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#at this point i'm writing this to get it out of my system
nkjemisin · 2 days
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Hello! I’ve been seeing a lot about your work on social media lately and would love to read your books. What series do you recommend I start with?
Thanks ☺️
That depends on your taste/interest. I don't really write the same kind of thing from series to series, because I get bored easily and often want to try new subgenres/styles/etc. So I'll just briefly list my series and you can pick the one that appeals the most.
There's the Inheritance Trilogy, (link goes to the first book) my first published novels. A secondary world that has enslaved its own gods deals with the repercussions of that, from the POVs of three mortals. There's an overarching plot arc for all three books -- and there are some side-stories for this trilogy, too -- but each has a different narrator and takes place at different times. First person past tense, if you care about that sort of thing. (I don't, but some people seem weirdly attached to/repulsed by particular persons/tenses, so I'm including that info here.)
Then there's the Dreamblood Duology, which were actually written before the Inheritance books but I couldn't get them published at first because publishing in the 2000s was hella racist, basically. (I know, it hasn't changed much... but that little bit of change was enough for me to break in.) These books are as close to traditional fantasy as I'm probably ever going to get, except that they take place in faux ancient Egypt instead of faux medieval Europe. The story follows priests of the dream goddess as they're forced to deal with a conspiracy that threatens to inflict horrors on their society. Third person past tense for both books.
Next up is the Broken Earth trilogy. That's my experimental one, with first, second, and third-person POVs, present tense, a completely non-Earth world, and some heavy themes. All three books form a single story spanning, oh, forty thousand years or so, but mostly they're centered on one incredibly angry middle-aged mother who is on a roaring rampage of revenge/revolution. Features earthbenders, anti-magic groomers, magic statue people, and the apocalypse (again). Lots of "dark" themes and horror moments (harm to children, systemic bigotry, people-eating bugs, more).
My most recent books are the Great Cities duology. Urban fantasy set in modern-day New York, third person multiple POV ensemble cast. Turns out cities come to life once they hit a certain point, and then they claim a human avatar to represent and protect them. New York turns out to have six. It's also got some very unwanted tourists in the form of Lovecraftian entities that are trying to destroy it, along with reality as we know it. I meant for these to be lighthearted and silly and I think they kind of are, but there are still some notable political elements in them. (I mean, it's set in modern-day New York, and I started them the year Trump got elected, so...) It's lighthearted for me, anyway.
So, pick your poison!
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cy-cyborg · 1 day
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Dealing with Healing and Disability in fantasy: Writing Disability
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[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]
I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.
Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:
Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.
It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.
It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.
So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.
Limited Access and Expensive Costs
One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.
Just outright state that some characters don't want/need it
Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:
you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.
Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.
Give the "cures" long-lasting side effects
Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.
Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.
Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.
Consider if these are actually cures
Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.
Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"
I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.
In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.
Think about how the healing magic is actually working
If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.
My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.
Put Restrictions on the magic
This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).
An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.
An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.
But what if I don't want to do any of this?
Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.
Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.
What do I mean about this?
Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.
Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.
Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".
Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.
Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.
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mindfulstudyquest · 2 days
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❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )
𝟭. improve your writing skills ( ✒️ )
i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.
bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara
𝟮. develop critical thinking ( 💭 )
if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.
𝟯. find yourself an interest ( 🌷 )
it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.
𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )
there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.
𝟱. don't be afraid of doing researches ( 🧃 )
the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.
𝟲. master communication ( ♟️ )
mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.
𝟳. push yourself out of your comfort zone ( 🧸 )
build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.
𝟴. stay informed about the news (but not too much!) ( 🌍 )
this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.
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thebestofoneshots · 2 days
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WOLFSTAR X READER SERIES
Gilded Constellations | THE INTERLUDE Part 2
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Summary: You meet Sirius and Regulus at a family vacation in the Caribbean, but things don't go as planned and you end up losing contact once the trip is over. Years later your family moves to England and you get accepted at Hogwarts where you finally see Sirius once again, along with all of his friends. One of them with a mysterious secret, that you'll uncover as you embark on your own Hogwarts adventure. Mostly canon-compliant. This IS a wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it.
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Series Masterlist | Previous episode | The first Interlude
You guys know I wanted to make another interlude, but upon lack of time, and because I don't want to have you wait another week to read the next chapter (darling @aremuslupinsimp for sure needs someone to vent about the absolute rollercoaster of emotions that it is) I've decided to make it a WEEKL-LONG EVENT!
But Lilly, What does that mean? It means you can send as many questions as you might have and I'll try to address all of them within the week. Including anything related to last week, this week's, and the next week's chapter (although I will not spoil that one).
Adding a few questions here, just as a start:
Have you always known where the story is going or have you kind of figured it out along the way? do you have the ending planned?
Hey love! I do have a base idea of where GC is going. I've had these big plot points thought out from the very beginning to the part where they all start dating. Having said that, a lot of things that happen in the story, and that are in between those points, are just me letting my imagination soar, and a lot of those chapters end up being some of my favourites.
I wanted to end the story either before they end school or before 1981, but now that I've gotten so attached to the characters, I've honestly thought of writing past that, and "fixing" some of the things that happen in canon. But who knows, that's like a whole other fic just on how much plot it would have.
SoIi can’t really remeber if the ‘prank’ that Sirius pulled on Snape had already happened in Gilded Constellations, if it hasn’t will it be happening or will it just get skipped over?
It's happened already (in 5th year). That's the reason Snape is weary about leaving Vixen in the Shack in "Bad Moon Rising". He knew she would be in danger because there was a werewolf inside. He couldn't say anything to them because of the young twisting charm Dumbledore put on him, and he's never been brave enough to stand up to the other Slytherins, so he went straight to Lily and told her Vix was in danger.
That's why Lily knew about Vixen being in danger when Sirius showed up with a fox in his hands and was livid about it.
Tu penses prévoir combien de chapitre pour GC si tu sais sinon si tu sais pas une estimation de chapitre que tu aimerais écrire pour GC ?
I'm terrible with estimations, originally it was going to be a short 5 chapter-long series. And then I wanted to end it at thirty, and then at forty. So far I've written 55 chapters, but I'm thinking of ending before chapter 70. (That's IF I don't get carried away).
Do we get to know if Sirus ever got that necklace back from the first few chapters?
Oh, the necklace is still on Vix's neck and it's going to be HUGE in the next couple of chapters. I've been building on is for a while and I'm really excited about it finally happening.
How is it going with Remus' and reader's fireworms?
They are amazing! They've implemented a whole system that helps them get fed automatically. They're probably going to ace that test.
Are we seeing more to Nina?
Definitely.
After they come back from winter break will the study group start again?
I mean, there're going to be a LOT of things happening after the Winter Break, but I assume yes. Also the reading club, the reading club is going to happen.
How long do we have to wait 'till Remus, Reader and Sirius go out?
I think I'm about one or two chapters away from writing that, but I'm a few chapters ahead. But it's waaay less than before.
Does Nina have a little crush on Reader or is it just me?
I mean, there's a reason why the ribbon she tied on her quidditch gear was enough to defend Vix from Barty's spell. And why, more than once, Nina's love has proven to be a strong protective spell over the reader.
Are we getting more lessons like some of the first chapters?
Yup, not very soon, since the next few chapters will all be happening over the winter break, but once they're back in school, certainly.
Further questions will be answered directly on asks as they come.
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I'm really excited about the questions I might get, also a bit terrified about the questions I'll get after Chapter 44, but of well, the show must go on.
Love ya lots, Lils xx
Series Masterlist | First Interlude
Taglist: @rayrlupin @callmelovergirl @warcelia @ireneop @endversewinchester @moonyunebi @smuttysluttybitch @mazzymoons @drugs-for-memes @sofiacblair @vmpir3lvr @remuslupinisbae @rabluver @willgrahamisalesbi4n @thatobsessedreader  @itskailey24 @hell0-kittie @belovedmoony @blacksgarden @loving-and-dreaming @cassie-love20 @starchaser-lily @zucchini-queenie @springflwer07 @sseleniaa @cometsghost @orkwardx0 @imdoingbetternow  @sbrewer21 @remuslupinsbae @maxinehufflepuffprincess @wifiatthetrainstation @unstablereader @msblacklupin @oliversaurus @jaylienpotter @remussbitch @hermionelove @izuoyarmin @themarauderswife7 @keira-kaz2y5 @lampthemacarenagod @bugg06 @a-n-1-m-3-f-r-3-4-k @darlingeels @kissmeunicornbaobei @xluansstuff @boo8008 @angelmixer @voteforintensedreams @allons-y-molly @aremuslupinsimp @imaginexred @writingshae @nyanwyn @poetrypirate @crazyhorseforgot @saturnhas82moons @ryeyeyer @mothraantics @maqqiekwon @desikudisworld @pastelorangeskies
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pokimoko · 7 months
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
#fionna and cake#fionna and cake spoilers#adventure time#simon petrikov#ice king#marceline abadeer#simon and marcy#meta#this was just a phone note to get thoughts out of my system but then it came out semi-coherent#so welp guess i'm writing meta now. i'm really in the deep end now. but yeah...Ice King and Simon's story being about the power of kindness#A cruel world requires constant cruelty to be maintained. But kindness? That reaches across time. one act of kindness sparks another#'I need to save you but whose going to save me?' That act of love and compassion is gonna save you ya dingus....eventually#In a less kind world finn and Jake could have watched those tapes about Simon and still decided IK was a hopeless cause.#That he was too far gone to be saved. But they didn't. They chose to treat him nicer and actually be friends with him.#One thing i always loved about IK's story is that he didn't have to completely change himself for people around him to treat him better#They changed their perspective and were kind to him and it was THAT that helped him change. to grow beyond the 'antagonist' role#to quote my go to and all time favourite good place quote:#'the point is people improve when they get external love and support. How can we hold that against them when they don't?'#Arrgh sorry I just always loved Ice King's arc in the show. From pesky antagonist to the person Finn dived into a chaos god to save#(the world's new beginning and its near ending being all because of simon. he has such main character energy and boy does he not want it)#And now we're getting Simon stuff and I'm so normal I'm so normal I'm so normal (<- has never been normal about this character)#(i...i have many MANY drawings of ice king and simon from 2015 and the years after. i was doomed from the start. F&C was the final straw)#(as was reading marcy's secret scrapbook recently...and here i thought i'd truly reached the capacity of hurt i can feel about these two)#Going insane over these last two episodes. 'she didn't have a me'. Fionna and Simon bonding. Gumlee kiss. PETRIGROF BACKSTORY#and the implication that Simon isn't remembering it accurately? Their sweet sounding love song actually foreshadowing their issues?#I am clawing at the walls. thank you AT crew you are enriching the enclosure that is my brain
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torgawl · 6 months
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i'm so in love with wrio. that man is the embodiment of mercy and compassion. he is so... human. despite the deep disdain for atrocious acts that hurt others, especially acts that remind him of his own pain and traumas, he is able to keep himself in check and hold on to his values. despite being so proactive in fixing the wrongdoings of people that actively harm those under his care and assuring that everyone is supported in the best way possible; despite knowing he could have not controlled other people's hearts once they were in too deep in their own sins, he still feels helpless and incompetent. he recognises he cannot fully empathise with those who have been hurt for he has not experienced what they have and he understands that some wounds might not be able to heal even with all the attention and efforts, or at least not that easily. and it pains him. his whole life he's been trying to protect others. all his hard work during his time at the fortress and taking over it's administration has granted him the power and resources to actually change lives in a more restorative way, with a bigger amplitude than just the people who he's close to. yet he's only human. and not everyone wishes to be saved. and he doesn't hold back from breaking his own rules if means he is guaranteeing the best outcome for the greater good, for the well being of all of those he's sworn to protect. and although he earned himself a respectable title and even got used to being referred to in that way, he doesn't see people at the fortress as innmates but as equals. he never stopped being the little boy that was sentenced to live over a decade of his life there. and he is so good at what he does and he is so successful at restoring people's hopes in life, at giving them a second chance to become who they want to be, that there's people who actually want to stay there. he is the literal personification of turning your own pain into goodness, into love. love for community and love for others. he found meaning in making the world a better place and i just think that's really fucking beautiful.
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bronzewool · 6 months
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Getting any documentation done in California is like going to subway, but instead of just writing the prices of all the sandwiches on the board and letting you decide what you can and can't afford, the guy tells you specifically that your sandwich will cost X amount.
But it doesn't.
What he's doing is telling you how much the bread cost. If you want a sandwich (you know, that thing you came in for) then he'll gladly let you pick out the meats and salads and sauces, and then tell you how much it actually costs at the till.
That may not seem like a big deal to most people, but it offends me in a way I can't seem to properly articulate. Why would I walk into a subway for bread? I can buy that anywhere. Why did you tell me a baguette was a sandwich? It's not. The bread does not make the sandwich. All the pieces when assembled make the sandwich.
What you gave me were the bare bones of the product you were selling, and when I was already committed to playing out this farce, you then hit me with hidden fees that added up to the real price of the sandwich.
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krikeymate · 1 year
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I’ve been thinking about Hyde!Wednesday, who has no idea what lurks beneath her skin. Her family has suspicions, they’ve always known there was something special about Wednesday, even for an Addams, but they’ve never thought to investigate too hard. After all, whatever it is will come out eventually, and they will love her just the same when it does. And if Fester recalls a section of a curious little book he read once upon a time, that’s stuck in his mind where all else has been forgotten, who can say why.
In the aftermath of Crackstone, Wednesday finds herself unsettled. There is a sense of wrongness, like a word on the tip of her tongue that never reveals itself, everything appears to have shifted slightly to the left, and nobody but her can tell. Wednesday hasn’t felt like herself since she stumbled from the school gates and was bowled over by a pink blur. Somehow, having Enid in her arms had felt right, and leaving them wrong.
Her world has turned upside down.
Wednesday has always been quiet, she thrives in the silence, but since she’s been home it remains just a little too quiet. It’s too easy to forget she’s home at all, her family finds. She no longer shies away from their contact, not from acceptance, oh no, she doesn’t even acknowledge it at all. Sometimes they will speak to her and it’s like she is a thousand miles away, unseeing, unhearing.
A rare moment of presentness has Morticia teasing her, perhaps her mind is with someone else, perhaps emotions are involved. No. Emotions are not the cause of this haunting in her mind, Wednesday knows. She had already come to terms with having developed feelings: chastisement for Xavier, protection for Eugene, respect for Bianca, and don’t even get her started on the affection for her roommate. No, Wednesday can recognise those, and has them locked away, so what is this consuming her?
#/mp#Wednesday Netflix#Wenclair#my writing tag#the tags tag#in this everything in s1 is actually canon and everyone has 0 idea at the time#maybe there is Hyde blood in the Addams line. maybe it doesn't need to be genetic. don't think about it too hard#what i'm getting at here is that wednesday's hyde was activated by a traumatic event. crackstone. and her hyde imprints on enid with the hug#wednesday had already developed feelings for her at this point and was ignoring them so no weirdness about that#wednesday be like im never going to fall in love and then have twice the capacity for obsession#S2 is the stalker - who KNOWS - trying to be the one to unlock her hyde and be her master. not knowing its already too late.#the stalker makes the stupid decision to take enid to get to wednesday. she drugs her. injured her. strings her up. and waits#enid - angry at herself for letting this happen - had tried so hard to fight against the drugs in her system. but it was useless.#she was useless. she didn't mean to say it but there was she was in so much pain. she whimpers wednesday...help#and something changes in Wednesday's eyes. and then with Wednesday.#and then wednesday as her hyde kills the stalker to protect enid in a nice parallel to wolf enid attacking tyler!hyde to protect wednesday#terrified moment once the deed is done where enid thinks she's going to die. but hyde!w just gently frees her from her bonds#and looks to her for more orders. and enid reaches out her shaking hand and cups her face and asks for wednesday back
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turtlemagnum · 10 days
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thinking about how the people around me, particularly people i dont know anymore, impacted my fantasy setting. the raccoon people i added because of a friend who wanted to be a raccoon. goblins existing in the way that they do because of someone i still know who really likes a specific kind of goblin, and made me like them too. even minor things, like deciding that a character's eyes were gray because the person i was talking to also had gray eyes. there"s definitely a lot of me in there, but there's still little bits and pieces of others in there too
#a pretty significant plot point for one of my characters is heavily inspired by stuff my mom dealt with#i really hope i can properly convey the gravity of the topic. particularly with tact due to how poorly i've seen it handled#in my writing i try to approach any topic with the baseline amount of empathy that people deserve. i feel *a lot*.#i sincerely hope it comes through that i care so much about so much#a particularly hurtful exchange i recently had was me casually saying that i care about a lot of things and my grandpa almost accusitorily#asked “like what”#i'm generally pretty open about what's on my mind. i try to connect with people time and time again and so often do i get nothing in return#it makes it hard to go on. sometimes.#one day. i hope i'll meet someone who cares as much as i do. cares about me as much as i care about them.#if i meet even one it'll have all been worth it.#part of me feels like saying “i can't bear to live like this anymore”. but i can. and i have. i can bare a lot actually#i don't think i'd be alive if i couldn't#there's a lot wrong in the world right now. i can't bear to watch most of it. this of course makes me feel even more guilty#at the very least i've made a habit of clicking the arab dot org buttons daily. i can't handle watching but i can at least help.#in a small way. that is.#i definitely feel like i needed to get that out of my system. rambling is what i do. after all#i feel like i have an abnormally strong will to live. i remember coming very close to a suicide attempt once. the razor actually cut into my#wrist just a little bit. i very much wanted to die at that point. on an emotional level#but i just couldn't do it. i need to live. i just need to. it'll have all been worth it. eventually.#eventually.
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Re: the post I reblogged earlier, a series of Reid Wiseman's cool orbital photos taken on the ISS? Specifically, the first picture that has a bit of a mystery in it? This one:
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I think I know what that is, and I am going to tell you how I figured it out (pre-emptive apologies to any South-East Asians who feel the urge to headdesk while reading this post.)
First off, all that green glow? It's on water. Check out a map of the area:
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So why are there lights in the sea at night? Well, squid fishing happens at night, and the ships use bright lights to imitate the moon to attract the squid.
Here's a big squid-fishing ship, filmed by a drone off the Argentinian east coast in the Atlantic Ocean. It's got a bit of green going on.
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Here's another one, photographed in the Pacific. Also some green here.
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Both of those are, however, severely outdone in greenness by this small Thai squid-fishing ship.
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Unlike the previous examples, it is in the right place and is, in fact, All Green. Boy, is it green. Look at how green it is. It is So Green.
Before you say that puny ships like that cannot possibly be visible all the way up to the ISS, consider: a) that there might be a bajillion of them, and b) the big ships are also out there in even bigger fleets, and they are bloody bright.
According to the Sea Shepherd organisation, who tracked a 300-strong squid-fishing fleet west of the Galapagos Islands in 2018, "the total luminosity of these vessels is said to rival European soccer stadiums". They waxed a bit poetic about them:
"Suddenly out of the darkness a towering intense white light showed on the horizon. Soon it was followed by others all around us, mostly white but some an iridescent green and others with dimmer yellow light. Looking out from the wheelhouse we seemed no longer to be on the open ocean but in the edge of some great coastal metropolis."
Here's part of a fleet of some 150 ships near Argentine.
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And here's that same fleet again, managing to be a magnificent eyesore even at a considerable distance.
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Sure, Argentine is pretty far away from Bangkok (though those ships might also be Chinese). But South-East Asia definitely has some of its own night-light activity going on. You can find a handy map at globalfishingwatch.org (go play with it, it's fun). It didn't have night-light satellite data from 2014, but here's a snapshot from August 2022 for comparison.
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The map also shows national fishing zones. If I'm interpreting Wiseman's photo correctly, those green lights in it are in the Vietnamese, Malesian and Indonesian waters. So those are likely Vietnamese, Malesian and Indonesian squid-fishings ships (and maybe some other nationalities that maybe aren't supposed to be there; here's that Sea Shepherd page again and an article about the Global Fishing Watch project talking about that kind of thing).
What I sadly couldn't figure out is what kind of squid they're fishing over there. I was hoping it might be the Japanese flying squid, because then I would have a reason to put them in this post. Unfortunately, Japanese flying squids apparently don't live that far down South.
But I'm going to put them on this post anyway, because I just found out about them, and I mean, look at these guys:
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Just Look.
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They're like if a squid decided it wanted to be a flying fish and instead of making a deal with the sea witch, it went "I can do it! I can! I can!" They're sleek, attention-grabbing and ridonculous. They can fly over 30 metres in 3 seconds. And they're not being caught by the glow-in-the-dark squid-fishing fleet off the Gulf of Thailand because they don't live there, and therefore have nothing whatsoever to do with the rest of this post.
But they're cool.
Finally, a confession: I didn't figure out the lights because I know something about South-East Asian fishing practices (I know nothing, feel free to laugh and correct me), or because did some kind of a systematic elimination chain to eventually arrive at the answer (ahahahaha no). It's because I've watched the Patagonia: Life on the Edge of the World nature documentary no less than three times in less than two weeks, and there's footage in it of this massive unnerving squid-fishing fleet, which you'll definitely remember if you've seen it once, let alone three times.
Why have I seen it three times, then? Obviously for very normal reasons. Not at all because the series is narrated by Pedro Pascal. I mean, who would opt to listen to Pedro Pascal talking very seriously about (occasionally horny) wildlife for 4+ hours while endearingly lisping his Fs and THs here and there? Not me, no. I am very normal about him and not at all soothed by his dulcet tones in my time of stress. Don't look at me.
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byanyan · 2 months
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byan being quietly interested in languages and actually being able to pick new ones up pretty quickly... but getting frustrated and giving up the moment something doesn't immediately make sense to them
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guqin-and-flute · 10 months
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OKAY. I have been doing some really good blocks of writing over the past few weeks--like several sessions with ~2000 words. Unfortunately, a lot of it has been skipping around on different fics (I'm trying to be better about unhealthy sleep habits, so I'm not writing in huge, hyperfixated chunks. Or trying not to 😬).
So, if you would like, feel free to poke, request, remind so it stays on my conscious mind! Do not feel obligated, this is only if you feel the urge, it will get done either way!
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dogmasks · 2 years
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i wrote a rather simple "poem" while thinking about being an isolated trans kid living a rural place with more access to the internet than means of transport to meet people – either new, or my acquaintances. it's more of a vent, honestly. written in hope that i am not alone in my loneliness.
[image transcript:
my nutrition is a para-organic senation – synthetic polymer. i am fed with a double-coated copper spoon by chloride polyvinyl.
i don't have much energy left. i sit as photons bombard my eyes. it's what predicted my birth. nuclear warning, globar warming, „dangerous disease outside of the binary string.”
the adults said it'll destroy me. the adults told me i mattered. and how „high school is the most social part of your life.”
my liquid crystal-faced friends appear behind my eyelids, their electrical smiles flash through fiber optic cables. i lay under a pylon in an open field, and wait, until someone drifts to me
pulled here by my skittish, broken heart. /end transcript]
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musical-chick-13 · 9 months
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I wish I liked the books. I really, really wish I liked the books.
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you know, for all the horrors of pre-invasion lorien's worldbuilding, i think the single most bone-chilling thing about it is the 'loric spark.'
every single garde has been implanted with an RFID chip from the moment they got their legacies, if not birth. the entity always knows where they are. and it's proven that it can and will pass on this information to people who can act on it. who might, oh, say, make the laws that oppress and control them. the people who might hunt down parents who tried to make a run for it with their babies before they could be ripped out of their arms.
every system like this inevitably has people who manage to slip through the cracks. but the garde can't. they never could. there is nowhere to run; there is nowhere to hide.
you're garde? says pittacus, when he sees someone using telekinesis that the entity didn't give them.
why don't i know you?
jesus christ.
#lorien legacies#LL entity#LL tag#LL crit tag#everything to do with the entity is Absolutely Terrifying holy shit#the problem with these authors is that they are really good at writing genuinely upsetting systemic horror#there are a lot of times where i read about the cruel; dehumanizing atrocities carried out by the mog cult; and how normalized it is#and it gets to me! it very much has the effect they were going for!#and everything to do with the academy and systemic attitudes and initiatives toward earth garde in LLR is horrific#to a degree where even if they hadn't waffled about Whether It Was Actually Bad the way they did i'm not sure i'd be able to finish it#......the thing is that they are also very good at writing systemic horror by /accident/#whether at all or going 'yea this is fucked' and not realizing or exploring exactly how bad it is#and/or they point it out and then just kind of wave it off later; often to be hypocritical about it#because they need their Bad Guys to Be Bad and Their Good Guys to Be Good#the result is that systemic horror from the mogs makes me go /whoof/ whereas systemic horror from lorien is just [incoherent screaming]#and it hits me much worse in LLR because it is very much involved in Real World Shit and they CANNOT seem to make up their minds#about what is and isn't systemic horror; or who is responsible for being complicit in it#i Cannot with it man exaggerated fantasy alien worldbuilding is bad enough#anyway. AAAAAAAAAAAAAAAA#the upside is now i can't get the 'it's not creepy it's good bookkeeping' snapcube bit out of my head#setrákus: uhhh CATCH THIS HERE IT IS IT'S A GARDE#'OW MY EYES THAT'S NOT A GARDE'
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alteredphoenix · 1 year
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One thing I will say that I don’t like about Tales of is that for all the talk about how they’re set in unique worlds and how they’re fleshed out by copious amounts of worldbuilding they’re known for, some of the games don’t give you the luxury of exploring the actual world in its entirety.
Zestiria has the excuse that Desolation was largely broken into smaller landmasses and islands post-Berseria but it still takes place on a continent with two interconnecting countries so it kind of puts a damper on the the whole “the Lord of Calamity is about to plunge the world into darkness if he’s killed early/isn’t purified” scenario when it’s set on a smaller scale.
Legendia has a whole mainland that you hear about but don’t even get to explore.
Luminaria is a weird example where it clearly shows there are two/three continents that might be connected a’la Pangaea/Kenorland but we only get an in-depth look at the Jerle Federation and the Gildllan Empire (and an idea of what it was like when it was formerly the Wildlands). OTOH, the northern and southern continents might not even have civilization so they might be excused as being the north and south poles so that leaves the lands outside the Empire and the Federation in an awkward spot from a worldbuilding standpoint (because unless it’s all wilderness out there, and it’d be stupid for the Empire not to capitalize on that, then that means there are settlements beyond the borders, and they have to know there’s a war going on right next door). Then again, they probably wouldn’t play any role in the Anathema War whatsoever in the immediate picture, so that makes Yelsey’s comment about “being in Aedis means you get to see the whole world” rather silly because how can you if the narrative consigns the war to just one big part of the continent and ignores the nations west of the Empire and south of Jerle? Unfortunately at the time of this post we don’t have the good fortune of knowing if future episodes would’ve taken place outside Imperial and Federalist territory so Luminaria is forcibly condemned by capitalism BamCo to have its world take place in just the two countries. Then again, the countries seem relatively large and while we don’t get much of an idea about their maritime history (which there should be because we see boats, and Shayor and Huazar are right near the ocean) we do know technology is advanced enough, at least on the Imperial side, to have train locomotives and a functional railway system (but somehow still no cars?? Even after the technological revolution the Reactors brought on regardless of how Jerle is trying to keep up with their advancements?? In a wartime setting?? Que???) so if we completely ignore everything outside the Empire and the Federation that’s at least half the world right there.
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