Tumgik
#aube perrie
stylesnews · 9 months
Text
For Sushi they actually mentioned just one thing: Harry wanted to be a fish. That was the brief.
Aube Perrie about the MFASR music video
490 notes · View notes
hldailyupdate · 9 months
Text
"We presented two different options. Something more fishy - closer to the classic mermaid I guess, but still pretty gross and unsettling, more like a slimy eel– and the squid, which was more difficult to do, but got us very excited. And H, Molly, everyone went straight for the squid. So much fun."
-Director Aube Perrie on Harry's costume design for the Music for a Sushi Restaurant music video. (2 August 2023)
via Promonews
Tumblr media
159 notes · View notes
mr-styles · 9 months
Text
Aube Perrie is doing his best to keep things slimy and gross.
Tumblr media
Some excerpts from Aube Perrie's recent article with promonews.tv:
PROMONEWS/DK: I was going to say that you’ve had a busy year so far, but I guess that this run of work has been going longer than that…
AUBE PERRIE: I have a bad memory for these things, but it's been pretty continuous. And I guess it started around a year ago, when Harry's team, actually H’s creative director Molly Hawkins and Columbia’s SVP Bryan Younce reached out and we started to try to make something happen for the new album. That's when, among other things, I wrote Satellite and Sushi. Satellite was actually written first.
I mean, there were also a couple before that - it was a long process. Among many things, Molly Hawkins is a brilliant creative director. She’s very cautious about the work they put out there, and so is H, Bryan and this whole team. But I was very fortunate and spoiled enough for having them letting me explore on a couple tracks, being extremely open and supportive. The process spread on a whole year, but that was all to the benefit of pushing the creative, pushing the ideas, giving ourselves the opportunity to explore and use the time to make something that really feels right.
When Satellite was written, I think we all liked it, but it just stayed only as an idea, we kept exploring, maybe we weren’t going to do it. And then it came back like, months later - after Sushi. It was a busy year but giving lots of time to reflect, to develop.
What did they give you, to prompt your ideas apart from the music?
The briefs were very different. Satellite was completely open. For Sushi they actually mentioned just one thing: Harry wanted to be a fish. That was the brief.
And he went from a fish to sort of disgusting Tulu octopus - that's what I was aiming for. I guess I didn't want to make a classic mermaid figure. And we tried to make it as disgusting as possible. But somehow, I don't know, Harry is so handsome…
Yes. So it still ends up being quite glamorous...
Exactly. It's terrible! But we really did our best to really make this world very slimy and gross - I kept insisting on that, and we were lucky to have everyone very much on board to go for a world that felt sweaty and textured. The texture of the tail and the squid body part had fight scars, our brilliant prosthetic lead Chelsea Delfino added the ones that white sharks have, went for a skin marked with shells. We really tried to put some gross details in there.
I wanted to design a world and restaurant location as disgusting as possible, that had this very odd and long back story. My friend and producer Josh Sondock took me to this great location that was already pretty intense, it has this crazy backstory that has been untouched, an amazing kitchen to work with - and we made it ten times worse. Still, H’s beard is kind of hot...
Having said that it's glamorous, he's still a very convincing man-squid. How did you go about creating something that good, that really does look like it was captured in-camera? 
It was very much captured all in-camera. Time was challenging because we had very little time to build the tail, the prawn masks, in time to fit the schedule. H was in the middle of the craziest tour, to say the least. We presented two different options. Something more fishy - closer to the classic mermaid I guess, but still pretty gross and unsettling, more like a slimy eel– and the squid, which was more difficult to do, but got us very excited. And H, Molly, everyone went straight for the squid. So much fun.
Wow. Not much time to fit in a lot of narrative. Did you get a much of a chance to discuss with him beforehand what was going to happen?
H definitely kept an eye on everything and it was nice to have him excited and on board jumping into a huge slimy tail and catching fishes in-camera beforehand, so we knew the main challenge would be to make it through the days. But at least we were all super aware of the challenge and up for it including H.
A lot goes through Molly, but they're also very close, so if you're discussing with Molly, you're discussing with H eventually. But I guess there was not so much discussion, but more support, especially for Sushi. It was just very easy and supportive and went very smoothly. There was just a lot of trust. And we were all here to try getting something fantastic.
I think we were all very strongly convinced it was actually good to try going for what was not so much expected of him. And I think we all were very excited picturing a result that felt like it had the potential to be quite unique. Including H.
He's familiar with the film world, having done features, and I guess he's toying with his image in quite an interesting way. Obviously not all pop stars are prepared to do that.
More should - because…it’s fun. Take Sushi. The shot list was wild. We had one day with H. At some point, you have no time to always explain what you’re shooting all over the place with A & B cam, you just need to get on with it. I guess it was way more indie film than blockbuster. But H is blockbuster. So the day would be impossible without him being very much prepared to be on the same boat as everyone one else to get it, embracing it and having fun with it. There is just no other way.
But I’m so glad that’s who he is. Everyone saw that day he’s definitely amazing at doing that and getting it. He’s very much prepared indeed. And by focusing the energy on nothing but getting it, it allows space for fun. And more than anything, it was all a lot of fun. That’s how it should be.
You can read the whole article here!
173 notes · View notes
angelstills · 3 months
Text
Tumblr media Tumblr media
Thot Shit (2021)
22 notes · View notes
thestylesindependent · 9 months
Text
He's familiar with the film world, having done features, and I guess he's toying with his image in quite an interesting way. Obviously not all pop stars are prepared to do that.
More should - because…it’s fun. Take Sushi. The shot list was wild. We had one day with H. At some point, you have no time to always explain what you’re shooting all over the place with A & B cam, you just need to get on with it. I guess it was way more indie film than blockbuster. But H is blockbuster. So the day would be impossible without him being very much prepared to be on the same boat as everyone one else to get it, embracing it and having fun with it. There is just no other way.
But I’m so glad that’s who he is. Everyone saw that day he’s definitely amazing at doing that and getting it. He’s very much prepared indeed. And by focusing the energy on nothing but getting it, it allows space for fun. And more than anything, it was all a lot of fun. That’s how it should be.
Aube Perrie Is Doing His Best To Keep Things Slimy and Gross
37 notes · View notes
cantquitu · 9 months
Text
Love this so much. Could you get any more Harry than his only brief being "he wants to be a fish"? 😄
Also love that Aube Perrie has the same response as me to Harry being so handsome:
"It's terrible!"
7 notes · View notes
ogpenson · 10 months
Text
vimeo
Harry Styles - Satellite
Written and directed by Aube Perrie
0 notes
symptom3000 · 11 months
Video
youtube
The Hives "Bogus Operandi" (2023)
director: Aube Perrie
0 notes
noiselessmusic · 1 year
Text
The Hives-"Bogus Operandi" (vídeo)
Eles voltaram! Quebrando um hiato de quase 10(!) anos, confira "Bogus Operandi", nova canção do @TheHives:
E demorou, mas quem tá vivo sempre aparece, os meninos suecos do The Hives voltaram com um single novo- “Bogus Operandi”, e anunciaram álbum novo quebrando o hiato de mais de 10 anos sem álbum da banda. The Death of Randy Fitzsimmons virá ao mundo em Agosto. O primeiro single já traz toda a magia da banda, pronta pra te fazer dançar com muitos riffs de guitarras, além de ter um clipe super…
youtube
View On WordPress
0 notes
f00dcourt · 1 year
Photo
Tumblr media
Harry Styles - Music For a Sushi Restaurant (dir. Aube Perrie) (2022)
0 notes
picspammer · 1 year
Text
Tumblr media
Bogus Operandi by The Hives Directed by Aube Perrie
68 notes · View notes
stylesnews · 9 months
Text
This one was a pretty unusual process. Obviously most shoots are always very contained, you remember quite precisely when you shot. But Satellite was very spread out. We had to change the original plan. We were going to shoot everything happening in the Forum - the venue Harry was playing - and then to go straight for the travel section. But then Harry got had to cancel a few dates - and this happened right before the shoot. Was very unfortunate. But in the end, it turned out to be amazing for our little hero. By having the shoot more spread out, we got to spent much more time with it, working on its personality and getting to know what worked the best in terms of emotions, simply because we grew very fond of it, and by spending so much time on the roads all together, we couldn’t very much experiment how it had the ability to move us, and therefore to move everyone. Also, it allowed us to come back to shoot key scenes much later, when we had all that knowledge on what our hero should be. It gave me the decisive benefit of reflecting on it, something with very rarely have with music videos.
Aube Perrie about the Satellite music video
47 notes · View notes
hldailyupdate · 9 months
Text
Tumblr media
“H definitely kept an eye on everything and it was nice to have him excited and on board jumping into a huge slimy tail and catching fishes in-camera beforehand, so we knew the main challenge would be to make it through the days. But at least we were all super aware of the challenge and up for it including H. [...] It was just very easy and supportive and went very smoothly. There was just a lot of trust. And we were all here to try getting something fantastic.”
-Director Aube Perrie on Harry's involvement in the Music for a Sushi Restaurant music video. (2 August 2023)
via Promonews
134 notes · View notes
mr-styles · 1 year
Video
Stomper and Director Aube Perrie on set of Satellite | via Camille Anais, May 2023
275 notes · View notes
angelstills · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Thot Shit (2021)
10 notes · View notes
thestylesindependent · 9 months
Text
Obviously most shoots are always very contained, you remember quite precisely when you shot. But Satellite was very spread out. We had to change the original plan. We were going to shoot everything happening in the Forum - the venue Harry was playing - and then to go straight for the travel section. But then Harry got had to cancel a few dates - and this happened right before the shoot. Was very unfortunate.
But in the end, it turned out to be amazing for our little hero. By having the shoot more spread out, we got to spent much more time with it, working on its personality and getting to know what worked the best in terms of emotions, simply because we grew very fond of it, and by spending so much time on the roads all together, we couldn’t very much experiment how it had the ability to move us, and therefore to move everyone. Also, it allowed us to come back to shoot key scenes much later, when we had all that knowledge on what our hero should be. It gave me the decisive benefit of reflecting on it, something with very rarely have with music videos.
Aube Perrie Is Doing His Best To Keep Things Slimy and Gross
26 notes · View notes