There isn't much discourse about how Mike went from saying that El was a weapon in s1, even encouraging the others to use El's powers when she was still recuperating after finding Will in the void, to then in s3 accusing the others of being reckless with her powers, saying she's risking her life for no reason.
Now, I want to make clear that I'm not bashing Mike here, this has less to do with what he's doing being right or wrong. What this is about is how Mike went from doing something himself, to calling out other people for doing it, without acknowledging that fact and why the writers chose to frame it all this way.
You might think it's insignificant, but these two following scenes are clearly being paralleled to each other. And so the fact that Mike himself is acknowledging this as something to be critical of, makes me wonder what exactly is going on in his mind...
I want to preface this scene from s1 by saying that Mike is giving very off vibes here. I know that I certainly viewed this scene as romantic the first time I saw it, but since rewatching it recently, I was getting completely different vibes.
They literally make a point to focus on Mike being distracted, on the verge of impatience. Then, the way El reacts upon Mike getting up abruptly, gives this feeling of uncertainty about Mike's consideration for her in this moment, as she's clearly not what's on the top of his mind right now. And it just makes you wonder, are we truly supposed to be feeling peak romance rn?
I never realized how out of place this scene was until now (or is it...). It's just such an odd choice to have El resting her head on Mike's shoulder for comfort, only for Mike to cut it short with him being distracted, and with Dustin and El looking awkwardly at Mike like "Okay?...", then followed by a scene where he's trying to convince the others to use El's powers to help.
Here we have s1 Mike displaying behavior that s3 Mike was calling out the others for displaying:
Here we have Lucas, who was very, very critical of El being dangerous ALL of s1, and yet now in complete contrast to that, he is showing more consideration and common sense for El's well being than Mike, the supposed love (at first sight) interest ...
'That's the most important thing, remember?'
A question, followed by Mike just standing there in silence, like he's only just now really thinking about El being safe as their main priority... This is something that combined with everything else unfolding over the course of this season and the seasons after, that makes Mike's behavior a whole lot easier to understand.
I'll have to make several other posts about this, because there are a lot of aspects to it, but for now I'm just going to focus on these two parallels.
Here we have what happens in s3, with Mike being critical of the others doing something he himself literally did in s1:
In fact, how careless all of you are.
THIS. When Mike makes it a big deal to call out everyone for doing something he himself has already done, he's outright admitting that it's something that he believes is wrong, and by not even slightly acknowledging his role in doing something similar in the past, it's very likely that he feels guilty about it.
This was probably his way of trying to make it right, by standing up for El in a way that he didn't before because he was treating her like some superhero and not a real person back then.
It's just that the word love slipped out, in the heat of the moment. And El, upon overhearing this, is seeing this development of Mike herself, with s1 Mike going from, yes being more kind and considerate than the other 2 boys in the beginning, but still sort of expecting stuff from her without her being able to verbally agree to it, to now having developed and changed to saying that one of his big priorities is her safety.
El is taking this as being evidence he went from not loving her, to loving her. Another reason why it's pretty obvious El didn't believe Mike's monologue, bc she herself witnessed Mike develop his apparent romantic feelings for her over time, and so him saying it was love at first sight, was probably the catalyst that made it abundantly clear to her that he wasn't being truthful, bc she knows it's not the truth. She's not stupid.
Again this isn't about Mike doing this back then or even the others doing it now as being bad vs. good, this is about the writers going about it this way, sending a message that Mike feels guilt, enough to try to make things right, but is apparently not ready to unpack the actual guilt that is beneath the surface which lead him to this point.
And then there's this scene, which... it's actually terrifying how obvious it is they instructed Sadie and Caleb to lean out of that shot with Will and Mike reacting to El entering the room... Like... It's SOO obvious when you watch it now what they're trying to hint at without saying it.
Not only are they hinting at Will's feelings, because that is part of it, they're also hinting at Mike's internal struggle. Will is always on the back of his mind whether he's willing to address it or not. And all while that is happening, he is feeling unaddressed guilt about how he treated El when they first met and spent that one week together helping her run away from the bad guys while also looking for Will, something Mike viewed as being worthy of El using her powers...
I'll have to make the other posts regarding this soon, because it all starts to click what's going on with Mike when you look at all of these things together.
While Mike is just a kid like pretty much everyone else in this story, and while he didn't mean any harm by asking El to help them find Will (none of them did), I think that's kind of the whole point?
I think that he got lucky superman landed on his doorstep, who just so happened to be in danger herself, giving him his own purpose to help her too, with her needing him as well, and so it became a situation where they both needed each other.
But because El could literally not speak, it's not like she could really voice her feelings about things they were doing, beyond yes and no. She had Lucas sort of being critical of her, with Mike encouraging El to do things that would make the others see her as being worthy of sticking around so they can find Will. It goes without saying she felt obligated to do these things, even if they didn't outright tell her she had to or else. We literally see almost all of these scenes with her doing stuff for the others being instantly juxtaposed with scenes of Brenner doing the same. It's not the same scale of severity, but it is an acknowledgment that although she is outside of the lab, she still feels like her powers are what define her and it's all people want from her.
I think what it comes down to, is that in that moment when she is sacrificing herself to the demogorgan at the end of s1, we are seeing in real time Mike realizing what he and the other's have been asking of her this whole time, without outright asking her.
And you can literally see the retaliation and devastation hit him all at once. The instant regret, where he's backtracking and El stops him from even trying.
'Goodbye Mike' singles him out, because while he was the one out of the three that showed her the most kindness from the start, he was also the one who at the end of it all, was still expecting her to risk her life for them...
And that just makes it hit so much harder when you think about how that made Mike feel in that moment.
And then in s2 how that impacts Mike and his journey going forward.
His breakdown at the end of s2 upon her return.
His behavior in s3-4, in relation to him juggling his relationship with Will and El, now that they are both in his life at the same time.
It all starts to make sense.
I won't go too much into it because those other posts are bound to be long with a bunch of pictures too!
But on that note, there's at least one thing Mike isn't acknowledging, and it's literally what led up to the unintentional love confession that then led us to 10 more episodes of miscommunication because of it...
It's going to be important for him to address this guilt for him to fulfill his arc and to also close off his expectations that he has to have a romantic relationship with El in order to keep her in his life at all.
The audience themselves seeing this and being forced to face it is also going to make it a lot easier for them understand why Mike did what he did, not only because he's a queer kid in the 80's who has every reason to doubt and repress, but also because he understandably feels sort of indebted to El after everything.
It's more complex than him just falling out of love with her and falling in love with Will because of XYZ.
I think there is a lot of guilt and shame and trauma connected to their meeting and the events that followed. And addressing that is going to give a lot of closure to the ending of the story and also the beginning.
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i think it'd be really funny to write a crossover specifically between the latest three TMNT series bc the ingenuity and bold new directions of Rise and Mutant Mayhem leave 2012 - the one that's most faithful to the previous lore - looking like the odd one out.
because, like:
-Rise and MM both have the turtles explicitly call Splinter "dad", while 2012 sticks with the traditional "Master Splinter."
-Rise and MM both have a Splinter character who is neither an ex-martial arts master or Japanese, and in fact barely knows how to do martial arts in general, whereas 2012's Splinter follows the comic origins (a native Japanese man and trained martial artist).
-2012's Splinter also features a backstory element the Rise and MM versions don't: being explicitly related to Shredder.
-Rise and MM both have black/poc Aprils who are fairly similar in both personality and vibes, which makes 2012's April (who's the traditional redheaded version with the same basic "action girl who hangs out with the turtles" template but whose character traits are notably different) stick out uncomfortably in comparison.
-Rise and MM both show Raph as an easily excitable tank, while 2012's Raph is deeply rooted in the cynical guy with a temper from earlier incarnations.
-2012 gives the turtles genuine beef with each other (most notably Leo and Raph fighting over the leadership position). Rise and MM completely handwave that and all of their turtles are chill with each other outside of typical brotherly scrimmages.
-Rise and MM both portray the turtles as unusually skilled novices who win most of their battles by fucking around and finding out, while 2012's turtles are trained fighters with child soldier undertones and the mindsets to match.
i'm not saying there's a sharp divide between 2012 and the other two (there isn't) or that 2012 doesn't share anything with the other two shows (it does), but if you put all three casts of characters together and had them compare their own lore, i think the 2012 characters would seem like weirdos/odd ducks compared to the Rise and MM, which is very funny to think about bc they're the only one of the three who are actually like. recognizably drawing on the characters and concepts of its predecessors.
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Bit of a rant here we go!!!!
PSA to any Redacted fans that follow me:
I do not keep up with anything in the fandom anymore for this reason, so just know that I will not be listening to a single complaint about any future redacted fanart of mine unless it’s a genuine design critique
I literally do not care that you get upset over a non-visual character being portrayed as a certain race, ethnicity, gender, or body type. Each of us have our own interpretations and that it the beauty of being an artist in the ASMR/Audio drama community space. So, if someone drawing a gendered listener genuinely triggers a trauma response in you? That’s on you, not the artist.
If you genuinely believe that artists making their own versions of these characters is actively harming you, and you find yourself having meltdowns over it? You have an incredibly unhealthy attachment to this media. Either you’re a lonely middle/high schooler who’s anxious about your future, or you’re an adult who uses these audios to unhealthily cope with your own stress.
Audio dramas are made for the sole purpose of inviting one’s imagination into the story taking place. And while they can be used as a quick-fix to relax, if you can’t fathom that other people have their own versions of the story, it is not their job to fall to their knees and ask for your forgiveness when you start projecting your discomforts/insecurities onto their personal work.
I’m calling out RedactedASMR fans specifically here because I genuinely cannot believe so many of you are as miserable as you are in this fandom. Leave artists alone. Leave writers alone. And especially? Leave Erik alone
I stg he literally makes these audios because they’re *his* passion project, and yet EVERY episode there’s like 50 of you complaining about how you had a panic attack because of a hyper-specific trigger that genuinely would not happen if you learned to properly cope with your own personal issues. He slaps so many content warnings on his work so you guys won’t be distressed, and yet you listen to it anyways and get butt-hurt when it actually bothers you.
Listen y’all can be absolutely amazing, but there’s a reason why Erik doesn’t interact with any of you anymore. I’m sorry that you went through however tough of a life you’ve had, but that is not any of our faults. Leave the artists and writers alone dude. Block them if you seriously need a clean FYP, but don’t make your personal struggles our collective problem
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