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deus-sema · 1 day

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My two cents on Shogun finale with spoilers:

I think the way this finale was handled can be used as a fine example of how to subvert expectations in the *right* manner. This is not the kind of ending that would make us go WTF after momentary shock value only to disappoint us terribly but an ending which might not be what I - as a show only fan had predicted - but one which makes sense in the longer run like all the pieces of a puzzle falling into place to make a beautiful picture.

The actual event of the battle matters not as much as the actions of the people involved who contributed to its occurrence and affected its results. The wheels of fate are already in motion. We know that, come what may, Toranaga shall prevail. But that is a tale for another day. The one which we have been following until now was about Toranaga fighting against all odds and carefully setting the stage in order to achieve his dream, about Blackthorne who started his journey as an outsider in a foreign and hostile land with less than noble intentions finding a home in that place and about Mariko who patiently strived to fulfill her destined purpose and add meaning to her existence. And so she did. For even after her death, her presence was imbued in almost every scene leaving an everlasting impact on them.

The misleading opening of the episode with an aged Blackthorne who seemed to be back in England reminiscing about his days at Osaka clinging onto Mariko's crucifix was done in a clever manner. I was momentarily led to believe that Blackthorne might get to sail home afterall and I failed to understand why they would do that. But the lines between what was a fleeting dream and reality became abundantly clear when I witnessed Blackthorne letting go of Mariko's crucifix into the oceans. Mariko had become one with her homeland and by living there forever, Blackthorne had become one with her.

The writing of Shogun also shows us how one can make significant changes to certain characters and their relationships that differ from the source material and handle them wisely while adapting a story which is linked to the actions of its key players. Mariko's friendship with Ochiba and Ochiba's regard for her paid off because her death led Ochiba to withdraw her support for Ishido, even if she wasn't going to ally with Toranaga. This particular change from the books affected the plot and in a meaningful way. It's an achievement which certain other adaptations that introduce drastic changes without any regard for the overarching plot cannot boast of.

As a MariThorne shipper, I was left satisfied albeit in a bittersweet sense because while John had lost Mariko, his love for her still persisted. It was heartbreaking but this is a tragedy well done. One that I would remember forever. The last scene was oddly satisfying because, even if he doesn't know it yet, Blackthorne is exactly where he belongs now.

The acting was stellar as usual. Cosmo Jarvis and Tadanobu Asano deserve a special mention for this episode while Hiroyuki Sanada never disappoints. I'm grateful to the entire team of Shogun for delivering a show that I enjoyed wholeheartedly until the very end. And off I go to read the book next.

#shogun fx #shogun #yoshii toranaga #toda mariko #john blackthorne #anna sawai #hiroyuki sanada #cosmo jarvis #shogun ep 10

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musicalcastingideas · 1 day

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Dropout Does The Guy Who Didn't Like Musicals

So my theory about overlap of Dropout and Team Starkid seems to be accurate, and people seemed to like my Dropout does Nerdy Prudes Must Die post, so I'm back for another. Same method and criteria as my previous post, you can go see that if you want to know what they are. Also, I have previously done a similar list with Internet Personalities that included a handful of Dropout people, but I'm gonna try to make this one different.

Also spoilers for potentially anything in the Hatchetfield verse

Paul: Ross Bryant

Ross is a great straight man (in the comedy sense, I don't know his sexuality) while being very funny in his own right, and I think, while Paul has a lot of his own funny moments, it's very important that his character is also the more normal guy reacting to the madness around him. Also, he would slay the Jekyll and Hyde homage that is Let it Out.

Emma : Siobhan Thompson

I think one of the essential parts of Emma's character is an underlying exhaustion with the world, and that is very Adaine Abernant and Ruby Rocks, so I think Siobhan would embody that very well.

Charlotte: Vic Michaelis

I don't think I've ever heard them do a transatlantic accent before, but I just have this gut feeling they'd be so good at it.

Ted: Ify Nwadiwe

While I do genuinely think Ify would be great in the part, if I'm being fully honest, this casting is because I (despite my better judgment) find Ted Spankoffski hot, so casting arguably the hottest man in Dropout in this part makes me seem less damaged for being attracted to the self-proclaimed sleazeball. Also him and Vic seem like they would be great playing off each other.

Bill: Brian "Murph" Murphy

He just has "refuses to drink during the apocalypse so he can be the DD" energy.

Mr Davidson: Brian David Gilbert

Since I'm splitting up all the parts, this basically turns Mr Davidson into a Princess Track where the actor just shows up, sings about desire and being choked while he jerks off, but laments how he can never achieve his dreams, and then pretty much leaves, and I don't know why, but that seems right up BDG's alley.

Melissa: Lisa Gilroy

Lisa Gilroy seems nice, but also kinda scares me, and those are the correct vibes for Melissa (#heymelissacore)

Sam: Jacob Wysoki

My only concern about this casting is that he'd go SO HARD in You Tied Up My Heart that he would keep breaking the handcuffs and/or chair, but that's fine, it would be worth it.

Nora: Katie Marovitch

The "Decaf?" parts of Cup of Roasted Coffee already sounds a bit like her TBH.

Zoey: Rehka Shankar

I feel like Zoey is such an underrated, funny side character in the show (I know she's a very small part, but like every line she has is a banger) and I feel like Rehka is a very underrated performer, so this is a good match.

Greenpeace Girl: Persephone Valentine

Making up the Save the Sea Turtles campaign is such a Sam Nightengale move, and also she would eat up Lah Dee Dah Dah Day.

Alice: Surena Marie

She's got a bit of a baby face (I thought she was like 25) and I think she would handle the change from Alice to Hivemind Alice really well.

Deb: Emily Axford

I'm definitely not just casting this because I want Emily to be my protective and caring girlfriend...

Professor Hidgens: Josh Ruben

I don't have an explanation for this one, this is vibes alone.

General MacNamara: Brennan Lee Mulligan

"Wear a Watch" and a song highlighting how the hivemind is essentially fascist and using the military to destroy any resistance to their regime is so Brennan core.

Homeless Man: Ally Beardlsey

I just feel like this is the part they'd want.

Dan Reynolds: Lou Wilson

Icons play Icons.

Donna: Aabria Iyengar

Icons play Icons

Hard Cuts:

Jacob Wysoki as Ted

Mike Trapp as Paul

Emily Axford as Emma

Jess Ross as Charlotte

Lily Du as Zoey

Grant O'Brien as Professor Hidgens

Grant O'Brien as Ted

Ally Beardlsey as Ted

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onyichii · 1 day

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This is a response to @cocogum post! Since it is SUPER LONG! Imma start doing this instead of reblogging if I have a lot to say.

OG Post by COCOGUM:

YES COCOGUM!! I am LOVING YOUR ENTIRE POST! I have a few thoughts to add...

A) I'm happy her hair is growing out too! I hope she eventually has hair as long as her mothers.

I want her to look like a forest goddess.

I think the growth is a symbol of just (as you said) being happy or at peace. In TV/movies people cut their hair as a symbol of change (freedom from the past) and grow it out again (sometimes) when they're at a new happy place. As we have seen, her hair and that green leaf she sports now are a symbol of her new found happiness.

B) I too was not expecting the "adult fun time" scene but i am hoping we get A TON more especially if this series is gonna be 100 chapters. I want more fluff, more hugs, more kisses, more f--ks! lol Put a baby (or three) in her Yugo! Give the Sadida kingdom an heir!

I can see where you are coming from that Yugo was having a wet dream. If that's the case, that is funny because he (presumably) had just pollinated his flower queen and he is dreaming of doing it again! 😀😀 And he called her tireless!? LMAO. Whether it was a dream or they were interrupted before the nut we can agree that they are BOTH hungry for each others touch/warmth (based on that scene alone).

I still think they were interrupted before they...made sap🌳and fell from the air.

I think the "adult fun time" positions you were suggesting are accurate and I can see Yugo switching too. I think it would depend on who initiates it. When she initiates she's top but when he initiates he'd top....sometimes (not all the time because as you said—he loves the view)! lol

C) For the open room. I think the construction of the floor (or level) gives them privacy. Like a long corridor before the room entrance. And at the entrance to the corridor there'd be a magical cotton bell (as seen in s3) that rings when pulled to let the royals know when servants want to enter. BUT if there is no magical door bell (OR ANYTHING) that is bold of them!! lol.

Rereading your post...if the doorway is open like that it makes me think of this quote (the last quote at 1:40) from the film Scary Movie (watch from 1:30 to 1:42 for context)

D) So I am GLAD people have been bringing up Draconiros. I am not deep into the WAKFU/KROZMOS/DOFUS universe and had NO IDEA who he was nor any of the other primordial dragons.

I got into Wakfu for Amalia. I thought she and Yugo would be cute from all the hugs she gave him. When they canonized a potential Yumalia (in the OVA) I STANNED for their star-crossed lover romance that could never be. I love the whole cast but Amalia's character design is so cute/fun (it drew me into Wakfu).

Anyway, I am curious if Draconiros is ALSO responsible for Nora's daydream in ep 4 of season 4. THIS SCENE ALWAYS THREW ME OFF!

I feel like this scene was added for two three purposes... 1) to introduce the audience to Efrim (in a foreshadowing way) 2) to add to what Oropo says in episode 1. Questioning Yugo's "good" intentions and actions which have caused (and WILL CAUSE) trouble for the World of Twelve. 3) To sneakily, introduce Draconiros (without the audience knowing).

The reason why I think this is Draconiros and NOT Efrim is because—how would Efrim know any of what was said in that scene? Efrim is in the Necroworld at this moment. He and Nora were in the Krozmos away from the World of Twelve for a long time. There is NO WAY Efrim would know about YUGO's effects on the World of Twelve. At none, that I can think of...

Which also brings to question, how did the Goddess Eliatrope know the Brotherhood of the Tofu and everyones names when they entered the temple? Did I miss something? I mean Quilby could have told them some things. From before his imprisonment...but I digress...

Anyway, I think Draconiros took on Efrims form/voice in s4. And now he is making an official appearance in the manga.

If they had shown Draconiros in season 4, it would be a loose end. And Tot wanted to wrap the animation up without any loose ends. So (to me) it'd make sense not to show Draconiros' true form at all in s4 and have him take on Efrims form/voice.

E) I think this dude is gonna be a problem. But I may be over thinking 🤷‍♀️. And shouldn't he be referring to her as QUEEN Amalia instead of LADY Amalia? Does he have some passive aggressive beef with her? Or is it okay to refer to a Queen as Lady instead. I feel like the Sadida's are more chill about titles (compared to other kingdoms) but...idk.

His character design (in this scene) is just giving...bad guy or pawn to me. If I am right, he could play a betrayal role (if the plot takes that turn). I do not see him being a fan of the Eliatropes either.

F) And I agree that the Sadida kingodm is tense with it's new residence. I'm glad you brought up the perspective from the Sadida but let's talk about it a little more with a Eliatrope in mind...

The Eliatrope have NEVER had to live with another race before. EVER. They had their OWN PLANET. No other race existed on there but them.

Thanks to Baltazar (in s2) they had been watching Yugo through the Eliacube, but have they been taking notes on the customs of the world around him?

Being on a new planet with so many races must be a SHOCK to them. ADDITIONALLY, they haven't interreacted with anyone but each other for goddess knows how long!!! So the communication, customs, cultures, and everything probably hit them like a TON OF BRICKS. I would assume that they don't (quite) understand what tolerance and acceptance of other cultures is thanks to their isolation too.

However, it is something they are gonna have to learn. Starting with the Sadida race.

Since they're teens I think (...well, I hope) it'll be easier for them to learn and integrate into the world of twelve via the Sadida Kingdom.

ALSO...It will take time for the Sadida's to be comfortable with the Eliatropes too. I mean...people have been trying to take their homeland (via possess the tree of life) for a long time. It's no surprise that they are weary/tense of some alien race residing on said homeland. They may know Yugo, but they don't know his people. They probably think they'll take over....IDK.

But I am here for the tea! 🫖🍵

FRIDAY NEEDS TO HURRY UP!!

#wakfu manga #wakfu webtoon #wakfu #wakfu yugo #wakfu amalia #yumalia #wakfu s4 #wakfu season 4 #amalia sheran sharm #yugo #yugo x amalia #yugo the eliatrope #kroz #krozmos #dofus

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aryaabstral · 7 hours

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⚠️THE SUNSHINE COURT SPOILERS⚠️

((If you haven't read the book yet ignore this post I know how much spoilers suck))

Can we get a moment to appreciate this man for a sec cause I just finished TSC and I think people aren't talking enough about Neil Josten being an insufferable bicht.

"I'm trying to eat." PLEASEE I LOVE HIM SO MUCH.

When he casually ordered Grayson to be killed because "He's not gonna bother you ever again." I was literally fainting No because how can someone be so perfect?!

And the way he smiled at the waitress so she would give him a pen?? Like Hello??? You didn't even know you were handsome three books ago.

And "That's illegal, just so you know" BROOO?!?! HE KEPT BEING A LITTLE SHIT WITH THE FEDS AND THE MAN TOTALLY ATEEE.

I don't know you but that's soo similar to what I pictured him to be after the third book and until now I was like 'nahh it's probably not like that..." then I read this book and was like 'OMG THIS IS EVEN BETTER THAN WHAT I THOUGH'

Anywayyyy.... Back to TSC I really loved it. It's incredible how Nora manages to surprise me every time. The way just by changing the perspective of the book changed the all narration is incredible. (Thinking about how much Neil's character seems different when we're looking at him from Jean's perspective. He was so calm, and I don't know more... Mature? I don't think this is the right way to say it but anyway)

I love Jean (the way he insulted everyone in his head made me chuckle every single time) and I think I fell in love with Jeremy (he's a cutie)

Now that I've finished it I don't know what to do and I don't think I can survive till the second book releases ((Someone needs to save me from my own obsession))

#aftg #tsc #tsc spoilers #the sunshine court #neil josten #jean moreau #nora sakavic #all for the game

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writing-for-life · 1 day

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WHAT DO YOU MEAN DREAM'S HAIR USED TO BE WHITE!! oh my god. i just saw your post about killala and i have now perished. thanks for breaking my heart.

but also hi!! i'm relatively new to the fandom and it's a great place to be. i haven't finished reading all the comics yet but i'm curious to know:

what do you think are the main differences between TV!Dream and Comics!Dream? i've heard so many people claiming that he is incapable of changing, for instance, and though the show does convey his overall rigidity pretty well, i'm not getting the vibe that he's immutable.

also!! it's clear that he feels a lot. which is always funny to me when the corinthian is like yo, try this and maybe you'll feel something for a change but like. he does!!! or i get the impression that he does. he probably feels too much if anything?? all of it simmering just beneath the surface, barely contained. how would you personally analyze his relationship with his own emotions?

i hope all of this is coherent enough for you to answer lmao, i saw your post about enjoying being asked sandman questions two seconds after i woke up and barged into your inbox. hope you have a lovely day!

Thanks so much for the ask, and welcome if you’re new(ish) to the fandom! 🤗

I’m sorry I broke your heart—much more heartbreak to come I fear if you haven’t read the comics yet, so I’ll try to keep this as spoiler-free as possible.

I am one of those people who believes the differences between comics!Dream and show!Dream are actually not as big as they are made out to be where it matters, and you will definitely find people who disagree. At the end of the day, we all read it through our own lens and will never be fully objective about it.

The main difference I see is that they filed off the rough edges of the comics a bit to make a new audience sympathise more. It’s very hard to do that with a character who is basically in full arsehole mode for most of the first 40 issues or so, and even then only slowly begins to come out of it (although we can obviously see glimmers of what lies below the surface at the beginning of the comics, too, but it’s far more subtle than in the show). I’ve worked in musical theatre for a over decade of my life and understand a bit about bringing the written word to stage/screen, and some things simply don’t translate well from book to stage/screen, and you have to change it. So my personal opinion is we get a more sympathetic Morpheus and certain changes so the audience can do exactly that—sympathise off the bat. You will lose an audience pretty quickly if they don’t care about the protagonist and the universe he moves in, and you can’t be as nuanced about it as you can be in a written work. We’re talking about streaming services thinking about profits here, even if people don’t want to hear it.

Also: The more you sympathise with a character, the deeper the emotional investment and the more you feel, even if it hurts.

Having said this, I don’t think Morpheus is incapable of change, and I never got where that idea comes from. His biggest flaw is that he believes he cannot change (and even he has moments when he admits he might have). In the introduction to Endless Nights, Neil Gaiman says that he was once asked to describe The Sandman in twenty-five words or less, and famously, it was this (you might have heard it):

“The Lord of Dreams learns that one must change or die, and makes his decision.”

And I think some people might have wrongly taken that for an either/or thing. I don’t want to say too much at this point because I don’t know how much you know (if you’d like spoilers or already know how it ends, let me know, I’ll happily expand on it). Only so much:

He is capable of change, also in the comics. Very obviously so. But just like he denies he has his own story (which also isn’t true), he denies he can change. Or at least he thinks he perhaps cannot change enough (it’s actually hard to write about this without giving everything away, help! 🙈).

As for his feelings: He does feel, but again, it is something he pushes down and will deny himself. Until it bursts to the surface and breaks through, and when that happens, it’s usually with, well, let’s say varying results, and that’s putting it mildly. Personally, I’d say he has problems relating to his feelings, but that doesn’t mean he doesn’t feel. Quite the opposite in my view. He holds the collective unconscious—all unprocessed feelings and whatever else floats around in that collective mess, and it’s exactly what he says to the Corinthian in that famous scene: he needs to keep a lid on it and keep that lid firmly closed so all of it doesn’t consume him. But that also means denying himself the feelings that are linked to his own personhood (if you want to call it that). There’s Dream of the Endless, and then there’s Morpheus. And while they’re one and the same and inseparable, Morpheus is also the “point of view”. The character, the person, if you will. And deep down, he craves that personhood so badly. Out of all the Endless, he is the only one who basically collects names because they mean having something beyond his function, which is also mirrored in what he tells Death in “The Sound of her Wings”: he wants something more. He is the only one whose realm is populated with sentient beings (yes, I know Despair has rats, but I think you get my drift). He is desperately lonely and struggles with it. He seeks connection yet denies it to himself. That’s not someone who doesn’t feel.

I don’t know if this answers your questions at all—I was doing the wild “spoiler-free” dance 🤣 But please let me know if you want me to go a bit deeper, I love talking about this stuff.

You can also have a look at my metas if you haven’t already. The headers pretty much explain what they’re about and what spoiler-level to expect, but none of them are truly spoiler-free I guess:

Again, thanks so much for encroaching on my inbox, and feel free to follow up if anything was left unanswered.

@dreamaturgy ask answered

#the sandman #sandman #dream of the endless #morpheus #sandman meta #ask answered #send asks #sandman analysis #sandman character analysis #sandman comics #the sandman netflix

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sundrop-writes · 2 days

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Announcing my new fic: Heaven's Gate

Heaven's Gate is a long oneshot starring Daryl Dixon and a gender neutral reader character, featuring angst, hurt and comfort, and some fluff.

In this fic, you and Daryl get separated when the prison is attacked by the Governor, and though you both believe the other person is dead, you two end up finding each other at the most unexpected time. This fic is about hope, the human connection, and how love is about more than romance - it's about how people take pieces of each other and grow with them, never truly able to forget each other.

This fic is going to be a longer oneshot that is currently about 15k long - and will likely be longer by the time it has gone through editing. It is 80% of the way done in my drafts (not including editing), and I hope to have it posted by April 30th - which is a tentative date that may change. If you want to know for certain when the fic is posted, you can follow me here and turn on notifcations or you can subscribe to me on AO3 to get an email notification when the fic is posted. I am really excited to share this fic with all of you 💖.

Below is a short preview of the fic - so if you wanna get a better sense for the upcoming fic you can read it. If you enjoy this preview and you're excited for what the fic holds, please let me know!

Also an important note: with my gender neutral reader fics, I don't use any references to gender whatsoever (this is not a 'GN afab' fic). And in this fic in particular, I didn't use any pronouns (other than you/yours) or gendered terms for the reader - and at points where the terms they/them were used, I made it purposefully vague so that the dialogue could be referring to the whole group as 'they' or just the reader. I want my gender neutral fics to be enjoyed by everyone - cis women, cis men, gender non conforming people, trans people - every kind of fanfiction reader.

I am making this post for two major reasons - one, I want to generate as much excitement for oneshots as there is for series. Especially for oneshots that are longer than 10k because those take a lot of time and effort. If a series is like a TV show, then long oneshots are like a feature film. And two - nobody seems to read my pinned post where I announce new upcoming fics anyway, so I might as well make posts like these so that people can know what to expect from me. And hopefully you guys will get excited about my upcoming fics this way. And when I tag these posts with the relevant tags, people interested in those topics can follow me to anticipate the fic if they want to read it.

Heaven's Gate (Daryl Dixon x GN!Reader) - Preview

Preview Word Count: 1,800

Warnings: no pronouns used for the reader other than you/yours; there are major plot spoilers for The Walking Dead if you are watching the show for the first time - spoilers for Season 2 all the way up through Season 5; typical warnings for TWD - mentions of death, emotional despair; all of these themes and emotions are expanded upon in the full fic.

...

“Daryl!”

You called out his name as you jogged up toward the stables, and he stopped in his tracks, waiting for you to catch up with him.

“Daryl, hey.” You greeted him with a small smile. “Rick told me you’d be up here.”

He grunted in reply. “Yeah. ‘m gonna take a horse out. Make better ground t’ look for the girl.”

Your stomach clenched at him mentioning her.

The group was supposed to be headed out towards Fort Bennet - supposed to be finding refuge at the hopefully safe military base. Instead, you were all setting up camp at the very reluctant Hershel Greene’s farm, not straying too far from where you had lost one of your own in the hopes of finding her.

But that was why you had come to talk to Daryl in the first place.

Sophia had become like a sister to you in the few short months that you had known her, and though it was unlikely, you were hopeful that she was alive - that she would be found. And you did believe that Daryl would be the one to find her.

“How’s the trail?” You asked. “Do you think you know which way she headed? You - you can be honest with me.”

You hesitated on the last part. But you did want his honesty more than anything. And you knew that he was never one to sugar-coat things. Even if you hadn’t told him that, he would have given you the truth anyway.

“Trail’s a little muddy.” He said, doling out that honesty. “‘m gon follow the river. It’s her biggest landmark out there, so she’ll probably be somewhere around it.”

You smiled at him. And then, you remembered -

“I brought you something.” You noted, reaching for the back pocket of your jeans.

Daryl watched with quiet curiosity as you pulled out a piece of paper - when you showed it to him, he quickly realized that it was a half-used set of stickers.

“These are some of the stickers that I got for Sophia,” You explained. “My mom always used to tell me that cardinals are good luck.”

You peeled off a sticker of a bright red bird - as much of a nature man as he was, Daryl was never one for bird watching. He didn’t care about identifying certain species of birds unless he could shoot and eat them. But he quickly reasoned that this must be the cardinal that you spoke of.

“Give me your bow.” You said, shoving the rest of the sticker sheet into your back pocket again and holding out your hand expectantly.

“I don’t need no luck.” He replied, voice full of snark.

“Just give it.” You replied - equally snarky, equally stubborn.

Daryl sighed and tugged his bow’s strap over his head, presenting it to you. You placed the sticker on the bow’s handle, in one of the places where it wasn’t as worn down from him holding it.

“There,” You said, giving it back to him with a smile. “Now you’re all set.”

It was more for you than it was for him - a token of good faith and protection. The idea that you could do something to bring Sophia home when you felt so powerless.

Daryl let out a harsh sound - somewhere between a laugh and a sarcastic snort as he walked away. “Thanks.”

“You’re welcome,” You replied brightly, edging on sarcastic once again.

…

When the prison was attacked, Daryl got out with Beth.

He almost couldn’t stand her bright eyes, big eyes staring at him, waiting for answers - her chirpy little voice, prodding at him, demanding that they ‘follow the trail’ and go look for everyone else. Telling him that he was a tracker, that he could find them. As if it was his damn responsibility just because he had the skills to get it done.

It was all too reminiscent of you, telling him that he could find Sophia. That it wasn’t an ‘if’ - it was a ‘when’.

Perhaps that was what got him off his ass and doing what he did best - reading the dirt.

“What’re you doin’?” He asked, staring at the girl curiously as she went to one of the bushes and rushed to pick berries from branches. Had she not gotten enough to eat that morning?

“They’ll be hungry when we find them.” Beth told him confidently.

Of course. That undefeatable streak of optimism.

Daryl knew that blueberries weren’t your favorite - but he should have something to give you. He would be too busy tracking the footprints to properly hunt for squirrels or rabbits and clean them for you. So, he found himself pulling a large bandana from his back pocket and offering it to Beth - something to hold the berries in to keep them safe as an offering for you.

“Here.” He grunted at her.

Beth smiled at him.

It was one of the last smiles she gave him for a long time.

When they came across those bodies splayed out beside the tracks - any sense of hope was crushed inside of him. The picture you had gifted him was heavy inside his breast pocket, and he hated that tears threatened his eyes - even if he knew that none of those bodies belonged to you. There was no trace of you there.

The days started to blur into each other, and Daryl couldn’t get you off his mind.

One hazy evening, as they both stared into the fire with dead looks on their faces, he took the drawing out of his pocket and unfolded it.

For good luck.

He didn’t believe in luck - because it didn’t exist. The world was fucked. Nobody was lucky. You and your good luck were dead.

He tossed the drawing into the fire, and it was only a moment, when the corner of it had barely caught, when Beth snatched it out. She stomped on it with her boot, successfully saving it.

“Don’t do that.” She hissed at him.

Daryl snatched it from her, and crumbled it up, tossing it aside. He let out a grunt, but refused to look at her.

“That was from Y/N, wasn’t it?” She posed.

He could feel her imposing stare as she waited for an answer.

He didn’t give her one.

“You can’t burn them just because you think they’re dead.” Beth sighed. “You can’t burn up memories. We’re gonna find them. Y/N, and Maggie, and Michonne, and - and everyone.”

Daryl scoffed. “Yeah. Cause that’s gon’ happen.”

Beth rolled her eyes, but didn’t speak any further on the subject.

After she had fallen asleep - when the fire was dull, Daryl picked up the crumbled ball and smoothed it out again. The charred corner hadn’t even touched your bird. He felt like a fool doing it, just as much of a fool as he accused you of being, but he folded it neatly - well, as neatly as he could - and then put it back into his breast pocket again.

But that was the thing - Daryl wished that he could. He wished he could burn up those memories.

That you would stop haunting him. Then he wouldn’t have to feel like this anymore.

…

“Can I see it again?” Beth asked, suddenly changing the subject.

Again, this was a confusing little whip for Daryl - something that clearly only made sense to Beth in her own drunken mind.

“See what?” Daryl replied.

“The picture.” Beth answered. “The one you tried to burn.”

Daryl felt a pinch of guilt surge over him at the thought. Oddly enough, this was the one time he would be willing to admit that Beth was right - you can’t burn up memories.

“It was Y/N, wasn’t it? That drew it.” Beth added on, her words slurring slightly - she lifted the mason jar of booze to her lips again and Daryl was tempted to snatch it away from her.

Instead, he found his hand drifting to his breast pocket and reaching to take the picture out. He presented it to Beth, who put down her drink to unfold it - she stared at the picture fondly under the brightness of the moonlight, tracing a finger over the slightly faded details.

“You know… my daddy used to tell me that a cardinal is like an angel.” Beth said, recognizing the bird from her father’s teachings on the farm. “Someone - someone you loved who passed away, watching over you from heaven.”

“Y/N said they was good luck.” Daryl replied.

Beth shrugged. “Same thing.”

It was this thought that kept Daryl going for a long time. The idea that even if you were dead, you were watching over him somehow. He sure as hell didn’t believe that someone like Merle would be an angel - but you, you definitely were. And even if it was a waste of your eternal life, you would be determined to watch over Daryl - to make sure that he was safe, well-guided.

You would make sure that he was lucky.

That thought alone carried him through the long journey to D.C.

It was something that lingered in his mind as the group hunkered down in a random barn - as he spotted something carved into one of the wooden beams holding the place up. Even though it wasn’t colored, he could have sworn that the long tail and pointed head of the silhouette indicated that the carving was meant to be cardinal. Of course.

Who knows who had stayed in the barn before them - if it had been left there by a weary traveler, or even put there by someone who had used the barn before the turn. But Daryl could have sworn that you - your ghost, your angelic hand - had led him to this very spot.

It was a thought that gave him strength as he held the doors up - helped to keep them from caving in while the storm raged outside.

Your luck, and your damn bird - you would keep him safe.

When they reached Alexandria, and they were forced to give up their weapons - Daryl spotted your bird perched on the fence. Bright red, with its pointy head cocked sideways at him. All too knowing, staring at him like it wanted to say something. Just like it had been when he had fallen off the cliff out in the woods when he had been looking for Sophia.

Oddly enough, it made him feel safe giving up his crossbow - perching it on top of the fully loaded cart of weapons before the awkward, bespeckled woman wheeled it away.

Rick was still weary of this new place after Terminus, and Daryl understood. He followed Rick’s lead. Especially because he couldn’t tell Rick that he had a good feeling about this place because he saw a damn bird.

But even if it was just in spirit, he felt you there. He knew that it was the home you had chosen for them.

#sundrop speaks #sundrop writes #daryl dixon x reader #daryl dixon fanfiction #daryl dixon #daryl dixon x gn reader #twd daryl #daryl x reader #daryl x y/n #daryl x you #daryl dixon x you #daryl dixon x y/n #the walking dead #twd #the walking dead fanfiction #twd x reader #twd x you #twd x y/n

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rebeccalouisaferguson · 2 days

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Please note: There are major spoilers for both “Silo” and the “Dune” series in this interview.

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The Playlist: Congratulations on all the great projects released over the past year. After working on “Mission: Impossible” movies and “Dune” movies, is it hard to show up and have a production set actually impress you?

Rebecca Ferguson: [Laughs.] Yeah.

Did “Silo” impress you?

Yes, but there are two different things. There’s a scale of a set. When you’re, for example, with “Mission,” there’s nothing impressive over the sets because the sets are nature. So, it’s more the fact that you get to act in the environment and Tom’s doing a helicopter stunt. Like, the action is impressive. It’s not the sets and it’s not the environment in that sense because it’s natural, right? It’s beautiful. With “Silo,” the scope and scale of the sets, they’re so huge. And the fact that we actually have the staircase, then you can run maybe two, or three floors. And the visual effects guys, Paul Bongiovanni and Daniel Rauchwerger, and the team, knowing what they create, the collaboration with the set design and the visual effects is phenomenal. It’s absolutely phenomenal. I might have stolen a couple of props from the set, but I also steal by saying, “By the way, I’ve put a couple of props in my bag. You have one minute to take them back.” And if not, they are mine. Because they’re so beautiful. I have so many pictures of things on set. I just walk around.

I love how you give them one minute because that’s not enough time to really think about it.

One minute, that’s all they get.

When the project came to you, had you heard about the book? What was your reaction to it?

Nope. So when “Silo” came, I was given the first six episodes, and I read them, and I really liked it, but there was a little thing I [needed] changed. I got stuck in something. So I was like, “No, this is not the project for me.” So, I’m only telling this story [because] I’ve heard Graham Yost tell it. I would never have told a story that I’ve turned something down that I’m doing. But there was something that I didn’t really grasp in one of the episodes, and it was too big. It was a bit of an issue. And then they came back, and they were like, “Well, what is this issue?”And I was like, “Well, this is the issue.”And they were like, “O.K.” And then they came back, and they had addressed the issue, and I was like, “Oh, huh, interesting.” And then, when they did that, I thought, “Oh, I’m more interested in this.” And then I started the books, and then I was like, “Oh, I’m actually really into this world, but what else?” And then Graham was like, “What if you can become an [Executive Producer] and learn the process of making it and actually have insight into making a TV show?” And I was like, “Next to you, the best producer showrunner, “I mean, and that’s kind of how it came to life. And then I read all of the books and I was deep in it.

But when they sent you the first six episodes, had they told you what the ending of the first season was? I mean, because it’s seemingly very faithful to the book.

No, I think, and I might be lying, but I’m going to go with it. I read the first six episodes and I was caught on the journey up until the moment when I was like, “This isn’t great. This isn’t very good.” And then kind the other episode had to kind of correct itself and it was just a bit of distraction. So. I wasn’t that intrigued when that happened. But then, the second time, it really opened up my interest, and that’s why I was like, “What happens?” I mean, when you start going, “What happens after six? Do you have seven? Do you have eight? What’s going on here?” That’s a good sign.

I have a lot of questions about Juliette, especially the final episode. There’s a great scene where she is shown the video before George’s death. And he sort of sends her a message by looking at the video camera. He knows where the video camera is, and Juliette has a very emotional moment in that scene. Did you get to see the actual footage of him for that, or were you just looking at a green screen and imagining?

I asked for that to play, so I wanted to act against Ferdinand Kingsley‘s scene. So no, no, that was me in the room, and on all of these displays, they put it up. So, I actually saw what I would’ve been looking at.

For many people in Juliette’s situation, that moment might have crushed them, made them not want to keep fighting, and made them want to maybe just sort of accept their fate. But when she gets sentenced to go clean, she seems so confident. She seems so reassured. Which by the way, even if the world out there was all green, it’s still hard, who knows how you’re going to survive? Why do you think she still has that confidence?

I don’t. That is not how I saw it. For me, there’s a moment I think, in people’s lives where enough is enough and there’s a moment where there’s a form of surrender. And when she says, “I’m not afraid,” I think she has never been more afraid. I think that’s how I felt it. I felt “I am afraid. I’m so terrified. But it’s a broken system that I can’t solve here, and this is the next step for me. I agree this is what’s going to happen. I can’t fight this.” So, it’s like nearly a person who’s going to have given up, but you never give up. There’s a little tiny bit of hope, there might be a possibility of surviving. There’s so much in it. It’s not just, “I’m ready, bring it.” She’s petrified.

Do you also feel she’s petrified when she sees what the world actually looks like?

I think at that moment, it’s what everyone feels their own intuitive emotion towards it. But I think for me, in life, we’re telling a story. So we want to tell the grandiosity of what she sees and the impact. Well, when walking over taking those extra steps. But to be honest, I think for her, the fact that she’s taking one step after the other is an achievement and a realization, and it’s a gradual incline of safety. And then boom, there’s new information. That’s the whole journey with Juliette. It’s like a problem-solving, problem-solving, problem. That’s the entire world of “Silo” and the change of character throughout. She starts off as quite selfish. She wants to solve some issues around her own feelings, but that opens up a bigger can of worms. “Oh, there are bigger lies. There are bigger things. Wait, what is the truth? Oh, this is not just about me. I want to give up.” Walker says, “It’s not just about giving up.” “Oh s**t, yeah, this is bigger. Maybe I need to care. Maybe it’s not just about fixing machinery because machinery needs to work, but it needs to actually give life to people. Oh, there’s a symbiosis going on here.” All of this is a gradual incline for Juliette’s character to where we end and where we get to in season two.

At that moment though, at the end, she’s up on the edge of the hill, and she turns around. She’s already discovered that it really is a wasteland out there. She doesn’t jump up and down. She doesn’t do a death sign. She doesn’t do anything to communicate back to the people still in the silo. Did you ask Graham? Did you ask the directors why they didn’t want that? Why do you think she doesn’t try to communicate something to them?

I think she doesn’t because she’s in a new space. I think when you are still absolutely petrified, there is no jumping up and my suit can fucking shred. This is all I have. You are still careful. You are observing. I don’t know what’s going to happen. I mean, what are they going to do? I’m going to jump up and down and they’re going to go, “Oh, come on back in.”? It’s clearly not a system that wants her inside, not to give away too much. So what is she going to do? Save herself by going, “It’s all good.” [Laughs.] Maybe. Look, I’ve walked this far. It’s kind of, there’s not much more to do. It’s more the connection of, “O.K., there you are. I don’t know what I’m looking at, but I’m going to focus. What the f**k is this? Oh, this is out of mind. What the f**k is happening in front of me?”

I don’t know how much you’re on social media in terms of seeing how people react to projects you are a part of, but there is a super passionate fan base for this show, and we were super excited about it. Have you gotten any feedback about that?

I know that a lot of people like it because I know that people are watching it. So, I get digits and numbers, not too much because digits and numbers are important to keep secret, but I know that people love it. And I do see pictures of people from Comic Cons dressed up as Juliette, and I love all of that. But no, I’m terrified of going out on those things because I’m scared I have failed something. Or they’ll ask questions that I’m not intelligent enough to answer.

I don’t want you to give any spoilers, but you had just mentioned when you initially got the scripts for season one you thought changes were needed. Were you pleasantly surprised when the season two scripts arrived?

Yeah. I was like, “I what? And this happens. How are we going to shoot this? Oh my God, does Apple know how much this is going to cost them?” [Laughs.]

One last thing about season two. I know you shot before the strike happened and then you had to go back and finish up afterward, right? Was that a tough transition?

To be honest, it’s like when COVID happened, people were like, “Was it hard for you?” And I think, “No, no, it’s hard for people who actually died and people who had people [who died].” For me, we had to stop because the cause was for a reason. It was for writers, and it was for actors, and things needed to be solved. The fact is, I’m one of the luckiest fortunate ones who can still live during a strike and also take care of the people around me who need help. There was no complaining. I mean, emotionally, did I have to pause a little bit? I mean, yeah, so what, do you know what I mean? We run with it and are grateful for it. But I think what was tricky was…hmmm…so, season two, season two might be filmed in two different locations. We might, right? I’m not going to go into it because I wouldn’t, which means that we could shoot a lot of people out who were in one location. So, the only things left to shoot were me and whatever my world entailed, which meant I was in every scene for the next three months with no break and no one having a scene in between. And I’ve never done that. So, that was tricky. I was from morning to evening, every scene. Every day.

Exhausting.

It was challenging but also fun because you were really in it.

Before I let you go, your “Dune” director, Mr. Villeneuve, after doing so many interviews, said, “I don’t know if I’ll do a third movie. Maybe I’ll do a third movie,” well, now, it’s sort of been revealed he’s writing the third movie, and it will clearly happen. When you were on set, were there any hints there about a third chapter? Did you guys conjecture anything about what the third movie might entail?

I just manipulate. I manipulate I just, whenever I can. Y’know those Coca-Cola commercials, back in the day when they just went Coca-Cola, big pictures, and “Fight Club”? That’s me with Denis. I just whispered little weird things in his ears that I wanted to do. He was like, “Oh, stop it.” Oh, to be honest, it’s completely out of my hands. He has clearly made a spectacular world…

Absolutely, 100%.

And it is banking and people are loving it, and it has the most phenomenal cast in it. Of course, there would be a third one, but it’s a lot of pressure on Denis. It’s a lot of pressure to continue. And when do you make the creative decision? Do you go when it is at the best, or do you make one that could fail and not be as good? It’s a really tricky conversation. It depends on the script; it depends on the money. It depends on all of the actors that have not got a deal for the third film. That’s a lot going on there. So there’s a lot to take into consideration before just writing a third script, you know?

Well, I do think people are excited about it because that third novel is so different, and he’ll have to go in some interesting directions to tie it into maybe the other two.

I mean, I haven’t read it, so I literally dunno. So what happens? Go on.

Oh, I don’t know if we have time to go into all the details. [Laughs.] But, it has been hinted that your character’s son may not be the Messiah that they think he is.

Oh, yeah. I know.

You know that part.

I mean, come on. Clearly, we’re not going to be that close to the book. That’s ridiculous. Although I would love to see Timothee turn into a worm. As long as my character doesn’t go and sit [somewhere] hot and covered in fabrics, I’m happy.

Oh, was it super hot shooting the second film?

No, no, no. But I think in the book she goes away and disappears for a bit and sits. Y’know, she’s Reverend Mothering underneath all of it. [Laughs.]

I can’t imagine she isn’t around more than that. Something tells me that the themes of the first two movies suggest to me at least that she’d be part of it.

I hope so; I mean, I’ll be a teapot.

#interview #rebecca ferguson #silo interview #dune interview #juliette nichols #lady jessica #dune #dune messiah

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distinguisheddwarffriend · 1 day

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The Tolkien Fic Rec Project

Lovely people of this fandom:

Let us start a post collecting those long fics that will stay with you forever, that you'd get a physical copy of, that left you staring into the void.

One for those Top 3 fics you've read and that will forever hold your heart, so that others may find the same joy in them.

Rules:

Only 1 fic per reblog

Only fics over 50k words

Always include: Title, Author, Platform, Main ships, Warnings, Work Count, Completed or WIP, short & spoiler free description

Optional: reasons why you love this fic so much, specific part of the fandom, needed knowledge of canon

ONLY fics in the English language (so the most people can enjoy it)

ONLY fics from the TOLKIEN - fandom

I hope many people take part!

I'll of course start:

Title: To change the course of the future

Author: authoressjean

Platform: Ao3/ Archive of our own

Ships/Pairings: Bilbo Baggins/Thorin Oakenshield, Kili/Legolas, Fili/OFC (,Aragorn/Arwen, Dwalin/Ori, Gimli& Legolas)

Warnings: No archive warnings apply

Word count: 180,353 (34 Chapters)

Status: Complete

Description: Before the Battle of Five Armies, Bilbo finds out that his Ring is The One Ring, and decides to destroy it. So he starts towards Mordor, alone.

I enjoyed this fic especially because you get to know the characters in a new way, it is incredibly funny & heartbreaking at the same time, and the pairings are really enjoyable and happen naturally.

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b4kuch1n · 1 year

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same teacher, different lessons

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#sonic the hedgehog #dr. ivo eggman robotnik #miles tails prower #sonic frontiers #SPOILERS. THERE ARE SPOILERS IN THIS COMIC BY THE WAY.#SONIC FRONTIERS SPOILERS #smiles gently I can not believe I let sonic the fuckign hedgehog ruin my life #(I can I totally can)#hi <3 if you follow me because I drew this sonic comic. don't!#don't do it! follow me bc I'm funny and hot and devastatingly smart don't follow me bc I draw sonic stuff. bc it won;t happen again #I mean it. not bc I dont like or want to do sonic stuff. but bc I am literally in the middle of a job rn #one that I want to invest 100% of my time and brain in #this comic is actually an effort to win my brain back so I can do my job lol #because I finished miss penny snapcube's streams of this game and it force fed me emotions #I just! I just thought sonic would come tell eggman abt sage!! idk seems like something he'd do!!!#and also the whole thing abt letting the characters move on and have a future and change and develop #vs Killing My Baby Little Guy Daughter For Like Ten Minutes #thematically interesting! also for some reasons I had. a pretty easy time drawing this #I was mouthbreathing galloping like a horse to finishing this. Because I Need To Work #I didnt expect to have a good time with these designs tho idk why. probably bc I most suck shit at drawing animals #but to be fair yet again sonic and tails are little guys. theyre animal but theyre also like dudes. also sonic's design is kinda perfect #as far as character design goes he's really pretty goo- wait I made a continuity error hol on #okay. okay I fixed it. no problem. no matter 's all good now #okay. I go sleep now. today has been very noisy. but this actually got me through it okay #thank you sonic the hedgehog. that was pretty cool of u #have a good night guys! absolute freedom is probably really really sad #long post

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pokimoko · 7 months

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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

#fionna and cake #fionna and cake spoilers #adventure time #simon petrikov #ice king #marceline abadeer #simon and marcy #meta #this was just a phone note to get thoughts out of my system but then it came out semi-coherent #so welp guess i'm writing meta now. i'm really in the deep end now. but yeah...Ice King and Simon's story being about the power of kindness #A cruel world requires constant cruelty to be maintained. But kindness? That reaches across time. one act of kindness sparks another #'I need to save you but whose going to save me?' That act of love and compassion is gonna save you ya dingus....eventually #In a less kind world finn and Jake could have watched those tapes about Simon and still decided IK was a hopeless cause.#That he was too far gone to be saved. But they didn't. They chose to treat him nicer and actually be friends with him.#One thing i always loved about IK's story is that he didn't have to completely change himself for people around him to treat him better #They changed their perspective and were kind to him and it was THAT that helped him change. to grow beyond the 'antagonist' role #to quote my go to and all time favourite good place quote:#'the point is people improve when they get external love and support. How can we hold that against them when they don't?'#Arrgh sorry I just always loved Ice King's arc in the show. From pesky antagonist to the person Finn dived into a chaos god to save #(the world's new beginning and its near ending being all because of simon. he has such main character energy and boy does he not want it)#And now we're getting Simon stuff and I'm so normal I'm so normal I'm so normal (<- has never been normal about this character)#(i...i have many MANY drawings of ice king and simon from 2015 and the years after. i was doomed from the start. F&C was the final straw)#(as was reading marcy's secret scrapbook recently...and here i thought i'd truly reached the capacity of hurt i can feel about these two)#Going insane over these last two episodes. 'she didn't have a me'. Fionna and Simon bonding. Gumlee kiss. PETRIGROF BACKSTORY #and the implication that Simon isn't remembering it accurately? Their sweet sounding love song actually foreshadowing their issues?#I am clawing at the walls. thank you AT crew you are enriching the enclosure that is my brain

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hoofpeet · 3 months

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I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough

#sorry i'm going to be excited about this comic for the next month #nofna #okay having finished this now--#and sorry if this doesn't make sense to anyone who's completely unfamiliar with this comic in advance-#the 'popcorn ending' (printed version) is nice to see but i think the web version hits harder. if that makes sense #so i'm kinda tied on which ending i 'prefer'- i think both are good though #also considering i've read the web version a good 4-5 times and the printed version only once- i probably can't make that judgement yet #easy answer- i do like Nutsedge :] so it's nice to see the ending where nothing bad happens to her #but also- NT suddenly becoming a greenie-esque villain out of nowhere felt a little jarring #as well as SV suddenly turning a corner and becoming a 'good guy' (arguable)- considering the first three books are about #/him being too stubborn to change or accept any outside worldviews . Him suddenly coming to his senses felt out of place #<- probably biased because i like characters being bitter to the end and ultimately destroyed by their own hubris #the web version is probably‚ objectively‚ a bit better #but -#(spoilers- if you're planning to drop ~70 bucks on getting these books)#the conceit of SV actually perfecting his style‚ using it once‚ and then immediately getting tooth-brained- was pretty cool #assuming it's meant to parallel him spending months tormented by trying to perfect it while something's still missing-#and then dying before he can narrate it to the audience‚ so that we never know what he figured out.#hard to articulate these thoughts but tl;dr- popcorn ending also had a lot to think about

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icarrymany · 6 days

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the mh comics open up such an interesting narrative for our few surviving characters. to them, what happened in the videos was real, but to everyone else its a cool creative web series. when all of that is viewed as fiction, fans have a freedom to speculate about and invade the lives and privacy of real people. and that would be so uncomfortable and terrifying. imagine someone irl having headcanons about YOU. writing fan fiction about you and your real friends. assuming things about you PUBLICLY ! IN MASS!

wouldnt it be so cool to see a character grapple with that in like a self-reflective way? fans asking questions the muse is too afraid to ask themselves. of course, theyre the only person the answer matters to.

#like wouldnt it be so strange not only to see the terrible things that happened to u have a FANBASE #but also people wondering about the intricacies of your personal life (they view you as a character and have no idea it was real)#and youre disgusted and afraid of prying eyes #but at the same time #you never think about yourself much anyways (too painful) and realize you might HAVE TO if ur gonna be okay with what happened #spoilers um this is about. jam.#tim never took the time to deconstruct how he felt in the moment because he was trying not to die #even if he concludes he harbored some feelings (like people online suspect) what would he even do with that?#he can never go back and change it. but he can say it to himself. its something for him that nobody else NEEDS to know #but now he can understand himself a little better n form new connections #its like a culmination of my hatred for some fans NEED for things to be canon when its much more fun to leave stuff open-ended #and also my love for media adressing this in a way that actually says something abt the way we consume it #yall seen the craig and tweek episode of south park? yeah.

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onaperduamedee · 2 months

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"And took whatever price they wanted."

#the wheel of time #moiraine damodred #wot book spoilers #wot fanart #towers of midnight #thinking about Moiraine undead again #about the price paid in flesh and memories and probably sanity #about the fact she's not completely human anymore #about the fact she walked out a place that killed Lanfear #about people not recognising her #because if a life can change you several lifetimes will make you unrecognisable #in my head her return is less Gandalf the white and more Lady Stoneheart #also she can have sharper teeth and more golden eyes #fanart #book: wheel of time #character: moiraine damodred

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comicdez · 7 months

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and then he got a school as an apology yay !

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yellowsubiesdance · 3 months

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i think i’ve learned a lot when it comes to not applying my own values to the media i consume

for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.

and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.

all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.

HE IS NOT A GOOD PERSON.

if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.

you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.

#hazbin hotel spoilers #that’s not even touching on the fact that husk was an overlord too #he also owned souls that he used as currency to supply his gambling addiction #he’s also not a good person!!#the majority of these characters are in hell for a reason: they’re not good people #i quite frankly love the way this show blurs the lines between good and evil #our heroes are sinners and overlords and demons. while the enemies are angels. but that doesn’t mean our heroes are good people.#you HAAAVE to come to terms with that!! you have to stop seeing the world in black and white or you’re not going to survive this world #if you’re upset because alastor was cruel to husk fine! be upset! but explore why you’re taking yourself out of that world.#in this world sinners own other people. there’s no ifs ands or buts #‘oh alastor is a poc why would he own people’ he was a serial killer when he was alive do you really think you can apply your values to that #(and this is me speaking as a poc. specifically a mixed race poc.)#i cannot speak to who vivzie is as a person. but i’m interested in the message she’s writing and thus far i’m finding it compelling #it’s a similar story as the good place but it’s going the distance to explore even worse people than those in the good place #i don’t think it’s responsible to write something off just because unsavory things happen in it.#and she’s giving us so many different types of representation that don’t involve race (although we’re also getting a lot of hispanic rep)#just like cool your jets and maybe process some of the anger you’re feeling. and maybe nothing will change.#but if you act. instead of react. if you understand why you’re feeling some type of way and then make a choice.#that’s so much stronger and more responsible than reacting and not thinking anything through #hazbin hotel #alastor #husk #hazbin alastor #hazbin husk #anyway let me get off my soapbox #long post

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