hey word of advice from someone who works at a call center for reasons
tone down your info. do not tell us too much.
because what may seem innocuous to you could force us to send it to loss prevention, and from there it becomes a bureaucratic hell. You'll be bounced from one department to the next to the next.
describe the initial issue in twenty words or less, and only answer questions you are asked. do not volunteer info.
straight up most of my calls that end up with people pissed off are where they said something and i had no choice but to report it and transfer them to loss prevention.
When the girls were younger they were truly a handful and Alcina was used to the noise and chaos. But when going out in different settings, she noticed a pattern: when Daniela and Cassandra are together it turns very chaotic very quickly because Cassandra is an enabler and encourages Daniela to get into all kinds of mischief.
Pairing Daniela and Bela is a more peaceful solution. Bela is naturally calm, unlike Cassandra. She doesn’t egg Daniela on, and the two of them can remain quiet for a long time. Also, when in a new social setting like a big gathering, Daniela does feel a little shy. In those situations, she seeks out Bela and sticks by her side, remaining with her until she is comfortable enough to do things on her own.
Even in their house, Daniela would seek Cassandra to play with for hours to no entd. But when it comes to more quiet activities, like reading, she’d usually find Bela and ask her to read some books for her.
Ok but the entire Dawn winery staff jumping around informing each other that kaeya is here so all of them get a chance to see him was very sweet, like i knew the staff cared about him but it’s nice to get a confirmation and few childhood stories lol
a good rule of thumb I have is that if I see someone use "critical thinker" as a self descriptor on their social media, they are probably the most close-minded know-it-all imaginable who doesn't know how to accept the possibility that they might be wrong about something
another drawing of the tisserand! my slugcat sona (they/he)
slightly unrelated prelude to lore below. i'm just a bit excited to share their story. skip to the red text for an explanation about the pole plant on their back! this is like an internet recipe i'm giving you a bit of his life story first.
the tisserand comes from a colony of slugcats that lived in an abandoned scavenger room/shelter directly beneath the farm arrays wormgrass. their colony lives a very secluded life, using the wormgrass alone to sustrain themselves (for safety. and when the wormgrass dies, for food too.)
on one cycle, the room breaks down in the rain.
the carpet slugcats evacuate, with the colony leader migrating them to a secondary shelter far away.
the tisserand, however, overslept his hibernation, somehow missing the shelter failure altogether. they wake up starving, in a sopping wet ruin of their old colony, looking for their family.
like monk, they're a bit too young and inexperienced especially coming from a reclusive breed of slugcat. but they figure out a few tricks using their sticky mucus and uh, pest weaponry??
!!!ONTO THE POLE PLANT!!!
sticking wormgrass on their back is the default for carpet slugcats, it's almost instinctual. however, during the tisserand's journey, they might find wormgrass limiting or dangerous. it's a short range defensive cover, not enough to take them from one side of the map to the other.
if the tisserand is taking a bit more of a violent route, they might be able to harness a pole plant, using them as a "spear plant". (it's a little bit far-fetched but...i mean look, theres slugcats making singularity bombs out of plants...should be fine.)
the process of wrangling a pole plant is difficult. first, the plant needs to be fed, then stunned. the tisserand is able to dig the plant's roots and stomach out, but that takes time. time left vulnerable to other predators in the area. if the slugcat isn't eaten up by a lizard or vulture, they can stick the plant onto their back. it cannot be used until the tisserand hibernates while wearing the plant.
once that ordeal is over though, it's worth it. a spear that can grapple and swallow predators whole is very very useful. the pole plant's stomach might weight the tisserand down while it digests something heavy, but that only takes a couple of seconds for the plant to process its meal. (i know that's not how weight works...shh....)
that's all i have so far on the "spear plant" but i absolutely have a lot to say about the tisserand in general. there'll be more
what are bradley’s earliest memories of ice and mav? the bits of his perspective on them that you’ve written are so fascinating
fairly unsurprising answer but: ice: when he came to see Carole to apologize for killing goose in ch 2 of wwgattai (sets the tone of their relationship)
mav: something very benign like mav doing magic tricks for him as a little little kid. you know how your earliest memories are always a little fuzzy and always afternoon sunshine? imagine a desaturated maverick sitting crosslegged in the grass in pale afternoon southern california sunshine showing Bradley how he can detach his thumb from his hand and then put it back again. no blood, no bone, no pain, and he’s got this daredevil grin like he’s enjoying separating his thumb from his hand. can’t see his eyes behind his aviators. the best magicians are the ones who can make even their pain disappear. or, playing “got your nose,” holding Bradley’s nose up so he can see it right in front of his very eyes, NO PAIN!, and then making it disappear. “where’d your nose go, Gosling? oh, my gosh, I lost your nose!! how’re you gonna smell? i bet you’re gonna smell bad. get it? get it? —here it is, i found it, don’t worry, it’s all good!” and putting his nose back so everything’s ok. that’s Bradley’s earliest memory of mav.
I understand people joking about unintelligible accents/dialects sometimes I do but there is always something really surreal about seeing one that is either yours or one that you understand perfectly well being made the butt of a joke and you'll sit there like what's the joke they're being perfectly coherent!
There are many many many many examples of this but the one that is relevant for myself is the chap in Brave speaking Doric. He's not even speaking that fast.
If he was a wee bit closer I could lob a caber [tree trunk/log] at him, ken [you know]? and It's just nae fair making us fit [fight] for the hand of the quine [woman], it disnae whet an appetite, ken [you know]?
Does V1 purr?? Not like a cat, but more like an engine running
Devious beast I say
absolutely it does because i have v1 make a whole plethora of little sounds that largely come from its mechanisms/a rudimentary chip that could produce various beeps to communicate in case of hardware failures. largely it uses these for its own amusement, but it also begins to use them with gabriel in addition to its body language to help express how it feels or what it's thinking. also probably uses them to pretend to be cute, luring gabe right into its trap where it GETS him
tams azula is sooo fascinating bc while canon azula doesn't really show her age at all like she's completely desensitised to so much shit 'she is fourteen' is not a justification for ANYTHING both in her own mind and in other people's, in tams she has zuko. and yes the world has been abundantly cruel to her but zuko hasn't. he's basically raised azula and he's done so in a way that she's allowed to show her age, but she still only shows her age in very azula-esque ways. there's no reluctance to see violence like you'd expect from a fourteen-year-old, and like ive said before, that means zuko can't play on that reluctance in order to shield her, but he still wants to shield her from that violence because regardless of what SHE feels about it, as the eldest he knows fundamentally that she shouldn't be seeing certain things no matter how well she can handle them. and seeing zuko effectively PLAY azula in order to protect her is so interesting and complicated and fun
I am so sorry to trouble you with obvious BS, but a friend found these pendants while metal detecting and was hoping someone would be able to translate the one on the left. Would you know where I could go? The cartouche beginning with a big bust of (Maat? Isis??) is throwing me…
Xxx
Oh that's not total bullshit, the one on the right is supposed to be the Rosetta Stone and the one on the left is a rather wonky version of the cartouche of Cleopatra VII Philopator (aka the Cleopatra). And by wonky I mean "they left off the initial K in favour of fitting in her bust so now it just reads Leopatra". (And made some other weird positional choices but like. Leopatra. That's objectively hilarious.)
Here's the same cartouche rendered horizontally, from the temple of Edfu:
Read from right to left in this case; the sign directly above the lion is the one they left off!
The temptation to vague about something in the milgram-confessions blog because its something thats bothered me for Actual Years about certain fandoms vs letting it go because when it is brought up its actually done somewhat tastefully and reasonably which makes me happy and this anon probably didnt mean it in the incredibly bad faith way I keep on seeing it be repeated so really Im getting upset over nothing.