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#bauhaus masters
bauhaus-movement · 2 days
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🎂🌟 Today we celebrate the birthday of Ludwig Mies van der Rohe, one of the greatest architects of all time! His groundbreaking minimalist designs and his famous motto "Less is more" have left a lasting impact on modern architecture. Let's remember his impressive masterpieces like the Barcelona Pavilion, Farnsworth House, and the Seagram Building, and continue to be inspired by his vision. Happy birthday, Mies van der Rohe!
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jareckiworld · 8 months
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Wassily Kandinsky (1866-1944) — Transverse Line [oil, canvas, 1923]
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markrothkono61 · 3 months
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bauhaus student/professor ID cards gunta stölzl/margaret leischner/herbert hirche/michiko yamawaki/ selman selmanagić/alma siedhoff-buscher/alfred arndt/ wassily kandinsky
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dark-phantasmagoria · 10 days
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✨Bauhaus phanart✨
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recherchestetique · 10 months
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The Masters on the Roof of the #Bauhaus Studio Building in #Dessau, during the opening of the Bauhaus: Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Wassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl, Oskar Schlemmer. Photo: unknown, 1926. (AI Colorize)
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poetic-poltergeist · 7 months
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According to Obscurify my top listened to song of all time is The Master’s Song (aka Renfield’s song) from the Dracula musical. I’m crying.
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pagansphinx · 7 months
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Gunta Stölzl (1897-1983) was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop, where she created enormous change as it transitioned from individual pictorial works to modern industrial designs. She was one of a small number of female teachers on the Bauhaus' staff and the first to hold the title of "Master".
Bauhaus Artists: Geniuses of Art and Design
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Gunta Stölzl Swiss, 1897-1983) •
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A LOOK AT "THE MASTER IN THE REDWOODS" -- A GERMAN-AMERICAN MASTER POTTER AND HER WORKS.
PIC(S) INFO: Spotlight on Marguerite Wildenhain (born Marguerite Friedlaender), (October 11, 1896 – February 24, 1985), an American Bauhaus-trained ceramic artist, educator and author, photographed at Pond Farm, Sonoma County, CA, c. early 1950s. Plus assorted pottery works by the late, great Marguerite herself.
OVERVIEW: "Another potter whose career exemplifies the international nature of studio pottery is Marguerite Wildenhain (1896 – 1985). She was born in France, to a British mother and a German Jewish father. At age 18, she started work in a porcelain factory, and fell in love with the wheel. One day in 1919, while riding her bike in the countryside, Marguerite happened upon a poster announcing a new school, to be called the Bauhaus. It would be "a new guild of craftsmen without the class distinctions which raise an arrogant barrier between craftsmen and artists." At the Bauhaus, Wildenhain worked with some of the greatest designers of the early 20th century; in 1925, she became the first woman honored as a German Master Potter. She went on to teach at the Burg Giebichenstein University of Art and Design, while also designing commercial ceramics. When the Nazis came into power, Wildenhain and her husband fled to the Netherlands, where they opened a pottery they called shop called Het Kruikje (“The Little Jug”). In 1940 she had to flee the Nazis yet again, this time to emigrating to the United States
PART II: Wildenhain briefly took a position at the California College of Arts and Crafts, then in 1942, relocated to the new Pond Farm artist’s colony in rural Sonoma County. High on a hill above the Russian River, she planted a garden, built a house, and repurposed an old barn into her pottery studio. Over the next 40 years, Wildenhain would create an extraordinary body of work here, while also teaching students from around the world. Her students learned to throw on the physically-demanding kick-wheel, and started by making a dog dish! In between sessions, they discussed philosophy, natural history, and how to run a business; many went on to become important potters in their own right. Now part of the Austin Creek State Recreation Area, Wildenhain’s studio has been designated a "National Treasure" by the National Trust for Historic Preservation."
-- HAND OR EYE, "What is Studio Pottery?," written by Martin Holden
Source: www.sfomuseum.org/exhibitions/potters-life-marguerite-wildenhain-pond-farm, https://handoreye.com/journal/studiopottery, X, Pinterest, various, etc...
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rrking · 24 days
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Dances to Bauhaus Ascended Astarion picking up a couple of other 'brides' along the way has been living rent free in my head... Some NSFW my slimes😏 also I made up a LOT of shit I don't know my DnD m'kay
Imagine it, you are his consort, his undying love, his... Most treasured property. But you're becoming a little unruly for his tastes.
So long being with the same man whose mind is turning to ash before you has proven to be difficult. Your relationship is toxic. It's like he doesn't remember who you are. You're just 'his consort.'
Of course, you become defiant. Small things at first, like denying him kisses, refusing to sit on his lap in front of his court...
This dynamic is cute at first. He spends time chasing you.
It works for a while. Vampire brides are known to be tossed aside by their masters, eventually - Due to their insatiable, nymphomatic lust and utter devotion to the point of irritation. Basically, many are discarded by their masters when they are no longer 'fun' to deal with. I fully made this up lmao wtf... Astarion promised this wouldn't be so between the pair of you when you allowed him to turn you. How time changes a person.
His arrogant behaviour becomes so repulsive, you start declining his more serious advances - to prove a point. He wants to control you fully - But that isn't going to happen. He would not dare discard you, not the person who was by his side all these years. There is a level of obedience you are willing to show, since you are so devoted to him, but you will not be controlled like a porcelain dolly.
You're so old now you often forget what you're fighting about... Until he comes home one day with that THING. It's younger than you. So obedient, like a little lapdog. He demands their kisses all day, in front of you. This creature disgusts you and he is only doing himself absolutely dirty.
"Yes milord. No milord. Of course, milord." It's incessant whining for your husband whilst he fawns over it as it rests on it's knees makes your skin crawl.
This dynamic starts off as a bit of a competition, but once he recruits another one - it's on sight.
"Be more like your sister(s)/brother(s)..." Astarion tells you with that wicked smirk. They are no sibling of yours. They are your prey, and he can look forward to waking up to a severed head on his silken bed if he dares to take things further.
It is actually a long time before any sort of sexual intimacy is even introduced. But after being denied your body three nights and four mornings in a row, Astarion is fed up. The horny howling of that brat makes you seethe. He already ruined you for anybody else. How dare he go and besmirch another when you were already his to begin with.
This is only a temporary fix, however, since you are his favourite. The sex is nowhere near as good or as passionate as it is with you. He can't achieve absolute bliss like he does with you, and this new toy is fun until it wants cuddles... No. That's reserved specifically for the consort™️
He is not actually satisfied. He loves you, whether he cares to admit it or not. Unfortunately, the way your relationship appears is totally skewed, due to his inability to separate obsession from love and the total resentment you have grown into.
These other brides are merely toys. He will eventually grow tired of them. They serve one purpose. You do not. You are his dark consort. You get away with things they could only dream of.
When you do agree to sleep with him again, on your terms of course, you are sure to be as public as possible. You want the entire palace to know how you make him feel. Only you get those delicious moans out of him, his complete spend, his dangerous cravings for more. Best believe when he's balls deep in those brides - He's seeing your face.
The other brides look at you in absolute awe. Who is this beautiful holy being before them?
Astarion cannot be more pleased when you agree to intimacy again. Whilst he would love nothing more than to fuck you all day, he finds himself compromising - if it means he can keep his sweet consort.
However, when he acquires a third bride, this is when your murderous tendencies begin. You want to attract his attention, but you want to do it in front of the other brides. Killing his subjects, disobeying him and escaping punishment in front of those sorry excuses for playthings... Silly little things, but you begin to take enjoyment in killing after a while.
The other brides kneel and worship him, begging him not to take out his displeasure on them as you sit scowling on his lap. Astarion is becoming absolutely vexed by this behaviour. All he desired was for his consort to sit on his lap and accept some affection - So why are his lips kissing you so greedily all over your face and lips to receive nothing in return? The vampire growls lowly when your mouth doesn't move in reaction to his.
"Misery doesn't suit that pretty face of yours, my dear..." he snarls. There is still no reaction when he bites the fatty part of your lower lip, drawing blood... No moaning when he kisses your neck exactly how you like it. Not even pathetic namecalling or fighting back as he marks you. Just plain, spiteful silence.
The brides look on in disgust. Had one of them done that, he would have had them flogged. Punished in the worst way possible. When you notice their distaste for the situation, a grin blooms on your lips. Justice.
"Leave us," is the next command from his lips. Oh. It seems he wants to deal with you in private. His pets file out, huddling at the door to listen.
How they gasp and look between themselves in horror when you receive a chance to redeem yourself. On your knees, gazing up at him, caressing his thighs as you tell him, "you know that I would do anything for you, darling..."
Manipulating Astarion in these sorts of situations is surprisingly easy. He's whipped.
One thing that never fails to get him instahard is watching your mischief. (Usually.)
You had been feeling rather generous today, finding yourself sat on his desk as his mouth explored your other pair of lips beneath your skirts/your length beneath his cape. A scout comes running in, failing to knock first. The lustful visage on your face being seen was no bother to you - but something isn't right when Astarion merely lets it slide. What is he doing? Pathetic.
Disappearing into thin air, you reappear behind the spawn, frightening him out of his skin. In your hand is Astarion's dagger, from the belt of his own trousers.
Little minx. When did you pinch that?
"What is your name, darling?" you coo, a playful grin on your features as you circle him hungrily.
"E-Edgar... Milady/Milord..." is the reply.
"There's no need to be frightened of me." There is every reason. You're like death on legs. Astarion rolls his eyes, asking you to leave the poor thing alone. He was told earlier to come and report at this time - you were serving as a distraction.
Nonsense, you think. In one swift motion, the dagger is against the spawns throat from behind.
"Edgar, darling. Tell my husband why I should spare your life... Beg for it."
He babbles and bitches, struggling to come up with excuses beyond sheer foolishness. They're all so frightened of you. It's intoxicating. The way you can clear a room with just a look. How you can influence others to just get things done.
Of course, your man asks you once again to let go, let him be for god's sake. Y/N you're scaring the bitches
With a quick slice, scarlet blood paints the floor and your body, dressed in white. This poor spawn is holding his throat with dismay. He'll be fine. If not a little traumatised.
Licking the blood from the dagger, you can't help but bite your lip with a grin, offering the other side to your husband. This will remind him why he keeps you.
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pazzesco · 7 months
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Anni Albers - Variation on a Theme - 1958 - Abstract Textile Art
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Anni Albers in her weaving studio at Black Mountain College in 1937.Credit…Helen M. Post, via Western Regional Archives, State Archives of North Carolina
LONDON — When Anni Albers was 91, she received an honorary doctorate from the Royal College of Art here in 1990. A ceremony was held nearby at The Royal Albert Hall, so solemn that a friend of hers joked that the venue deserved to be renamed “The ‘Royal Albers Hall.”
Ms. Albers attended the festivities in a wheelchair and accompanied by a nurse, but the textile artist stayed through the three-hour ceremony and collected her award for a lifetime of achievement.
As she was being wheeled out of the hall after the ceremony, Nicholas Fox Weber — the executive director of the Josef and Anni Albers Foundation in Bethany, Conn., and who recounted the episode — asked her how she felt.
“Those were the most boring three hours I ever spent,” came Ms. Albers’s deadpan reply.
“Anni shot straight about everything,” Mr. Weber said in an interview. “She was focused, independent — a brilliant artist and totally funny.”
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Anni Albers - Red & Blue Layers
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Anni Albers - South of the Border, woven cotton and wool, 1958.
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Anni Albers - "Intersecting" - 1962
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At the Bauhaus, where women’s choices for study were limited, the aspiring artist ended up in the weaving workshop. “I heard PAUL KLEE speak, and he said to take a line for a walk, and I thought, ‘I will take thread everywhere I can,’ ” she once told Nicholas Fox Weber, executive director of the Albers Foundation.
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“She was very cerebral,” says Danilowitz, who knew the artist personally, “and weaving is very technical. It’s a lot like engineering, so it was a natural fit for her.” The Bilbao exhibition includes several of her black-and-white mathematical grid diagrams for weavings, including checkerboards in various scales and houndstooth-like patterns.
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At the Bauhaus, Anni met and married fellow student JOSEF ALBERS, who would later become a celebrated color theorist and painter. His “Homage to the Square” paintings, which explored the relationships between colors, are now considered modernist masterpieces, and his 1963 book Interaction of Color is an essential text on color theory. After graduating in 1930, Anni and Josef both became teachers at the Bauhaus, but when the Nazis came to power, the school was shut down. In 1933, fleeing the Nazis, the couple emigrated to the U.S., where they both became teachers at Black Mountain College, in North Carolina.
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Anni Albers - “Red Lines on Blue” - 1979, Rug designed for Modern Masters Tapestries
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Anni Albers -Rug - 1959
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bauhaus-movement · 2 months
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“There is no must in art because art is free.” Wassily Kandinsky
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jareckiworld · 21 days
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Georg Muche (1895-1987) — Landscape with Snail and Spider [oil on canvas, 1950]
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mybeingthere · 1 year
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"The great textile artist Anni Albers found weaving by accident.It was 1922, and Albers had just been accepted into the Bauhaus, the pioneering school in Weimar, Germany, whose lofty goal was to spread aesthetically rigorous, functional art and design across the globe and make it accessible to all, regardless of wealth or class." 
Read more https://www.artsy.net/.../artsy-editorial-bauhaus-master...
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cuntess-carmilla · 2 years
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Goth aesthetic + music playlist series masterpost
For those interested in getting into goth music, I've built 9 playlists total with 15 songs each all surrounding common goth aesthetics so there's a bit of everything that tends to attract people to our subculture. Each playlist title links to its YouTube playlist.
The individual posts with the tracklists detailed are in this tag.
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Trad goth 🦇 aesthetic and music
What started it all, straight out of the 1980s. Punk Rock gone spooky, androgynous, melancholic, experimental and often campy.
Lots of Post-Punk with a dash of Gothic Rock.
Featuring: Xmal Deutschland, Ausgang, Sisters of Mercy, Bauhaus, Blood & Roses, The Cure, Specimen, Play Dead, The Birthday Party, Skeletal Family, Sex Gang Children, Cocteau Twins, The Wake (UK), Virgin Prunes, Look Back in Anger.
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Romantic goth 🌹 aesthetic and music
The exquisite agony of melancholy, the theater of grief, the elegance of a frail dying maiden and the intensity and beauty of all emotions.
Mostly Ethereal Wave, Darkwave and Gothic Rock.
Featuring: London After Midnight, Lacrimosa, Sopor Aeternus, Faith and the Muse, The Shroud, Mors Syphilitica, Lycia, Corpus Delicti, Requiem in White, Diva Destruction, Two Witches, Mephisto Walz, Die Laughing, The 69 Eyes, Witching Hour (UK).
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Fetish goth 🖤 aesthetic and music
The sensuality of leather and latex, the bell-like sounds of chains, and the sweet cruelty of your master reflected in sensual synths or thrilling guitars.
Mainly Darkwave with some Gothic Rock and Post-Punk.
Featuring: Umbra et Imago, The Mission, The Eden House, Athamay, Bauhaus, Boy Harsher, Quasimodo, London After Midnight, Wisborg, Two Witches, Dark, Fields of the Nephilim, Pink Turns Blue, Her Despair, Merry's Funeral.
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Vampire goth 🍷 aesthetic and music
Some launch themselves into their bloodlust with glee, some bemoan their damnation, but what truly matters is that they're hot either way.
Mainly Gothic Rock with some Darkwave and Post-Punk thrown in.
Featuring: Inkubus Sukkubus, Bauhaus, Blutengel, Two Witches, Haunt Me, The Damned, Sopor Aeternus, Immortalis Amor, Lestat, Gothic Sex, La Procesión de lo Infinito, Paralysed Age, Nosferatu, Selofan, Angels of Liberty.
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Cyber goth ☢️ aesthetic and music
Cybernetic horror, machinery and humanity blurring boundaries, and a dark undeground floor to dance the futuristic dystopia away.
This one is nothing but synth-heavy Darkwave.
Featuring: Diary of Dreams, Light Asylum, Bedless Bones, Cold Cave, The Frozen Autumn, Collide, Two Witches, Hante., Android Lust, Diva Destruction, La Scaltra, Ego Likeness, FrightDoll, Neon Zoo, Boy Harsher.
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Deathrock 💀 aesthetic and music
Goth's American sibling! If Post-Punk is gloomy and eerie, Deathrock is brooding and spooky. If Gothic Rock is vampires and witches, Deathrock is zombies and werewolves.
This playlist is all Deathrock.
Featuring: Chants of Maldoror, Bloody Dead and Sexy, Eat Your Make-Up, Morticia, Bat Nouveau, Phaidia, Cinema Strange, The Naked and the Dead, Requiem in White, Cemetery, 45 Grave, The Cemetary Girlz, Katzenjammer Kabarett, Spiritual Bats, †13th Moon†.
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Kinder goth 🍬 aesthetic and music
What's creepier than the sound of a haunted music box and the echo of laugh of a child? Cuteness and goth are not mutually exclusive, this style proves it.
Ethereal Wave, Darkwave and Post-Punk more or less on equal meassure.
Featuring: The Cure, Switchblade Symphony, Faith and the Muse, Bella Lune, binzatina, The Birthday Party, Lycia, Cinema Strange, Virgine Dramatica, Sopor Aeternus, Collide, Mors Syphilitica, Katzenjammer Kabarett, Drab Majesty, SRSQ.
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Witchy goth 🎃 aesthetic and music
The figure of the witch has always been of interest to goths; be it due to us having a large neo-pagan population, our fascination with the occult, or simply sympathy for the witch.
A balanced combination of Gothic Rock, Ethereal Wave and Darkwave.
Featuring: Inkubus Sukkubus, Faith and the Muse, Boy Harsher, Nosferatu, Pretentious, Moi?, Switchblade Symphony, Sopor Aeternus, La Scaltra, Two Witches, Die Laughing, Lycia, Rosetta Stone, Chants of Maldoror, Witching Hour UK, The Mission.
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Macabre goth ⚰️ aesthetic and music
Not all goths are obsssed with death... But these ones are! Isn't that the reasonable end to dark romance? The eternity of death, the painlessness of death, the mystery of what's beyond it.
A well balanced mix of Ethereal Wave, Gothic Rock, Darkwave and Deathrock.
Featuring: Sopor Aeternus, Angels of Liberty, A Covenant of Thorns, This Burning Effigy, Paralysed Age, Ghosting, Dead Souls Rising, Soror Dolorosa, Chants of Maldoror, Faith and the Muse, Witching Hour UK, Cinema Strange, Shadow Project, Lestat, Twin Tribes.
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imnotavamp1r3 · 2 months
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♡ A guide to emo, goth, and scene! ♡
So since I see a lot of confusion over certain subcultures are and the differences between them, I thought I would make somewhat of a master post basically outlining the characteristics and differences of three aesthetics that I see misinterpreted a lot. If I do at any point get something wrong, feel free to correct me because I really don't intend to spread misinformation.
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🎀 Emo
Emo is a music based subculture that first emerged in the 80s out of the hardcore scene. The name emo came from the music genre emocore, which was short for emotional hardcore. The fashion is typically pretty casual, with some staples being straightened and teased hair with a sideways fringe, black clothing, band shirts, arm warmers, sneakers, skinny jeans, fishnets, arm warmers, wide leg pants, studded belts, and merchandise from various properties like Emily The Strange, Nightmare Before Christmas, and Ruby Gloom.
Since the early days of emo, the music in the subculture has expanded outside of hardcore and post-hardcore, and has since gone on to include alternative rock, horror punk, metalcore, pop punk, and screamo. Some of the most prominent artists in the scene are Avril Lavigne, Blink 182, Fall Out Boy, Green Day, My Chemical Romance, Panic! at the Disco, Paramore, Pierce The Veil, and Sleeping With Sirens.
Since the subculture is mainly music based, fashion is not as important to being considered part of the scene. Therefore, not dressing in a specific way while listening to the music wouldn't make you a poser, but dressing emo while not listening to the music would. What is not considered emo is listening to a random genre of rock music. Bands like Metallica and Nirvana, while enjoyed by many emos, are not emo bands and therefore don't make someone emo. Furthermore, I can't believe I need to say this, but, contrary to what many people seem to think, kawaii people are also not emo. While it is common for kawaii people to listen to metal and other heavy music genres, their style is not at all similar to emo and they don't consider themselves as part of the subculture either.
🎀 Goth
Goth is probably the oldest subculture here, with it dating back to the 70s English punk scene, with bands like Siouxsie and the Banshees and The Cure pioneering the culture. The post-punk band Bauhaus' debut single 'Bela Lugosi's Dead,' a song inspired by the famous horror actor Bela Lugosi, who portrayed Dracula in the 1931 film adaptation and also starred in White Zombie which is a film that's typically referred to as the first zombie movie, is often considered the first gothic rock song.
Goth is a subculture with many different sub-subcultures. Some of the most popular are batcave, bubble goth, cyber goth (formerly referred to as gravers), death rock, mall goth (formerly known as spooky kids), nu goth, romantic goth, steampunk, vampire goth, and, my personal favourite, gothic lolita. Contrary to what many people think, I don't consider aesthetics like pastel goth (which I do love) to really be a part of goth since it doesn't have roots in goth. Obviously I'm not going to go over every substyle because that would take way too long and would have to require its own post, but some common staples in most of these styles is lots of black, horror-inspired imagery, very big teased hair, black or red lipstick (red was the most common in the earlier days), and very pale almost white skin. Therefore, e-girls and emos (e-girls especially) are not goth. Also, the fetishisation of the 'big tiddy goth girlfriend' is very demeaning and offensive to goths, as well as just not funny at all because of how it objectifies and reduces them to simply walking breasts who wear black.
Goth music is, in my opinion, some of the most accesible and palatable alternative music. The most popular genres are dark wave, electronic rock, gothic rock, industrial metal and rock, new wave, and post-punk. Some of the most popular bands are Bauhaus, Evanescence, Joy Division, Marilyn Manson, Rammstein, Siouxsie and the Banshees, The Birthday Massacre, and The Cure.
🎀 Scene
Scene is an aesthetic that originated in the 2000s on the website MySpace as a derivative aesthetic to emo. Many scene kids were considered emo posers because of their unconventional style and the music they listened to, which included genres ranging from crunkcore to metalcore, often being considered 'trashy' by other subcultures. Despite all of the hate towards scene kids, many embraced their label and many of the most popular people in the subculture started being known as scene queens who are also often credited as the first influencers. This included people such as Ambrehhhisdead, LedaMonsterBunny, and Melissa Marie Green.
Some staples to the style are colourful clothes, straightened and teased hair with colourful raccoon hair extensions, the scene swoop fringe, brass knuckles or diamond necklaces, bows, leopard print, zebra print, colourful shorts, tutus, tight clothes, sunglasses, knee high converse, band shirts, and merchandise of characters like Gir from Invader Zim, Gloomy Bear, and Hello Kitty. Personally, I would consider the modern rendition of scene, scenecore, to be a different aesthetic that, while it is pretty similar to scene, typically borrows from aesthetics like glitchcore rather than emo or mcbling.
Scene music is pretty diverse in what it provides, as it ranges from very heavy genres such as deathcore and metalcore to more pop and rap adjacent genres like crunkcore and neon pop. Some of the most prominent artists are 3OH!3, All Time Low, Asking Alexandria, Blood on the Dance Floor (unfortunately), Bring Me The Horizon, Brokencyde, Cobra Starship, Dot Dot Curve, Jeffree Star, Ke$ha, Metro Station, and Millionaires. A lot of the music is known to ignore many of the typically conventions of music, with the lyrics often containing themes relating to partying and sex.
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That's it, byeeeee! ˚。⋆୨୧˚♡
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ghoulgeousimmaculate · 7 months
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Hello, sorry I didn't know if a request would be okay, but I just need a Possessive!David x FEM!reader. You are an amazing writer for the fandom and I enjoy your writing!!
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David just for you! ♡♡♡♡
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Possessive!David x Female!Reader 18+ MDI (Dark Fic) — Hypnosis/Mind Control and Forced Turning
All Rights Reserved. Please Do Not Copy, Plagiarize, or Reproduce.
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Like a marionette on a string, David manipulated your body, bending it to move of his will. You swayed with vacant and glazed eyes, mindlessly gliding to the haunting tempo of 80s post-punk. 
A tear rolled from the inner corner of your eye, trailing down your nasal labial fold, over your red-stained lips and blood-stained jaw.
The beat. 
You couldn’t stop moving. Couldn’t stop wantonly rolling your spine and swaying your hips as you sinfully danced for Daddy. 
Your mind screamed at you to stop—to take control and override your master’s power. 
But you couldn’t. David was too strong. 
Your voice was trapped in your throat—a sickening lump that made the mucosa stick together like cling wrap. You were nauseous; your stomach was queasy from the putrid feast of thick century-old ichor sloshing around in your innards. The curse of vampirism oozed through your stomach lining, leaking into your veins and tainting your very being.
The balls of your stilettoed feet ached, begging to be relieved from the pressure, the pain from the bleeding callouses that your macabre waltz caused.
You were a slave to the rhythm. To David’s perverted and possessive whims. 
All because you threatened to leave…
To return to your family on the East Coast. 
“Daddy, please,” you whispered into the malignant labyrinth that was your lover’s mind. “I’m sorry! I’ll stay….”
A smirk formed on David’s lips—a teasing expression of triumph and sadism that chilled you to the bone.
“I know you will, my sweet,” David taunted. “Because Daddy’s NEVER letting you out of his sight….AGAIN.”
A pained sob echoed in his mind, and David chuckled, leaning back in his wheelchair to watch the show. The salacious production he was director of. He pulled his zippo and a pack of menthols from his pocket, lighting up and taking a drag, the cherry burning bright in the shadowed, dimly lit cave. 
David smoked, and you twirled to Stigmata Martyr by Bauhaus, the living embodiment of a gothic beauty draped head-to-toe in black lace. Buxom. Undead. And all his for eternity. 
You couldn’t fight. You couldn’t scream. You couldn’t do anything. 
All you could do was dance for his pleasure….
Until the glowing rays of sunlight peaked through the cracks in the weathered stone.
FIN.
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Taglist:
@misslavenderlady @britany1997 @6lostgirl6 @the-faceless-bride @dwaynesluscioushair @bloodywickedvamp @mickkmaiden333 @bezinful @thelegendarydarcylewis @pixielostboy @american-idiot-jpg @vampirefilmlover @bigcreatorwombatdreamer @princessmads1820 @otaku1872
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