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Places of power, Axii-Quen-Igni-Aard-Yrden. Handmade by me.
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lambertslambstew · 2 years
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Misc Lambert screenshots and gifs. (gotta power through these boring quests, to get to the action!! Thanks for all your patience. Love you guys.)
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chradi · 4 months
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Charlie sketchdump!
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1neozenco · 2 years
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gingerfoxsden · 2 years
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No place of power in your neighborhood? No problem, this pendants are full of magic! 
Visit my new Etsy shop ----> link in my bio
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achillei · 5 months
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krislgfox · 26 days
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Idk, just a quick lazy drawing of a happy gay family
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(I made Axiy's color palette a little bit darker to match with Sam's colors)
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shrillvoices · 2 months
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One author to another, on a scale from 1-10 how gory do you think a fic is allowed to get
In general? 5-6 is usually a good place to start, but anywhere from 8-10 if it's the main focus, something like shock horror, or somewhere close to it.
I like gore when reading, but not super heavy 8-10 unless I know what I'm getting into beforehand. I also never write super heavy gore (mostly because it's never the main focus and I'm trying to appeal to everyone for the most part), but when I do it's very "light" (3-5).
Hope this is the kind of answer you were looking for!!
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wanderingandfound · 8 months
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So billionaire geniuses with goatees named Anthony and who others call Tony like to make sentient robots huh?
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ganymedesbussy · 11 months
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so I'm reading witcher fic, and I want something where like
okay so there's the whole djinn thing, geralt makes a wish, jaskier gets almost dead, yen saves him, she and geralt fuck, right?
and mages can read minds
and he was in enchanted sleep for a bit there
I want her to have just casually gone dipping into his brain while he slept, and he's got a whole-ass Kink for somnophilia and/or misuse of axii
like he wants Geralt to wait until he's sleeping, axii him so he doesn't wake up, and pound him into the mattress
(probably some sort of a 'wants to be wanted so much by a person famous for his control, that he loses that control' kind of a thing?)
(and it's a plausible deniability way of them getting to fuck without openly changing their dynamic)
then some time later, when Jask is being catty about them running into Yen, she lets slip to Geralt that of course his little bard hates her, he wants Geralt for himself, and tells him all the naughty little fantasies she discovered
and after they split up again, he's just. Laying there. Thinking about it.
Can't sleep for thinking about it, even
So he starts doing little tests to see if Yen's right
pays attention to Jaskier's scent when he talks about axii, or men fucking, or succubi taking someone in their sleep or whatever
maybe some sort of subplot where Geralt tests the waters by asking Jask if he wants to be axii'd to sleep for... insomnia, or pain, or something?
or finds a way to tell a story about a witcher doing something like that?
or even about a sex worker asking for something like that maybe?
until he's like, okay, I'm pretty sure this IS a thing he wants, but that doesn't necessarily mean he wants it with ME
then I think a pretty classic 'sharing a bedroll, wakes up to the other humping in their sleep' scenario would work
'oh look he said my name he DOES want me'
geralt considers axii-ing jask, not to do anything to HIM, but to let him keep rubbing off on geralt if he wants?just starts constantly being the little spoon, on the chance that Jaskier might try and fork
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Some old commissions of me and my boys 🖤
Credits: artbydenn & axii_riv on insta
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msommers · 2 years
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maeve's kids being half-witcher because of the magic fuckery that was done to give her the ability to have kids with a witcher really is a golden opportunity for some fun ideas.
having varying levels of innate capability to use magic, which they can unwittingly learn by copying the hand motions of their dad and the parade of witchers that see their parents regularly. them using igni to warm up their baths or attempting axii on someone that they're annoyed by,,,beautiful. golden. incredible for them
the enhanced speed and strength changing the entire learning to crawl and walk game. how does one react to seeing a baby zoom around the room except with a :O face. plus the quick healing & extra resilience with them not getting hurt as easily, there are gonna be so many little accidents that end with giggles instead of tears.
if not the near-immunity then them inheriting at least a resistance to disease, they get to outright skip all or most of the sicknesses that kiddos go thru. they're more likely to have to care for an ill mama maeve than anything which is just,,,par for the course, i guess.
the night vision....pov you go into the kitchens at night to get a cup of water and when you light a candle there's just a whole child sitting there in the pitch black. criss-cross on the floor eating cookies they definitely should not be consuming at 11pm, and yet-
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arcanigenum · 6 months
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would velraen torture people? yes
would velraen force people to torture themselves? also yes
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gxbriel · 6 months
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[Recommend] Axis-Y Dark Spot Correcting Glow Serum 5ml / 50ml
❤ A Brightening and Moisturising serum to correct dark spots and improve uneven skin tone.
❤ With the help of plant-derived Squalane, this serum retains skin’s moisture to keep your skin glowing healthy wherever you go.
❤ Reduces pigmentation concerns including dark spots and uneven skin tones
❤ Smoothes and brightens skin
❤ Deep moisturizing
Key Ingredients:
1. Niacinamide
- also known as vitamin B3, Niacinamide is a water-soluble vitamin that works with the natural substances in your skin to help visibly improve uneven skin tone, dullness, and a weakened surface
- reduces pigmentation concerns including dark spots and uneven skin tones
- treats moderate acne while reducing inflammation from acne and rosacea (redness)
2. Squalane
- keeps skin looking young by fighting off free radicals
- promotes the formation of collagen for firmer, plumper skin
- balances oil production for moisturized skin
3. Glycerin and Sodium Hyaluronate
- To deeply moisturise your skin.
4. Papaya Extracts
- Brightens tanned skin and dark eye circles
- Softens the appearance of acne scars and uneven pigmentation
5. Sea Buckthorn
- Brightens skin and reduces spots
- Supports the recovery of burns and wounds
- Keeps skin hydrated by reducing water loss
Recommendations :
Best to use together with the Axis-Y Cleanser, Toner and Ampoule
Ingredients
Water, Glycerin, Niacinamide, Sodium Hyaluronate, Propanediol, Erythritol, Butylene Glycol, Squalane, Oryza Sativa (Rice) Bran Extract, Calendula Officinalis Flower Extract, Carica Papaya (Papaya) Fruit Extract, Hippophae Rhamnoides Fruit Extract, Malpighia Emarginata(Acerola)Fruit Extract, Polyglyceryl-10 Laurate, Chlorphenesin, Arginine, Ethylhexylglycerin, Carbomer, Glutathione, 1,2-Hexanediol, Hydroxypropyl Cyclodextrin, Disodium EDTA, Hydroxyethylcellulose, Allantoin, Rosmarinus Officinalis (Rosemary) Leaf Oil
#axis #axis-y #axisy #glow #serum #acne #acneprone #scar #scarrepair #vegan #parabenfree #naturalextract #alcoholfree #clean #calming #sensitiveskin #sensitive #dry #pigmentation #hyperpigmentation #brightening #brighten
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krislgfox · 2 days
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Uhhh okay, so, some sketches with Axiy cuz I didn't draw him much(some new things was added, and now he's 20 years old at current time)
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And my first oc x canon stuff :_]
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Full
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Susan got color redesign so she wouldn't look the same as my kp Sona :_]
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reachartwork · 5 months
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how to write fight scenes
many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.
Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".
Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.
I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.
Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.
if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.
as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.
okay have a good day. and go read chum.
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