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becdoesbiomed · 3 years
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It’s burnout hours, my dudes. 
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reylorabbittrail · 4 years
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Long, Barely Coherent Thoughts about The Rise of Skywalker
Since some of you wanted to hear my thoughts about “The Rise of Skywalker”, I’ve taken some time to write them up and provide context for why I responded the way I did.
A small preamble: I didn’t hate it. Hate is a strong word. And there were moments that I liked. Some that I even loved. However, the aggregate feeling for the movie overall was disappointment. For certain elements, it went beyond that into something genuinely painful and I don’t think that will make sense unless I also go into why I loved the previous two installments of this trilogy.
Also, if you loved this movie, I’m very happy for you. This is about my personal response to a piece of media and I make no judgements on those who enjoyed what you saw. I wish I could join you.
Finally, I will be talking about some sensitive subjects, including child loss and abuse. Please be aware of that before reading further.
Okay, so what was my overall impression of The Rise of Skywalker?
Soulless. Cowardly. Incoherent. Badly paced.
I spent large portions of the movie unable to get into the action because the pacing was so breakneck. There was no time to breathe. Consequently, there was never enough time to recover from one rush before another started. If everything is exciting, nothing is.
I think that this was a deliberate choice to cover up the lack of sense behind the exposition. Oscar Isaac’s Poe Dameron looks dead inside as he temporarily takes up the mantle of Basil Exposition to explain that somehow or other, Emperor Palpatine has returned and there’s a hard time limit on destroying his fleet.
This is a fine example of a running problem throughout the movie. Whereas both The Force Awakens and The Last Jedi used visual storytelling to move the story forward, things in TROS were explained through dialogue time and again. And the dialogue was incredibly clunky.
But back to the story. We are given a paper thin explanation of the Emperor’s return, and immediately are thrown into a fetch quest to find the Big Bad. I’m sure it will make an exciting video game adaptation.
The thing though is that the fetch quest makes no sense. One of the wayfinders is found in the first two minutes of the movie. Yes, it’s in the hands of the bad guys. But does the audience not remember that our heroine is bound to the villain? Why couldn’t she try to use that bond to get at the directions? Why does the Resistance not try to use that bond? Has she hidden from them her connection to Kylo Ren? Either she’s built up a wall of mistrust between her found family and herself by keeping the bond a secret, or she’s revealed all and no one thinks to try to use that bond to their advantage. It’s just conveniently overlooked.
Oh, a sidenote. Wayfinder. Why? There is an in-universe word for such objects already. It’s a holocron. Why not use holocron? We throw Star Wars-isms at the audience all the time. It would be an Easter Egg to the diehards while not bothering the general audience one iota.
Back to our fetch quest. We head to the desert planet of Pasaana. There’s a festival going on. A festival about family. Rey looks longingly at children and infants. A child gives her a fertility necklace. And then suddenly she’s connected by her bondmate through the force.
Now it’s no secret that the Rey and Kylo dynamic is one of the reasons I loved the first two movies in the trilogy. The actors have great chemistry. More importantly, the characters have interesting conflict. And yet that conflict seems off in this movie. TLJ left them complicated enemies. But they feel out of character. I don’t understand what each is trying to get out of their encounters. I have to do massive amounts of work to understand their actions and the dialogue doesn’t help. Because it doesn’t ring true.
Setting such details aside, Kylo rips off the necklace in a moment worthy of the Phantom of the Opera and for once it’s an action that makes sense, having both the subtext of obsessive love and jealousy, and the text of offering a clue for analysis to Rey’s location. Bravo. The writers did something right.
Meanwhile, we get a clunky reintroduction of Lando Calrissian. Has he been stuck on this desert for over 7 years? Longer? We just don’t know and he doesn’t tell us. Our heroes hitch a ride and then we get a fun speeder chase.
Okay, a couple more questions. There’s some good stuff here. The omnipresence of the First Order helps convey how thorough their control is. But why doesn’t Rey hotwire the speeder? It was established two movies ago that she’s a good mechanic. And on Jakku that kind of skill makes sense. Why hand that off to Poe? And why this Trio stuff. It’s fanon. We have just been assuming that Finn’s best friends would form the new Han, Luke, and Leia. Because reasons. None of them textual. It was a failure of TFA to not establish this dynamic if this was an essential element of Star Wars that had to be there from the start.
Which gets to the heart the problem in fandom which is that Star Wars is different  for every fan. What is essential to the series is subjective. For me, Star Wars is light sabers, hyperspace, the Force, epic battles, strange world with one biome only per world. So I’ve never felt like something was missing. But if an essential element was a very particular character dynamic (like a good guy Trio), then I can see why some fans felt let down. As if all the pieces were there but never got put together.
Back to Pasaana. We have a brief descent into the underworld in which Rey has a moment of true Jedi compassion and is rewarded when her compassion for the monster leads to an exit from said underworld. Nice. Mythically coherent. And hey, we also get one of the MacGuffins we’ve been searching for, so, bonus.
 Now we get the arrival of Kylo and his backup band. What was the point of these dudes? I mean, they look cool and I can’t wait to edit videos of them to classic NKOTB. But narratively, why are they there? Why did Kylo reforge the mask? Why all these questions in the third act when we should be in the process of tying up loose ends.
Rey, in a moment reminiscent of bull leaping from Crete, goes out to stall them? I guess? And then ends up in a battle of wills with Kylo that leads to her inadvertent use of Force Lightning.
Okay, another side trip. Are they trying to make out that Dark Side Powers are genetic? Because that’s all I can figure. Really, it’s kind of gross because it suggests that darkness isn’t a human trait that we all carry and must confront, but rather that Rey’s specific problem is a dark legacy. Which, that’s Kylo’s story. He’s the one grappling with the legacy of Vader and how that led his family to fear his darkness rather than aid him in confronting it.
Anyway, we have Rey briefly thinking she’s killed Chewie and that sets our heroes off to our next quest location and another set of problems: Why did we make the Latino man a drug runner and car thief? No, this isn’t just putting an unneeded real world spin on the universe. This is about narrative consistency. Because in a bid to make Poe Dameron an ersatz Han Solo, they broke his actual in-universe back story that had been established in comics and novels. That Poe Dameron was a pilot in the New Republic Navy, the child of war heroes Kes Dameron and Shara Bey. He grew up on Yavin IV. When did he have time to be a smuggler? He’s only a few years older that Ben Solo.
See Lucasfilm has a Story Group that is supposed to help keep narrative consistency between the various media released. And I can’t help shake the feeling that the Story Group was ignored or stonewalled. To please who? The fans? Which fans? Because I would be under the impression that the fans who read the novels and the comics, who dig the trivia aspects of the universe, would be the first to desire the universe to remain coherent.
The Kijimi stuff is fun. Babu Frik is adorable. C3PO is touching. There’s good moments. There really are.
We now go to the infiltration of the Star Destroyer (Does it have a name? Nerds, help me out here. Usually I know this sort of thing.) Again, good moments. I like the implication that Rey’s Force Powers disturb Poe, but it’s never brought up again. One of dozens of Chekhov’s guns left unfired. This is incredibly sloppy in the plotting. Hux is the mole!?! Fun. Yet, again, wasted. And out of character, but I’m sure that’s not going to bother the general audience. Rey gets caught sneaking around in Kylo’s bedroom? Priceless, and some good imagery (smashing the altar to Vader) combined with incredibly clunky dialogue and some more serious questions that never get answered.
The whole time Kylo thought Vader was talking to him it was Palpatine? Why the hell does he still have that mask on a pedestal? He just couldn’t bear to get rid of a collectible? He hadn’t had time to konmari yet? And just what does smashing the pedestal symbolize? Is this the start of Kylo breaking free? We’ll probably never know.
Rey escapes on the Falcon. After getting the worst character reveal in the Saga. I’m sorry. Rey Palapatine is just dumb. I liked that she was a nobody. It allowed her to be the Forces solution to the manipulation and abuse heaped upon the Skywalkers. She was brought into the story and bound to the last scion of House Skywalker as a corrective. She wasn’t overpowered. (No really. She executed a few very basic Jedi skills in the first two movies, none of them exceptional.) And her skill level makes sense the moment you understand that she is bound to Ben Solo. She is literally downloading his training. She can do what he can do. Even her fighting style mirrors his. Fun fact: if you watch the scene in The Last Jedi where she’s practicing sword forms on Ach-to, and compare them to Kylo in his duel with Luke, they’re identical. To a move. Rey is powerful because the Force chooses its vessels. No one was asking who Mace Windu’s parents were. Or Ki-Adi Mundi’s. But Rey is skilled because a very clear in universe device means she has access to Ben Solo’s mind and that included every skill he ever learned.
Alrighty, so now our team is on to the next step in the quest, the ocean moon of Kef Bir, one of the many moons in the Endor system. (No, it’s not the Forest or Sanctuary Moon with the Ewoks.) We meet Jannah, another wasted character. She is pretty and could have been cool. But she exists for us to realize that Finn is probably Force Sensitive and that he broke conditioning not due to innate morality but because he’s not a Muggle.
Which brings me to my gripe with how Finn’s character was treated. He spent the whole movie running around shouting Rey. That’s it. That’s his arc. I don’t mind that he can feel the Force. But I feel like his development was regressed. He had a clear character arc in the first two movies. From a man running away from responsibility to one willing to fight for a friend, to a man willing to commit to cause. This movie should have had him building on that, and perhaps like Moses returning to free the rest of the Stormtroopers who are canonically child soldiers brainwashed into fighting for the bad guys.
Back to the plot. Rey takes off for the Death Star, searches the haunted house and yet again has her moment in the cave, this time confronting a dark vision of herself. Dang that was cool. Would have liked to see more of that. Anyway, she confronts Kylo and he smashes the holocron. Emphasizing for us how pointless this fetch quest has been. Girl could have hopped a ride in his TIE at any point and dealt with the fallout after they dealt with the emperor.
They fight. It wasn’t a bad fight. Just not my favorite. It did emphasize though that Kylo is never ever fighting on the offensive with her. Never in three movies has he ever taken an advantage of an opening for a killing blow, and never was it more obvious than in this fight. Kylo gets distracted, Rey stabs him mortally, and this act seems to wake her up from whatever possessed her in the throne room. She heals him and runs away.
This brings up another thing that bothers me. I know the filmmakers were working with some severe challenges with their footage of Carrie. I don’t think it was badly used for the most part. But I was left baffled at what exactly was going on here.
I was not baffled at Kylo/Ben’s confrontation with Han. This was the high point of the movie for me. It was pitch perfect in tone, and touched on the one an only sin Ben ever committed that wasn’t connected to a war objective, the murder of his father. And it made clear that the prodigal was loved and wanted and it wasn’t too late to come home. The heart of Ben’s problem has been the conviction that he has done too much wrong to come home, and while it is only a memory, it is a true memory of the man who loved Ben enough to walk straight into Hell though he knew it would probably be the death of him. I can forgive this scene for throwing the lightsaber  into the ocean. I realize that most of the audience doesn’t know that you can heal kyber crystals. Yes, the saber was a metaphor for Ben’s damaged and unstable soul, and yes, it would have been poetic (and badass) for him to show up later with a healed lightsaber, stable and blue and looking like something an angel would fight with. But I’ll forgive that for the poetry of what happens on Exegol.
And then we go to my low point. I’ll set my costumer’s beef with Luke Skywalker’s wig aside. It looked cheap and that’s all I’ll say. It was more the deliberate middle finger to TLJ in the lines while ignoring that Luke’s most iconic and Jedi-like moment in the original trilogy was casting aside his lightsaber in an act of compassion. Yes, Rey was burning her ship and throwing away her weapon for the wrong reason.  And it was a deliberate echo of Luke who also was appalled when his fear was twisted by the Dark into an attack on his nephew. She is overcome with the same shame and fear of self. Luke can speak to this in a real way. With better dialogue, it might have worked for me. Alas, it didn’t. Instead we got more exposition to provide us with an extra lightsaber. And more questions about why everyone in this family gave up on Ben Solo.
Here’s the thing. If Leia remains untrained, lots of things make sense: her instinctive but infrequent use of the Force; her fear for her son and sense of inadequacy in dealing with he struggles with darkness, her unresolved issues with her father which lead her to hide her parentage not only from the galaxy but also from her own son. All of this is undone by the training reveal and makes us wonder why everyone was willing to help a descendent of Palpatine but not their own flesh and blood. And in a movie that used dialogue to explain nearly everything, these lacunae stand out more than they would in a film that trusted the audience more. See you could have had Luke say “We messed up. We gave in to fear. And we didn’t want to make the same mistake with you. Rey. I’m the son of Darth Vader. I know more than any man that we are more than our bloodline. And forgetting that with Ben was the worst mistake of my life.” But  he didn’t. Which in a movie which tells as much as or more than it shows seems like a deliberate choice.
Have you noticed that I’m ignoring the space battles? That’s because they’re forgettable. I just didn’t care about them. Especially since the galactic conflict remained essentially unresolved. Back to the Force Plot, the only plot that matters.
Rey confronts Palpatine. Yawn. At this point I just don’t care. For most of the movie, she hasn’t seemed like my Rey. I couldn’t relate and by this point I’ve lost interest so I’m more wondering where did all these people come from. Are there concessions? How much does a hot dog and Coke cost on Exegol? Does this stadium have bathrooms? Nice to see that it’s built like the AT&T one down the street with the sliding roof panels. And then my boy Ben Solo arrives and the film is good again. Without a word of dialogue (besides “ow”) Adam Driver delivers the best performance of the movie, showing that the Han Solo of the trilogy was there the whole time in his son. Was there ever a more Han Solo thing than running into a Dark Side temple in your pajamas, armed only with a blaster? And then Rey passes him Anakin’s saber. OMG. Brilliance. The best part of the movie. For a moment I thought that they would at least wrap it up well. And for a moment they’re side by side and all is right in the world. And then Palpatine throws Ben in a pit.
I hate this. I don’t hate this movie but I hate this moment. For three movies we’ve set up that Rey and Ben (He’s Ben now; don’t’ @ me.) are equals in the Force. They have a Yin/Yang dynamic that made this work. The natural conclusion here should have been that they take out Palpatine together. Because both have a beef with him. This is the man responsible for ruining the lives of four generations of Skywalkers. And while Ben is at the bottom of a pit, Rey stands alone, calling on the Jedi to help her.
The Jedi that are ignoring the Skywalker at the bottom of the pit.
Including Ben’s grandfather that he’s been begging for years to help him.
Including his uncle who promised to always be with him. (We were robbed of Ghost Luke trolling Kylo. Robbed I tell you. Mark Hamill would have nailed that.)
Ben is at the bottom of a pit being ignored while the Jedi transform Rey into their sacrificial lamb for Girl Power points.
So, yeah, I hated how Rey defeated Palpatine. It was wrong. It wasn’t in union with her bondmate. It wasn’t through the power of love and compassion. It was Space Wonder Woman meets Harry Potter. And then she dies. Because the Jedi only ever viewed people as tools in their grand battle with the Sith.
But Ben. Oh, Ben loves Rey for who she is. And he climbs out of the pit without a lick of help from anyone and cradles her lifeless form in the most heartbreaking Pieta, and you can see on his face the moment he make his decision and gives everything of himself to bring her back. It was beautiful, and they share the most pure, the most perfect kiss.
And then he dies.
And that’s where the movie breaks me. Because he didn’t have to die. It doesn’t make sense. Why does Leia hold on until this moment? Why does Maz seem satisfied? Where did Ben go? Why does he go unmourned? Where is his Force ghost? This movie just leaves us with more questions.
And the very end kills me. Rey is on Tatooine. A dead world that holds no importance to her (or Leia, I might add). She buries the Skywalker sabers. A funeral. She sees the ghosts of Luke and Leia bless her as she takes on the Skywalker name. A name that she could have taken in a life-affirming way through marriage, but that appears as scavenged from the dead that she has surrounded herself with as she ends the movie an eternal child, side by side with a stolen droid.
It makes no sense.
But whence my nerd rage? Why do I care? Why have I devoted over 3K words to this?
Because the first two movies in this trilogy made me care about these characters.
When I first saw The Force Awakens, I connected immediately with her loneliness. Loneliness is something I get viscerally. I have always been socially awkward and had difficulty making friends. I rarely felt known or understood and I understood that deep longing to belong. When Rey was being interrogated by Kylo Ren, that was what struck me. He notices her loneliness.
And you realize that Kylo is projecting. That he is seeing in her a kindred spirit. He too is lonely, and trapped by fear into being stuck in a place that he knows in his heart of hearts is a dead world. He too is trapped by relics of the past.
So, you see, Rey and Kylo were both me. I had lived that loneliness. I had experienced profound isolation and the sense that no one truly understood me. I desperately wanted them to find their belonging and heal their wounds. And that’s certainly the story that TLJ picked up on and continued.
But there was more. I became fascinated with the question of how the son of Han and Leia fell, and I could see the possibilities in the pattern of their characters: Leia, the woman driven by duty, trying to build the New Republic to make a better galaxy for her son, and leaving her son vulnerable to predation in the process; Han, a man who had only just stopped running from responsibility, and who’s own lack of father figures left him feeling inadequate as a father. Throw in a villain who can groom and psychically abuse their son and you have the ingredients for a tragedy.
And because I identified with Leia, Ben became, in a way, an additional child. A parent’s greatest fear is that in trying to do the right thing for your child you inadvertently make things worse. Poor Leia. She needed a mother to tell her child mattered more than a bill in the Senate. That the galaxy could wait. But Palpatine killed her mother. Both her mothers, because he was as complicit in the death of Breha Organa as he was in the death of Padme Amidala Naberrie.
So when Ben Solo died, it was like losing a child. And anyone who knows me personally knows that I do not choose that phrasing lightly. And being a mother, there is always a sense of survivor’s guilt. The sense that if you had done the right thing, it wouldn’t have happened. It doesn’t matter if that isn’t the truth. It’s how it feels.
I have met so many people online who identify with Ben Solo because they were abused as children. Who like him processed their trauma in unhealthy ways. It’s not where I come from, but I have the capacity to empathize and hear the message they’re inadvertently being told: that if you do bad things because you’ve been groomed and manipulated and brainwashed, you can’t come back. Even if you turn your life around, it won’t matter. You’ll only find peace in death and you will die unremembered as punishment for your sins. And your family will replace you with someone nicer and easier to live with.
But I can hear you saying: It’s not that deep. It’s fake and in space. It’s just a story.
Well, here’s the problem:
1)    The brain does not distinguish real people from fictional characters. The part of the brain that produces serotonin and dopamine can’t distinguish fact from fiction. This is actually why art has the power to heal. The catharsis experienced in a work of art can help us process trauma because we relate to the characters in the story. But the flip side is that stories can cause genuine trauma. If we related to characters in a story and they are treated unjustly, we feel that injustice and it hurts as badly as if it were real.
2)    Ben Solo was written to be sympathetic. He is the child of beloved characters. His backstory is one filled with pain. He was failed by every family member who should have protected him. He was abused physically and mentally for years. Recently published materials exonerate him from the destruction of the Jedi temple. It was all part of a plot to push him to the Dark. All Ben ever wanted was to be loved for who he was. And that was snatched away from him.
3)    I can’t turn off my brain. I can’t stop asking questions and trying to make sense of things. I can help but see the Chekhov’s guns and the symbols and the messages, however inadvertent.
4)    It is a grand failure of a movie if it only works on a surface level and not when you start digging deeper. Every other Star Wars movie, including The Phantom Menace, rewards the person who can’t turn off their brain. This was the first one that falls apart so completely the second you start asking questions.
I wish I could like this movie. I was prepared to like it if not love it. And while I got Ben’s redemption and the Rey and Kylo romance that I wanted, I feel like I got nothing. Like they don’t matter at all.
I am planning to start new hobbies in the new year. I got some war gaming miniatures painting sets for Christmas and I’m glad I have a new special interest to pour myself into. I have enjoyed sharing my love of Star Wars trivia with my kids but it just hurts too much at the moment to spend time thinking about a franchise that has been so  badly mangled. I’m probably in the bargaining stage of grief at the moment. I wholly buy the theory that there was happy ending filmed and someone blinked in the game of chicken, leaving us the mess that we were handed.
I’m also planning to get back to writing. If even Disney can’t tell a fairy tale properly anymore, it’s time for a new batch of writers to get out there and tell the stories I want to hear. I am sick of grimdark fantasies and cynicism masquerading as sophistication. I may write a fanfic or two to fix the story in my mind, but I think that ultimately I need to be creating original works. I know that there are children eager to believe in happy endings, plenty of women who believe that Byronic heroes can be redeemed, and not a few men who will buy both if the story is well told.
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becdoesbiomed · 4 years
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becdoesbiomed · 4 years
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Several hours into an academic paper trail, the PhD student has read much; none of it relevant. 
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becdoesbiomed · 3 years
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becdoesbiomed · 4 years
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Rapidly losing her sanity, the PhD student is now completely unable to escape her project, even in sleep.
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becdoesbiomed · 4 years
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... I am a terrible influence
IG: bec.does.biomed
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becdoesbiomed · 4 years
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Happy Valentine’s Day everyone! At least my worms like me. 
Worm photo credit: ‘Worm Love’ by Maria Ciocca
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becdoesbiomed · 4 years
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I just miss my worms. And productivity. And the illusion that I have my life in some kind of working order. 
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becdoesbiomed · 4 years
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becdoesbiomed · 4 years
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Send help.
IG: bec.does.biomed
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becdoesbiomed · 4 years
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Pretty sure I’m scarred for life after writing my honours thesis. 
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becdoesbiomed · 4 years
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becdoesbiomed · 4 years
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becdoesbiomed · 4 years
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grey Melbourne days
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becdoesbiomed · 4 years
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Studyblr Introduction!
Hello everyone! My name is Bec, and I’m a PhD student from Australia! I’m new to the studyblr community, so I thought I’d introduce myself!
about me:
🐛I’m 22 years old
🐛I finished my honours year in biomedical science last year, and this year I’ve started my PhD in the same lab, focusing on developmental neurobiology (brain development)
🐛My project relates to communication of stress from brain cells to the rest of the body, which I study using a species of microscopic worms called C. elegans
🐛I also draw comics! Or at least, I’d like to! I’m really interested in science communication, and if my comics can teach people something or even show that scientists are just people too, then that would be really cool :)
🐛INTJ | Ravenclaw | she/her
So if you’re interested in science, research, or have any other questions, then swing by for a chat! 
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