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#axe 1974
s6spiria · 11 months
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☆ girls and their axes.
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esqueletosgays · 1 year
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LISA, LISA / AXE (1974)
Director: Frederick R. Friedel Cinematography: Austin McKinney
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uspiria · 1 year
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Lisa, Lisa (1974) dir. Frederick R. Friedel
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celestialmega · 8 months
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Lisa Lisa, Axe by Frederick R. Friedel.
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forgerjollymilkshake · 9 months
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mood
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uncomfywave · 2 years
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theyslgirl · 2 years
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Axe (1974)
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On December 9, 1974 Axe premiered in Greenville South Carolina.
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hibiscusbabyboy · 1 year
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1970s movies watched on January 2023:
♡ Axe/Lisa, Lisa (1974, dir. Frederick R. Friedel)
♡ Messiah of Evil (1973, dir. Willard Huyck & Gloria Katz)
♡ Don't Be Afraid of The Dark (1973, dir. John Newland)
♡ Play As It Lays (1972, dir. Frank Perry)
♡ La dama rossa uccide sette volte (1972, dir. Emilio Miraglia)
♡ Le Charme discret de la bourgeoisie (1972, dir. Luis Buñuel)
♡ I corpi presentano tracce di violenza carnale (1973, dir. Sergio Martino)
♡ Communion/Alice, Sweet Alice (1976, dir. Alfred Sole)
♡ Sisters (1972, Brian de Palma)
♡ The Possession of Joel Delaney (1972, dir. Waris Hussein)
♡ The Oval Portrait (adaptation of Edgar Allen Poe's short story) (1973, dir. Rogelio A. González Jr.)
♡ Invasion of the Bee Girls (1973, dir. Denis Sanders)
♡ The Pyx (1973, dir. Harvey Hart)
♡ Love Me Deadly (1973, dir. Jacques Lacerte)
♡ Necromancy (1972, dir. Bert I. Gordon)
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UNDERRATED BRITISH ROCK WITH A "GLAMMY" SUPER-SEVENTIES SOUND.
PIC(S) INFO: Spotlight on a '70s gem of a rock band/album that I really got into criminally late in life (not even five years ago!) -- "Axe Victim" is the debut album by English rock band BE-BOP DELUXE, released in June 1974 under the Harvest label.
OVERVIEW: "When Be Bop Deluxe's first album was released during the glam rock wave in 1974 and the band (then comprised of Bill Nelson and Ian Parkin on guitars, Robert Bryan on bass, and Nicholas Chatterton-Dew on drums) turned up on the back of the record cover in heavy makeup, it was viewed as being in the David Bowie mold, which certainly took in Nelson's thin but confident tenor vocals and the uptempo rock approach, and even ballads like "Adventures in a Yorkshire Landscape" that sounded a lot like Bowie's "Rock 'n' Roll Suicide." But it was already obvious that Nelson was an unusually lyrical guitar slinger, and in fact the tunes often took a back seat to his sometimes jazzy, sometimes metal-ish excursions. He was, as he sang, "an axe victim," but at the same time, Be Bop Deluxe's musical identity was uncertain."
-- ALLMUSIC (review by William Ruhlmann)
Source: www.flickr.com/photos/pagedooley/4662738013.
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crumbargento · 1 year
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‘Axe (aka Lisa , Lisa)’ - Frederick R. Friedel  - 1974 - USA
&
‘Pearl’ - Ti West - 2022 - USA
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Celebrating Black Queer Icons:
Miss Major Griffin-Gracy
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Born on October 25, 1940, Major is a trans women well known as a leader in the broader trans community and an activist, with a particular focus on black and incarcerated trans women. Major grew up in Chicago's South Side and participated in the local drag scene, during her youth. Major described the experiences as glamorous, like going to the Oscars. While she did not have the contemporary language for it, Major has been out as a trans women since the late 1950s. This made her a target of criticism, mistreatment, and violence, even among her queer peers. Majors transition, especially getting her hands on hormones, was largely a black market affair. Given the lack of employment opportunities for black trans women at the time, she largely survived through sex work and other criminalized activities. At some point Major moved to New York City and established herself amongst the cities queer community, despite the prejudice against trans women. She participated in the 1969 Stonewall Uprising. Later, after getting convicted on a burglary charge, Major was imprisoned with men at Clinton Correctional Facility in Dannemora, NY. There she met Frank "Big Black" Smith, a participant in the 1971 Attica Uprising at Attica Correctional Facility. He treated Major, and her identity as a woman, with respect and the two built a friendship. Smith also taught Major a good bit about advocating for herself and other trans women being mistreated by the US Justice System. Major was released from Dannemora in 1974. Major moved to San Diego in 1978 and almost immediately began working on community efforts and participating in grassroots movements. Starting by working at a food bank, she would go on to provide services directly to incarcerated, addicted, and homeless trans women, and would provide additional services after the AIDS epidemic started. In the 1990s Major moved to the San Fransisco Bay Area, where she continued her work, alongside organizations like the Tenderloin AIDS Resource Center. In 2003 Major became the Director of the Transgender Gender Variant Intersex Justice Project, shortly after its founding by attorney and community organizer Alexander L Lee, a trans man. The group works to end human rights abuses in the California Prison System, with a focus on trans, intersex, and gender variant POC. The position has since been passed on to Janetta Johnson, a previously incarcerated trans woman who mentored under Major. She is the focus of the 2015, award winning, documentary Major!. Major has five sons, two biological and three runaways she adopted, after meeting them in a California park. Her oldest son, Christopher was born in 1978, and her youngest, Asiah (rhymes with messiah) in 2021. At 82 years old Miss Major Griffin-Gracy continues to be an active member of her community and an advocate for our rights as trans people.
Haven't settled on which yet, but Willmer "Little Ax" Broadnax or Victor J Mukasa will be next!
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celestialmega · 8 months
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Lisa Lisa, Axe by Frederick R. Friedel.
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spookysweaterblog · 8 months
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Can you draw Dr Death from Madhouse (1974) also Madhouse was a slasher film and was released in March 1974 before the Texas Chainsaw Massacre and Black Christmas also Dr Death has a Mask, Cape, Gloves and Weapons like a Knife, Ptchfork, Sowrd and a Battle Axe. I really want to show you the picture of him but I couldn't because you know.
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1974 Pontiac Super Duty Trans Am
The 1974 Pontiac Super Duty Trans Am Was The Last Performance Pony Car From Muscle’s Golden Age
Pontiac was still beating the go-fast drum the same year Ford wouldn’t even sell you a Mustang with a V8
Detroit muscle’s golden age peaked in 1970 with cars like Hemi-engined Dodge Charger R/T and LS6-code Chevrolet Chevelle SS 454. From that point, a combination of reduced compression ratios, higher insurance costs, spiraling gas prices and the weight of additional safety equipment saw power and performance tail away until by the end of the decade there was almost nothing left.
As soon as 1974 the enthusiast landscape was unrecognizable from four years earlier. The Hemi was dead, big-block engine options were increasingly rare, Chevy was about to axe the Camaro Z/28 as it already had done with the SS396, and Ford had downsized the Mustang so comprehensively that you couldn’t even buy one with a V8 in North America. Yep, the top engine in a Mustang in 1974 was a 2.8-liter V6 that put out an embarrassing 105 hp (107 PS).
Which made your Pontiac dealer about the one in town that talked your language. The most obvious change to the 1973 Trans Am had been the optional new Firebird hood graphic, which replaced the front-to-rear stripe seen on the 1970-1972 cars, and the addition of some bright new colors, including neck-snapping Buccaneer Red. But the most important change was under that hood. While every other manufacturer was scaling back its performance efforts, Pontiac’s engineers actually increased theirs, introducing the new 455 Super Duty engine option.
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