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acmeoop · 8 days
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Directed by Raoul J. Raoul (1987)
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pulpsandcomics2 · 3 months
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Paul Jaworski
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My Thoughts on the Roger Rabbit Novels
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Who Censored Roger Rabbit?
The Plot: It's the 1980s, and human beings and comic strip characters ("toons") live side-by-side, albeit not on an equal social standing. Roger Rabbit approaches private detective Eddie Valiant and asks him to investigate a dispute he has with Rocco and Dominick DeGreasy, the brothers who own his comic strip. Roger claims his life is in danger, but Eddie, who's somewhat racist towards toons, doesn't take him seriously - which comes back to bite him when he finds Roger's dead body. Now Eddie has to work out who killed Roger, as well as who killed Rocco DeGreasy on the same night.
What I Liked: This is a very well-paced story. It sets up the mystery straightaway, it cracks along at a good speed, and you don't have the full truth of whodunnit until the very end. The chapters are short and punchy, and even the time spent on plot points that turned out to be red herrings never felt wasted. I was always eager to pick the book up again and read just one more chapter!
Also, in any other novel, the twist regarding Roger's killer would be a massive "What the heck?" moment, but here, it's set up far enough in advance that it doesn't feel unnatural when it comes.
And as a fun minor detail, Eddie casually mentions being one of four children, and then the next novel, Who P-P-P-Plugged Roger Rabbit?, gives him two brothers and a sister! It was probably a coincidence, but I was glad to spot it!
What I Disliked: I really wasn't a fan of the way Jessica Rabbit was portrayed. Who Framed Roger Rabbit subverts her femme fatale image, but Who Censored Roger Rabbit? plays it straight, which didn't appeal to me as much. I prefer the "looks like she could kill you, is actually a cinnamon roll" trope over the "looks like she could kill you, could actually kill you" trope.
At one point in the story, Jessica claims she was forced to pose for a racy comic, but when Eddie speaks to the owner of said comic, the man claims Jessica posed for those pictures willingly and was actually eager to make more. At the time the story was published (1981), one might just about have got away with such a portrayal, but in a post-#MeToo world, it's discomforting that Jessica's allegations of coercion and sexual abuse aren't taken seriously. (Also, the man who owns the racy comic is a creepy crossdresser, which ... what? Why was that in there? That didn't need to be in there.)
As a consequence of Jessica's portrayal, her relationship with Roger is nowhere near as sweet as in the film. Their entire marriage is basically a sham. No, thank you. Give me "honey bunny" and "love cup" instead, please.
Verdict: I saw the film first, and I prefer it to the novel. Who Framed Roger Rabbit will always be my favourite piece of Roger Rabbit media. But I can appreciate Who Censored Roger Rabbit? as its own thing - a product of its time, to be sure, but also a well-structured and fast-paced read.
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Who P-P-P-Plugged Roger Rabbit?
The Plot: It's 1947 (more or less), sometime after the events of Who Framed Roger Rabbit. Roger Rabbit, Baby Herman, and Kirk Enigma are three toons in line for the lead role in David Selznick's upcoming adaptation of Gone With the Wind. A box belonging to Selznick, a box of great importance, has gone missing, and Eddie Valiant has been hired to find it.
What I Liked: Who P-P-P-Plugged Roger Rabbit? has my favourite portrayal of Roger (after the film and the comics). We spend a bit more time with him than in the previous book, so we get to hear more about his worldviews and his backstory. We also get to see what a sweetie pie he is. He's an emotional bunny who loves his wife, just like in the film, and I frequently wanted to hug him.
A key highlight for me was the moment when Roger was singing like a Disney Princess and summoning a chorus of birds to wake Eddie one morning, which Eddie did not appreciate. Can someone animate that? I'd love to see it!
The second half of this novel also introduces Jessica's twin sister Joellyn (the six-inch-tall woman on Eddie's shoulder on the cover), and I enjoyed getting to know her. And, without giving away too many spoilers, I greatly preferred this rendition of Jessica over the one in Who Censored Roger Rabbit?
What I Disliked: Unlike the first novel, this one was pretty slow to get going. Eddie isn't actually hired by Selznick until Chapter 7, and most of the time before then is spent establishing Eddie as a down-on-his-luck private eye, using people and locations that show up once and then are barely used again. Some of that fat could have been trimmed, I feel. It made reaching the end of the book a bit more of a slog.
Something else that bothered me was the high volume of old-timey slang, brand names and Americanisms that I, as a twentysomething Brit, did not recognise. I could read an entire paragraph and think, "Well, he's either drinking alcohol, smoking cigar or eating a foodstuff, but I'll be darned if I can tell you which is the right interpretation." I think the noir detective vernacular was slightly overdone, to the point of incomprehension.
Verdict: I thought this would be my favourite of the novels because it seemed the most similar in tone to the film, so I was disappointed by my lukewarm reception to it. Maybe I was disappointed because I'd hyped it up too much in my mind? That's not to say I didn't enjoy it - I greatly preferred the second half to the first, once Eddie found out what was actually in this mysterious box - but I think it could have done with a few more edits before publication.
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Who Wacked Roger Rabbit?
The Plot: It's the 1940s or 1950s, sometime after the events of Who Framed Roger Rabbit, and director Barney Sands is shooting a movie set in Toontown starring Gary Cooper and Roger Rabbit. He's been receiving threatening letters warning him to stay away from Toontown and stop making this film, but he can't afford to let down his investors. So he hires Eddie Valiant to be Cooper's bodyguard while filming takes place. But Eddie soon finds himself wrapped up in another mystery, involving a porcine crime lord called Willy Prosciutto and the corpse of Clabber Clown.
What I Liked: The majority of this novel takes place in Toontown, so we get some really cool worldbuilding details. We find out how the school system works, which churches are based in Toontown, and how crooked toons launder their money. I was particularly intrigued by the calm and serious toons in the Sanatorium - apparently, if you're not loud and goofy and bouncing off the walls, you're considered insane, which is the opposite of how humans think about mental health.
The blonde humanoid toon on the cover is Caitlyn "Honey" Graham, Willy's girlfriend. I really like Honey. In fact, she might be my favourite of the novel-exclusive characters. Throughout the book, you're trying to work out if she's a good bad girl or a bad good girl, or if she's really just a bad bad girl. If Who Framed Roger Rabbit ever gets a sequel or prequel or spin-off cartoon series, I'd love to see Honey on screen.
What I Disliked: The Roger we meet in this novel is a bit too stupid for my liking. In Who Framed Roger Rabbit, Roger made seemingly nonsensical choices, but he had his own (cartoon) logic to explain his actions, and he was even proved right in his assumptions a few times. So I much prefer to think of Roger as the kind of toon where you're never quite sure if he's truly dumb or merely playing dumb for the sake of a gag. Here, he's just straight-up dumb, and that's not as fun to read about.
Verdict: This was the book I knew the least about before I read it, so I was more cautious going in - but it ended up being my second favourite of the Roger Rabbit novels. I enjoyed learning more about Toontown and its residents. My favourite parts of the film had been the toony parts - Roger, and Jessica, and Roger and Jessica together - so I guess it makes sense that I'd enjoy the novel that takes place almost entirely in Toontown.
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Jessica Rabbit: XERIOUS Business
The Plot: It's the 2020s, sometime post-pandemic, and Jessica Krupnik is a human in a toon-less world. She's working a dead-end job in a crime-ridden part of town, her stepmother bosses her around and belittles her, her stepsisters treat her like a servant, and her stepbrothers sexually harass her. She's basically a modern-day Cinderella. But instead of a fairy godmother, Jessica is rescued from her life of drudgery by an opportunity to apply for a role at XERIOUS, a crime-fighting organisation of secret agents. She gets the job, and is later put on a mission with Robbe, one of XERIOUS's most experienced agents, to catch a criminal mastermind called the Klown.
(And this is somehow a prequel to Who Framed Roger Rabbit. Despite being set decades after that film. And starring a human Jessica instead of a toon Jessica. Cartoon timelines be weird, y'all.)
What I Liked: This was the most fun novel to read! I think that's because it was a spy novel spoof, rather than a gritty noir detective story. The other three novels could be quite dour in tone - yes, cases would get solved, but people would get hurt in the process, and relationships would be irrevocably altered, so there was always this undercurrent of sadness in the seemingly happy endings. After three novels in a row of that, a story spoofing spy novels was always going to feel like a breath of fresh air. Gary K. Wolf has stated that he wrote this book in lockdown and had a lot of fun doing so, and I feel that coming across in his writing.
Robbe was another great novel-exclusive character. I can't say too much about him, because that would massively spoil things, but I can say that I enjoyed witnessing his development over the course of the novel. To give the most spoiler-free explanation I can, Robbe starts out as a suave and competent spy, but also a misogynist - until something happens to him in the line of duty that shakes his confidence. Watching him grow and try to be a better person, especially towards Jessica, while also dealing with the aftermath of his accident, was truly engaging. It even got me thinking about the portrayal of disability in fiction, which I did not expect a Roger Rabbit novel to do.
What I Disliked: For a novel called Jessica Rabbit: XERIOUS Business, Jessica herself was disappointingly under-developed. The first three chapters follow her miserable life and her desire for adventure, for respect, for something more. And then there's a two-year time skip and whoop, she's suddenly a confident and glamorous secret agent! And she's ditched her glasses and dyed her hair, so she's beautiful now! And she achieved her impossible hourglass figure with nothing but diet and exercise, despite being a human and not a toon! Sigh.
There was a real missed opportunity here. Robbe already has a plot where he starts off skilled and arrogant, but then has his worldview challenged and needs to learn to embrace vulnerability. So we could have had Jessica experiencing her own story of growth alongside him, but in reverse! We could have watched as, over the course of the novel, she transforms from the beaten-down self-conscious little girl into the sensational woman she was always meant to be. Robbe would start on top and fall down; Jessica would start at the bottom and claw her way up. The parallels could have been awesome!
Gary K. Wolf has admitted that, as a man, he would struggle to write a novel about women, and it shows. The sexism Jessica experiences doesn't have any nuance; the story just says, "Harassment is bad" over and over again. There's one moment where the Klown is sharing his nefarious plan to change the world, and Jessica responds, "I like the current world." And ... huh? You like the sexual harassment you receive on an almost daily basis? You like the system that trapped you in a dead-end job? You like all the poverty and crime and misery the world has right now? The story could have really benefitted from a feminist and/or intersectional analysis.
Also, in an effort to make Jessica seem smart, the men around her are extremely stupid, unable to see through the Klown's flimsy disguises. That is ... not the best way to make your female characters appear intelligent.
Verdict: My favourite of the Roger Rabbit novels! It's not perfect, but my criticisms are born out of love and a desire to see this concept reach its full potential. But even as it is, I still found this book a lot of fun to read, and I can excuse a few flaws if I'm having fun.
Final Ranking (Compared to Other Roger Rabbit Media)
Who Framed Roger Rabbit
Roger Rabbit and Roger Rabbit's Toontown comics
The three shorts
Jessica Rabbit: XERIOUS Business
Who Wacked Roger Rabbit?
Who Censored Roger Rabbit?
Who P-P-P-Plugged Roger Rabbit?
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kept-anon · 6 months
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Page 3!!!
Hiya folks! First off, I just wanna say a big gosh darn THANK YOU!!! For all the support on this little project!! I am so happy you all like it, every like, reshare, and comment just fills me with happiness and motivation!! With that being said, the rest of this week will be quite the busy one for me, page 4 might be posted toward the end of next week. (Though, it might not!)
💙.
I think I finally figured out a name for this project, ‘Anon’s Roger Rabbit 2’ just doesn’t cut it for me lol (though I will still use the hashtag) The name beging= Who Changed Roger Rabbit? I may change this in the future. 💙
ALSO!!!
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LOOKIE LOOKIE!!! I got him on Saturday, I love him lots!!!! 💙
More to come soon!!
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marinerainbow · 11 months
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Tagging: @slashingdisneypasta
Nobody asked, I just felt like posting this.
WFRR Characters as humans
Please note, I am not great at physical descriptions. This would be so much easier if I could draw xD I'm trying to be as descriptive as I can without dragging on too long. I hope I'm successful.
Roger Rogers (Roger Rabbit)
Yes, he has and will joke about his last name. He stands at about 5'1, and was born 1921 (26 years old in the events of the film), and is a lanky man with the flexibility of a wacky inflatable tube man. Roger still sticks to more loose, casual clothes similar to his toon counterpart. His nose is round and a little red, looking almost like a button ^^ though he is white (not overly pale. Might even have a slight tan. I'm not too sure). And yes, he still has his buck tooth, along with a head of fluffy orange hair. And I'm giving him freckles.
Jessica Rogers (Jessica Rabbit)
Honestly, Jessica looks pretty much the same as her toon self. With more realistic proportions, of course. She is 6'1 and was born in 1917 (30 years old). And above all, she still adores her short king, and feels loved by him everyday ^^
(I feel bad for not giving Jessica so much of a description, but she's the only adult humanoid looking toon, and I can't imagine her looking any other way as a human)
Herman 'Babyface' Douglas (Baby Herman)
A short, pudgy man. His exact height is 4'11, and was born 1897 (50 years old). Though he'll claim he's younger than he is. His skin care routine does help him look younger though, hence his nickname (don't expect him to tell you his secrets though), and how he can get roles usually reserved for younger actors. His hair is a bright strawberry blonde, but thinning, so he tries to style it in ways that make it look fuller. His eyes are still a bright blue. Herman prefers dressing in more expensive suits and coats (bro literally had a thick fur coat in one short), to show off his wealth and trying to make himself look better than everyone else.
Benjamin 'Benny' Brown (Benny the Cab)
(His initials are BBB like the now bankrupt store-)
I actually imagine Benny as an African American. He is 5'10 and was born in 1891 (56 years old. He said he was a cab for 37 years in the film, so that would mean he would've started, at most, when he was 19 in the human AU). He has short, kind of choppy black hair and dark brown eyes. He also has a scruffy goatee. Benny possesses a more muscular build, though it's mostly hidden by his jacket, so he just looks like a generally big guy (yes, he does perform his own maintenance on his car).
Anderson 'Andy' Winston (Smartass Weasel)
(If this guy was in the modern era, he'd get so sick of all the Toy Story jokes)
Standing at exactly 5'0, this New Yorker was born in 1912 (35 in the events of the film). He has a skinny frame, though broad shoulders, and is fairly strong for his size (he literally punched Eddie so hard he twisted around and doubled over the bar counter. Smarty has to have some strength, right??). He has olive skin, chestnut brown eyes, and actually has a bit of red in his hair. It's not too noticeable unless you're really looking, so he's not a red head like Jessica is. Also has a tooth gap! He cant grow facial hair though, even though he wants to (he wants a nice mustache. But can't grow one)
Miguel Rodriguez (Greasy Weasel)
His height is 5'9, and he was born 1909 (38 years old). He's got skinny arms and hands, which only makes his wandering hands feel just a bit more creepy on your skin (look at his hand/arm when he rolls his sleeve up! Not to mention how his sleeves hang off of him. Somebody put meat on those arms), though he's got a more curvy body with a bit of a belly too. I also imagine he's got a darker skin tone, and can grow scruffy facial hair if he forgets to shave. And he applies hair oil partially because his black hair is actually really curly (the tips curl up despite the hair oil? That's got to be some serious curl strength there). His eyes are a really dark brown, almost black, but in the light you can see the color.
Francis Green (Wheezy Weasel)
Yes, his last name is meant to be ironic. His height is 6'2, and he was born right at 1900 (47 years old). Kind of skinny, but you can see the sinewy muscle as well, hinting to his own strength. He looks pretty sickly, and has blemishes all over his body (he was a picker before becoming a smoker). His eyes are a slate blue, and he has ash blonde hair. Unlike Greasy, he rarely shaves, so he's got a rough, scratchy beard too, and yellow teeth from his smoking habit. I also see him having a more crooked nose shape.
(Honestly just imagine Bill Moseley and you'd get what I imagine human Wheezy would look like).
Charlie Renfield (Psycho Weasel)
(his last name may or may not be a reference to a certain Dracula character)
Psycho here is 5'3, and was born 1919 (28 years old). He has a skinny, angular build. No curves to be seen. Similar to Wheezy, he's got a sickly pale skin tone, and has scars and blemishes along his body from being careless and actively picking and scratching at himself. His most prominent scars are two on the corners of his lips from the times he's carried his razor in his mouth (he actually did do that in the movie. He's so lucky he's a toon). He's got a big head of fluffy, dark brown hair. Not curly necessarily, just... Poof. Also, he has split heterochromia; his right eye is blue, and his left eye is yellow (I know partial heterochromia would be more accurate to his swirly eyes, but I like the complete split more).
Thomas 'Tommy' Winston (Stupid Weasel)
This big lug is 6'4, and was born 1922 (25 years old). He is pretty chubby and has a round face, though don't let the plushness deceive you; that isn't just fat that makes him huge. He's got pretty big hands, especially (even as a weasel, he had huge hands! You guys saw his hand when he flipped the switch to the DIP machine too, right?). He also has olive skin, though it's more tanned as well, and he has freckles ^^ also has a deeper red hair color than Andy does, and it is more wavy than his too. I'm debating on whether or not he'd have brown or green eyes (everyone else has brown, blue, or yellow eyes. Green would complete the set). His buck tooth is still here, though smaller because human teeth.
Bonus! Sophie O'Brian (Poppy O'Hare)
(Yes, my OC. Technically I already made a post for Poppy, but I didn't really like how I wrote it. So this is take two. Hopefully I feel better with this one 😅)
Pops is the shortest of all, standing at 4'10. And was born 1920 (27 years old). She has pale, porcelain skin- though has developed some worry lines along her eyes- and big, bright brown eyes. I'm still having trouble deciding whether or not she has glasses, even for her toon self. But for her human self, I'm gonna say she only needs glasses when reading; any other time, you won't see her with a pair. She has a thinner, but still feminine build that she prefers to keep hidden under her clothes. Her hair is wavy and black, and reaches just under her chin.
(Hm... Honestly, when thinking of actors for human Poppy to look like, I keep thinking of Anya Taylor Joy. I'm not too sure about it though).
I hope you guys liked reading this ^^
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Sometimes i forget that they’re toons but they are so SQUISHY AND CUTE AGGABSBAHAHAHAHA
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Teri in Roger Rabbit Cartoon :D
Enjoy 🧸
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“Elvira vê seu espetáculo ir por água abaixo e Jessica está desiludida com a carreira de atriz onde vive sempre fazendo a mesma femme fatale. As duas amigas decidem jogar tudo para o alto e fazer uma alucinante viagem de carro cruzando o país. No caminho, elas serão acusadas de um crime que não cometeram, serão perseguidas impiedosamente por um astuto caçador de recompensas e ainda precisarão lidar com um terrível monstro. Vai rolar muita confusão e aventura quando... ELVIRA E JESSICA SAEM DE FÉRIAS!”
Imaginar uma aventura com duas das minhas musas favoritas juntas num grande filme oitentista... obvio que me diverti DEMAIS!!! A ideia de um crossover do tipo me soa tão louco, insano, impossível... mas ao mesmo tempo tão maravilhosamente engraçado! Consigo visualizar muito facilmente as interações e conflitos entre essas duas personagens tão diferentes; Elvira com seu jeito inquieto, impetuosa, impulsiva, meio piadista e sarcástica, enquanto Jessica Rabbit é elegante, sofisticada e polida.
Isso seria tão, TÃO divertido!
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disneyprint · 2 years
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Trail Mix-Up
1993 US theatrical poster
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baby-brawl-bracket · 11 months
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Baby Brawl Bracket: Round 1 Match 67
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dawnanddorisqna · 5 months
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I’m sorry, did you just say you’re actually a teenager?
Drawn to be one. Just like Betty Boop (16). The artists who drew me took inspiration from Judy Garland in Wizard of Oz, along with other film stars. Surprised? We don’t really age. We learn, but the age we’re drawn in stays unless a redesign happens for a show or complete reboot, and even then it can go either way. Maybe they want to make a muppet babies style show, maybe they want to do a new show where you’re older. Maybe you’re the mascot of a peanut company and you’re forced to become a baby, a teen, and an adult in the span of a few months.
But I’m rambling. In the end, Baby Herman is always a baby, and I’m still in my 1940s teen design and will remain that way. But like Baby Herman, I do grow mentally. And That’s why I can drive a car. Driving age for a toon is 25. It was 18, but that changed after one frog went on a wild ride. So to legally drive on human streets, I had to wait about 9 years. My drawn age plus years lived.
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acmeoop · 8 months
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Production Animation Art “Tummy Trouble” (1989)
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just-kit-ink · 7 months
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Baby Herman on Judge Doom.
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Four Headcanons About Roger Rabbit
(Original post here.)
Headcanon A: Realistic
Roger is actually an excellent judge of character. For example, he reasoned that Jessica would never cheat on him willingly, and he was right. Then he insisted that Angelo would never betray him, and he was right.
Roger does make mistakes sometimes (particularly when doing so would be funny) and he can be a teensy bit too trusting, but generally, his initial assumptions about other people are proved correct.
Headcanon B: While It May Not Be Realistic, It Is Hilarious
Roger is still alive today, and his taste in music has evolved with the times. These days, "Hello Kitty" by Avril Lavigne is his guilty pleasure.
Headcanon C: Heart-Crushing and Awful, but Fun to Inflict on Friends
Roger is incredibly anxious.
This is in part because of the role he was drawn to have. He was designed to be a frantic babysitter. His comedy comes from panicking at the first sign of danger and then putting himself in harm's way trying to save the baby in his care (who ironically doesn't need his help and always comes out unscathed and untraumatised).
So Roger is programmed to not only see danger everywhere, but to run heedlessly towards it. That's ... not a combination that leads to a healthy mental state.
Roger does try to stay out of trouble, but trouble always finds him sooner or later. He also tries really hard not to worry about things - in fact, he's often pretty good at masking his concerns when he's with other people - but sometimes he just can't stop the thoughts spiralling out of control.
Headcanon D: Unrealistic, But I Will Disregard Canon About It Because I Reject Canon Reality and Substitute My Own
Roger Rabbit was created in 1936. At that time, his age was set at 7. His big break was in Maroon Cartoons' adaptation of The Ugly Duckling, in which he played a baby rabbit who was mistaken for a duckling.
In 1940, Roger was redesigned, aged up, and recast in the Baby Herman shorts. His age was reset at 27, and he's been 27 ever since.
(This makes Headcanon C even more horrifying because, while Roger agreed to the redesign and to being aged up, he definitely doesn't remember signing up for the baggage of anxiety issues.)
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staytunewithdanny · 1 year
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Talk about babes in the woods
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marinerainbow · 11 months
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The FNAF fan song 'Creepin' Towards the Door' gave me this idea.
Five Nights at Roger Rabbit's Toontown AU
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(Please note; I know NOTHING about Fnaf, nor do I plan to go into the series. All I know is that it's got neat character design, something spooky happening, and they're all animatronics. So I apologize if I get lore wrong)
Summary
Set in the 80's, a huge, cartoon themed restaurant was opened, under the name Roger Rabbit's Toontown. By the towns mysterious judge, Mr. Doom no less. Nobody could fathom why a normal man of law would establish such a business, let alone a man like Doom who's attire alone looked like he was ready for a funeral any minute. Especially a funeral he was the cause of.
Nevertheless, Mr. Doom's new gig quickly became quite popular among children and families. From the colorful visuals, the cute and witty cast of oddly advanced animatronic characters. It even brought in more tourists for the town! Which of course, made Doom an even bigger presence in the community than before.
However, no one ever stopped to wonder; how are these robots so advanced for the time? Why did the cruel judge even think about going into the family friendly business? And how do the toony characters seem so... Life like?
No one cared to question it. Neither did Eddie Valient, the new and desperate security guard hired for the night watch. But he's going to see exactly what these animatronics get up to when the curtain draws close...
The Restaurant
Judge Doom is an old soul. Which is a nice way of saying that he's a stuffy, old-fashioned man. And the decor of the place shows his taste. Despite the more toony and child friendly theme, it is definitely a homage to the early 1900s. It even makes history fun! Children can find plenty of interactive attractions around the place that will tell them interesting facts, such as how the first animated cartoon was made in 1908.
The size of the place is also clearly meant to make sure that the 'town' part of the establishments title was not to be taken lightly. Large enough to be considered a mansion, with one huge stage in the center and circled by the countless tables (think Dolly Parton's restaurant Stampede, as seen below), not to mention all of the secret passage ways and vents that allow the cast and staff to either navigate the restaurant without disturbing the show, or quickly make their way to the audience to interact with them and make them a part of the stageplay! Which, each play is on par with your favorite Saturday morning cartoons; wacky, zany, and just a hint of adult humor for the parents.
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Eddie and whoever else might be on night watch with him will have quite the hassle keeping track of all the animatronics, when they know the place inside and out...
The Cast
The Humans
Judge Doom: The owner of this fine establishment. A mysterious man with a dark aura. Rumors say that going into the family entertainment business is him trying to turn over a new leaf... Though others believe that the family fun is an attempt to hide something far more sinister...
Eddie Valient: a down on his luck man who just needs something after the untimely and mysterious death of his brother. He can't keep asking his girlfriend for help, he knows she has her own bills to pay- not to mention he already owes her so much. He needs this job, even if those animatronics are freaky...
The Good Guys
Roger Rabbit: The main protagonist and mascot of the restaurant. This cute little rabbit just adores his beautiful wife, loves all of his friends, and offers a helping hand to those in need! Even if those mischievous weasels are out and about... Though sometimes, even heros need someone to save them...
Jessica Rabbit: The wife and secondary protagonist of the restaurant. Although her design is meant to appeal to the more mature members of the audience, she is always right beside her honey bunny and ready to step in when the weasels go too far...
Baby Herman: Oddly, the only humanoid animatronic in the whole establishment- next to Jessica that is. His role on stage is a sort of 'oblivious side plot'; Roger is almost always, for some reason, taking care of the baby and has to keep him out of trouble. Though when everyone goes home, this baby proves just how much of a loud mouthed brat he can be... It's odd how a child character would have such a crass soul deep down, no?
Benny the Cab: Taking the role of Roger's side kick and vehicle, this cab is part of the reason why the restaurant is so huge; to make room for such a huge animatronic, especially one made for chase scenes! Despite being a car, he almost seems a bit human... Though the same could be said for all the other animatronics too.
The Bad Guys
Smartassguy Weasel: The big bad of the whole cast. As the leader of the giggling pack of weasels, he's the one behind most of the nefarious plots against Roger Rabbit's Toontown. Mean, egotistical, and a cutthroat attitude to boot. You don't want to get on his bad side, as Eddie will find out soon enough...
Greasy Weasel: Smarty's perverted right-hand man. With an oily personality, a swift hand, and eyes on Mrs. Rabbit herself, it's a wonder Doom allowed this character to be made for a children's establishment... They should see what he's like when the lights go out.
Wheezy Weasel: This weasel is believed to be the Judges way of teaching children to say no to cigarettes. Quiet, intimidating, and with his glowing red hued eyes, it's odd how Wheezy wasn't chosen as the main villain for the cast...
Psycho Weasel: This animatronic has seemed to take it upon himself to bring a whole new meaning to 'interactive storytelling' in the grimmest sense. Psycho will often pop up out of nowhere and scare unsuspecting patrons, and the few times he speaks is always something... Sinister... Why Doom would think a character this morbid would be fit for family-friendly entertainment is anybodies guess.
Stupid Weasel: The only villain animatronic who seems to fit in the toony theme of the establishment the best. A big dumb brute, who just follows orders. His childish antics shine a more light-hearted light on the rest of his gang, but also make him stick out like a sore thumb... It's almost like he's not where he's supposed to be...
Will the nightguard be able to survive all five nights in Toontown? What do you think?
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