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#avengers: childrens crusade
joezy27 · 9 months
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HAWKEYE² - Clint Barton & Kate Bishop
"- I kind like "Hawkette." - You would. Now all we have to do is take out the magical Kree warships. - Believe it or not, I happen to have some experience doing that. How many explosive arrows you got on you ? - Not enough. - Then it's a good thing there are two Hawkeyes in the world. - I can't tell you how relieved I am to hear you say that." Avengers - The Children's Crusade #6 (2011)
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plutonicbees · 1 year
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teddy "my boyfriend is an idiot" altman
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+ (bonus) billy "I'm his idiot boyfriend" kaplan
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and some team acknowledgement of their local fool
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batcavescolony · 3 months
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So I'm rereading Childrens Crusade, where everyone is finding Wanda. And this part gets me ever time. They find Wanda and she gets her memories back blah blah to make things right she wants to give mutants back their powers so they test it on this guy called Rictor
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As you can't tell by his name, his powers are earth based like controlling seismic energy right? Rictor like Rictor scale the thing we use to measure earthquakes. Ok? So Wanda tries it
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And everyone is surprised when the earth starts shaking! You got how many people in that room and none went "hey maybe we should try this somewhere else so if it works, the guy who's powers it is to make earthquakes doesn't topple the building".
They couldn't teleport to a field, or an open space? They were like "yep let's do this in a building".
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scarletwitchpanels · 2 years
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Avengers #280 / Avengers: The Children’s Crusade #9 / Who Is…? The Scarlet Witch Infinity Comic #1
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redibinch · 2 years
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Diversity win
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wandaxpietro · 1 year
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[Avengers: The Children’s Crusade #9]
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sbd-laytall · 2 months
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Wow, they are just so married here.
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Avengers: The Children’s Crusade (2010) #5
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wiccantwav · 1 year
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Scarlet Witch (The Children's Crusade) - Icons
Don't repost, that's not cool.
Like or Reblog if u Save.
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comicsgallery-marvel · 7 months
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Avengers: The Children's Crusade (2010) #6
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aparticularbandit · 6 months
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We do not agree with the MCU Official Timeline assumption that Wanda is dead here on aparticularbandit.tumblr.com.
The book is wrong, and Wanda is living her life off-screen. Possibly with amnesia.
She is not dead. She did not die.
Comic book rules, besties.
NO BODY, NO DEATH.
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vertigoartgore · 5 months
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2008's Young Avengers Presents #1-6 covers by Jim Cheung, John Dell and Justin Ponsor.
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plutonicbees · 1 year
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cinematic parallels
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kiraxcute · 1 year
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Scott after hearing Logan tried to kill Wiccan, Wanda is amnesiac and engaged to Doctor Doom, Pietro tried to abduct his nephew, and Magneto is trying to be a decent grandpa all in one day
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thestarlightforge · 9 months
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Some thoughts on hope, honesty and storytelling from a director’s POV.
I’ve tried to articulate what frustrated me about Multiverse of Madness many times, and they’ve all delved into some combination of A) breaking down the misogynistic, reductive, antisemitic tropes it employed; B) delving into comic book and MCU lore that illustrates why it’s mostly nonsense; and C) character analysis.
But I was thinking about it again today, this time in the context of my aesthetic as a director and writer.
This week, I’ve been at the Kennedy Center’s Director’s Intensive, an amazing annual event that unites early-career directors in community with professionals in theatre. Guests range from pros in dramaturgy, intimacy choreography, stage design, directing, performance, and more.
In several exercises, I’ve refined my thinking on the roles hope and hard truth play in my storytelling. I love hope. It’s my bread and butter. But I hate it when I feel it’s been delivered cheaply—without digging into the realities of how horrible the world can be. Just doesn’t feel earned.
This is why I struggle with the original Little Mermaid cartoon. To me, in addition to its notes on misogyny, consent, class struggle and female power, it’s so clearly a disability story. In Ariel’s most famous ballad, she croons her belief that to be a part of the world she loves—to dance, discover and be free—she has to be able to walk and run. Then, she enters “man’s world” with fully-functioning legs—you can’t CONVINCE me Ursula would’ve given her those. To add ANOTHER layer, when she discovers she’s mute, it’s taken as fact that means she can’t communicate. As if sign language completely doesn’t exist—and again, you can’t CONVINCE me that Ariel, intrepid scholar of all things human, “didn’t know” about sign language. But the story gets resolved with little change to her views: She gets the man (she barely knows), her voice (she doesn’t need), sexy legs (for fitting in) and the world (which looks much like her greatest idealization).
The world doesn’t change. It doesn’t let her down. She’s magically “cured.” She has to change. So to me, her “happy ending” felt hollow and mostly devoid of truth.
Thus bringing me back to Multiverse of Madness and WandaVision.
A lot of fans argued Wanda doesn’t face enough accountability in WandaVision. I feel that ignores the show’s symbolism as a grief epic, abstractions of Wanda’s compounded trauma, and her mental state/ability to even be held accountable in that situation. But in a literal reading, to some extent, I agree. In MoM, people had similar (even less ambiguous) concerns... Most of which I have no desire to delve into again here.
The important aspect, though, is hope. In WandaVision, the subject matter was a series of hard truths and revelations—death after death, unconscionable loss. But it doesn’t read like a funeral. It reads like a celebration of life. And the central dramatic argument of Wanda’s story, to me, is that no matter how utterly broken or lost you are, you can still be a good person—even a hero—if you keep trying and lead with your heart.
So many people hung their hope on Wanda. Queer people, young people, women, outcasts, people who struggle with their own experiences of mental illness and loss. I believe that as artists, we are responsible to the work, our collaborators, our communities, ourselves and the audience—but when we offer hope, we take on an extra responsibility to the audience/the world.
People are going to feel however they feel; it isn’t up to us to fully mitigate that, nor can we. But we ask audiences to be vulnerable—to get invested in our stories and, for however long, trust us with their hearts—and as long as we stay truthful while doing it, it’s the right thing to do not to crush them.
To quote Silver Linings Playbook:
“The world's hard enough as it is, guys. It’s fucking hard enough as it is.”
Wanda’s story in Multiverse of Madness ended with her partial redemption and sacrifice—that’s how Stephen and 838-Christine frame it, for the brief time they talk about it. With the knowledge that she destroyed the Darkhold, an ancient evil, and broke its hold on her with the power of her compassion.
But you know what it also was? A suicide attempt. (One that, if that red flash was her magic saving her, she was lucky to survive.) She is a character known for mental illness, both in the MCU and in her decades-long history in comics. And—whoever you decide is responsible, be it Raimi, Waldron, Feige, other heads at Disney, or some combination—MoM decided that the answer to her story should be suicide. Worse, they’re presently unwilling to classify/discuss it as such.
So any hope we get from her “sacrifice,” her partial redemption, the red flash after—it rings hollow. Because it fails to acknowledge the hard truth.
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batcavescolony · 2 years
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(Avengers: The Children's Crusade #2)
"The man doesn't AGE."
"That's good news for you, genetically, I mean"
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