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#bakugou character arc
marimeeko · 2 months
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Like don't be dumb, people, everyone knows that there is only ONE season of Bnha! And in that seaeon, Bakugou just HAAATES Izuku! Hates him so much he cries and becomes vulnerable in front of him....wait that doesn't sound right... and he also saves Izuku from an attack at the USJ...wait hold on...
Oh wait but Izuku! Izuku hates how Bakugou bullies him! But....wait, he expressly can't keep a secret from him...hates him so much that he...emulates him in battle at the USJ...?
Um there must be SOMETHING....
Oh! A BIG ONE:
When he was about to give up the entire idea of ever being a hero, the second he saw BAKUGOU, his bully, his estranged childhood bestie, was the one being slowly killed by a villain, he...
*checks notes*
Oh wait...
ANYWAY YEAH THEY TOTALLY HATE EACH OTHER
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delawaredetroit · 1 month
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Now that I have to see his face again, Bakugou isn't much a deuteragonist. He only really acts as deuteragonist in some school arcs until about halfway through the manga when the war arc begins. And in the arc where he is most relevant to the overall plot (the second war arc), he spends half of it as a corpse.
Shouto is deuteragonist of the Sports Festival Arc. Iida is deuteragonist of the Stain Arc. Mirio is the deuteragonist of the Shie Hassaikai Arc. If you consider Izuku the protagonist of the Kamino Arc (which there's a decent argument it's actually All Might), then Kirishima and/or Iida are closer to deuteragonists while Bakugou fulfills the role of the damsel in distress.
His record is dismal prior to the Paranormal Liberation Front War: The Battle Trials, the Midterms, Hero Licensing Exam/Deku vs Kacchan Part Two, and the Joint Training Arc (Endeavor Agency Arc is arguable, but the Hellish Todoroki Family took control of the plot for that one). Bakugou is somehow constantly present and almost completely irrelevant to the overarching plot for at least half the story.
And I can't tell if this is Horikoshi shoehorning him in because Bakugou was too popular but he didn't want to change the main beats of the story. Or if he was trying to make Bakugou grow into the deuteragonist role like Izuku and Shigaraki grow into the roles of "the hero" and "the villain" respectively. It wasn't well executed if that was the case. They had to grow into their societal roles through the story (so they could later overcome the roles of hero and villain), but Izuku and Shigaraki already fit the roles of protagonist and antagonist from the beginning, unlike Bakugou as a deuteragonist.
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amaranthdahlia · 1 month
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god i will never stop fawning over how absolutely SPECTACULAR afo vs bakugou was. genuinely one of the best fights in the entire manga in terms of art, the themes, the pararells, the gayness, the fight itself, and just. everything about it makes me wanna scream into my pillow and chew on it
#MIND YOU this was the fight that made me interested in afos character#ugh like i shouldve known bakugou was gonna take on afo ... like i knew him and izuku were gonna take on shigafo#cus of the whole win to save save to win thing#and its perfect for shigafo cus yk!#but i didnt know tomura manage to break free out of afos grasp early on#(which srry tomura for not having faith lol)#but yeah pitting bakugou against the guy was fucking amazing#like theres so much layers to it#like first off making bakugou(and izuku) fulfill the save to win thing by rescuing all might from afo#like how all might did in the kamino arc with bkg but this time bkg didnt'end' all might he was the one who saved him#AND THE FACT THIS WAS FILMED TOO JUST LIKE BEFORE#BAKUGOU WOULD NOT BE KNOW AS THE ONE THAT ENDED ALL MIGHT BUT THE ONE THAT SAVED HIM#AND FUCKK bakugou and afo.......amazing foils seriously#boys with gifted powers but one grew up with almost nothing and the other grew up with love#they both turned out shitty but only one of them actually changed for the better#afo in a way is like bakugou past self. hes fighting on what he couldve been if he let his ego take hold on his mind#and no bakugou did not solely defeat afo himself . and god my boy is so grown he KNOWs if it werent for everyone elses effort#he wouldnt be able to take this bitch down#bakugou i love you so so much#you are such an excellent character fuckkkk#and afo...... well you see what happened to him. fitting end to someone who thought highly of himself#died in a pathetic subpar way. fighting an injured teenage boy lmao#OH AND SAID TEENAGE BOY THAT LOOKS LIKE HIS OLD NEMESIS LMFAOOOOOOOOOOO#ive said this before but bakugou is afos karmic incarnation#i CANNOTTTT wait for volume 40 to drop. possible dawn of quirks era content afo character page (please) and yoichi/kudou colored by hori?#bakugou katsuki#mha all for one#mha manga spoilers#OH AND bakugou telling afo to shut the fuck up!?!?!?!?!?!?!? AND PROCEEDS TO BEAT HIS ASS IN 3 DOUBLE SPREADS????? MY FUCKING GOAT.#dahlia.txt
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qweenexplosionmurder · 5 months
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the way Horikoshi has handled Bakugou's story for almost 10 yrs, crafting this slow burn redemption arc where he went from self-absorbed and egotistic to learning to fight as a team and that saving people is the way to win, and then for him to end up fighting the Big Villain of MHA after saving his life-long role model and hero and giving him his first big, honest smile that we've ever seen.... just insane
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andypantsx3 · 4 months
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i stopped being a judgy bitch about a booktok book i thought would be shitty and let myself read a sample and now i'm suddenly 300 pages deep and enjoying it :')
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justatalkingface · 1 year
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Oh I am EXCITED to hear your thoughts about the war arc and the post-war arc because that's when everything went from decent to shit.
From random ass characters getting introduced and killed off
To the HORRIBLE confrontation of 1-A vs Izuku where it feels like Middle School all over again where everyone gangs up on him.
The mistreatment of Izuku where he's treated to be in the wrong for leaving even though it was to protect everyone.
To everyone basically gaslighting him.
To the HORRIBLE apology Bakugou gave which was more justifying his actions and victim blaming.
And not to mention the rushed Aoyama Traitor reveal and Izuku refusing to connect or relate to him because as we know as soon as he got a quirk, his quirkless past was erased!
You know, between how big this ended up being, and all the things I had to do, this response came later than I would have like. Hopefully it lives up.
Ah, The War Arc.
Also known as 'The point where everything went to shit'. Oh, those were the days. It's even worse because, as it was building up, The War Arc seemed like it was going to be awesome. It was where a bunch of plot threads, from Shigaraki to Hawks to Dabi's 'surprise' were all lining up to collide, and oh I, and probably others, were so excited to see it all go down.
Such naivety. Honestly, I think I blocked out so much of this beyond pure scorn that I had to reread it just to do this justice. If I seem particularly biting or sarcastic... that's probably why. This is basiclly me rereading and commenting as I go along, so it'll probably be a bit all over the place, before I move onto the post-war arcs which are still fresh in my mind.
Where to start, where to start.... well, the beginning works, I guess.
The LOV, after absorbing the MLA in a... kind of shoehorned way (Re-Destro basically ceased being a person after Shigaraki beat him, but for all that it's shown as, 'Wow he's so cool let's follow him!', I wonder if he surrendered just so his movement and army wouldn't be annihilated more than anything, and how he feels about all this, since he has no legs and seems generally depressed even though his stress has 'disappeared'. And wow, isn't funny that, if you just give up on everything you ever stood for or care about and your will to live, your sheer crippling depression would probably get rid of your stress temporarily?) becomes the PLF (so many acronyms!) and an army large enough to need a serious intervention, and so an army is needed to oppose them.
Thankfully, they get information from Aizawa's friend from the spin off manga to help figure out where everything is! Thank god they gave us flashbacks as this was happening to explain to anyone who didn't read it what the fuck was going on!
Sigh. Introduce your shit better, Hori, especially when it's some illegal move beyond science you're trying to sell us.
Anyways, that, combined with Hawks's information (back in those days where his arc was great), lets them get a grasp on the PLF and launch a two pronged attack on them, while also dealing with moles. All of this? All of this was actually pretty great, Kurogiri as the exception. Like I said, that build up was great.
Also, can I just add that Present Mic losing his shit was actually pretty awesome and hilarious? 10/10, would watch Crazed Mic again.
Anyways, here's one of the first things that, and maybe it's just me, is just kind of off: the fact that Garaki can duplicate Quirks. Not with a Quirk, or even with multiple Quirks, but just with science, somehow? I know that he's in the best position to do it, with AFO and vast resources to support him, but still; the closest to 'manipulating' Quirks like this, beyond OFA and Garaki himself, that we've seen in this manga? Is fucking Endeavor with his Quirk marriage. Quirks, in this story, are some black box bullshit that no one understands, and attempts to control them are on the level of Mendel and his peas, and often prone to failure to even get a 'basic' change happen (like, Bakugou was another 'basic' pairing, but he easily could have gotten something useless for heroics if he wasn't born lucky), and yet this fucker is just... so far beyond them it's OOC for the setting.
Everyone else is mashing lego pieces they can't see together to see if they fit, but this guy has copied Quirks, hundreds of them, and they just sit in jars everywhere? How? How?! In retrospect (and I'm kind of afraid of how many times I may say that here), his existence is just set up for the massive escalation that's about to come at us like a truck. How are there multiple AFOs active? How is Shigaraki's new body so strong? Where does the retroactively impossible rare old age Quirk come from, that was never a big deal before now because AFO had decades to hunt one down?
All of it? All of it is this guy. He's actually kind of interesting as a character, and a mad scientist fits AFO's organization to a T, but his purpose in the story is to hand out deus ex machinas for the villains on demand, and I honestly kind of hate him for it.
Meanwhile, Mirko bursts into the lab with Tomura in it and, ah, Mirko. In retrospect (seriously, someone count this and get back to me) this is the start of Hori just... ripping off all her body parts off like she's a cheap toy that he wants to see how much it'll take to break. At the time, I didn't think much of it, at worst it was a cheap way to prove how Serious Shit Was(TM) without killing off anyone named, but once it started happening again, while it just continued to focus on her in fetishy ways as she fights, it started to be a disturbing trend.
I've got some mixed feeling about her in general, because she's.... basiclly Bakugou? But with better limits on her behavior? Like, she's what the fanfic versions of Bakugou tend to end up as, somewhat cruel and crude and definitely violent but channeling it towards acceptable targets rather than, like, everyone around her. I actually like Blood Knight characters, but in this setting, as a hero, it just doesn't fit right, you know?
Still, she's a cool character and definitely deserved better than than being turned into a human stick for whatever kicks Hori seems to be getting out of it.
While I'm at it, let me mention that it's hard to take 'Super Strength Quirks' as a whole seriously sometimes if 'Rabbit' is enough for her to tear through the Semi-High Ends with some early Full Cowl level feats, and Endeavor can be punted through buildings and shake it off. In retrospect (fucking sigh) Endeavour vs the High End and Mirko's big Nomu fight were warnings that, yup, we're going all in on the power levels now, and it's kind of frustrating when, early on, they were trying to take the 'physicality' of Quirks seriously, that they were just human bodies plus this one specific thing, and now Hori's taking the seriousness of his own setting so loosely, just to make BIGGER, more DRAMATIC fights that last a lot longer than they should.
But I digress.
On a different note, while it was nice to see 1A given a time to shine, the fact that they're in this fight, the fact that some of them were essential members of this attack, is just wow. This, making so many of the adult heroes seem so useless that the need to depend on literal high schoolers, is in retrospect a big warning sign of just how accelerated the timeline became. In a more 'normal' situation for something like this, these big, dramatic fights would have happened years later, giving 1A the chance to grow up and make it all less... child soldier-y. There's plenty of shonen settings that have this kind of thing happen, sure, but they're always generally dystopian hellholes in the first place. Naruto the sixteen year old being important is a lot less of a reach when they put ten year olds in life or death situations on the regular anyways. MHA, though, is a modern setting, and they're in an actual, semi-normal school, where they get, like diplomas and shit and learn normal school things, rather than some military academy focused on pumping out ninjas or sorcerers or whatever to fight and die and kill for the cause. Which, UA kinda actually does anyways, but UA and how it doesn't actually make sense as a whole is really getting off topic.
So. Anyways....
OK, fine, Re-Destro being, like, the 'This is Fine' meme as a person is both iconic and deeply understandable and I wish we had more focus on that, but I need to focus back up on this!
Midnight's actual combat tool is a non-combat fan that exists just to fan the air. It kind of makes sense with her power but it's just so... shallow seeming, just playing to her fetishy theme, and I honestly think her doing this, fanning the air dramatically, is one of her more impressive showings in canon? I already know Hori has never taken Midnight seriously but still.
I've already talked about how wonderfully horrible the whole Twice Hawks thing was, so we're just going to ignore that and try to save some space....
Now I think it's time, so let's talk about one of the biggest issues of this arc: Shigaraki.
I've said it before, but him powering up makes sense, especially when he starts taking on the mantle of AFO's replacement. The problem is how much he powers up, and we can lay that at the feet of Garaki, Doctor Power Up, you jerk. He was always going to be one of the top beings in the setting once he got one of the most broken Quirks in the setting, but the fact that he can walk around without a Quirk active, blatantly ignoring all the people actively trying to murder him, refusing to simply kill Endeavor because his character is too important to write off yet, still incomplete and still be so dangerous...; in other words, the fact he effectively has several Quirks even without having a Quick is way too far. The heroes nerfing his development was an elegant solution to this problem, something that was handled a lot better than AFO, both as a person and as the Quirk itself, was. Even with Shigaraki escaping at the end of this, and making the 'final confrontation' energy of this arc fall completely flat*, the fact that he was permanently damaged by this still makes it have more meaning... you know. Until they tossed that out to fix him up anyways, somehow.
*This, actually, is one of the things that made the war so bad for me, actually: the build up was so... This Is It. There was all this hype for this being the Ultimate Fight, because if they don't win here, they'll have no way to meaningfully counter Shigaraki, he'd just be too hard to fight. Maybe if it was later, if Izuku was stronger, them losing could work: there would be a somewhat reasonable way out if they lost, involving a (probably bullshit) power up/training arc with Izuku frantically trying to even begin to match Shigaraki somewhere on his level as a 'transcendent one beyond humanity' before it was Too Late.... but him reaching his full potential at this point was years away, far too late to stop Shigaraki. It didn't sit right, because it was too early, but the way it was set up this was the do or die moment. Then the heroes lost, and that was the moment the story just... went to shit because Hori decided to solve the problem of Shigaraki being too strong by just making everyone else stronger as well.
And sure, a lot of it (most of it) is just Izuku, just Deku getting power up after power up, mastering them all near instantly when before each level of strength he gained was hard fought, requiring time and practice to being able to use them well, even with the new, largely out of nowhere addition of Black Whip, but it's also all the super moves everyone starts breaking out left and right in the final arc. It's Endeavour somehow beating AFO. It's all the big, increasingly dramatic and flashy attacks, all of them being no-selled by SFO because they're not allowed to be a meaningful threat. It's the one scratch on SFO by Bakugou (of fucking course) being, not because he's that strong (thank fuck) but because of some weird PTSD flashback on AFO's end. It's Deku, The Main Character, finally showing up and being the only person able to anything. That moment, in retrospect, is the moment when the power levels became the most important thing for a character above anything else, beyond strategy and planning, beyond how a power even works; any of it, all of it, they all paled before how strong is this character, how hard can they hit, how much damage can they take. It takes the idea of everyone being a hero, of the lesson Izuku had started to reject from the very beginning of the story, that people aren't born equal, being proved right all along, despite how the story trying to tell us otherwise.
That Izuku was only ever special because All Might graced him with his Quirk, and nothing else.
Oh. I can't believe I didn't mention that one second later retcon of Shigaraki awakening 'because of his hatred' instead of the far more reasonable electricity zapping him. With the delicious irony of it only happening because a hero was doing the 'heroic' thing of not minding his own business, no less; that would have been the cherry on top of the sundae of him coming back, as the perfect symbolism of how the heroes keep creating the villains they fight.
Don't get me wrong, his awakening itself is epic, you can almost hear the epic dark chorus singing in the background as he destroys everything, but... it's flashiness for the sake of flashiness, the way he officially wakes up. Not for any logical reason, but because his hatred is so immense it breaks reality, just like Izuku magically defies Nighteye's prediction, even though MHA pretends it's 'grounded' and that all it's super powers are biologic instead of anything more metaphysical that would help explain that off. It's just empty hype just for the sake of hype, no matter how little sense it makes. In this situation, it's relatively harmless, sure, but it's easy for it to become less harmless, like, perhaps, power ups just to make Shigaraki, Izuku, Bakugou, or whoever else is in focus at the moment look better, even if it doesn't make sense for them to actually happen. Or dramatic, meaningless 'deaths' and equally dramatic and ridiculous 'resurrections' that couldn't possibly result in a drastic increase in a person's abilities.
*looks meaningfully at the final arc's bullshit*
But surely, surely, Hori wouldn't do that, right? Right?
But anyways, back to the War Arc and... 'booty incoming'. Really. Really? Must we? Must we do this? Can't we have a woman on screen for five minutes without something sexual being referenced?
And then Bakugou's back, still speaking to everyone he can like they're trash, and still with people surprised by this, somehow, like this isn't a long established character trait for him, or that he would actually have any respect for old people. And then everything's being Dusted, people are panicked, and the heroes are full in crisis mode and yet his comment on the situation is "I'll wreck him". Not something about teamwork, not something about saving people, not even that he'll stop him, which has connotations of protection, but wreck, which screams aggressiveness and destruction. And it's just... so completely ignoring the seriousness of the situation, where everyone else is concerned about the city vanishing into dust, and Bakugou just wants to crush the enemy just to crush them.
It has all the energy of someone slapping their edgy OC into a scene by saying a meaningless line that can be somewhat reasonably ignored by the actual characters because it's so out of place. And then next chapter he just screams about killing Izuku instead of the actual threat when Izuku wonders why he's even there. Look, I get that, for some god forsaken reason, that Hori wants to play Bakugou's violent, abusive tendencies as 'comedy', but even if it was comedy, actually comedy and not thinly painted over abuse, there is a time and place for comedy, and this situation is not that time.
And, oh look, Eraserhead is finally fulfilling his true purpose: not being a teacher, but desperately acting as a bandaid to try and salvage the plot after Shigaraki contracted Madara Syndrome! And yet we still get shit like, 'The worst case is losing the teacher who watched over us all this time!' You know, the person who 'watched over you' by systematically destroying your ability to trust that anything he says or does isn't just another lie 'logical ruse', instead of the already unstoppable villain being even more unstoppable, because that is the context of the worst case scenario here, just so we're all clear: losing Aizawa would be worse than Shigaraki getting OFA.
(I mean, you could make a case that losing Erasure, the Quirk, is worse than him getting OFA, because Erasure can counter OFA so in that respect, Shigaraki getting it wouldn't change Aizawa's utility, but that's not the argument that's happening here; it's not Eraserhead, the tactical asset, the would be a loss, it's Aizawa the asshole of a person, who would be a tragic loss worse than OFA, the only hope anyone in this story has.)
Hori, if you could just throttle down the overhype of your Kakashi proxy and the angry fan favorite for five minutes while the shit gets real that would be great, thanks.
"If we can't stop one person, what is the point of this hero-saturated society?" You know what... Burning(?), that's a great question; I'm just going to leave this quote here on it's own merits.
And then Midnight is merced off screen by a meaningless mook, basiclly never to be mentioned again. You know, I didn't like how hollow her characterization was, but the answer to that is not to just off her and move on.
Meanwhile, Gran Torino is torn into by Shigaraki, but still manages to shrug it off. And, while we're on this topic...
Momo: is a genius.
Also Momo: makes a drug that is administered by injection instead of in a gas form.
Still Momo: doesn't think to make anyone else some extra knock out vial... things.
Still Momo: the sleep drug she makes take so long to take effect that this entire exercise is almost pointless.
Ashido: has the toss.
Also Ashido: fumbles the toss at the last minute out of surprise so that a man can do it for her, in a reversal of a situation that she had handled better before than he did, as an excuse to show his growth at her expense.
Classic Hori. Why let a woman actually be helpful when they can just try and fail to meaningfully improve the situation for the better?
And, ah yes. After just going on, with all apparently seriousness, about how he'll fight Izuku if he dares question why he's following him around, 'Bakugou Rises', and 'has his body move on it's own'. You know, heroically. Even though by all accounts he did and still does think and act on his instinct to just attack other people. And his dramatic 'sacrifice' is just going to be shrugged off and he's still going to be able to fight in anther couple of minutes. And, despite how it's presented like he comes to a big realization, he still acts exactly the same after this.
Riiiight, I buy that. Oh, and the person to notice something off about All Might's notes? Who was that again? Was it Izuku, who started off the series by analyzing Quirks a lot, and took the notes seriously, or is it Bakugou, who instantly insulted everyone in the notes off a surface level impression of them?
...Well. Now that the Bakugou simping portion of the war is finally past us, let us continue with Hori writing off one of his most interesting villains, just to replace him with the one he's refused to develop, just so we can start undoing all his wonderful development.
Thankfully, we come to one of the few parts I like about this mess: Dabi's Dance. Fucking glorious it is; the man is just vibing about the mayhem he's causes, the wonderful little psychopath. And let me tell you, 'The Past Never Dies' hits a lot harder than anything AFO has ever said.
Say what you want about him being a crazed murderer, beyond all hope of redemption, or blindingly insane? I'm not going to argue with you (though the story might, the way things are going) but you can't disagree with me about this: for all of his many, many flaws, the man understands Megamind's lesson about Presentation.
Oh. And Lemillion's back, I guess. If I seem unenthusiastic about it, well, that's about as much enthusiasm as Hori seems to have about that, so don't blame me.
Wait, the Bakugou simping is back on, or should I say, the Great Explosion Murder God Dynamite simping is back on. Fuck, Hori, remember what I said about a time and a place for comedy? Remember that?
Sigh... And the perfect place to end this clusterfuck of an arc off: 'You look like you needed saving', in reference to one of the greatest villains in the series, a mass murder who has spent the last five minutes trying to kill you, Izuku, what the fuck. But, it's over, right? Now that the War Arc is over, it can only get better, right?! Ha, if only!
Welcome to Post War, suckers: AKA, the point where Hori just stops giving a shit.
You see, for all the many, many, many flaws of the War Arc, Hori at least spent time on them, fleshed out dramatic moments, character reactions, and the lead up to those moments. But after? Hori has a checklist, somewhere, of all the major points he wants to do before the manga ends and he's checking things off, sure, but that's all he's doing: checking off the major plot points, one after the other. We've reached speedrun manga hell, where no character gets time actually think about anything anymore, or hold a conversation with someone that doesn't involve violence, or even break down in a proper hysterical cry.
Oh, look, a new character! What's that, an interesting character with deep ties to previously untouched worldbuilding you've been curious about? You want to know more about the corruption of the heroic society, or a country that isn't Japan for once?
Well, too bad, because they're gone. Where we're going, we don't have time for the current characters, much less new ones. If you see someone you've never seen before, enjoy your handful of chapters before they're thrown away like trash.
What's this? Izuku is finally getting some new character development? He's doing something new, different, and exciting, with potential to make him think about his future and heroism? WRONG! Class 1A can't have that! They're going to hunt him down like a dog for daring to leave them, and beat the living shit out of him to prove their friendship.
Just like Bakugou does! Good thing he's leading them, just like the old days in Aldera! And wow, that's some top tier Karma Houdini bullshit there, isn't it?
Pop Quiz: according to Bakugou, what does Deku mean?
Useless, you got it!
Next question: what does Bakugou still call Izuku, the same way he has since they were young, young children up to the present?
Deku!
How about this? How long has All Might actually interacted with Izuku?
Oh, maybe two years or so, you say? That's right!
During this time, has he ever once called Izuku either useless or Deku, beyond as his hero name?
Not once, correct!
So, taking all of this into account, final question: if Izuku considers himself Dek- I'm sorry, useless, what one person is the most reponsible for that?
All Might!
Hmm. Hmmm. Something seems wrong with that last answer. Gee, I wonder what seems wrong about that last answer, I'm so confused.
So, yeah, after Izuku leaves, not runs away, mind you, leaves, because UA isn't a prison and he has every right to leave, Bakugou explains how Izuku's complete lack of self respect is All Might's fault, before whipping all his classmates into a frenzy to go hunt him down.
Then, after finding him, already exhausted from constantly fighting for his life, all of them gang up on him, attack, try to knock him out, and after he gives up on making his own choices against the sheer amount of peer pressure being thrown his way, Bakugou apologizes.
For what? Well, if we didn't read the manga, we sure wouldn't know, because Bakugou didn't want to talk about that! No, it's just how Izuku, weak, helpless Izuku who idolized him, and had no Quirk, somehow made him feel inferior, and that's why he was so angry all the time. How dare Izuku have hopes and dreams?! And then we end it up with the absolutely touching message that this won't change anything.
Wow, Great Explosion God Dynamite. I'm moved. You truly are beyond us mere mortals, to know how an apology can only be truly sincere when you explain how utterly worthless it is! Brilliant! Truly, this is that Post War quality we know and love!
Oh, and the Traitor arc. Think back, everyone, back to the days where this manga was about being in a school, and think about the traitor that ratted out the class to AFO. Remember that? Well, it's Aoyama. What, the last chapter made you think it was someone else? Psych!
Anyways, Aoyama was actually the traitor the whole time, and it just... never came up again; AFO never saw a use for someone inside UA since they attacked the summer camp, I guess, and there's no possible way he could have used that asset again, no sir. Well, now that we've all yelled at him a bit, I guess we're all fine with that now; let's use him to ambush AFO! With loopholes to get around his lie detector Quirk! Surely, after giving him one Quirk to help him infiltrate one of the most important places in Japan, there's no way AFO could have planted, say, a second Quirk in Aoyama, as a way to deal with possible treachery; no we've never seen him do that recently. Or just observe him, or really do anything to make sure he stays loyal.
Oh wait, he was Quirkless? A dark mirror to Izuku, you say, both of which got a Quirk from two of the most important characters in the series, in a way that drastically changed their lives and tied them together antagonistically?! What does Izuku think about that? Don't you know better than to ask that kind of question; we don't have time to reflect on things, much less Izuku's Quirkless past that has basiclly been retconned out of existence at this point.
Was any of that too fast for you? Maybe too confusing? Did you want me to maybe break up that last section a little more, spend some more time on each major plot twist as it happened, how people felt about it? Well, congratulations, that's exactly what it feels like to read MHA Post War.
*screams in fury forever*
Hori. Hori, why did you do this to me? This story started off so good. What the fuck is all this?
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libidinous-weeb · 3 months
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oh waaaaah jjk sucks because my fave died!! okay then go back to children’s shows or something where no one ever dies at all.
since the beginning of the series it was established that being a sorcerer was incredibly dangerous and ended with most sorcerers having short lives. it’s one of the first things discussed by the characters.
it’s a dark series and that means people will die. “people dying = bad and predictable writing!!!” it’s a fantasy series and you aren’t the one fucking writing it. it’s not even complete and you don’t actually even know who’s dead or not or who will actually stay dead. they haven’t even fully revealed what yuuji’s team’s plan is yet.
like…if you don’t like that then take your ass back to bnha or grow tf up.
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aimeramie · 2 months
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I am so tired of how horikoshi chooses to write izuku and katsuki's relationship...
kudou... who looked into izuku's memories and saw him being bullied, emotionally and physically, for years by katsuki... is telling izuku to visualize a moment where katsuki is being an unprovoked asshole to him in order to transfer ofa to shigaraki forcibly.
this desire of hori's to have his cake and eat it too when it comes to katsuki's abusive behaviors is too much for me. one minute they're slapstick; other times I am supposed to take them seriously as awful things he needs to change about himself. it's so inconsistent, and it drives me up a wall. it's clear horikoshi wanted to incorporate typical rival tropes for these two, but to me, those just really do not work when you have a bully and victim dynamic.
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Any time I stumble across a fic with the tag "Bakugou Katsuki/Consequences", it's mute on sight lmao
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prettyboykatsuki · 5 months
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fang i couldn't find ur meta blog but i wanted to ask ur opinion/analysis of bakugou's "what part of her was frail" from season one against ochako if u have any <3
@fangs-animereview thought i havent posted anything on it in ages.. rip all my half-baked hxh meta posts about shounen trope subversions
i dont know if i have any particular analysis of that but i do think that scene highlights an interesting element of bkgs character which is that he is decidedly not very shallow
i think often his arrogance or projected arrogance makes his fandom image a guy who is shallowly obsessed with appearances. but i think for him to say what part of her was frail kind of speaks to the fact that the opposite is true. that bkg doesn't see people as their appearance but measures them by what they're capable of
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granny-griffin · 8 months
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Opinion on Bakugo Katsuki?
if you like to win so much, why don’t you try beating yourself, huh??
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hunkydorybaby · 2 years
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the bakugo-anti to bakugo-apologizer pipeline [this effect is achieved by just actually watching the show]
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delawaredetroit · 3 months
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Sigh. I understand that touching on misogyny would make sense in a story that routinely touches on structural inequalities. But when it's only really brought up directly in order to prop up the guy deuteragonist (who is inarguably one of the most privileged characters in this story), no one should be surprised that it leaves a bad taste in people's mouths.
I'm not arguing like some do that Horikoshi hates women. I think the people who say this haven't read a lot of shounen manga and haven't seen how bad it can really get. Because as far as male shounen authors go, Horikoshi is probably slightly better than average at writing women, maybe solid B- work. Which is insult enough in a manga that is thematically about going beyond expectations and all that.
What's frustrating is that Horikoshi has handled issues like this better in his prior work. In his oneshot Tenko, the main character, who in some ways is a proto-Izuku, is a girl named Hana who dreams of being a warrior in a world where only men can be warriors. At the very least, Hana is the focus of that storyline.
Why in the world is Bakugou's character development the central character of BNHA's misogyny plotline? Considering that Horikoshi has previously done better on this issue in the past, honestly this train wreck might be the fault of the Shounen Jump editors. Because I can easily see their logic: teen boys don't like talking about "girl problems" but our audience loves Bakugou so lets make this about him actually
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meeko-mar · 2 years
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(BNHA 362 spoilers) Sorry I gotta say this...
I get the idea of Bakugou being the FIRST, and most emotionally attached example of the society being unfair and unjust but
What I don't get is the idea that Katsuki Bakugou's life has to be the Price we and the characters pay for Society to supposedly change.
After being built up as a deuteragonist, taking responsibility for his own actions and his own changes, deciding FOR HIMSELF to be better, overall looking like a story of a kid who rises above, and even as another kind of VICTIM of said unfair and unjust society (also yes, he IS in his own way a victim as well, he's basically a hyper-example of The Gifted Child syndrome)
...After all of that, all the work Horikoshi has put in to Bakugou rising out of his own mess, thematically, why is it logical to just tear all that down by having him die like this? With no closure? Asking Izuku if he'll ever be good enough in the most heartbreaking last words ever?
Letting Human Garbage AFO have the last word and the last laugh, his taunts being ultimately correct?
I'm sorry it's just NOT a rewarding narrative. To have the kid who was the most involved in changing in the face of realizing he and society was wrong, pay the ultimate price for it. To have the MC's most important person be lost when his whole narration this whole time has been "How I became a great hero", something that Izuku wouldn't consider himself if it all cost him the life of that most important person.
I mean, unless Horikoshi is going for this story ending in Tragedy.
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kurokoros · 7 months
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each time I've rewatched MHA over the years I find a new character I really really like, but in turn I also start to dislike Bakugou more lmao
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todorokimybeloved · 2 years
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there's no way bakugou is dead, i think midoriya is going to come next chapter and save him with the last quirk that has not been unveiled yet. maybe something like a healing quirk that can be used for offensive or a very minor time travel quirk (something like only being able to go back a few minutes at most) and he will save bakugou. it would perfectly parallel the moment in their childhood where bakugou did not let midoriya save him. i don't think horikoshi would kill bakugou off before finishing up the arc with midoriya and bakugou, the apology only felt like the start.
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