Okay, so, time to write the blue and yellow meta: deranged version. Shoutout to @dangerpronebuddie for the thoughts that are helping me in this particular delusion (This is gonna have some copy/paste from the other one just for the context to be all in one post, but stay with me anyway if you read that one already I promise this one has more stuff)
Okay, so I have been going insane trying to figure out what the blue and yellow means.
And now I have a theory. So for this one, I'm gonna use the fact that they are using the sun on a wall and that they completed the blue and green with Buck and Eddie at the gym scene with the bottle and the towel to assume I am right, and they complete these things with other elements of the scene, wall, decoration, everything.
Okay, so, when tracking the blue and green thing so I could make this post, I kept wondering why there aren't a lot of Henren examples of it, this season has given us a few more scenes, but I'm pretty sure there are only these 2 before season 7. But like, I didn't think much of it even though I didn't understand why.
But Anna, I thought this was about the blue and yellow, why you talking about the blue and green? Well, I think the blue and yellow is the blue and green for queer couples. Stay with me, I promise I have enough proof to create a reasonable doubt lol.
Okay, so, the other day I saw a henren edit that had their first date and I already had the yellow behind Eddie in my mind and was like, that's interesting, their first date is blue and yellow.
Then, someone is making a Karen in every episode series, and I saw a set of her in yellow and was like "wait, I need to stop looking for answers in the straight couples, buddie is a queer couple, I need to see if this is a pattern that has already been established for the other queer couple, do henren have different rules?" and yes, I think they do.
Going back to the blue and green thing for a second, the easiest couple to track the blue and green is madney. Every couple has worn blue and green, but they have been blue and green since their first scene. And while they do wear blue and green for inconsequential scenes, they are in blue and green for things like getting back together in season 6, finding out Jee is a girl, the date after Doug, the hospital after Doug, the whole Boston episode is blue and green in nature, I talk about that in more detail in my blue and green applied to buddie meta if you're interested.
So, assuming they are establishing the blue and yellow with henren in the same way they do the blue and green with madney, blue and yellow in important henren scenes sounded like a nice bet since the blue and yellow is present on their first date, right? And the same way Boston is inherently blue and green, tomorrow is very blue and yellow.
But you don't really think I'm telling you I established a pattern with only one episode, right? Using other elements of the scene, considering the way they are using the sun a lot with buddie, I have quite a few examples, going back down to when they accept that the IVF didn't work and that they'll be okay. I also really like the way the club in fomo is lit in blue and yellow. (I'm trying to stay within the image limit so, tiny images, sorry lol)
But Anna, you are using the wall a lot. Yes, I am using the wall a lot. Why am I using the wall a lot? You know how madney is the guide for the blue and green? Their house is blue and green. Like decorations and stuff. Mostly the kitchen, but still. The detailing there, the pans, the blue chairs, the blue couch. Even Jee's room is greenish and blueish.
So, henren's house being yellow works, I think. Another point towards that is the way that Buck's bi awakening episode is blue and yellow.
So, I'm gonna be insane and say the blue and yellow thing is the blue and green thing but queer.
Here's where I'm diverging from the first post I made, why? Well, considering my main point of reference was henren and the earliest conclusive example I could find was in 3x04 when they are talking about the IVF, I didn't look in season 2.
But thanks to Maggie (💜) I went to look in Buck, Actually. To check Thomas and Mitchell.
We have the blue and yellow shirt, the blue and yellow lighting, the blue cake with the shirt. They also use the sun in their happy contemplating life moments.
Unrelated but I love the blue and green thing too much not to point this out and I just noticed it lol they have a lot of blue and green details too, the car, the driveway, the transition from a green cake to a blue cake, I just love that.
But, since the blue and yellow exists in the couple that is supposed to show Buck what love looks like, I'm gonna go full crazy here with buddie and blue and yellow, because we are starting at Eddie's introduction lol just another nice little day in the they cast Ryan with a plan delusionland.
Let's move past shirtless Ryan for a sec (yes, I could've used a different screenshot, but why would I lol) the bag above Eddie's head is blue, and there's that yellow thing behind Buck (Hen is also in yellow in this scene and everyone else is in the darker uniform so 👀)
But this is nothing yet, in terms of crazy. How about the way that Hector's call is blue and yellow? And the blue and yellow lights in the ceiling of the ambulance?
What if I told you the dialogue here is "Practice rounds have blue caps, gold caps are live."? Are you feeling insane with me yet?
I personally view the "you can have my back any day" as inherently blue and green, but Eddie's side does have that yellowish light in the middle there so, something else to consider.
But moving on, there's a lot of blue and yellow lighting during the earthquake, but even I will have to admit that's because of emergency lights, so I will keep moving, I am crazy but I also know when to admit that this show likes warm lights and sirens are blue lol
Next up, we have the fountain. And the elf happening right after this, like 👀👀
I couldn't find any other examples in season 2 tho.
I will admit that my season 3 examples are a really big stretch but, the grocery store, has blue, green, and yellow elements, mostly behind Buck.
Them making up the station, also has the yellow light element.
Other cutesy things I wanna point out are the summer camp talk and the cup thing, with the blue chair and the building.
And I kinda have to add the recovery conversation because of the oven and the light behind Eddie.
Also, they usually drink the genuine beer, that has a yellow label and the coming out scene has a beer with a blue label.
Okay, but I skipped a bunch of shit here in the middle. Well, season 5 doesn't have anything that stands out to me all that much. Season 6, has the poker date.
I'm kinda obsessed with the way that the coming out scene has Buck in blue and the yellow behind Eddie while he's dressed in black and the end of the poker date is the other way around. This one feel more on purpose to me than anything else that I pointed out, since this happens after tomorrow, where we see that in play with henren a lot.
But my question here is, if this is something that has been played with since season 2, what does this mean for buddie and survivors?
This scene has some blue and yellow elements and it is the lead to the will reveal.
And, well, the will reveal is undeniably blue and yellow. Their shirts are blue and yellow. And this scene reads as a love confession. It was talked about as Eddie's way of saying he loves Buck to the core. If you add this, and the elements of the shooting and how not platonic the they're in situation is, if any of this is true, then, well, what does it mean for this scene?
I kinda wanna go full conspiracy theory for a second, so bear with me. Buck coming out scene, Buck matches the lighting, everything around him is blue (in contrast to the kiss, where he is in a blue shirt but he has the yellow light behind him), kinda like what's happening with Eddie in the will reveal, but obviously, since Eddie doesn't really match, it's just in the same color palette, we can make an argument about him not being ready yet. Not like Buck is when it comes to his bisexuality now. Especially with the way this scene screams aborted love confession. So, since I'm already using this to fuel my Ryan got cast with a plan madness, I will also use this for my Eddie has been aware since season 4 madness.
This is long and kinda completely deranged but I think there is an actual argument to be made here, at least from season 6 forward, so this is my current theory, let's see how the rest of the season plays out 🫶
As always, if you read this I love you 💜
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Books Inspired by Poor Things, a movie I enjoyed, but not as much as I enjoyed these books.
Angela Carter, Nights at the Circus. This book, about a winged woman born and raised in a brothel who embarks on an adventure across Tsarist Russia is what I thought of most wistfully while watching Poor Things. This is my favorite Angela Carter novel and a pretty great first novel is you are new to Carter.
Octavia Butler, Fledgling: This is the Octavia Butler vampire novel. This is the one I think of wistfully while watching IWTV, thinking of how Butler's early death deprived the world of equally strange and unsettling exploration of how vampires live, love and create families.
Jeanette Winterson, Sexing the Cherry: A sexy, weird fairy tale taking place during the English Civil War. There's a tulip used as a dildo in the first chapter, which isn't important but is delightful.
Rene Depestre, Hadriana In All My Dreams: This is the only book on this list that isn't written by a woman, and there are several places where that is obvious. However, this is such a lushly written, humane story about what happens after a beautiful girl is turned into a zombie.
Jeanette Ng, Under the Pendulum Sun: I talk about this book all the time, but that's because I love it an exceptional amount. A theological gothic horror about two Victorian siblings who are missionaries to the Fairy Queen.
Kaitlyn Greenrdge, Libertie: This is the first entirely non-supernatural historical novel on this list: A coming-of-age-ish story about the daughter of a black woman physician as she goes to college, is married, travels to Haiti with her new husband and experiences a sexual and moral awakening that I found much more true and compelling than that of Bella Baxter.
Nghi Vo, The Chosen and The Beautiful: I realize the whole idea of this book is an absurd joke, but I respect Vo for having both the confidence to charge right in with "Great Gatsby but Magic" as a concept and for having the restraint to limit the magic in the book to just two-three extremely resonant examples. This book is not without some amateur moves, but I enjoyed it immensely.
Angela Carter, Wise Children: I'm allowed to put more Angela Carter on this list because it's my list. This is my other favorite Carter novel, a Shakespearean farce about two elderly twins as they reminisce about their wild lives as vaudeville performers. Full of incest and weird sex and great Shakespeare jokes. Like if Shakespeare in Love ended with an 80 year old woman having sex with her 100 year old uncle. There's no book that makes me feel more joy and satisfaction.
Zadie Smith, The Fraud: Another, non-supernatural historical novel about a woman living during the Victorian era surrounded by a bunch of full-of-shit intellectual men.
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The RalsAlmanac, Volume I
Okay, here it is! A series of essays that will attempt to definitively explain just who or what Ralsei is, referring to scenes from the game as evidence, as well as external sources where appropriate.
There will be some conjecture, as there's just so much we don't know about him, and what little we are given isn't exactly the most revealing. However, I've done my best to cleave as closely to the source material as I can, and I believe there's a strong case to be had here.
Hopefully you'll be able to see where my points come from, or at the very least you'll learn something you didn't know before. Either way, thanks for your consideration!
Volume I - Ralsei Is A Character In A Role-Playing Game.
Self-indulgent reference out of the way, lemme ask you a question.
Who is Ralsei?
It's a question that seems like it should be easy to answer. He's the Prince From The Dark, the third of the three Delta Warriors, he exists to serve the lightners, and is the most precious little cinnamon roll that ever lived. He enjoys baking and crochet, can hold a tune, is a decent interior-decorator, and holds his friends Kris and Susie in very high regard.
Thing is, that's about all you can really say about him without veering into speculation and headcanons, and they're more surface-level observations than anything else. What exactly does "Prince From The Dark" mean, for instance? Prince in what sense, exactly? Ceremonial, or with the actual power that royalty conveys? Where does he rank in comparison to, say, King or Queen, both actual rulers of actual kingdoms? The title of "prince" would suggest that he answers to them, but while they rule their own municipalities, Ralsei's title implies he rules over ALL dark worlds. You could go on asking these questions forever, but I think you see what I'm getting at.
A more productive avenue of questioning might be: What role does Ralsei play in the story of Deltarune? Perhaps more of his underlying character and motivation could be gleaned by looking at what he does for the story and the game. And this would be correct... sort of.
We tend to think of him as the squishy healer of the party, the Heart and moral centre of the Fun Gang. And he absolutely is that, but he's also quite a bit more. He plays all sorts of different roles and character archetypes in the first two chapters of the game, including but not limited to:
the old man whose purpose is to wax poetic about the ancient prophecy...
the know-it-all tutorial fairy who walks you through the basic game mechanics...
the straight-man DM trying to keep everything on the rails...
the young sheltered noble experiencing the outside world for the first time...
the demure love-interest to the main protagonist...
the Polyanna determined to see the good in everybody...
the mysterious waif who knows things he shouldn't...
...eye candy…?
...and so on and so forth.
And so what, I hear you cry. Characters in video games can have more than one personality trait, after all. And yes, this is true! But usually, the different aspects of a character's roles, how they interact with, reinforce or contradict each other, can tell us more about their inner world - what motivates them, what they actively like and dislike... in short, it grants them depth and allows us to engage with them as actual people, rather than just a series of game functions and character traits dressed up in a pretty bow.
But that's not what we see with Ralsei. In fact, far from showing us any real, deep aspect of his character, each new guise he dons and part he plays in the narrative further obfuscates him from us. We learn no new meaningful information from any of these exchanges... except for one thing, but we'll come to that in a moment.
This vexes us, because we WANT to know more about him, but all we end up getting is stock JRPG tropes dressed up in a warm, fluffy coat. There HAS to be something deeper, we reason - he's hiding things from us, so he must be a secret villain. Or his backstory is so tragic, so traumatising, that he cannot properly articulate it to us right now. Or maybe what we see really IS what we get - a simpering, airheaded fool whose only desires in life are to be cute, please his betters and do what he's told. Yet even this explanation seems... unsatisfying, especially since we KNOW he harbours some angst about himself and his sense of identity.
And speaking of which, that one thing we learn? Right at the end of Chapter 2's Acid Tunnel sequence, he utters a single sentence:
This is arguably one of the most significant lines of dialogue in the entire game up to this point. But what does it mean, exactly? I believe most people assume it means he doesn't have a clear sense of who he is outside of his ordained purpose, which is certainly valid, and definitely something I believed for a long time. And yet, this explanation does not deepen our understanding of his character in any meaningful way; looking back over all his interactions with the cast, it does not allow us to glean any further information about him.
And you can say that's because he himself doesn't know what he's like... but again, this doesn't actually change anything, and we just end up with a circular logic trap. We don't know anything because he doesn't tell us anything, and he doesn't tell us anything because he doesn't know anything, so how can we be expected to know anything, except that no-one seems to know anything about him… which is very frustrating to us Ralsei scholars, and gets us no closer to truly understanding him.
But look at what he says again. Really look at it. It’s a very strange way of saying “I don’t really know who I am”, isn’t it? After all, if that’s what he means, then why doesn’t he just say that? I’m certain you’ve realised by now, but it’s because that’s NOT what he’s saying at all. He literally has no clue what being “himself” is supposed to be, because he wasn’t even created with a sense of “Ralsei-ness” in the first place. Little wonder, then, that we can’t discern anything about his internal world, when there is nothing there to be discerned.
But before I elaborate any further, I want to talk about a couple of scenes in Deltarune that are just... puzzling. This is relevant, I promise. The first is during the dialogue with Rouxls Kaard before the rematch with K.Round. Ralsei says something interesting in the lead-up to the fight:
Note Susie’s baffled reaction to this. Then not long afterwards, he continues with:
Throwaway joke, right? We laugh because Susie's right - K. Round and its crown do look exactly the same to us, and so Ralsei's dramatic utterances are deflated and lose their impact. We laugh, beat the boss with Susie's help and forget all about it. But here's the thing - if K.Round looks the same to us, and it looks the same to Susie, and presumably by extension the rest of the in-game characters... when why exactly does Ralsei take the time to insist otherwise?
Is he... lying? Our most precious little boy, guilty of perjury? Say it ain't so! :O
The second scene is in chapter 2 - Queen has challenged us to a game of Punch-Out on her absurdly tall arcade machine, and we can talk to the characters before trying to interact with it. Talk to Ralsei, and if you answer "Gaming is my life" to his prompt, he says this:
Most people don't even come across this in their playthrough, so I wouldn't be surprised if it's new to you reading this. But again, note this strange discrepancy between what Ralsei reports is happening and what Susie says is actually happening. It becomes apparent to most people that Kris can affect the tone of their voice when saying what we tell them to, which affects how the response is taken by other characters and gives us a subtle clue about how they actually feel about certain characters or situations.
Are we to assume, then, that Ralsei isn't actually listening to how Kris says things, but only what they're saying? And if that's correct, then... what does that say about him?
Taken at face-value, within the context of the game, neither of these events really make much sense. It just looks like Ralsei is being overly-dramatic, or lying, or perhaps even insensitive to what their friend is trying to tell him, which doesn't quite track with his per-established shallow traits of kind, all-loving and moralistic. It's perplexing and seemingly out-of-character for him. So it might help to consider, in each of these scenarios, who exactly Ralsei is talking to.
Is it Kris and/or Susie? This would make the most sense, but it's actually not that likely, considering the aforementioned discrepencies between his descriptions and Susie's observations. So is it himself? Again, if he can see things the same as everyone else in-game, that wouldn't make much sense, because then he's just saying stuff that... isn't true? Or in the latter example's case, just completely ignoring what Kris is saying, which doesn't seem to entirely gel with what we know about him.
So, who does that leave? Well, the only other person - or should I say entity - who is present for both of those scenes is... us. The player of Deltarune. And that might seem even stranger than the previous options, until you realise what it is he's actually doing - providing flavour text, additional exposition informing us of details that we wouldn't - or shouldn't - be able to make out on a pixelated display with no voice-acting, attempting to give us a richer sense of these events in order to increase our sense of immersion in the game and world of Deltarune. In effect, he's playing the part of a character in a role playing game, doling out “flavour text” that contradicts another character’s experience of the same scenes, and he's doing it entirely for OUR benefit. Not Kris’s, not Susie's – ours.
He tells us that K.Round's crown is different, and that it is in pain from its forced control, to try and increase the stakes of the fight, and to give us a motivation that's not "here's the exact same boss again lul". He responds to Kris's words the way he does, not because he doesn't understand the nuances of their tone, but to try and amp us up for the upcoming challenge, and to validate our choice when we select the dialogue option "Gaming is my life". Because we cannot hear Kris's tone of voice - and Ralsei knows that. To him, Kris's tone literally doesn't matter, because he doesn't believe it matters to us in that exact moment.
And here’s the thing: if not for Susie’s asides immediately contradicting him, we’d likely take what he says here as what’s actually going on. To Ralsei, the reality he and his friends experience is not important – it’s the image of that reality that he’s trying to convey to the player. It’s like he knows he’s part of a game, meant just for us to experience and enjoy, as opposed to a real world filled with real people having real experiences.
And the reason I brought this up is to illustrate what I believe Ralsei to actually be - namely, that he a walking, talking, singing and dancing amalgam of stock JRPG characters and tropes that's trying very hard to present as an actual person, to the point of knowing absolutely nothing about who he even is outside of that. Put in even blunter terms, he's literally a fluffy goat-shaped vehicle to set the player on their journey through the game, to keep them playing and to keep them invested. People looking for deeper aspects of his character come up short and are disappointed because they're looking for something that does not currently exist.
And just so that I'm clear, I do not mean that Ralsei is "acting", or that he's "wearing a mask", because that would imply that there was actually something underneath his "facade" to begin with. No, this is who the Prince of the Dark is - a very convincing fascimile of a person, following his directive to ensure that the story of Deltarune is resolved, and that the game of Deltarune is played to completion. And once you realise that, a lot of things that Ralsei says and does that seemed strange before suddenly make a lot more sense.
As for the why... well, that'll have to wait for another time. But hopefully you can begin to see how my future essays in this series all tie in to this one, because I think you can only really understand those with the framework that this text provides. I hope that my reasoning made sense and wasn't too difficult to follow, but I'll be happy to provide additional information, clarification, or even just discussion on any aspect of this essay... even if we just wind up (respectfully) agreeing to disagree. Would love to hear what people thought about this!
Thanks for reading!
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