, the characters.
Thus I’m expecting MoA to be no different. I don’t know when the next book of MoA is expected to be released, but based on how MoA left things off for its first book, I am only expecting things to get wilder and on that note, I cannot wait for what’s in store to come.
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The  Rayllum Elephant in the Room:
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If you were a Rayllum shipper this season like me then…how you doing, fam? You good? Because I don’t know about ya’ll but being a Rayllum shipper in Book 4 was painful. Watching these two kids clunkily try to salvage their broken off-screen, in-book relationship without the full context (since I sadly didn’t get to read the actual book that explains Rayla’s departure) was painful.
I mean, we did get some ok-ish moments---some semblance of crumbs. But coming off the cusp of Book 3, watching Rayllum this season was damn disappointing!
How? How did we go from being FAT and FED in Book 3 of the Dragon Prince to being STARVED in Book 4? Seriously how!!!???
Why did the showrunners think this was a good move? Why did they break them up? Why couldn’t they have just kept them together and let the next chapter of their relationship be watching them be a couple---one of the first human and elf couples outside of Janai and Amaya and seeing how they make it work despite it all?
Why couldn’t we just watch that instead of the typical “let’s make them get together only to have them randomly break up only to watch them get back together in the end”?
Seriously, if I wanted to watch a season where Rayla and Callum begin to build their relationship, I would rewatch Season 1 of the Dragon Prince and even then, I wouldn’t be this annoyed.
I swear if they insert a love triangle or love square between Rayllum in the next book, I’ll be beyond pissed.
I’m sorry guys, I just…I just didn’t enjoy the story for my favourite ship for this season. Why not all of it was as terrible as I’m making it sound, it just wasn’t enjoyable for me because overall, I was just mad the entire time that they were broken up at all, y’know what I mean?
At least one thing’s for certain though; it’s still very clear that Rayla and Callum both still love each other very much. The feelings are still very much there. Where the story takes them on the path to repairing what they once had and maybe falling in love with each other again---I don’t know.
I just hope it’s good and better than S3 because that season is still the reigning king in terms of getting that good-good Rayllum bread. Just so long as it’s not another bait and switch. I know couples getting together and breaking up is a fact of life, however it’s not the only path relationships can take that’s considered realistic. Believe it or not, there are relationships where people remain together for a very long time with the love and trust between them still maintained; perhaps even stronger than it was at the beginning thanks to the experience and challenges of time.
Perhaps I’m getting way over my head about this and maybe, this is what the showrunners have planned for Rayllum. Who knows? Doesn’t excuse the fact that I’m just really tired of the whole “will they, won’t they” trope being done to death, particularly when it comes to animated couples.
I used to get a kick out of it before back in my days of indulging in lots of shoujo manga and the occassional anime or two. And in many ways, I don’t completely dislike the trope. It’s just that, for once I’d like to see a pairing in an animation get together and despite the story throwing many curve balls at them, rather than the writers have them break up, they just write the couple to talk things through and work things out and keep trying to make things work for the sake of their relationship since ultimately, they do love each other and genuinely do want their relationship to last.
This was one of the things I actually found very refreshing about the Lumity pairing from The Owl House series. Despite getting together early on in the show’s second season, I really liked how this never stopped the couple from growing both together and as individuals. And inspite of some showcomings and mistakes made between them, I liked how rather than have the young couple have a big argument  leading them to breaking up prematurely only to get back together later---y’know the usual rinse and repeat we’d come to expect---the TOH showrunners just have the two girls work things out and make it work.
It’s so nice to see a couple in an animated series with challenges but not any “relationship drama”, y’know what I mean?
That being said, I still love my favourite Rayllum pair and I am looking forward for what’s next to come for them. I’m just gonna need a while to get over my initial annoyance at their break-up. At least we got a hug in the final episode. Sure it led to a very adorable group hug between the Dra--gang (I really love Soren---the little easter eggs from Avatar: The Last Airbender said by him this season were golden). But hey…it’s a crumb---one of the many we had to painstakingly scrape the literal Umber Tor-sized bottom of the barrel to get this season---but yeah, still a crumb so I’ll take what I can get until Book 5 gives me something better…hopefully.
---
Terry, Terry, Quite Contrary:
I’m just gonna be blunt---I love Terry. Easily became my favourite character for this season next to Soren.
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He’s just so precious. I’ve joked so much about hot elven dads over the past few seasons that for the first time in Dragon Prince history, we finally have an adorable cinnamon bun of an elven son for me to adopt.
Seriously, Terry is too pure. Too good---mostly. Best 4/5 for me because the parts of him that’s perfectly find with Claudia draining the life from magical creatures to be used in dark magic as an Earthblood elf is still very questionable to me.
Then again, after meeting some of the Earthblood elves from the Drakewood where Terry claimed he was from and seeing their barbaric treatment of the local dragon life, I guess it makes a bit more sense now.
But bottomline, Terry is pure of heart and I quite like him as a character. He certainly won my adoration this book. All the more reason why I’m very, very, VERY concerned for his fate moving forward.
I feel like it's going to be like the shoulder angel and devil scenario with Claudia regarding her relationship/loyalty to both her father and Terry as her boyfriend. And the reason for my concern with this dynamic is because I feel like it could potentially lead to another moment of Claudia being forced to chose between two people she loves.
We know from S2 of TDP that Claudia hates being put in this type of predicament. She was forced to do this with her parents as a child, with her father and her older brother in Book 3 and it wouldn't surprise me if it'll happen again down the line, this time with Terry wrapped up in it.
Both times when Claudia was forced to choose, she chose her father each time. Keeping that thought in mind, I'm curious to see whether or not Terry will finally be the one to break the cycle for Claudia.
You can clearly see that Terry is very important to Claudia. Outside of the general wholesome and playfulness of their romance,  there is also some genuine trust and respect between Claudia and Terry. It is clear that Claudia values Terry’s opinions, especially the ones of her. Just look at how she immediately changed her stance on tricking Rayla with the coins containing the captured remnants of their family (which by the way, thank you for finally addressing show).  Look how quickly Claudia reconsidered her actions and changed after Terry commented on the cruelty of it towards Rayla.
I really liked that moment from the final episode because it said so much about both Terry and Claudia as characters.
And while a part of me likes Terry enough as a character to want him to get as far away from the toxic father-daughter circle as Soren did because I'm worried for his fate, on the flipside, I do wish for Terry to also stick around because, as cheesy as this sounds, I do think Terry is Claudia's soul mate. Her better half because not only does he understand her in ways that not even her close family does but overall, Terry is good for Claudia.
He seems to be a genuinely good person with a good heart and head on his shoulders (most of the time). And for the most part, he’s  the one member in the toxic circle who still has some shred of humanity and empathy
Viren is practically long gone at this point. The only person he seems to actually care about now is Claudia. Man doesn’t even acknowledge Soren anymore. Even when he was expressing the probability of abandoning the search for Aaravos and living out his final days before Claudia prompty smacked some “sense” back into him, he still only mentioned her.
Real father of the year material, aren’t you Viren? Soren was right for cutting ties with your toxic ass!
Claudia, on the other hand, is literally half and half. She’s just tethering the edge between returning fully to the side of good or falling into full damnation alongside her father.
I wish to believe that through Terry's love and overall influence, Claudia can potentially switch sides---basically have her own little Prince Zuko type of character journey. But much like with Zuko, I think it's going to take some kind of extreme moment such as Claudia saving her father but at the expense of losing Terry to possibly make her see the error of her ways.
One hunch that I’m juggling right now is...what if…in order to fully restore Viren’s life, it’ll require some kind of sacrifice? Y’know like with FMA lore, there’s the whole equivalent exchange thing, right? Well imagine if…the only way for Viren to achieve his second chance at life completely is to have him steal the remaining life span of another being?
While I can definitely picture Aaravos being enough of a malicious asshole to make Viren consider sacrificing his precious daughter---y;know being the valuable asset that she was from his perspective--- I can also foresee a scenario in which Claudia is the one forced to perform the spell to save her father and thus chose between her boyfriend and her father.
Or perhaps…it’s a case where Aaravos makes the spell proposition to both Claudia and Viren behind each other’s back as a way of testing loyalities and intentionally turning them against one another.
 Let’s say---Through Aaravos’ influence, Viren considered using Claudia as his sacrifice and Terry overhears his intentions.
In an effort to save Claudia, Terry attempts to warn her of her father’s intentions and even dares to try and get them to excape together however Claudia, being in extreme denial, refuses to believe Terry.
Ultimately, Terry ends up being the one sacrificed in Claudia’s place when Viren reveals his true colours and tries to forcibly steal Claudia’s life force only to have Terry interrupt the spell and sacrifice himself instead out of his devotion to her.
And then and only then after seeing the lengths that her father was willing to go, even at the expense of her own life despite all that she’s endured for him is what finally causes Claudia to realize what Soren was trying to warn her about and thus she finally leaves her father’s side, leaving alone with Aaravos.
Since Aaravos has been shown to be able to possess mages in his current state of power (like with the case of Callum)---perhaps his intention all along is to make Viren either his ultimate vessel or perhaps his most powerful loyal servant at the expense of his mind and humanity.
After this, Claudia finds our heroes and returns to Soren and the two have their own little heart-wrenching reunion and redemption moment, reminiscent of the iconic one between Zuko and Iroh from Avatar.
That’s my theory on that, for now.
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In conclusion…
Those are my thoughts following my watch through of S4. As I’ll say again, as a whole, I thought the new season was a solid good start to get us TDP fans prepped and ready for what’s to come for this new Aaravos Arc.
Not sure how soon we’ll be able to hear news about S5 but, I’ll be on the look out. In the meantime, that’s all I have to say for now.
What about you fellow Dragon stans? Overall, how do ya’ll feel about this season?
Share your thoughts in the comments or reblogs if you wish.
Cheers.
~LMS (2022)
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Completed Phantom Liberty
Having been playing Palia and sitting shotgun for playthroughs of BG3 and Starfield, it is such a relief to go back to a world where human beings act like real people. Like, if someone is throwing themselves at you (Judy, looking for a rebound and someone to orbit, as she always has) it makes sense for that person and they have preferences and some experience with you, not because they are a digital sex doll. Reed, Alex, and Songbird (and everyone else) have complicated motives and feelings about things, whole internal lives that aren't about you or sex or even only their own huge problems. Reed reuniting with Alex hit me hard because it was like "oh, yeah, this is how you write characters."
So glad Johnny was not just a footnote and his relationship with V was still a huge part of the story. You should not dive into Phantom Liberty until you finish the main story, building a higher level rapport with him, because the tough affection between him and V is on display and makes no sense otherwise...also frankly the big combat missions near the end will kick your ass.
Johnny's lack of remorse about the tower is still on display, though it still doesn't make sense, though in a human way; it makes sense for it not to make sense. He has a compassionate heart, beaten as it is and as much of a bastard as he is. He'll crouch beside the corpse of some poor fool and feel sad for them. Read his commentary in the journal where he asks V to be the one to remember the ones who won't be remembered. He pities people, he has strong feelings about helping ordinary people- as long as they aren't part of some group he doesn't like, which is something he should have faced with River's quests (has anyone rerun those in 2.0? Was more of him added in? For some reason he has very little commentary, though he should be a chatterbox for a dozen reasons).
I was right; mercy is a big theme in Phantom Liberty. It runs through the whole game, this world without mercy, and what it looks like, but it's more obvious to me in Phantom Liberty. Perhaps it is only recent real-world events that bring it so prominently to mind.
The Relic skills are alright, nothing game changing IMO. Skill rebalancing overall is good. Maybe it's just me but I feel weapons handle better.
Some people were missing from Hansen's party, IMO- at least Rogue, Yorinobu, and Kerry (he's a recluse, a good excuse, but would have been a fun interaction, especially if you'd done his quests). Unless I missed them? I went around that whole party five times!
You can talk to the "companion" characters about what you did in Dogtown for a few lines of extra chatter, but not Rogue or other fixers.
Once again, pretty sure V is meant to be not a selfish jerk. I have a whole thing about who this character is, how she isn't your typical self-insert RPG PC, as well as my belief V is written to be female, something I don't believe or care about or think at all relevant in most games of this sort. Commander Shepherd, Revan, Hawke, a dude? Sure, fine, couldn't care less. V, however, is meant to contrast with Johnny, and I think the game implies V is default female in several ways. Need to write that up sometime.
Maybe I need to do some digging, but it isn't immediately clear what Songbird's problem was doing to her exactly (except it's like V's problem), how the Blackwall did it, and how the Cynosure AI would help her or V. I'd like to know the mechanics of it.
My Orpheus After the Fall sequel has gotten itself sorted out thanks to expansion. I had an array of directions I'd contemplated but couldn't make work, things I wanted to explore, but now I feel I have something to build on based on my observations.
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Bleach but my cringe self-insert that's incapable of dying until the universe does is there and treats being "imprisoned/kidnapped" in Hueco Mundo and Soul Society as an unexpected vacation
She really doesn't care about Aizen's God complex and a selfish part of her is like "Well, if he fucks up then the universe ends and I can finally die for good. So either way I'm not too bothered." She thinks the Central 46 deserved every stab wound and tries to learn as much hidden lore/history behind the Soul Society and the Soul King out of pure spite. ("They don't want me to know, and they won't tell me why, so I'm going to find out anyway. Fuck them and whoever put them in charge")
Prefers to know people via their zanpakuto vs. actually spending time with them, since it's a manifest version of their soul. Her body and soul is easy to manipulate, so she just prefers to hop INTO a person and see their soul and then pop out. Sort of like Alice in American McGee's "Otherlands" story where she can enter other people's Wonderlands.
Her mind's more than a little wonky since learning forbidden magic and knowledge is one of her favorite hobbies. Sometimes she says things and mutters half prophecies, and she's stopped bothering to try and write them down. Aizen and a few others think they could use them, but she just gets nightmares and odd looks from it so she just tries to ignore them as they come.
Has no real dog in the Quincy/Shinigami fight. Again, if Ywach fails then she might get to die permanently, and if he succeeds then it doesn't really affect her. If anything Ywach might be more lax on learning more about his father and the Soul Society. Still...she doesn't care for the Quincy's mindset. An inherited monarchy doesn't really sit well in her mouth, and she's grown attached to the others within Hueco Mundo and the Soul Society.
Freedom is what matters most to her, so any group imposing their own will on others just grinds her gears. She gives Aizen a little slack since he at least follows a fair enough mindset: He believes he's right, he has the power to make his plan come to fruition, and he comes by his narcissism honestly if nothing else. She likes Arrancars because of that. Their hierarchy makes the most sense in her mind: the most powerful is the leader, and if you don't like them then you simply get stronger and kill them.
She likes characters like Kenpachi, Grimmjow, etc because of that. Essentially any character that's honest, that follows their moral code without any issues, she likes even if she totally disagrees. Conviction is what she likes.
Is a Kido prodigy but has no zanpakuto, so thus has no sword fighting experience. Kido and leaping into people's souls is what works for her so she doesn't mind not having one.
She makes money here and there doing odd jobs: bounty hunting for Hell, Kido-based projects and commissions, working on stuff for Urahara, etc.
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