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homomenhommes · 5 months

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THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 19

1889 – Clifton Webb (d.1966) was an American actor, dancer and singer born Webb Parmelee Hollenbeck in a rural part of Marion County, Indiana, which would, in 1906, become Beech Grove, a self- governing city entirely surrounded by Indianapolis. Webb's parents were Jacob Grant Hollenbeck, the son of a grocer from a multi-generational Indiana farming family, and Mabelle A. Parmelee, the daughter of a railroad conductor. In 1892, Webb's formidable mother, Mabelle, moved to New York City with her beloved "little Webb," as she called him for the remainder of her life. She dismissed questions about her husband Jacob, a ticket clerk who, like her father, worked for the Indianapolis-St. Louis Railroad, by saying, "We never speak of him. He didn't care for the theater."

Webb was in his mid-fifties when actor/director Otto Preminger chose him over the objections of 20th Century Fox chief Darryl F. Zanuck to play the classy, but evil, radio columnist Waldo Lydecker, who is obsessed with Gene Tierney's character in the 1944 film noir, Laura. His performance was showered with acclaim and made him an unlikely movie star. Despite Zanuck's original objection, Webb was immediately signed to a long-term contract with Fox. Two years later he was reunited with Tierney (with whom he shares this birthdate) in another highly praised role as the elitist Elliott Templeton in Somerset Maugham's The Razor's Edge (1946). He received Academy Award nominations for Best Actor in a Supporting Role for both. Webb received an Oscar nomination for Best Actor in a Leading Role in 1949 for Sitting Pretty, the first in a three-film series of comedic Mr. Belvedere features with Webb portraying the snide and omniscient central character.

Webb's elegant taste kept him on Hollywood's best-dressed lists for decades. Even though he exhibited comically foppish mannerisms in portraying Mr. Belvedere and other movie characters, his scrupulous (read "deeply closeted, highly repressed") private life kept him free of scandal. The character of Lynn Belvedere is said to have been very close to his real life — he had an Oedipal devotion to his mother Mabelle, who was his companion and who lived with him until her death at age ninety-one. Webb's mourning for his mother continued for a year with no signs of letting up, prompting Noël Coward to remark of Webb, "It must be terrible to be orphaned at 71."

Among the many stories, once, he and Tallulah Bankhead were smitten with the same handsome Austrian army officer and vied for the uniformed stud's favors. While Tallulah did her stuff vamping him, Webb retreated for a moment, and returned with an armload of roses. To Tallulah's amusement and the officer's shock, Webb danced around the man and began pelting him with flowers. Tallulah won.

1942 – Calvin Klein, American clothing designer, born; Calvin Richard Klein was born in The Bronx to Jewish-Hungarian immigrant parents. He attended the High School of Industrial Arts and matriculated, but never graduated, from New York's Fashion Institute of Technology, receiving an honorary Doctorate at the graduation ceremony in 2003. He did his apprenticeship in 1962 at an old-line cloak-and-suit manufacturer, and spent five years designing at other New York shops. He later launched his first company with a childhood friend, Barry K. Schwartz.

Klein was one of several design leaders raised in the Jewish immigrant community in the Bronx, New York along with Robert Denning and Ralph Lauren. Cal became a protégé of the ever-so-flaming editor of Town & Country Baron de Gunzburg, through whose introductions he became the toast of the New York elite fashion scene, even before he had his first mainstream success with the launch of his first jeans line. Later, speaking in an interview with Bianca Jagger and Andy Warhol for Interview magazine, published shortly after the Baron's death, Klein said:

"He was truly the greatest inspiration of my life... he was my mentor, I was his protégé. If you talk about a person with style and true elegance — maybe I'm being a snob, but I'll tell you, there was no one like him. I used to think, boy, did he put me through hell sometimes, but boy, was I lucky. I was so lucky to have known him so well for so long."

Calvin Klein was immediately recognized for his talent after his first major showing at New York Fashion Week. Klein was hailed as the new Yves Saint-Laurent, and was noted for his clean lines.

Thirty years on, it all seemed like a surreal curiosity — when the billboard of a well-muscled young man in white briefs went up in Times Square in 1982, it stopped traffic there. The perspective which focused on the obvious bulge in the briefs caused a big controversy. It nonetheless led to the acceptability of the male form in mainstream American advertising and ushered in the era of "male as sex object" which saw a renaissance in the early 1980s. American Photographer magazine named the photo as one of "10 Pictures That Changed America." His wildly homoerotic advertisements transformed the men's fashion advertising and fashion industry.

Married twice, he has never actually come out, but he divorced his second wife in 2006, and it has been reported that he has dated gay, ex-porn star Nicholas Gruber.

Klein and Nicholas Gruber

1955 – Steven Jay Powsner (d.1995) a founder and former president of the Lesbian and Gay Community Services Center in Greenwich Village.

Born in Brooklyn and raised in Oceanside, L.I., he graduated from New York University in 1976 and the New York University School of Law in 1979. After working as an associate at a New York City law firm, he established his own practice in 1982, specializing in real estate.

Steven's early passion was theater, especailly muscial theater. In high school he took acting lessons at the Neighborhood Playhouse and auditioned for every play. He had chorus roles in My Fair Lady.

1974 marked the beginning of Steven's most formative years. A major part of these years was his first lover, Bruce Philip Cooper, who died of AIDS in 1987. They met when Steven was a freshman at NYU and Bruce was a freshman at Columbia. They were determined to prove society wrong by committing themselves to a permanent, long-lasting relationship, or "marriage" as Steven called it. They moved into their own apartment.

Working as a volunteer for the fledgling gay center in 1983, Steven guided the organization through a yearlong negotiation with the city to buy the former Food and Maritime Trades High School at 208 West 13th Street, which now houses the center.

Everything fell apart in 1983 when Bruce was diagnosed with AIDS. Doctors were judgmental and uncaring. Hospital workers left food outside Bruce's room, refusing to go inside. Their cleaning lady was told by another client that she would be fired if she continued to work for a person with AIDS. Steven would come home from work to find "AIDS" scrawled in large letters across his mailbox.

He took care of Bruce for four years until he died in 1987. During these four caregiving years, Steven became a very dedicated gay activist. His family offered no support around Bruce's ordeal and even scorned Steven when Bruce died because Steven included his name in Bruce's New York Times obituary.

After Bruce died Steven donated to Columbia University a large endowment, with which they established the Bruce Cooper Memorial Fellowship for graduate studies in Philosophy.

Steven met Ben Munisteri 1987 at the the Lesbian and Gay Community Services Center. Ben was 22 years old, just out of college, and a modern dancer. They were commited partners until Steven's death in 1995

A few months before Steven died he won the Center's Heart of the Center award, something he had always wanted. After he died, the Center created the Annual Steven J. Powsner Volunteer Recognition Award.

Besides his work for the center, a hub of lesbian and gay life in New York, Steven left a two-and-a-half-mile mark on the city in the form of the lavender line that is painted along the Fifth Avenue route of the annual Lesbian and Gay Pride March. He paid for much of the painting of the first line in 1985.

1962 – Gottfried von Bismarck-Schönhausen (d.2007) was a member of the German House of Bismarck best known for his flamboyance and parties.Born in Uccle, Belgium, Gottfried von Bismarck-Schönhausen was the second son of Ferdinand, Prince von Bismarck and grandson of Otto, Prince von Bismarck, a diplomat at Germany's embassy in London until a feud with Third Reich foreign minister Joachim von Ribbentrop. He was the great-great-grandson of German Chancellor Otto von Bismarck.

Bismarck's great uncle and namesake, Count Gottfried, was a Nazi official who allegedly became part of the famous plot to assassinate Adolf Hitler. His younger sister, Vanessa Gräfin von Bismarck-Schönhausen is a public relations agent in the United States. His elder brother Carl-Eduard Graf von Bismarck-Schönhausen was a member of the German Bundestag.

Gottfried had multi-faceted history as a pleasure-seeking heroin addict, hell-raising alcoholic, flamboyant waster and a reckless and extravagant host of homosexual orgies. When not clad in the lederhosen of his homeland, he cultivated an air of sophisticated complexity by appearing in women's clothes, set off by lipstick and fishnet stockings. Never concealing his homosexuality, von Bismarck continued to appear in public in various eccentric items of attire, including tall hats atop his bald Mekon-like head. At parties he would appear in exotic designer frock coats with matching trousers and emblazoned with enormous logos. Flitting from table to table at fashionable London nightclubs, he was said to be as comfortable among wealthy Eurotrash as he was on formal occasions calling for black tie.

The death of heiress Olivia Channon in Graf von Bismarck's room would disrupt his life. She was found dead from a heroin overdose in Bismarck's rooms at Christ Church College in 1986. Bismarck was charged with drug possession. He was fined £80. His father, Prince Ferdinand, recalled him to Germany for treatment at a private clinic, it was said he left Oxford so quickly that a family servant had to settle his bills with public houses, tailors and restaurants.

In August 2006, Anthony Casey, 41, fell 20 metres from Graf von Bismarck's Chelsea flat and died. Bismarck was not arrested and the police said there were no drugs found in his flat. This incident triggered speculation from the tabloid press. London's Daily Mail claimed the incident was triggered by a cocaine-fueled orgy. The coroner's report had found no alcohol in Casey's body, but did discover a significant amount of cocaine. The accusation of a 'gay orgy' was officially denied by Gottfried, though the coroner, Dr. Paul Knapman, told The Guardian that a great deal of sexual paraphernalia was discovered in the flat, including sex toys, lubricant, and a rubber tarpaulin. "In common parlance, in the early hours of the morning, there was a gay orgy going on", Dr. Knapman told the newspaper. "Nevertheless, this was conducted by consenting males in private."

On 2 July 2007 Bismarck was found dead in his almost empty £5 million flat, which was in the process of being sold. He was 44 years old at the time of his death. Sebastien Lucas, the pathologist who carried out the autopsy, said that Bismarck had been injecting cocaine on an hourly basis on the day before his death, and that Bismarck's body contained the highest level of cocaine that he had ever seen, as well as morphine; he also had liver damage, Hepatitis B, Hepatitis C, and HIV.

1993 – Romania: Marius Aitai, Ovidiu Chetea, and Cosmin Hutanu are sentenced to up to two and a half years in prison for same-sex acts in private. Amnesty International calls for their immediate release and protests the imprisonment of 54 other people on similar charges, as well as the reportedly widespread torture and sexual abuse of persons arrested on suspicion of homosexuality.

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the-rewatch-rewind · 6 months

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Here it is! My most frequently rewatched movie! Thank you for coming on this journey with me.

Script below the break

Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today, at last, we reach the end of that list as I discuss my number one: MGM’s 1940 comedy The Philadelphia Story, directed by George Cukor, written by Donald Ogden Stewart with uncredited contributions from Waldo Salt, based on the play by Philip Barry, and starring Cary Grant, Katharine Hepburn, and James Stewart.

Two years after the disastrous end of her first marriage to childhood friend C.K. Dexter Haven (Cary Grant), socialite Tracy Lord (Katharine Hepburn) is preparing for her second wedding, to George Kittredge (John Howard), general manager of her estranged father’s coal mining company. Eager to cover this story but knowing that Tracy loathes publicity, Spy magazine editor and publisher Sidney Kidd (Henry Daniell) enlists the help of Dexter to get reporter Macaulay “Mike” Connor (James Stewart) and photographer Elizabeth “Liz” Imbrie (Ruth Hussey) to the Lord house the day before the wedding. In those 24 hours before her second marriage begins, Tracy is prompted to rethink not only her choice of husband, but also her entire attitude toward people and life.

This must have been one of the first old movies I saw in 2002 because the only thing I remember about my initial experience of it was that I expected Tracy to accept Mike’s proposal, and if I’d been an experienced old movie watcher by then I would have known that obviously Katharine Hepburn was going to end up with Cary Grant, not James Stewart. I certainly did not immediately fully appreciate this movie, although I was intrigued enough to keep revisiting it until eventually it became my favorite. I watched it five times in each year from 2003 through 2005, four times in 2006, twice in 2007, 2008, and 2009, three times each in 2010 and 2011, five times in 2012, once in 2013, once in 2014, twice in 2015, once in 2017, twice in 2018, four times in 2019, once in 2020, twice in 2021, and once in 2022. Part of why I watch this so much is because it has three stars whose birthdays I celebrate almost every year, so I often watch it for Cary Grant’s birthday and then either Katharine Hepburn’s or James Stewart’s (their birthdays are only about a week apart so I don’t usually watch it for both). I think part of why I didn’t watch it in 2016 is because I watched it in late December of 2015 for the 75th anniversary of its release, so Grant’s birthday in January felt too soon to revisit it, and that May I decided to watch through all the Fred and Ginger movies starting with Astaire’s birthday, so I was less focused on Kate’s and Jimmy’s birthdays that year. And then later in 2016 I was too obsessed with Poe Party to watch much of anything else. But to make up for that, the reason I watched it so many times in 2019 is because Mary Kate Wiles used to host readings of plays and movie scripts with her actor friends for her Patreon, and I offered to transcribe the script of Philadelphia Story so she could do a reading of that one, and even though I knew the movie very well by then I decided to go through it a few more times to make sure I got all the details right, so eventually my love of Poe Party led to more rewatches of this. And the current Shipwrecked project, The Case of the Greater Gatsby, takes place in December of 1940 so there are lots of Philadelphia Story references in it and they make me very happy. Anyway, I’ve put quite a bit of effort into not watching this movie too many times too close together because I don’t ever want to overwatch it to the point of getting tired of it, like I did with a few other movies I’ve mentioned on this podcast, and many more that I burned out before they could make it into my top 40. While the stars’ birthdays have contributed to the view count, mostly this is my number one comfort movie that I know I can always turn to when I need something to watch, and I’m afraid of pushing it to the point where that no longer works. Although the fact that I sat through it 51 times in 20 years – the same number of views as number two plus number 40 on this list – and haven’t come close to getting tired of it yet indicates that I probably never will.

I don’t think I can really articulate what exactly it is about this movie that makes it my favorite to revisit, but I’m going to try. Certainly the fact that it features three of my favorite classic film stars helps, although a big part of why I love those stars so much is because of what they did in The Philadelphia Story. Every single member of the cast gives an absolutely fabulous performance. There isn’t a ton of action, but the dialogue is a perfect example of everything I love about the best Old Hollywood scripts: snappy and witty and clever on the surface, with real human emotion and intriguing philosophy underneath. The movie features many different kinds of brilliantly executed comedy, but the more serious moments still hit without feeling out of place. It deals with taboo subjects like divorce, infidelity, and alcoholism in ways that complied with production codes but still don’t feel too watered down. Basically, it has all the aspects I love about the other old movies on this list, only more so.

Several of my very favorite movie scenes of all time are in The Philadelphia Story. One is when Mike has had a lot to drink at a party and decides to visit Dexter in the middle of the night. The way drunk Jimmy Stewart and sober Cary Grant interact is hilarious and makes me desperately disappointed that the two of them never appeared in another movie together. At one point, Stewart makes a noise that’s kind of a mix of a hiccup, a cough, and a burp. Grant, thinking that Stewart has ruined the take, goes, “Excuse me,” sounding a little annoyed but trying to make a joke out of it, but then Stewart drunkenly responds with, “Huh?” indicating his intention to go on with the scene. Grant looks down, stifling a laugh, and then they continue with the dialogue, and I love that instead of reshooting it, or editing around it, they kept that in the movie. There may not be a blooper reel, but we still get to watch Jimmy Stewart almost break Cary Grant, and that’s good enough for me.

Another of my favorite scenes comes a bit earlier in the film, when Tracy and her younger sister, Dinah, played by Virginia Weidler, meet Mike and Liz for the first time. Tracy immediately saw through Dexter’s story that they were friends of her older brother’s and knows they’re reporters, but agreed to play along when Dexter informed her that Sidney Kidd intends to publish a story about Tracy’s father’s affair with a dancer unless he gets a story on her wedding. To protest the situation, Tracy and Dinah decide to put on a show for Mike and Liz, who don’t know that they know they’re reporters, and it is maybe my favorite comedic scene in any movie. First Dinah dramatically stumbles in wearing pointe shoes and some gaudy jewelry that was a wedding present she previously insulted. She then puts on an overly posh voice as she explains that she spoke French before she spoke English – “C’est vrai absolument!” – and boasts that she can play the piano “and sing at the same time!” She makes her way to the piano with the least graceful toe walk possible, and then bangs out a very silly rendition of “Lydia the Tattooed Lady,” a song mainly associated with Groucho Marx. While Mike and Liz are staring at her in bewilderment, Tracy peeks into the room and beams like she’s never been prouder of her sister. Once the song is finished, Tracy enters and praises Dinah in French, comparing her to Chopin, and then saying Dinah looks ill and she hopes it’s not smallpox, which freaks out Mike and Liz, but the audience knows it’s a private joke because earlier Tracy told Dinah that the only way she could postpone the wedding was to get smallpox. After Dinah leaves, it’s Tracy’s turn to confuse the reporters, and it is truly brilliant. The dialogue and the way it’s read, as Tracy turns the interview around and starts asking them invasive questions, is so good. Like when Tracy’s talking about how they don’t let any reporters in, “except for little Mr. Grace who does the social news. Can you imagine a grown-up man having to sink so low?” or when she’s welcoming them to Philadelphia and says, “It’s a quaint old place, don’t you think? Filled with relics, and how old are you, Mr. Connor?” It’s the seemingly accidental but actually very deliberate insults that get me. And then on top of that, there is some incredible yet subtle physical comedy going on throughout the conversation. Tracy accidentally-on-purpose pushes Mike and Liz into each other as she offers them seats, and there’s a whole very long bit between Tracy and Mike involving cigarettes, matches, and lighters that I didn’t even notice the first few times I watched it because I was too focused on what they were saying. It’s a thoroughly enjoyable scene all the way through, and every time I watch Tracy exit that room, leaving the reporters to ponder their bafflement, I have to applaud.

But the movie also excels at mixing some drama and seriousness in with the comedy. There’s a lot of focus on how Tracy demands perfection from herself and everyone around her, and as a result is missing out on the joys of human messiness. She makes a big deal about never drinking alcohol, although Dexter reveals that she did get drunk one time when they were married, and later remembered nothing about it. But after Dexter tells her that being married to her felt like being a high priest to a goddess, and George tells her that he worships her like a queen, and her father, who showed up uninvited, tells her she might just as well be made of bronze, Tracy gives in and starts drinking heavily at the party the night before her wedding, which was where Mike also got very drunk. Tracy and Mike meet up at Dexter’s house, then go back to her place, and dance and argue for a while until Mike kisses her and tells her that he sees her as a human being, which is a wonderful change of pace for her, so she suggests they go swimming together. Later, Dexter and George see Mike carrying Tracy back to the house, both of them in bathrobes, and George assumes the worst. The next morning, Tracy can’t remember what happened, but Dinah tells her that she saw Mike carry Tracy into her room – which is another excellent scene, Virginia Weidler was one of the best child actors of all time and people barely ever talk about her anymore, but she and Katharine Hepburn do a fabulous job of getting the point across that they both think Tracy slept with Mike the night before without breaking production codes. And then after that when Mike appears, he and Tracy have the most excruciatingly awkward conversation, and it’s so painful but so good. Dexter also shows up trying to comfort Tracy, and I love the way he doesn’t accuse her or condemn her or even ask her what happened, partly because he knows she doesn’t remember, partly because Mike told him nothing happened, but partly because you get the feeling that he wouldn’t think any less of her if she had drunkenly hooked up with Mike. And maybe that’s reading too much into this, but his reaction is certainly quite different from George’s, which I guess makes sense because technically she would have been cheating on George and not Dexter, but George doesn’t even let her explain before breaking up with her by note. He does finally show up in person as she’s reading the note aloud to Dexter, Mike, and Liz, and their confrontation is so well done – I particularly love Liz’s “Say something, stupid!” to Mike, who is just standing there listening to George accuse Tracy of having an affair with him. But after a while, Mike does eventually reveal that their so-called affair consisted of exactly two kisses and a rather late swim. Tracy and George don’t believe him at first, and then Tracy is offended, until he points out that she was very drunk and he didn’t want to take advantage of her. And like, I know that this movie was made in 1940, so the censors weren’t going to let Tracy actually have sex with another man the night before her wedding anyway, but I still can’t help loving the way they handled this. Tracy makes a bit of a fool of herself and learns that George is not the right man for her without going too far, and Mike demonstrates that it’s not that difficult to respect a woman’s autonomy and recognize when she is unable to consent.

I have a lot of mixed and complicated feelings about this story from an aroace perspective. On the one hand, it is very focused on romance and marriage. Also the whole thing about characters describing Tracy using phrases like “virgin goddess” and “perennial spinster, however many marriages” to illustrate her coldness and lack of human understanding is…not exactly an ace-affirming metaphor. On the other hand, I always appreciate stories about adults who have the chance to sleep together and choose not to, even when I know it’s at least partly because of production codes. And somehow, something about the way Dexter, Tracy, Mike, and Liz all interact give me hints of queer found family vibes, even though they end up paired off heterosexually. Maybe it’s the fact that it was directed by a gay man and features at least two probably queer actors that’s giving me that vibe, I don’t know. Another of my favorite scenes – I know, I have way too many – is when Dexter and Liz return to the Lord house after writing a blackmail note to Sidney Kidd. It’s a fairly short scene, but the way the two of them interact as platonic friends who understand each other but clearly don’t like each other romantically is not something I’m used to seeing in a scene featuring a man and a woman alone, and it makes me happy. Mike also has some great moments with Dexter, as does Tracy with Liz. I like to think that the four of them maintain their friendship after the events of the movie, rather than amatonormatively going off and doing their own thing with their spouse and forgetting about their friends. This movie does portray sex and romance as part of the human experience, but I don’t feel like it portrays them as the only important part. The message is all about pursuing the life that’s right for you, and not looking down on people who have different priorities, and when you look at it from that perspective, it actually is kind of ace-affirming, albeit probably unintentionally. But as I’ve indicated multiple times in previous episodes, asexual representation is so rare, and aromantic representation is even rarer, that if you can find an approximation of affirmation by tilting a story and squinting at it, even that feels exciting. That’s how low the bar is.

With that being said, as a teenager I definitely did relate to Tracy Lord, at least in terms of the way I was perceived. I think a lot of my peers thought that I thought I was better than them, when it was mostly that I just didn’t understand them. I don’t remember anyone calling me a goddess or a queen or a statue, but other middle and high schoolers definitely teased me for being “perfect”, which told me that they didn’t really see me as a person, so I felt Tracy’s pain and confusion when she got called out like that. I do think that like Tracy, I had a lot to learn about letting myself make mistakes and not judging other people too harshly for theirs, but I also still strongly feel that some of the criticism leveled at Tracy – and at me – was unwarranted. I can’t tell if the movie wants us to agree with Tracy’s father when he blames his philandering on not having the right kind of daughter, but I think that’s entirely unreasonable of him, and Tracy absolutely does not deserve that. And I’m not sure it’s fair of Dexter to blame her for contributing to his alcoholism, but at least Dexter takes some responsibility for his actions, unlike Seth Lord. I think my peers didn’t understand me any more than I understood them, but I probably could have cut them more slack and tried to get to know them better before writing most of them off as too different for me to possibly get to know. The circumstances in this movie are very different from being a high school misfit, but as a high schooler who often had trouble relating to movies that were actually about high school misfits, somehow this movie spoke to me. It was an escape from high school that also helped get me through high school. The story helped me become a less judgmental and more forgiving person toward others while also helping me feel better about being who I was unapologetically. I also got similar messages from other sources, so I don’t want to give this movie too much credit, but at the same time, I don’t think any single movie affected my teenage years more than this one, so I would certainly be a different person if I had never seen it.

The story of how this movie came about and what it led to is also very important to me. After appearing in several box office flops in the late 1930s – several of which made it onto this list – Katharine Hepburn left Hollywood for Broadway to star in and financially back the stage version of Philadelphia Story, which Philip Barry had written specifically for her. Howard Hughes purchased the film rights as a gift for Hepburn, with whom he had been romantically involved, although it seems like the romantic part of their relationship was over before that, so this is like My Man Godfrey in that it turned out the way it did partly because of exes who were still friends. Katharine Hepburn then sold the rights to Louis B. Mayer for only $250,000 on the condition that she would have input and veto power over producer, director, screenwriter, and cast. She got the director and writer she wanted, but her first choice for the two male leads – Clark Gable and Spencer Tracy – were unavailable. Gable reportedly hated George Cukor and was rumored to be at least partly responsible for the director being kicked off of Gone with the Wind, so it’s probably just as well that he wasn’t involved. Future lovers Hepburn and Tracy hadn’t even met yet at this point, so it would have been interesting if this was their first movie. But ultimately, Cary Grant came on board, under the condition that he would receive top billing, which feels a bit strange to see because Hepburn is clearly playing the main lead, but Grant also donated his entire salary to the British War Relief Society, so we can’t accuse him of too much selfishness. And James Stewart’s performance as Mike would earn him one of the film’s two Oscars, although he apparently thought that Henry Fonda should have won for The Grapes of Wrath, and that he had only received it as belated recognition for his performance in Mr. Smith Goes to Washington the previous year. Donald Ogden Stewart also won for Best Screenplay. The film was also nominated for Best Picture and Cukor was nominated for Best Director, and the performances of Katharine Hepburn and Ruth Hussey were nominated as well. The fact that Hepburn didn’t win – and lost to her rival Ginger Rogers, no less – indicates that Hollywood was still a little reluctant to welcome her back. But this movie crucially changed the public’s perception of Katharine Hepburn, transforming her from box office poison to a box office draw. They were calling her a has-been in 1938, but with The Philadelphia Story she showed them that she still had more to contribute, and her career took off in the 1940s, and lasted into the 1990s.

Even now, generations later, twenty years after Hepburn’s death, it’s easy to tell just by watching this movie why it was such a turning point for her. She completely embodies the spoiled socialite, but she makes Tracy sympathetic enough that when she is taken down a few pegs, as she needed to be, the audience feels sorry for her rather than gloating. Tracy is radiant enough that we understand why George worships her, yet she is down to earth enough that we understand her yearning to be seen not as an object of worship, but as a human being. Hepburn nails both the comedic scenes and the more serious dramatic scenes, with no hint of the desperately-trying-too-hard actress who comes across too often in some of her earlier films. While I obviously still love many of those films, watching this one feels like we’re seeing a Katharine Hepburn who has finally come into her own. There certainly was an element of trying to get the public to like her, but there’s no desperation about it. She gets this character, and knows how to make the audience get her too. I don’t think I could have found Tracy so relatable if she hadn’t been played like that. And listen, I’m thrilled that Ginger Rogers won an Oscar, especially because Hepburn would end up with four and didn’t really need this win, but if I had to pick one single all-time favorite film performance, I can’t think of any that would beat Katharine Hepburn’s Tracy Lord. Although I also have to say that I think Cary Grant’s performance as Dexter is incredibly underappreciated. I’ve said before that sometimes I have trouble taking him seriously in dramatic roles, but this was the ideal blend of seriousness and silliness for him, and he nails every emotional beat. He does an excellent job of showing the audience that he has grown and learned from the mistakes of his first marriage and is ready to move forward with healing his relationship with Tracy, which makes this a much better remarriage story than His Girl Friday, for example. There were a lot of movies made around this time about a divorced couple reconciling, mostly because that was the only way the Production Code allowed the scandalous topic of divorce to be addressed on film, but Philadelphia Story feels different from most of those. It’s more like Pride and Prejudice, if Pride and Prejudice started right after Elizabeth turned down Darcy’s first proposal. Both are about a couple who needed to grow and reflect before they could be happy together. I think those are my favorite kind of romances because they have less to do with attraction, which I don’t really understand, and more to do with trying to become the best version of oneself, which everyone can do regardless of how they feel about romance. Anyway, I’m a little sad that this was the last time Cary Grant and Katharine Hepburn worked together, but I’m so glad they got to make this masterpiece before their careers diverged.

In 1956, The Philadelphia Story was remade as a musical film called High Society, which I watched 12 times. I enjoy that version too, although obviously not nearly as much as this version. It’s a fun romp, and the Cole Porter songs are great, but it doesn’t quite pack the same emotional punch as The Philadelphia Story. Strangely, considering I don’t think anything can touch Hepburn’s original portrayal, my favorite part of that movie is Grace Kelly’s performance as Tracy. She put her own spin on the character and was clearly having fun – probably at least partly because she’d already decided to retire from acting and marry a prince, and was wearing her actual engagement ring in the film. My biggest objection to High Society – and yes, I know I’ve complained about this too many times on this podcast but bear with me one more time – is the age gap between Dexter and Tracy. They’re supposed to have grown up together, but Bing Crosby was 26 years older than Grace Kelly, and their dynamic is just all wrong. The story doesn’t work if Dexter is old enough to be Tracy’s father! Whereas in Philadelphia Story, we’ve got Cary Grant who was born in 1904, Katharine Hepburn who was born in 1907, and James Stewart who was born in 1908. They were all basically the same age! It can be done! John Howard was born in 1913, so he was a bit younger, but I think that works for the way George looks up to and admires Tracy, and still that’s a relatively small gap. Anyway, we can add “getting actors of appropriate ages” to the long list of things The Philadelphia Story did right.

So there we have it. I’ve talked about all of my top 40 most frequently rewatched movies of my first 20 years of keeping track. Thank you so much for listening to all my rambling! I hope you’ve found this entertaining and informative – I know I have. I’m planning to do one more epilogue episode in a few weeks summarizing what I’ve learned from this project, so stay tuned for that if you’re interested. I also have lots of other ideas for movie-related podcasts that may or may not come to fruition, we’ll see. Since I don’t know what the next movie I’ll podcast about will be, I’ll leave you with one last quote from The Philadelphia Story: “We all go haywire at times, and if we don’t, maybe we ought to.”

#the philadelphia story #george cukor #katharine hepburn #cary grant #james stewart #i love this movie so much #this project has been a lot of fun #i'll be back with a conclusions episode soon-ish #but i'm going to take a break first

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autocorrection · 3 months

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barry bluejeans?? in my wheres waldo???

#the adventure zone #barry bluejeans #taz balance

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periwinklemeanderings · 1 year

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50 Short Classics you should try by Ruby Granger (Youtube channel) - A Christmas Carol by Charles Dickens - The Greengage Summer - Animal Farm by George Orwell -Breakfast at Tiffany's -De Profundis by Oscar Wilde - The Stranger/ The Outsider by Albert Camus - Bartleby, the Scrivener by Herman Melville - A Room of One's Own by Virginia Woolf - The Great Gatsby by F. Scott Fitzgerald - The Diamond as Big as the Ritz by F. Scott Fitzgerald - Songs of Innocence and Experience - Macbeth - Alice's Adventures in Wonderland -Fahrenheit 451 - The Hound of the Baskervilles by Sir Arthur Conan Doyle - Narrative of the Life of Frederick Douglass - Ariel by Sylvia Plath -. Picnic at Hanging Rock - The Nutcracker - The Tell-Tale Heart by Edgar Allan Poe - On Murder Considered as one of the Fine Arts - On the Pleasure of Hating - The Metamorphosis by Franz Kafka - The Professor's House - Death in Venice - Meditations by Descartes - Meno by Plato - Hero and Leander - Frankenstein by Mary Shelley - Gulliver's Travels by Jonathan Swift - Nature by Ralph Waldo Emerson -The Ones Who Walk Away From Omelas (and other short stories) by Ursula K. Le Guin - Blithe Spirit -The Woman in Black by Susan Hill - The Problem of Philosophy by Bertrand Russell - Of Mice and Men by John Steinbeck - Oranges are Not the Only Fruit -Don't Look Now (and other short stories) by Daphne Du Maurier - Song of Myself by Walt Whitman - The Secret Garden by Frances Hodgson Burnett - A Little Princess by Frances Hodgson Burnett -The Sandman by E. T. A. Hoffmann -The Waste Land by T.S. Elliot - A Night to Remember - The Painter of Modern Life by Charles Baudelaire - The Yellow Wallpaper by Charlotte Perkins Gilman - Peter Pan by J.M. Barrie - I am David by Anne Holm.

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kwebtv · 8 months

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MacShayne: Winner Takes All - NBC - February 11, 1994

Drama

Running Time: 120 minutes

Stars:

Kenny Rogers as John J "Jack" MacShayne

Terry O'Quinn as Danny Leggett

Wendy Phillips as Hannah Foss

John Karlen as Waldo Church

J. A. Preston as Pete Webb

Richard McGonagle as Dix Guthrie

Robert Guy Miranda as Martin Rome

Jeff Allin as Sheldon Markowitz

Debra Jo Rupp as Alice

Barry Newman as Andy Capasso

Ann Jillian As Miranda Church

Stephen Bridgewater as Charter Clerk

Ray Buktenica as Charlie Dear

(In 1993, NBC attempted to reboot its "NBC Mystery Movie" wheel of the 1970s, which had aired, in weekly rotation, several popular mystery serires, including McMillian & Wife, McCloud, and most famously, Columbo. The new "NBC Mystery Movie" wheel was to be led by the Perry Mason movies starring Raymond Burr, which had proven to be popular over the eight years and 26 movies that had been made up to that point. Staying Afloat starring Larry Hagman was intended to be part of the wheel, as well as movies starring Louis Gossett, Jr, and even Kenny Rogers, the latter playing a ex-con named MacShayne who works as a casino house detective in Las Vegas.

Tragically, after Raymond Burr's death that same year, and the failure of the "Perry Mason Mystery" series that was meant to continue the Mason franchise without him, the new "Mystery Movie" wheel was scrapped.)

#MacShayne: Winner Takes All #TV #NBC #1990's #Drama #Kenny Rogers #Wendy Phillips #Debra Jo Rupp

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byneddiedingo · 1 year

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Ruth Hussey, James Stewart, Cary Grant, and Katharine Hepburn in The Philadelphia Story (George Cukor, 1940)

Cast: Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey, John Howard, Roland Young, John Halliday, Mary Nash, Virginia Weidler, Henry Daniell, Lionel Pape, Rex Evans. Screenplay: Donald Ogden Stewart, based on a play by Philip Barry. Cinematography: Joseph Ruttenberg. Art direction: Cedric Gibbons. Film editing: Frank Sullivan. Music: Franz Waxman.

Cary Grant was a great listener, which is what made him a great movie actor. Just watch how alert he is when someone else is talking (which is almost all the time in The Philadelphia Story), registering his responses with a slight smile, a tilt of the head, a lifted eyebrow. This was the mark of his career for more than 30 years, working with some of the greatest directors in Hollywood history, from Josef von Sternberg in Blonde Venus (1932) to Stanley Donen in Charade (1963), taking in multiple turns with Howard Hawks and Alfred Hitchcock along the way. Is there an actor with a better filmography? And yet, he was nominated for the best actor Oscar only twice, for the weepies Penny Serenade (George Stevens, 1941) and None But the Lonely Heart (Clifford Odets, 1944), movies that only a Cary Grant fanatic need bother checking out. He wasn't nominated for The Philadelphia Story, either, even though his C.K. Dexter Haven is one of his deftest performances. The Oscar went to his co-star James Stewart, for playing Macaulay Connor in the same movie, an award that even Stewart thought was a consolation prize for not winning the previous year for Mr. Smith Goes to Washington (Frank Capra). The great virtue of The Philadelphia Story is the way director George Cukor keeps a large and skillful cast buoyantly aloft, giving Katharine Hepburn her comeback role as Tracy Lord after being labeled "box-office poison" for a series of flops in the 1930s. Hepburn was nominated, too, but lost, rather absurdly, to Ginger Rogers in Kitty Foyle (Sam Wood). The other acting nominee was Ruth Hussey for her delightfully sly Liz Imbrie, a role that should have boosted her career but for some reason didn't. The other Oscar for the film went to Donald Ogden Stewart for his adaptation of the Philip Barry play. Stewart got uncredited help from writer Waldo Salt, which leads to a bitter irony: Both men were blacklisted for their leftist views in the 1950s, even though The Philadelphia Story seems to demonstrate that the very rich sometimes have better values than the working-class Macaulay Connor and Tracy's fiancé, the former coal-miner George Kittredge (John Howard). There isn't a weak link in the cast, which includes the peerless Roland Young as droll and lecherous Uncle Willy, and Virginia Weidler, one of the few child actors one doesn't want to stifle, as Tracy's kid sister, Dinah.

#The Philadelphia Story #George Cukor #Ruth Hussey #James Stewart #Cary Grant #Katharine Hepburn

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toonabby · 15 days

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Q1 (January to March) anniversary recap thread:

Here's a listed of works that celebrated their milestone anniversaries this year and people who celebrated their milestone birthdays that I missed last quarter, as well as works that released this year:

[Note that this draft was made in March 31, but I didn't have enough time to post it, hence why it's here]

1964 and earlier:

Colonel Heeza Liar's African Hunt - January 10, 1914

Gertie the Dinosaur - February 18, 1914

Colonel Heeza Liar Shipwrecked - March 14, 1914

Janet Waldo✝️(Late American voice actress known for portraying Judy Jetson from The Jetsons) - February 4, 1919

Felix Out of Luck - January 1, 1924

Ron Moody✝️(Late British actor, singer, and composer) - Born January 8, 1924

Felix Loses Out - January 15, 1924

Felix 'Hyps' the Hippo, Colonel Heeza Liar's Mysterious Case - February 1, 1924

Felix Crosses the Crooks - February 15, 1924

Felix Tries to Rest - February 29, 1924

Alice's Day at Sea - March 1, 1924

Yanky Clippers - January 21, 1929

Sick Cylinders - February 18, 1929

James Hong (Chinese-American actor known for Mr. Ping in the KFP franchise) - Born February 22, 1929

Bob Uecker (Former MLB player) - Born January 26, 1934

Barry Humphries✝️(Late Australian actor known for portraying Bruce in Finding Nemo) - Born February 17, 1934

Hamateur Night - January 28, 1939

Mickey's Surprise Party - February 18, 1939

Ferdinand the Bull - February 23, 1939

Goofy and Wilbur - March 17, 1939

Jerry Springer✝️(Late American comedian) - Born February 13, 1944

R. Lee Ermey✝️(Late American actor and Marine drill instructor) - Born March 24, 1944

Adventures of Pow Wow - January 30, 1949

Pat Farley (American voice actor for Krang, Casey Jones and Baxter Stockman in the 80's TMNT series) - Born February 18, 1949

Oprah Winfrey - Born January 29, 1954

Shigeru China (Veteran Japanese voice actor) - Born February 4, 1954

James Carter Cathcart AKA Jimmy Zoppi (Retired NY-based voice actor known for portraying James, Meowth, and Pros. Oak) - Born March 8, 1954

Clancy Brown (voice actor for Mr. Krabs) - Born January 6, 1959

Sleeping Beauty (1959) - January 29

Clutch Cargo (1959) - March 9

The Magilla Gorilla Show - January 14

Michelle Obama - Born January 17

Mika Kanai (Japanese voice actress for Vanilla H, Satoko Houjou, and Histoire) - Born March 18

1969:

Mr. Lawrence (American animator and recurring voice actor in SpongeBob SquarePants) - Born January 1

Himitsu no Ako-chan - January 6

Patton Oswalt (American comedian) - Born January 27

Lee Toker (Canadian voice actor for Bling-Bling Boy, The Roach, and Snips) - Born February 11

Paget Brewster (voice actor for Elise Pearson, Della Duck, and Judy Ken Sebben) - Born March 10

Kevin Shinick (producer of MAD) - Born March 19

1974:

Heidi, Girl of the Alps - January 6

Christian Bale (English actor beat known for portraying Batman) - January 30

Vicky the Viking - January 31

Seth Green (American voice actor for Chris Griffin and creator of/recurring voice actor for Robot Chicken) - February 8

Bagpuss - February 12

Kamen Rider X - February 16

1979:

Amigo and Friends - January 1

Julie the Wild Rose - January 4

Battle Fever J - February 3

Josh Keaton (American voice actor for Spider-Man) - February 8

Maryke Hendrikse (Canadian voice actor for Susan Test, Revy, and Gilda) - February 23

1984:

Katri, Girl of the Meadows - January 8

Kaiji Tang (LA-based voice actor for Archer, Fang, and Jinshi) - Born January 25

Cristina Miliza (voice actress for Poison Ivy, Jessica Cruz, and Charlene) - Born February 1

Choudenshi Bioman - February 4

Ian Sinclair - Born March 2

Lupin III Part III - March 3

James the Cat - March 10

Future Boy Conan and Nausicaä of the Valley of the Wind - March 11

Doraemon: Nobita's Great Adventure into the Underworld - March 17

1989:

Marianne Bray (Crunchyroll English dub voice actress for Charlotte Flampe, Mia Christoph, and Ichigo Saotome) - Born February 6

Chip & Dale: Rescue Rangers, Kousoku Sentai Turboranger - March 4

Doraemon: Nobita and the Birth of Japan - March 11

Babar - March 28

1994:

Reina Ueda (Japanese voice actress) - Born January 17

Sonic the Hedgehog 3 - February 2

Where on Earth Is Carmen Sandiego? - February 5

Ninja Sentai Kakuranger - February 18

Dakota Fanning (American actress and daughter of Steve Fanning) - Born February 23

Duckman - March 5

The Busy World of Richard Scarry - March 9

Alan Ituriel (Mexican creator and voice actor for Villainous) - March 10

Doraemon: Nobita's Three Visionary Swordsmen and Dragon Ball Z: Broly - Second Coming - March 12

Super Metroid - March 19

Thumbelina - March 30

1999:

The PJs - January 10

The Brothers Flub - January 17

Super Smash Bros - January 21

Zoboomafoo and Dilbert - January 25

TNK (Japanese animation studio known for School Days and High School DxD) - January 29, 1999

A Little Curious - February 1

Power Rangers Lost Galaxy - February 6

Ojamajo Doremi - February 7

Mario Party (US) - February 8

Final Fantasy VIII - February 11

Kyuukyuu Sentai GoGoFive - February 21

Babar: King of the Elephants - February 26

Joshua David King (Africa-American voice actor and singer) - Born February 28

WonderSwan - March 4

Doraemon: Nobita Drifts in the Universe - March 6

Tarzan of the Apes - March 9

Neo Geo Pocket Color - March 16

Doug's 1st Movie - March 26

2004:

Drake & Josh - January 11

Seven Little Monsters - January 14

Vocaloid - January 15

Teacher's Pet - January 16

Whoopi's Littleburg - January 18

The Koala Brothers, Boohbah - January 19

Kamen Rider Blade - January 25

Winx Club - January 28

The Lion King 1½ - February 10

Power Rangers Dino Thunder - February 14

Tokusou Sentai Dekaranger - February 15

Clifford's Really Big Movie - February 20

Duel Masters - February 27

Tripping the Rift - March 4

Doraemon: Nobita in the Wan-Nyan Spacetime Odyssey - March 7

Game Over - March 10

Scooby-Doo 2: Monsters Unleashed - March 26

2009:

Huntik: Secrets & Seekers, Kamen Rider: Dragon Knight - January 3

The Electric Company - January 19

Wolverine and the X-Men - January 23

Kamen Rider Decade - January 25

Olivia - January 26

Hulk Vs - January 27

RuPaul's Drag Race - February 2

Coraline - February 6

Friday the 13th remake - February 13

Samurai Sentai Shinkenger - February 15

Madea Goes to Jail - February 20

League of Super Evil - March 5

Watchmen - March 6

Doraemon: The New Record of Nobita: Spaceblazer, Power Rangers RPM - March 7

The Amazing Spiez! - March 15

Barbie Thumbelina - March 17

Pretty Cure All Stars DX - March 20

Monsters Vs. Aliens - March 27

2014:

Every Witch Way - January 1

BeyWarriors: BeyRaiderz, Space Dandy, Seitokai Yakuindomo - January 4

Noragami - January 5

D-Frag, Robot Girls Z, Super Sonic: The Animation - January 6

Numb Chucks - January 7

Engage to the Unidentified - January 8

Go! Go! 575 - January 9

No-Rin, Wake Up Girls - January 10

Nisekoi - January 11

Tesagure! Bukatsu-mono Encore - January 12

The Nut Job - January 17

Sheriff Callie's Wild West, The Idolmaster Movie: Beyond the Brilliant Future! - January 25

The Lego Movie - February 7

Barbie: The Pearl Princess, Power Rangers Super Megaforce - February 15

Ressha Sentai ToQger - February 16

Peabody and Mr. Sherman - March 7

Pretty Rhythm: All Star Selection - March 8

Cardfight!! Vanguard: Legion Mate - March 9

Nerds and Monsters - March 12

Pretty Cure All Stars New Stage 3 - March 15

Hyperdimension Neptunia Re;Birth2: SISTERS GENERATION - March 20

Muppets Most Wanted - March 21

2019:

Abby Hatcher - January 1

Dororo remake - January 7

The Rising of the Shield Hero - January 9

The Quintessential Quintuplets - January 10

Kaguya-sama: Love Is War - January 12

The Magnificent Kotobuki - January 13

Gigantosaurus - January 18

Gen:Lock - January 26

Rainbow Butterfly Unicorn Kitty - January 27

Arc of Alchemist - February 7

The Lego Movie 2 - February 8

Doom Patrol, The Umbrella Academy - February 15

Super Sentai Strongest Battle - February 17

Corn & Peg, How to Train Your Dragon: Hidden World - February 22

Tyler Perry's A Madea Family Funeral - March 1

Power Rangers Beast Morphers - March 2

DC Super Hero Girls, Captain Marve, Costume Quest - March 8

Fully Funtasia - March 11

Wonder Park - March 15

Kishiryu Sentai Ryusoulger - March 17

Pokemon the Series: Sun & Moon - Ultra Legends - March 23

Dumbo remake - March 29

Victor and Valentino - March 30

2024:

#txt post

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manitat · 11 months

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Tonći Kožul: Najbolji filmovi 70-ih...

The Adventurers

Aguirre, the Wrath of God (Aguirre, der Zorn Gottes)

Airport

Alice Doesn't Live Here Anymore

Alien

Ali: Fear Eats the Soul (Angst essen Seele auf)

All Screwed Up (Tutto a posto e niente in ordine)

All That Jazz

All the President's Men

Amarcord

American Graffiti

The Amityville Horror

The Amusement Park

The Anderson Tapes

...And Justice for All

Annie Hall

Apocalypse Now

The Apprenticeship of Duddy Kravitz

The Ascent (Voskhozhdeniye)

Assault on Precinct 13

At Long Last Love

Autumn Sonata (Höstsonaten)

The Baby

Bad Company

Badlands

The Bad News Bears

The Ballad of Cable Hogue

Bananas

Barry Lyndon

Battle for the Planet of the Apes

A Bay of Blood (Ecologia del delitto)

The Beguiled

Being There

Beneath the Planet of the Apes

Between the Lines

The Big Boss

The Big Bus

The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo)

The Bitter Tears of Petra von Kant

The Black Windmill

Blazing Saddles

Boxcar Bertha

Bound for Glory

The Boy Friend

The Boys in the Band

Breaking Away

Brewster McCloud

A Bridge Too Far

Bring Me the Head of Alfredo Garcia

The Brink's Job

The Brood

Buffalo Bill and the Indians, or Sitting Bull's History Lesson

Cabaret

California Split

California Suite

The Candidate

Carnal Knowledge

Carrie

The Cars That Ate Paris

Car Wash

The Cassandra Crossing

Catch-22

The Cat o' Nine Tails (Il gatto a nove code)

Céline and Julie Go Boating (Céline et Julie vont en bateau)

Charley Varrick

Chilly Scenes of Winter

Chinatown

Chinese Roulette (Chinesisches Roulette)

A Clockwork Orange

Close Encounters of the Third Kind

Coffy

Colossus: The Forbin Project

Coming Home

The Conformist (Il conformista)

Conquest of the Planet of the Apes

The Conversation

Convoy

Cooley High

The Crazies

Cries and Whispers (Viskningar och rop)

Crimes of the Future (1970.)

Cross of Iron

Cry Uncle!

Daisy Miller

Damien: Omen II

Dark Star

Dawn of the Dead

Day for Night (La Nuit américaine)

Days of Heaven

Death on the Nile (1978.)

Death Race 2000

Death Wish

The Deep

Deep Red (Profondo rosso)

The Deer Hunter

Deliverance

Dersu Uzala

Despair

Desperate Living

The Devils

Diamonds Are Forever

Dirty Harry

The Discreet Charm of the Bourgeoisie

Dodes'ka-den

Dog Day Afternoon

Don't Look Now

Dracula (1979.)

The Driver

Duel

Duelle

The Duellists

Dusty and Sweets McGee

Earthquake

Eaten Alive

Effi Briest

The Electric Horseman

El Topo

The Enforcer

The Enigma of Kaspar Hauser (Jeder für sich und Gott gegen alle)

Enter the Dragon

Equus

Eraserhead

Escape from Alcatraz

Escape from the Planet of the Apes

Even Dwarfs Started Small (Auch Zwerge haben klein angefangen)

Everything You Always Wanted to Know About Sex

Every Which Way but Loose

The Exorcist

Exorcist II: The Heretic

Eyes of Laura Mars

Face to Face (Ansikte mot ansikte)

Family Plot

Fantastic Planet (La Planète sauvage)

Fast Company

Fat City

The Fate of Lee Khan

Female Trouble

Fellini's Casanova (Il Casanova di Federico Fellini)

F for Fake

Fiddler on the Roof

F.I.S.T.

Fist of Fury

Four Flies on Grey Velvet (4 mosche di velluto grigio)

The Four Musketeers

Fox and His Friends (Faustrecht der Freiheit)

Foxy Brown

Freebie and the Bean

The French Connection

Frenzy

The Friends of Eddie Coyle

Funny Lady

Fun with Dick and Jane (1977.)

The Fury

Ganja & Hess

Gates of Heaven

The Getaway

Get Carter

Getting Straight

Get to Know Your Rabbit

Gimme Shelter

The Godfather

The Godfather Part II

Gods of the Plague (Götter der Pest)

The Goodbye Girl

Good Guys Wear Black

Go Tell the Spartans

The Great Waldo Pepper

Grease

The Green Room (La Chambre verte)

Grey Gardens

Hair

Halloween

The Harder They Come

Hard Times

Harlan County, USA

Harold and Maude

The Heartbreak Kid

Heart of Glass (Herz aus Glas)

Heaven Can Wait

Hester Street

High Anxiety

The Hills Have Eyes

Hi, Mom!

The Holy Mountain

Home Movies

Hooper

The Hospital

Husbands

I clowns

Images

India Song

The In-Laws

Interiors

Izbavitelj

Jabberwocky

Jaws

Jaws 2

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

Jeremiah Johnson

The Jerk

Jesus Christ Superstar

Je tu il elle

Joe

Junior Bonner

Kelly's Heroes

The Kentucky Fried Movie

The Killer Elite

Killer of Sheep

The Killing of a Chinese Bookie

King Kong (1976.)

Klute

Kramer vs. Kramer

The Kremlin Letter

The Landlord

The Last Detail

The Last House on the Left

The Last Movie

The Last of Sheila

The Last Picture Show

Last Tango in Paris

The Last Waltz

The Last Wave

The Late Show

Legend of the Mountain

Lenny

Leo the Last

Les Rendez-vous d'Anna

The Life and Times of Judge Roy Bean

The Life of Brian

Lisa and the Devil

Lisice

Little Big Man

A Little Romance

Live and Let Die

The Long Goodbye

Love and Anarchy (Film d'amore e d'anarchia)

Love and Death

Love on the Run (L'amour en fuite)

Love Story

La Luna

Macbeth (1971.)

Magnum Force

Mandingo

Manhattan

The Man Who Fell to Earth

The Man Who Loved Women (L'Homme qui aimait les femmes)

The Man Who Would Be King

The Man with the Golden Gun

The Marriage of Maria Braun (Die Ehe der Maria Braun)

Martin

M*A*S*H

McCabe & Mrs. Miller

Mean Streets

The Mechanic

The Merchant of Four Seasons (Händler der vier Jahreszeiten)

Mikey and Nicky

Minnie and Moskowitz

Mirror (Zerkalo)

Monty Python and the Holy Grail

Moonraker

The Mother and the W*ore (La maman et la putain)

Mother Küsters' Trip to Heaven (Mutter Küsters' Fahrt zum Himmel)

Mr. Majestyk

Multiple Maniacs

The Muppet Movie

Murder on the Orient Express (1974)

My Little Loves (Mes Petites Amoureuses)

Nashville

National Lampoon's Animal House

Network

The New Centurions

A New Leaf

News from Home

New York, New York

Nickelodeon

A Night Full of Rain (La fine del mondo nel nostro...)

Night Moves

Noroît

North Dallas Forty

Nosferatu the Vampyre (Nosferatu: Phantom der Nacht)

Obsession

The Offence

Oh, God!

The Omen

The One and Only

One Flew Over the Cuckoo's Nest

De cierta manera (One Way or Another)

Opening Night

Orchestra Rehearsal (Prova d'orchestra)

Out 1: Noli me tangere

Paper Moon

The Parallax View

The Passenger (Professione: reporter)

Pat Garrett and Billy the Kid

A Perfect Couple

Performance

The Phantom of Liberty (Le Fantôme de la liberté)

Phantom of the Paradise

Picnic at Hanging Rock

Pink Flamingos

The Pink Panther Strikes Again

Play It Again, Sam

The Poseidon Adventure

Predstava Hamleta u Mrduši Donjoj

Quadrophenia

Quintet

Rabid

Raining in the Mountain

The Return of the Pink Panther

Revenge of the Pink Panther

Robin and Marian

Rock 'n' Roll High School

Rocky

Rocky II

The Rocky Horror Picture Show

Rollerball

Roma (1972.)

Saint Jack

Sambizanga

Saturday Night Fever

Schlock

Scrooge

The Seduction of Mimi (Mimì metallurgico ferito nell'onore)

See No Evil

The Sentinel

Serpico

Seven Beauties (Pasqualino Settebellezze)

Shaft

Shaft's Big Score!

Shaft in Africa

Shampoo

Shivers

The Shootist

Silent Movie

Silver Streak

Sisters

Slap Shot

Slaughterhouse-Five

Sleeper

Small Change (L'Argent de poche)

Smile (1975.)

Smokey and the Bandit

Solaris

Soleil Ô

Sorcerer

Soylent Green

The Spirit of the Beehive (El espíritu de la colmena)

The Spy Who Loved Me

Stalker

A Star Is Born (1976.)

Start the Revolution Without Me

Star Trek: The Motion Picture

Star Wars

The Sting

The Story of Adèle H. (L'Histoire d'Adèle H.)

Straw Dogs

Stroszek

The Sugarland Express

The Sunshine Boys

Superman

Suspiria

Sweet Movie

Sweet Sweetback's Baadasssss Song

Swept Away (Travolti da un insolito destino...)

Taking Off

The Taking of Pelham One Two Three

Taxi Driver

Telefon

The Tenant

Tess

The Texas Chain Saw Massacre

That Obscure Object of Desire (French: Cet obscur objet du désir)

Thieves Like Us

The Third Generation (Die Dritte Generation)

Three Days of the Condor

The Three Musketeers (1973.)

Thunderbolt and Lightfoot

THX 1138

Tko pjeva zlo ne misli

Tommy

Tora! Tora! Tora!

A Touch of Zen

Touki Bouki

The Towering Inferno

Tristana

The Turning Point

The Twelve Chairs (1970.)

Two English Girls (Les Deux Anglaises et le Continent)

Two-Lane Blacktop

Two Mules for Sister Sara

Up in Smoke

The Valiant Ones

Vanishing Point

Wake in Fright

Walkabout

Wanda

The Warriors

Watermelon Man

Wattstax

The Way of the Dragon

The Way We Were

A Wedding

West Indies: The Fugitive Slaves of Liberty

What? (Che?)

What's Up, Doc?

Where's Poppa?

White Lightning

Who Is Killing the Great Chefs of Europe?

The Wicker Man

The Wild Child (L'Enfant sauvage)

Willy Wonka & the Chocolate Factory

Wise Blood

The Wiz

A Woman Under the Influence

Woodstock

Woyzeck

W.R. - Misterije organizma

Young Frankenstein

Zabriskie Point

Zardoz

#the best movies of the 1970s

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