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ohcorny · 22 days

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so! it's been a year since i put never satisfied on hiatus, and 9 years since i started posting it, and rather than make you read everything if all you want to know is "when's it coming back?" the answer is still: don't know! but the answer has also shifted closer to "it isn't" the longer i've spent on break, and i think it's worth being up front about that.

i talked about it a little here a few weeks ago, but the long and short of it is that between taking on better paying work, writing better stories, and looking back at what i'd already done for never satisfied... i just don't think i want to continue it? the year off has been incredibly good for my mental health, and i can't see myself wanting to go back after the two-three years still ahead of me on my current project. that's not to say i never want to return to the characters or the concept, but if i did, i imagine it would be with something completely new, in a different form. after all, i started this comic when i was 21 years old, a lesbian, and a sophomore in college. i am now just shy of 30, a bi man, and overall a completely different person than i was, back when i was writing without a plan and putting all of my insecurities into the comic--insecurities i don't identify with anymore. lord i'm closer to rothart's age than i am to lucy's. hate that

anyway. you have all been extraordinarily kind for following never satisfied for as long as you have, for supporting it as much as you have, and being as patient as you have. whatever form never satisfied takes in the future (god willing, with a more cohesive story structure and A PLAN FOR THE ENDING, WHICH BY THE WAY I NEVER, EVER HAD) i hope to see you there!

in the meantime, as an update on where i'm at with the thing that made me stop working on NS: i finished it! all the pages for Hunger's Bite (if you remember it with a different title: no you don't) have been turned in and now it's just revisions and covers and then........ waiting a year until it can come out. because that's how it is in traditionally published graphic novels! nothing releases for a full year after you finished it! and you're even getting it earlier than was originally planned, because i'm a creature and finished it like three months ahead of schedule. i've also already started thumbnailing the sequel book which i can't talk about whatsoever and will now be working on that for the next two years and then HOPEFULLY the first book will have done well enough that i can sell a third! so you better buy it when it comes out next february!!!!!!

to ease you all into it, i wanted to do a little crossover to introduce the main characters. we have emery, whose design is fully and unintentionally just Seiji Again down to his color palette (but seiji would bully him if they met. like so hard. he's a wimp). then we have neeta, a girl who dreams of travel and cares deeply about worker's rights, and wick, a vampire agent investigating the mysterious and sinister new owner of the 1910s ocean liner emery and neeta call home. he's also gay. but sorry lucy, you aren't his type. you're not mean enough.

the best place to keep up with me these days is probably here, as this first book gets closer to release, i will probably be posting about it a lot. and i will certainly post about it here when there's an official release date and cover reveal! i hope you'll go read it. i really think if you liked never satisfied and its themes, you'll like hunger's bite!

thank you again for reading!!

#corndraws #hunger's bite #never satisfied

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cobragardens · 7 months

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The Colors of Crowley

Black is the color Crowley uses to cover himself, red is the color that represents Crowley to himself, and yellow is the color that represents Crowley to Aziraphale. What each color symbolizes and how it's used give us important information about Crowley (and to some degree Aziraphale) and about the ineffable relationship.

I feel kind of dumb writing this post because I'm sure it's glaringly obvious to everyone else, but there's this Metro UK article of all things (the Metro is owned by the hardcore rightwing Daily Mail, btw, so please don't link to it) that mentions the red stitching on Crowley's gloves in 1867, and it made conscious some details I had only subconsciously noted, so fwiw to anybody else, here are my notes on the colors associated with Crowley in Good Omens and their significance in the context of the way each one is used.

I don't think we need to cover black-as-evil in Western color symbology. [And yet here's a long-ass paragraph about it anyway! --Ed.] Light:dark::good:evil has been a thing with Christianity since before Christianity was even Judaism. The Israelites picked it up from the Zoroastrians way back before YHWH had subsumed El as 'God,' which may have been before they were Israelites as well; I mean it was a LONG time ago. Good Omens has been using black and white to represent Hell and Heaven, respectively, long before the show. In the UK, the book was published in paperback with a choice of black or white cover with an illustration of the contrasting character in the contrasting color: Crowley illustrated in black, Aziraphale in white. The current hardcover is grey.

Crowley wears black, and the Bentley is black. At the metanarrative or authorial level this is obviously for the purposes of the black/white demon/angel contrast, but on the intra-narrative level, the Watsonian level, it's interesting to note that Crowley doesn't have to wear black. He's obviously not free to choose from the full color palette, but Furfur's shirt and sash are is dark emerald green, Dagon is in ultramarine (as befits a marine Elder God), and Shax has only been on Earth for four years before she's wearing head-to-toe oxblood. When she shows up later in battle dress she's got a lot of oxblood there, too. And yet Crowley wears black.

Authorial reasons aside, black suits Crowley for a couple intra-narrative reasons. For much of history, black was the most expensive color to dye and maintain in clothing, and as a result it has always been fashionable. And for several centuries in Christendom, wearing black was also a sign that you were in mourning, which was a social and religious obligation when someone close to you died. Whether you could wear other colors with it depended on how long ago that death had occurred.

Again: black is what Crowley chooses to cover himself, and as there is a sharp distinction between how Crowley presents himself to fulfill his obligations and who he thinks of himself as being, there is likewise a distinction between the colors that represent those two quantities as well.

Red is the color the show uses to represent Crowley to Crowley. The most obvious reason is his hair. This is another change from Book Omens, where Crowley is described as having hair that is "dark." A lot of fans in the UK hated the change when S1 came out because fans hate change and the British have a thing against gingers, but Crowley's red hair suits him better than dark imo because the Mother of Demons in Jewish religious literature, Lilith, is traditionally depicted with red hair. Red hair has been associated for more than a millenium in the Middle East and England and Wales with sorcery, witchcraft, demonic influence/possession, and satan-worship.

Crowley wishes his mom was this cool with snakes.

A good case can be made that Crowley genuinely likes the color red in addition to considering it demonically appropriate. I say this for three reasons. Firstly, because when he has a (limited) choice of (again, demonically appropriate) colors, he always chooses red. The marble of the desk in his apartment is not green or grey. He can have any color stitching on his gloves or lining of his jacket collar he wants, but it's always red. Secondly, it's not only red he chooses, it's almost always bright red.

We know Crowley's red isn't supposed to represent blood or violence, because we have another demon character whose use of red represents just that, and it's not the same red:

Compare Shax' oxblood and burgundy to

and

Crowley's red isn't just red, it's lipstick, cherry, crimson red. And in case we weren't sure that we should read this red as symbolizing passionate, romantic love:

Romantic symbolism aside, bright red is also the color of passion (romantic or otherwise), optimism, heat, vitality, life, (hell)fire, and warning.

Red and black says don't fuck with Jack.

The third reason I think we can safely say that Crowley actually likes the color red is that he hides it. It's always tiny little touches, some of which you have to look for to see. (I still don't know where they snuck in the red on his Elizabethan habit, e.g.) And we know this color is a risk for him, and that he is right to hide it, because Ligur, who doesn't approve of any of Crowley's less-than-fully-demonic embellishments and may share Hastur's opinion that Crowley has gone native, comments on one of Crowley's more noticeably colorful items.

And I think the red tells us one more thing about Crowley, too.

Bright red is the colorest of colors, you know? When we can choose only one color to represent all colors, to represent colorfulness itself, we choose bright red (even in cultures where red symbolizes other meanings than it does in Western art).

Remember how Aziraphale gives Crowley's jacket a tartan collar when he swaps bodies with Crowley and impersonates him in Hell because Aziraphale feels the need to maintain some small secret token of his identity, some tiny unremarked sign of something he loves and thinks is beautiful, when he is down there alone in the gloom among enemies?

Crowley is down there alone among enemies every second of every day and night, whether he's in Hell or on Earth. And he's already had his identity stripped from him once. If you were someone who said

about this

and then you got recruited by the fash downstairs bc the fash upstairs threw you out for not being fashy enough and you had to start wearing nothing but dark colors and more importantly had to hide everything that made you feel warmth or softness or joy, and that was it, that was the deal for eternity, but you could add one (1) little touch to everything you wore to remind yourself that there is some beautiful part of you left, something you loved once, that no one has yet been able to steal or brutalize out of you...what color would the stitching on your gloves be?

Lastly, Yellow represents Crowley to Aziraphale. I'm going to skip the chain of evidence for this bc I think it's obvious, but the way it's used also lends itself to some inferences supported in other areas in the show.

Here's where I think changing Crowley's hair to red from Book Omens' dark is a good decision in another way. Crowley always has red hair, and if he has any color in his clothes it's going to be red. Red is eye-catching; it always stands out, but it doesn't stand out as demonic. And yet the color Aziraphale associates with Crowley and calls "pretty" isn't red.

I suspect that when Aziraphale says he can make Crowley an angel again, Crowley hears "You're not good enough for me to accept you as you are, let me fix you" because these are words Aziraphale has said to him many times, and has meant some of those times. But

tells the audience differently. The color Aziraphale associates with Crowley, the color he calls "pretty," is the color of Crowley's only overtly demonic feature. Aziraphale doesn't love the angel he knew who isn't Crowley, he loves Crowley, the demon, the person he is now, his yellow demon irises.

Yellow appears in three other places in S2, and they're all symbolically significant, and in fact serve to establish another symbolic significance to the color yellow in addition to that of Yellow Is the Color of My True Love's Eyes.

One of them is a feather duster:

Crowley reacts to a feather duster like a cat confronted by an unfamiliar object

The other three are private conversations between Aziraphale and Crowley:

The walls that surround Crowley and Aziraphale when they speak openly about their situation and how they will handle it are drenched in yellow, and that is super interesting, because in Western color symbolism yellow is the color of fear. The archangel of whom Crowley and Aziraphale are both (rightly) terrified wields a tool the color of fear. The color of fear saturates the backdrop of conversations between Aziraphale and Crowley when they have to discuss their situation and their actions openly.

Remember how Aziraphale's voice shakes here?

Crowley realizes the crows have just handed an angel evidence the angel can take to Hell and use to have Crowley killed

Even the Bentley, that clear sign of Aziraphale's love for Crowley, is also a yellow coffin enclosing him. For Aziraphale, thoughts of Crowley are always entangled with fear, because Crowley is not just Crowley, he is also Crowley's Fall.

And I think fear is what Crowley's eyes themselves represent. For Crowley, fear is now a fundamental part of his perception, his nature, his identity.

The angel Aziraphale once knew is not Crowley, and yet from what we've seen, the chiefest difference in character between this sweetheart and this mischief-maker--

--is that the Starmaker does not know yet that he should be afraid, and the Serpent does. That knowledge and its fear has, shall we say, colored his view of the world.

Aziraphale learns that fear early by observing others rather than Falling himself, and knows enough that by the first time we meet him in the Before, he is already afraid.

Pink was once symbolically equivalent to red; in modern Western color symbology it is a color of innocence, youth, beauty, and first love. Hashtag just sayin'.

The cruellest thing this suggests to me is that, rather than rebellion or his propensity to ask questions, rather than the knowledge of good and evil, the Starmaker's Fall was caused by his innocence. it wasn't the questions that were the problem: it was that he didn't know any better than to speak them out loud.

Y'all, Crowley and Aziraphale do not suffer from communication problems. Despite both being male-coded and British, they don't even seem to lack emotional intelligence. What they do have is a universe of silence and fear they have to communicate within and around. What they lack is the safety to speak and love freely. The true color of Crowley is crimson, but someone gave him those eyes, and Aziraphale either watched that happen or knew about it, and now Crowley covers himself in black--which btw is also the symbolic color for mystery and secrets--and only lets Aziraphale see him as he really is now, because Aziraphale won't judge him for his yellow eyes (or punish and forsake him for his questions). Because Aziraphale carries that fear with him too.

#good omens #good omens 2 #good omens analysis #good omens crowley color analysis #good omens crowley color #crowley #good omens colour analysis good omens crowley colour #good omens colour #good omens meta #angel!crowley #starmaker

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yiangchen · 2 years

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#my roommate is one of those people that is upset when traditionally white characters are recast as people of color...#this is specifically about a black girl getting the part of ariel in the little mermaid #which is so cool and exciting !!!#halle bailey is literally perfect for this role in every way #literally the only thing that makes her different than the original is her skin and hair color......#and of course thats what my roommate fixates on #but she insists it isnt racist and that people would also be upset if a character of color was recast as white #and yes people would be upset but not for the same reason !!!#its literally not the same or comparable #i already knew she was one of those white girls but this solidified it for me....#idk how to explain to her how wrong this is because she argued against every point i made #and she gets so defensive and has trouble understanding perspectives that arent her own #this girl literally hates that white people are called white because 'some asians have white skin too'#SHES SO LOST SKJFLSDFAKJ #HELP ME

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genderkoolaid · 8 months

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Hi!

I (24 nb) am having a serious issue with girls my age being quite misandric and using radfem rhetoric in their speech.

The issue is I understand their fear and mistrust of men in patriarchy and with many of them having horror stories to share about bad heterosexual relationships. But i am deeply uncomfortable with misandry and i don't know how to effectively point out that no it's not good feminism to hate on men.

Do you have any resources you could recommend me to build a good argument? I want to be prepared for this kind of discussion because it keeps happening more and more frequently.

I know it's not the main topic you cover on your blog but as it is closely related to transandrophobia I was hoping you (or your followers) could still give me some advice.

I wish you a wonderful day

My advice would be to start with talking about the negative impact of misandry on women first (although don't use the word misandry, at least at first). Starting off with "it hurts men" in any regard will likely not go over well, but if you first bring up the issue in relation to a group they already really care about, they'll be more likely to listen. Also, I would reaffirm that having trauma or bad associations with men isn't the problem, they aren't obligated to associate with men in ways that make them uncomfortable or exhausted, and that they have a right to feel their emotions, be angry, be annoyed, etc. Affirm that your concern is with how their actions and attitudes could be causing real harm to others, and that anger being valid does not mean you don't need to take responsibility for how you choose to act.

Some potential talking points:

When women are perceived as manly or masculine, they tend to get viewed with the worst traits of masculinity: butches and trans women are seen as aggressive, violent predators who prey on sweet, feminine straight/cis women. The patriarchy doesn't just hurt women through their femininity, but through their (real or perceived masculinity as well.

Even inside queer spaces, butches are expected to fulfill toxic masculinity: they are expected to be sexually dominant tops, not be emotionally or physically "weak," not do feminine things, etc. Butches can get ridiculed by others, even partners, for not fulfilling these things. Things like balding and small penises, that are traditionally seen as failures of masculinity in the patriarchy, are also made fun of in queer spaces; it seems like queer spaces have issues with how they deal with (real or perceived) masculinity.

When spaces make jokes about hating men, put a lot of emphasis on gatekeeping men, etc., it makes it a lot harder for trans women and nonbinary people assigned male feel safe. Some trans women & genderqueers might not realize their gender because they are kept out of spaces that could've helped them realize because of how queer & feminist spaces act regarding men. Butch trans women and genderqueers often face heightened scrutiny because of their masculinity, from both inside and outside their communities. (Also, send them this article.)

^ As a result of all of that, maybe we need to be more careful with how we think and talk about masculinity. It seems like we are reusing a lot of negative patriarchal stereotypes about men & masculinity in ways which hurt marginalized people the most.

From there, you can bring up marginalized men: you can talk about how trans men, multigender/nonbinary men, men of color, Jewish men, fat men, disabled men, etc. are negatively affected by negative patriarchal stereotypes about men & masculinity- I emphasis that because its how I would go about referring to "misandry" or "antimasculism" without actually using a word. Since misandry (and anything that sounds similar) is such a trigger word for many, its important to set the foundation that there is a big difference between the MRA concept of misandry, and the transunitist concept of misandry. Transunitist misandry focuses on how sexism & genderism* is used to target marginalized groups (specifically trans* people). Transunitist misandry does not say that misogyny doesn't exist, or that men are oppressed in the exact same way women are; its saying that the patriarchy (as a part of kyriarchy) uses gender and sex to harm not just marginalized women, but marginalized men too.

My goal with this would be to introduce and try to convince them of the idea that Misandry Is Harmful Maybe, and then once they realize how its harmful, bring up the idea that this kind of stuff needs to be named. Once they generally agree with these ideas, I think it will be much easier to help them understand why misandry is bad even beyond marginalized men: because the patriarchy relies on harmful ideas and expectations for men, even as (dominant/non-marginalized) men have a different place and more rewards; because liberationist feminism must be concerned with universal liberation, and that means it must be concerned with everyone's wellbeing and liberation; because we cannot disnantle the master's house with the master's tools, and letting any patriarchal thinking in poisons the well of your feminist praxis; because it just makes you a meaner and shittier person. In my experience people who think in the ways you described are resistant (not necessarily for bad reasons) to any kind of criticism towards sexism/genderism towards men, so my tactic would be starting with areas (like women) that they are concerned with not hurting and show how misandry hurts that group. Connecting the harm of this way of thinking to something they care about is going to make them more open to seeing it as an issue in general.

*I use "sexism" to describe the system of oppression based on physical sex, and "genderism" to describe the system of oppression based on gender identity/presentation/roles.

#m.#ask box

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sahonithereadwolf · 11 months

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Can I tell you about the very queer game I made this Pride?

In A World That Hates and Fears You, Living Becomes an Act of Rebellion.

Exceptionals is a game inspired by X-Men about and for the spaces and communities marginalized peoples make for themselves. Play as a Geno, one of little less than 0.5% percent of the population that has gone through a mysterious process called Claremont-Simonson mutation, as you try to navigate a world that won’t make room for you. Exceptionals is a game about what the mutant metaphor means to you and the different lenses through which we view it. Punch back and build something of worth together in this narrative tag-driven tabletop role playing game. 🧬Features Open-Ended Character Creation🧬 Mix and Match between (23) open-ended but guided protocols. Answer questions to create high concept and unique super powered characters where the only real limit is your imagination. Get invested in who you make as a whole person, and not just a set of powers. Build a Community 🧬Create a living and dynamic community space full of colorful characters. 🧬 Grow your base as an anchor for other geno and help fill it with the resources they and you need. Understand how your actions effect others and gain trust through the bonds mechanic. It’s a game where you get stronger by growing your community and heal by being part of it.

🧬Comic Book Storytelling 🧬 Play as a creative team of writers and editors working to tell the best version of the story you can over time and storyline-based experience to model changes of the status quo and creative direction. Enjoy panel based action pacing and the ability of characters of all power levels to coexist and carry the same amount of story weight.

🧬Not Pain Tourism 🧬 While Exceptionals offers a number of places to push back, we understand and recognize that the most important part of a punching bag is that you choose to hit it, even if it’s not at all. We recognize not everyone gets to set the issues that the mutant metaphor is used to talk about down when they leave the table and offer many ways to tell stories outside of a lens defined by pain. We also put an emphasis and mechanical weight on the importance of joy and celebration. 📚You can buy the Core Book here:📚 https://bramblewolfgames.itch.io/exceptionals 📚You can buy the Expansions here:📚 https://bramblewolfgames.itch.io/exceptionals-expansion-bundle 📚You can buy the bundle with everything here:📚 https://bramblewolfgames.itch.io/exceptionals-expansion-bundle I didn’t go out with the intent of making this a very queer game. Not explicitly. I started making games because I got frustrated waiting to feel seen or acknowledged. Another game got me mad about using my peoples stories to be transphobic, to be racist, to be ableist. Nevermind my people have more than two genders traditionally and faced a genocide. That was too much for me. I said this was enough and the quite indignities I suffered to feel included wasn’t worth it. I could do better myself. So I set out to make a superhero game. I hated just about every comic book game on the market. It never seemed to capture what I did like about big hero comics with high concept storytelling and powers and couldn’t care less on a mechanical or narrative level about who this person was outside the mask. More focused on bashing action figures together and golden age pastiche that doesn’t really reflect the decades of character and genre developments that have happened since then. I later found games that do it better, but I was dissatisfied... I chose x-men for the homies. I’ve always been an x-men fan. A lot of people my age were. My first action figure was one of rogue I got at a garage sale, where she then went on to fight many a play-dough monster. But for many of us it was the first place we were allowed to be heroes. There are no natives on the 90′s x-men team. But I had uncles and older kids all too eager to tell me about Forge and Warpath (I hate that name) and my favorite Dani Moonstar (I ain’t the biggest fan of that name either, but she’s the closest thing mainstream hero comics have to a good NDN).

After that, things just kinda flowed from there. The X-men have such a focus on community. It’s “comics greatest soap opera”. It can be messy, complicated, beautiful and life-affirming all at the same time. They take the time to play basketball, go to the mall, and have birthday parties as they grow. Two of my favorite x-men comics aren’t about fighting at all. One is framed around a sleepover some students have, and another is about a wedding and framed around everyone filming their part of the wedding tape.

So I started thinking about the communities I’ve been a part of. A big core of the game is informed by my time and the people I met in these sort of spaces. As a native, as a queer person, as a disabled person I’ve been both someone who needed them and someone who gave back.

Which suited x-men just fine. X-men has cared about that sort of thing from about X-men #3 with the first appearance of The Blob, establishing it’s tone of sympathy and mutants as a minority analog.

I just kept going and I didn’t stop. And apparently I did a good job. Someone out there has been using my game as game-therapy and community outreach in a gender health center out in California. I got a lot of kind words for the game too (which is good, because I spent 3 years on it).

KUDOS

-As featured on; io9/Gizmodo, Kotaku, Listen to Theses Nerds, Team-Up Moves, Yes Indie'd Pod, Team-Up Moves, and The Voice of Dog -#1 Best Seller and Popular on Itch.io in both Analog & RPG Games, Sept 2021

Listen to the Team-Up Moves AP Here!: https://teamupmoves.com/runs/exceptionals "Exceptionals is a beautiful, brilliantly designed superhero RPG. It's truly a masterpiece, and if you haven't checked it out, do yourself a favor." -@PartyOfOnePod

"This thing COOKS, Sahoni doesn't just tap into the queer/minority readings of mutants, but also ties in the weirdness that really gets my mind racing when it comes to X books." -@froondingloom

"A refreshingly different game, that strikes a good balance between unlimited player freedom and solid guiding handrails. Really gets at the full potential of what the ;mutant outcast heroes' genre should be about: found family, building communities, and lives lived to the fullest despite being lived in defiance." -@guywhowrotethis

"The whole game oozes love for its inspiration while also going further than they dared...." -@Phoenix24Femme

"Astonishing! Uncanny! All-New! And all other X-Adjectives available. This book gets why one would want to play the Mutant Metaphor in an RPG. It cleverly weaves the power fantasy of powerful individuals with the drive to do good for one's community. It's well-researched, well-written and, well, so much fun to play! This is the superpowered game I've been wanting for a long, long time. I can't wait to tell an Exceptional story of my own!" -@Kokiteno Team-up moves even made a recommended comic reading list. It has some of the best x-men has to offer and then some. It even includes that New Mutants comic with the sleepover. They read me for filth and I love it.

I hope you play my game too. I hope you like it. I hope you tell queer stories and build community around you. I hope it’s messy, complicated, beautiful and life-affirming all at the same time. Thank you for reading this. Please reblog if you can as well as share it with x-men and rpg fans in your life.

#exceptionals #Indie TTRPG #ttrpg #comics #X-men #pride #mutants

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torterracotta · 9 months

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When I heard Gerry Duggan get asked on Cerebro, white boy to white boy, about the unfortunate optics of announcing and then immediately murdering the least white team of X-Men in years, I knew we'd be in for some shit. Man, did he deliver - after some evasive waffling about how ORCHIS is meant to be fascist, and how the story's point is to put the collective back of mutantkind even more against the wall than it was any of the last six times something like this has happened.

And, honestly? That's fair! This year's Hellfire Gala is ultimately the first part of a larger story, and history shows it's not going to last forever — hell, does anyone remember what the status quo was immediately before HoXPoX? At least this time most of the characters have implicitly just been sucked into Mother Righteous's magical Poké Ball, rather than outright killed; if anything, that's an improvement. I was fully content to just think "hey, not for me," and get back to ignoring everything beyond Immortal and Sabertooth, secure in the knowledge that certain topics are bound to be handled poorly when almost everyone in the room is white, when Duggan said three words that stopped me in my tracks:

"Keep the faith."

See, that struck me, because for a lot of us, this entire era of comics has been about nothing but faith. I've been reading X-Men, and engaging with fans since I was eight, and I've never seen the kind of collective buy-in from other marginalized readers that I have with Krakoa. X-Twitter (or, I suppose, X-X) has been Blacker, queerer, more disabled, less homogeneous than the fandom has ever been, all of us buying in to the implicit promise that this time things would be different. Sure, the line was headed by a presumably straight white guy, but there were other voices in the room for a change, and it really felt like they were going to be listened to. We thought we'd moved past clunky metaphor, past queerbaitimg and awkward racial gaffes. Storm and Kwannon were getting to do stuff, Arakko was full of amazing characters of color, Cyclops and Wolverine were probably fucking, we were hooked, and we turned out.

It's hard to overemphasize just how wild this was to see in real time. X-Men has always been allegory, sure, but it's traditionally allegory by and for the majority. For years, the readers who might really feel that resonance, those of us who have been hated and feared for the unforgivable crime of being who we are, we were afterthoughts, tolerated at best. We got scraps, "representation" from creators who seemed to be offended by the implication that we would ever want something other than being fetishized tokens. We were, as Hickman so succinctly put it, told that we were less when we knew we were more. And then, out of nowhere, Krakoa made us inescapable.

The two biggest X-Men podcasts, X-Plain the X-Men and Cerebro, are hosted by queer people. X of Words has been rocking the Black, queer experience like no one's business, Mutant Watch has been a joy to listen to and to be on. Not just podcasts, either, in everything from criticism to fanart to cosplay, voices have been elevated that were previously silent. I mean, hell, I've gotten paid to talk about comics, that shit never would have happened four years ago.

All of that was based on faith.

Faith that we were being celebrated, for once, instead of just used. Faith that for whatever growing pains there might be, things were going to be better.

And let's not fuck around here, there were growing pains. In the first year alone we dealt with everything from blatant whitewashing, to queerbaiting — any Sunspot fan can go into detail there, assuming you can get one of us to stop crying for long enough. While that was going on, we watched Bryan Edward Hill (the only non-white writer in that initial wave) put out a book that was, let's face it, at worst aggressively mid, only to be excoriated by certain portions of the fandom, and dropped by the office, while significantly worse books managed to hold fast — er, hold on. Not to say that Fallen Angels was without sin, mind you, the book was packed with enough orientalism to make Chris Claremont blush. But, at the same time, Wolverine's first year ended with him doing what he does best: trying so hard to be Japanese that I had to check to make sure he wasn't Marvel's editor in chief.

Through all of that, we kept the faith.

Things didn't really get much better, of course. Arakko was a fascinating concept, and felt like it damn near doubled Marvel's characters of color. And yeah, the ending of X-Factor was one of the most poorly handled racist messes I've seen this side of… well, any given day on Twitter. Sure, the whitewashing has never stopped, to the point where everything from X-Corp to this week's Hellfire Gala has had to be hastily edited between previews and release. Maybe we keep dealing with stuff like butchered AAVE, even more queerbaiting, Kate Pryde's funeral, the genocide of almost all of those Arraki characters, and whatever the hell was going on with Lost in Way of X. Maybe there's a very real argument to be made that there's something insidious about three straight years of voting to determine if characters like Monet (who, by the by, has been retooled from "basically Superman" to "Black woman with anger powers") deserve the honor of being written by a white man who's stayed writing with his foot in his mouth. I mean, hey! All my white friends in the scene say he's nice, just like Williams, or Howard, or any number of other crusty crackers who are still proud of tripping over the bar Claremont left on the floor in the 80's!

And dammit, we kept the faith!

Even before the issue dropped, the Fall of X has had a lot of us wary. After all, all of the promotion leading up to it has been white guys saying the minority allegory has had it too good for too long, which, whatever, press copy. We all know they've gotta sell books — they, in this case, being the almost exclusively white, almost exclusively male creative teams attached to all of the books in the line. Sure, as Duggan said, the 616 has a fascism problem, but it’s hard not to see this as a deliberate step back from the almost double digit number of non-white creators these past few years — almost as if Marvel has realized they can make space for a fourth ongoing by their favorite white boy if they just throw out a Voices special every couple of months as a containment zone for the darkies. And, hey, considering how good ol’ C.B. got his foot in the door, I can’t even fake surprise. At this point, it’s a minor miracle any time a person of color is tapped for anything that’s expected to last beyond one issue.

In this issue, as a reward for keeping the faith, we got to see something astounding, something that'd bring a tear to the eye of even the most cynical reader — a team that was only half white. My god. And sure, their brutal murder in favor of a team with Kate "Hard-Arrr" Pryde and the Kingpin(????) was only a pit-stop between the resurrection of the suddenly ashy Ms. Marvel and Lourdes Chantel being killed off for the sake of a white woman's angst yet afuckinggain, but ain't that the dream that Malcolm Ten or whoever died for?

The Krakoan era, ultimately, has been the same as every other. Empty promises by white men who show us time and again that there was never any point in expecting anything better. Any meaning we've found, everything of worth, has been what we've made for ourselves.

We've spent years keeping the faith, Gerry, while you and yours have continued to let us down. What the hell do we have to show for it?

#xspoilers #Hellfire Gala 2023 #X-Men

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horrorcore2002 · 10 months

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BAKUGOU HEADCANONS

_*_ DISCLAIMER! The following content mentions: Fem reader, black/brown reader, chubby reader, cussing, and this shit is everywhere, mostly abt food and his taste for it Bakugou headcanons

★ First things first right off the bat I think Bakugou likes women of color

★ Like, black and brown women? that's all you needed to say

★ Especially thick or chubby girls (what can I say, he's got good taste)

★ Thinks stretchmarks are the cutest thing a woman could have

★ We all know he's a chef, but I think he sucks at baking 100%

★ Would do some fucked up shit like using olive oil in cake batter or burning betty crocker cake mix (if you can bake, he'll only eat your baking and that's it.)

★ Hates overly sweet frosting, like REFUSES to eat it will scrape off the chunk of cake that touched it and be done with it.

★ Hates cake even more if it's dry as shit, cause then he's to drink water or milk, and water with cake is disgusting, and milk just grosses him out.

★ Does like Red velvet cake with whipped cream instead of frosting

★ Listens to R&B when he's sad as shit. Like, I'm talking 3am, I don't wanna sleep cause I'll have to wake up for tomorrow, so instead I'll read a romance novel sad.

★ I also feel like he likes fried sushi or California roll sushi because they don't traditionally have that in Japan and he thinks the American twist to it is cool

★ Or he'd think it atrocious and not want it ever again. There is no in-between

★ When it comes to dating, he doesn't pay attention much, like if it's meant to really happen for him, it'll happen, but if not, then oh well.

★ However, don't expect him to make the first move. If he has to, he's gonna have to be drunk off his ass.

★ I feel like he really likes his mom, even if he yells at her (and she yells right back) because she actually gives him good advice and he respects the hell out of her and would do little things as a kid

★ like draw sumn making fun of her, or pick flowers and dandelions, or get her water when he knows she hasn't been drinking it, with a snippy insult on the side

★ He's a mama's boy, but will never ever admit it. Like ever. You mention it, and he'll gaslight you.

★ I personally think his favorite superhero movie (besides anything All-Might) is Guardians of the Galaxy and The Avengers

★ Likes Rocket the best, and then second is Gamora

★ Has a complex relationship with the Hulk movie, cause the movie plot was pretty good, but he fuckin hates the graphics (if u know u know)

★ Really likes The Hulk tho, cause he looks cool

★ But likes Red Hulk more, cause he looks cooler, and because he hates Bruce Banner cause he reminds him of Deku

★ I feel like he'd be a huge fan of other foods from different cultures, cause he likes trying new shit, because the same damn thing over and over pisses him off

★ It's one of his pet peeves

★ He also likes black Air Forces, because their black, and he just likes them better cause he's secretly still in his emo phase (and cause he's kinda crazy)

★ Back to food again (sry this entire thing is everywhere) but I think he would love chili fries, or animal style fries, with like, a shit ton of hot sauce

★ wants to travel the world with you (will never admit it though)

_*_

#black writblr #bnha x reader #bakugou x black reader #bakugou x reader #bakugou x chubby reader #bakugou x you #bakugou x fem!reader #bakugou headcannons #bakugou katsuki #mha x plus sized reader #mha fluff #bnha imagines #_*_milliworks_*_#milliswork

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pistatsia · 5 months

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so thoughts on kaiser's... can't stand white drinks sentence?

Hi anon! Sorry for the late response

Ignoring possible ordinary lactose intolerance and my fractured by the "Kaiser and Ness, Ness and Kaiser" psyche, I'm betting on the…

Church. Take me to the church

(just in case - I'm an atheist and very poorly educated about religions, so I apologize if there are any inaccuracies here)

First of all, why would Kaiser be connected to religion? In addition to @echari3 stunning post here, where she draws some amazing parallels we have:

Kaiser's name itself is "Michael, God-given."

White is a color traditionally associated with Christianity, churches, praying, and faith;

The Bible is directly related to obedience.

Also? The Bible and the scriptures themselves are associated with milk.

Highlighting the main point from several articles I've read, the Bible is associated with milk both directly (in the religious scriptures) and indirectly consistently declaring the following (you can read the quotes from the Bible and scriptures here, and I'll just summarize below):

According to the Bible, one who is fed with milk is undeveloped and weak;

"I had to feed you with milk, not with solid food, because you weren't ready for anything stronger. And you still aren't ready," - Letters of Paul to the Corinthians 3:2;

A baby does not eat bread, a baby does not eat meat, a baby does not eat anything at all but milk. And the Bible associates man with the baby, whom it teaches its dogmas;

And finally, we come to a conclusion:

Milk is the word of God. And believers who comprehend it are helpless infants.

And what could a man like Kaiser, who by his own words used to be a weak and easily submissive and surrendering person, hate the most?

Helplessness.

The Bible and religious writings teach in many ways precisely submission and humility. Don't take more than you need, give to everyone who asks of you and to the one who took yours, don't demand anything back, give the other cheek and so on.

And little Kaiser, who grew up in a very religious family (most likely obsessed with religion enough to even give him a name associating him with a god), couldn't have known any different. Children are easiest to control until they reach the age of transition - but once they do, they learn to think critically and question authority and the order of the house. If you follow my theory, then noticing this disobedience his family could have pressed on him even harder …

But Kaiser, with his incredibly strong character, did not obey, but instead resisted even more strongly - putting all of his rage, anger, and resentment into it.

You wanted me to be kind and merciful?

Then I will destroy.

You wanted me to be a god?

Then I will be the devil.

#michael kaiser #blue lock #bllk #blue lock speculations #blue lock analysis #bllk analysis #asks

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hadeantaiga · 5 months

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it should be!! as a brown cis woman i have been screaming about this for years but white feminists simply refuse to listen because they're too attached to their emotional support man hating. men of color may have privilege over women of color (but that's another thing i hate when white feminists and radfems use, it's a dynamic and discussion poc should be leading in our communities, not a weapon for white people to wield to shut down conversations about white supremacy) but when talking about the privilege men have, being a man brings more danger for moc, i would argue. any expression of negative emotion by a moc is automatically seen as aggressive.

the amount of privilege white women have over men of color cannot be overstated. all men have privilege over all women will never be a true statement, and starting feminist discussions there (as i've seen many white feminists and radfems do) will never get us anywhere. so many generalizations and discussions about men on here make it very clear they're talking about the most privileged man that could exist (white, cishet, abled, traditionally masculine, wealthy). no discussion rooted there feels meaningful, because it just feels so far from changes we can make that are practical and impactful in the short term.

^^^^^

#anti racism #feminism #revolutionary feminism #intersectional feminism

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ckret2 · 5 months

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whats one thing that bill loves that absolutely NO ONE wouldve guessed? like not in a TRILLION YEARS cause thats how out-of-pocket it is for him to like said thing???

also love your work <33 :) its one of the very few fanfictions where i can feel the true essence of bill cipher and that is very important to me

Thanks! I've tried to squeeze in as much Bill essence as I can.

"What's the most unexpected thing he likes" depends entirely on what you expect, and I feel like that's subjective. You could argue some of the things he likes in canon are pretty unexpected; while, on the other hand, even the unexpected stuff "makes sense" if you have the reason for it. So here's a list of random things that, while they make sense for Bill, might be surprising if you're trying to think of what would fit the image of an evil chaos party god:

First the canon. I feel like "silly straws" isn't exactly SURPRISING for Bill, but I doubt anyone would have expected him to like them enough to voluntarily bring it up if he hadn't. Like there's a long list of likable things he skipped over specifically to give silly straws a shout out.

Some people headcanon he can't actually play the piano and his little performance for Ford was all magic, but I like to headcanon he actually knows how to play and enjoys it. Which implies an unexpected amount of patience and dedicated practice out of a pretty flighty guy.

I mean I don't think anyone would have assumed that meditation fits his vibe.

Fandom's got a pretty good handle on associating him with brightly-colored busy patterns, but only with traditionally masculine or gender neutral aesthetics. Think bowling alley carpets patterns, lava lamps, Hot Wheels-style paint jobs, fire and lightning and lasers. But there's a tendency to overlook aesthetics that are associated with femininity. He WOULD be into Lisa Frank, decora, intricate neon nail art, magical girls that look like they're wearing hyper-saturated overly-complicated dance outfits covered in 24k gold and jewels as big as your thumb, extravagant hats, extravagant jewelry, girly drinks, girly desserts, glam fashion & decor, bubbles, bouquets, rainbows, and hot pink. To Bill, everything is gender neutral.

I think most people wouldn't expect Bill to be into surreal cerebral art films rather than, like, juvenile slapstick or action. But on the other hand, the line between "this is haunting" and "this is boring" is razor thin for him, so he doesn't always like the cerebral films.

He hasn't discovered this yet but he'd love the beach. Sunshine and swimming. The lake would do too.

I don't think anyone would anticipate that Gravity Falls is, actually, in fact, one of his favorite places in the dimension. He mainly keeps complaining about the town because every time he's there, he's TRAPPED AND CAN'T GET OUT.

He's really into math, just recreationally. He would read a whole book about proving Fermat's Last Theorem. He probably proved the theorem himself by 1700. Told no one. He was just bored that week.

Ford got him into DD&MD. Bill wasn't just humoring his human pawn, he genuinely enjoys it. Gets really into the roleplaying and storytelling. He hasn't had anyone to play with in thirty years. Prefers the 90s edition.

Everyone assumes Bill's just humoring Mabel by letting her put on Color Critters tapes. It's like Care Bears crossed with Rainbow Brite and the morals are twice as heavy-handed. But he actually does enjoy the show, it's just for the wrong reasons.

You'd expect the guy who destroyed his home dimension to hate it. There are books, songs, instruments, cars, plays, hotels, cities, convention centers, dams, field trip destinations, even rocks that he misses dearly and will never see again. He still writes to himself and talks to other shapes in his native language. He still constructs houses without ceilings. He still hugs with one arm and shakes hands sideways. He loves his dead dimension. Few people outside of the other surviving shapes know this.

So you decide which is most unexpected!!

#ask #about my writing #bill goldilocks cipher

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jellogram · 9 months

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I think one of the key differences between American horror and Japanese horror is the use of the uncanny valley.

American horror makers designing ghosts tend to go for what you might consider traditionally scary things, sharp teeth, decaying flesh, glowing eyes, just general monstrosity:

Whereas Japanese movie ghosts tend to look more human:

The creepiness factor often comes from their movements. This photo is from Pulse, and this is the most frightening scene due to the way she moves:

It's odd and unnatural. You might even say it's... uncanny.

A good side-by-side to demonstrate what I mean is with The Ring. Originally a Japanese film, it was remade by Americans a few years later.

Both versions were successful (and good) but I found the Japanese ghost waaaay more frightening than the little CGI creature in the American version. There's just no comparison. I mean, look at the only real shot you get of the ghost's face in each film:

One of these fills me with dread. The other just looks like a zombie.

But here's the real kicker, watch them move!

Here's a few differences to note:

The camera in the American version is fast-paced and intense, the Japanese version stays still, letting her and her movements be the focus

It also doesn't cut to her victim nearly as quickly or as often (hard to see from the gif)

The Japanese version is not dirty or oddly colored. The American version puts a digital effect on her. This all pulls the American ghost out of reality, whereas the Japanese version is undeniably a tangible being in the room with us.

This isn't to say American films never use the uncanny valley. Us had a fair bit of odd gestures and stares.

As well as like, everything David Lynch ever made.

I've also seen these techniques in lower budget short films and analog horror shows on youtube.

But from what I know of Japanese horror (not that much) and American horror (a lot), uncanny valley techniques tend to read to American audiences as "weird" or "surreal" whereas in Japanese horror, it seems to be more of the standard.

American audiences seem to expect a certain type of scariness. The "Conjuring" style of horror if you will. They don't necessarily hate anything outside of that, but they react strongly to it. I mean, everyone said Skinamarink was horrifying, and I'm convinced it because non-horror fans have never been exposed to horror that doesn't have sharp teeth, rotting flesh, and a general aura of ghostliness.

Anyway, I don't know how to end this post except to say that I think Japan was way ahead of the curve on using the uncanny valley in horror and I hope the US catches up because I am quite tired of ghosts with sameface syndrome.

#horror #horror movies #film #j horror #the ring #ringu

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a-court-of-moonlight-and-ire · 1 month

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Hellow, i just reblogged that post about the cauldron loving elain and I have been seized with a need to figure out what the hell is going on with that so I shall read one (1) chapter if acomaf to bring me closer to my goal. For the record, I did know about the cauldron loving elain and hating nesta because idk, nesta was angry and annoying when she was dunked into it but elain was just so sweet and demure about it probably, i did not think it was. romantic love. but this is a sjm book so I was foolish to assume there would be a male character whos not insanely horny. Actually, is the cauldron even male? He is in the german version but thats just bc the word cauldron is masculine grammatically. Quick someone draw like, a tumblr sexyman humanized version of the cauldron. actually no, tumblrsexymen are traditionally twinks and sjm hates those. Quick someone draw like, a super buff shirtless man with golden hair, or whatever the color of the cauldron is

anyway, PREVIOUSLY ON: THE FLAMES AND DARKNESS LIVEBLOG we had the Court on Nightmares Under The Mountain Reenactment Scene as I like to call it and can we talk about how Feyre has known Rhys for like a year and only liked him for like half a year and yet she was perfectly fine sitting in his lap nacked and letting herself be sexualized by him. Like, I dont even have any kind of sexual trauma, you would still need to build up sooooo many years of friendship and good will for me to do that for you and you would NOT be allowed to jerk me off!! whatever, lets get on with this, its time for chapter 43

I hate that Rhysand is being all like "i shouldnt have brought you, i didnt want you to see this side of me" when its like, buddy you didnt have to do all this shit you couldve just walked in an been like "Im your high lord and demand your orb" and they wouldve given it to you because youre their high lord and youre demanding their orb. And if he thought they wouldnt have given it to him, he couldve easily come up with a different distraction he just went with the one that sexualizes Feyre because hes weirdo. Like, if hes so cruel on every other day then he shouldve acted really nicely, greeted Keir by giving him the biggest hug and being like "uncleeeee!! :D long time no see :)" and Feyre should have been dressed up as like, the embodiment of spring in pastel green soft shades of pink and but Rhysand still treats with the utmost kindness and respect, now that would throw the Hewn City for a loop

Okay so the reason Rhys broke keirs arm is because the word 'whore' triggered him which is understandable but like, Feyre thought of herself as the Highlords Whore in a very deliberate parallel to Rhysand being known as Amarantha's Whore and Im pretty sure she even straightup thought something about being in the position he had for so many years but she was like, horny about it and the narrative just isnt acknowledging it. Like, theyre not talking about it even though their mindlink was presumably open the whole time bc I remember them flirting through the link, and Feyre isnt even like "oh man, I feel bad for thinking that when its so upsetting to him" its so weird

Rhysand basically said "I will never try to protect you by locking you away, instead I will protect you by killing anyone who upsets you, even when they dont actually upset you and they just upset me" like he and Tamlin are not fundamentally any different from each other, its just that Rhysand is a coldblooded murderer. but its fine cuz he wears black leather i guess

I just realized. Rhysand had a boner when Feyre was sitting in his lap. did that go away when he broke Keirs arm or did he walk out of that meeting with his dick fully hard

Listen, maybe its just because its 3am and Im a little sleepdeprived but this conversation barely makes any sense, these bozos are just completely talking past each other at this point

Rhysand just said something about how Tamlin just locked Feyre up and let her waste away and almost die and Feyre was gonna say "He was trying his best" but Rhys interrupted her like "Dont compare me to him, stop comparing us" when she didnt say anything about that ??? my guy is projecting so hard rn he thinks theyre having a conversation that theyre not even having

And like i would argue that Feyre doesnt even compare Rhysand and Tamlin that much, the narrative definitely does it a LOT, but Ive been reading Feyres thoughts throughout this whole ordeal and I feel like she barely even thought about Tamlin since she sent him that letter

This scene is supposed this big turning point for their relationship and its clearly meant to be really emotional but the only emotion i can feel rn is annoyance with Rhysand because its like, he did have genuinely traumatic things that happened to him but not only is he barely affected by any of them, those are not even the things that the narrative brings up whenever its trying to get me to sympathise with him instead its always just "whaaaaaaa everyone thinks Im nasty and evil just because i keep doing nasty and evil things T-T"

Feyre is being very cruel but in a kinda funny way because its directed at Rhysand rn, i would insert the quote but I am in no state to translate anything at the moment but shes basically like "of course you have to hide your true self from your friends, they wouldnt wanna hang out with otherwise, you burden"

Idk why but the prose being like "my arrow struck him too deep" is so funny to me, it has the same energy as the vampire fics i read where the weird gay one gets his heart broken and he goes "it wouldve hurt less if he staked me in the heart"

Feyre is like "i cant believe he was so vulnerable and shared his sorrows with me and just threw all of it in his face" and I could not give less of a shit, but ive been on a big emotional abuse kick lately so now Im thinking about what if Feyre was just faking having feelings for Rhys in order to make him fall in love with her and be vulnerable with her only to then tell him the truth and reject the mating bond and make him completely break down as revenge for UTM. now that would actually be empowering

Now Feyre is thinking about how shes been using Rhysand for a long time now and come onnnnnn there is such a big power difference between them, I genuinely think its basically impossible for her to do that. Like, hes the most powerful guy in the history of guys or whatever, if anything you were doing bothered him that much he could simply make you stop doing it. hm. now Im thinking about what if rhysand was actually a huge masochist. Now that would actually be hot

Feyre is talking about how all the members of the inner circle suffered and are traumatized and theyve all learned to live with it and, not to extend too much sympathy to Rhysand, but all of the ICs major traumatic events happened centuries ago, his traumatic event happened one (1) year ago and it lasted 49 years i think its gonna take a little more time till hes all better

ughhhhhhh dont remind me of Amrens stupid romance subplot im gonna kill myself

Starfall is called Die Nacht der fallenden Sterne [the night of the calling stars] in german which is so much cooler and more whimsical, shoutout to my gal pal Alexandra Ernst for attempting to reinsert atleast a little bit of whimsy into this joyless world

Also, apparently its expected that Rhysand spend the first starfall in fifty years with his people, his people in this case referring to the Verlarians in the city that no one knows exists and not the people living in his courts actual capital. then again, i guess those bozos are all trapped under a mountain and wouldnt be able to watch it anyway so who cares

Amren said "hes not lucky to have us, we're lucky to have him" like yeah, hes paying you all exorbitant salaries just for being his buddies

God, amrens jacking rhys off so hard rn I cant believe she didnt wanna have sex with him when he asked

btw Im not even gonna dignify all that vaguely meta bullshit about how Tamlin is the golden prince and rhysand is the villain in the stories but the villain in stories is the guy who locks maidens away in towers and rhys freed her with anx kind of commentary because its just stupid, its just sjm bashing you over the head with how subversive she is when Tamlin and Rhysand are basically the same guy with different aesthetics at this point, like Feyre is not making a choice between the goodboy hero and the badboy villain, shes making a choice between a Bad Boy with a Heart of Gold (green) and a Bad Boy with a Heart of Gold (black)

#anti acotar #anti acomaf #anti rhysand #anti feysand #flames and darkness liveblog

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diezmil10000 · 3 months

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2023 art summary + thoughts on my own art progress under the cut!!

(template by HedgeCatDragonix on deviantart)

so i've been doing this for 10 years :P

i'm not posting these pics in high quality, they're somewhere on the internet if you want to scavange for a bit. i didn't start taking art seriously until late 2015 and i honestly don't like looking back at old drawings. i still like my 2022 art summary but it wasn't until this year that i'm proud of all my finished artworks.

my art journey is complicated. i'm not one of those artists who can say they've been drawing for all their lifes. i used to trace pokémon in my school agendas but that was it. around 2013, a couple of friends invited me to their Skype server where we used to draw each other's ocs and make art memes and stuff - it was fun and cringe in the most positive way i can say it :] i didn't know shit about art and i took pride in drawing on MS Paint with a mouse just because it was hard.

(all of my drawings until may 2018 were made with a mouse)

when i was 15 yo i got into Love Live! and i decided to get better at art because i didn't want lesbian fanart to be made only by creepy cishet men. at some point i watched this video from Sycra and it rewired my brain. i understood that i needed to actually practise and understand what i was doing, and that i wasn't going to improve just by observing. its follow-up video also helped me a lot, i remember watching it on the day it was posted jskhfdjdfd.

and so fast forward until 2021 approx. i spent all of those years practising drawing in my traditional sketchbooks, so my improvement was steady. the only problem, and in retrospective i see it as a Big Problem, is that i was grinding mindlessly. by that i mean that i copied artists i liked and i drew again and again stuff i was bad at, but i didn't think too deeply about it or analysed my own art to look for faster ways to improve it. i also don't take feedback well so i didn't ask for it either, which further slowed down my progress.

on top of it, that just made me better at drawing, not at illustration. i firmly believe that a good drawing is hard to ruin but i could have made my illustrations way more interesting if i had started going wild with colors and effects way earlier. i don't exactly regret my choices because at the end of the day it's just my hobby, and i've been praised for drawing a lot and for challenging myself to practise drawing traditionally, so i want this to be read as introspection rather than complaints!!

the reason why 2021 was a big change in my art is because in november i did this monstrosity:

i got an Android tablet to be able to draw in class and took the challenge alongside my friend Nico, who also did their own Huevember. hola si estás leyendo esto Nico, aunque lo dudo :) i can't say that any of the drawings made me better at anatomy, or composition, or colors. i can't say that they solidified my knowledge, either. but they planted a seed in my brain that would fully bloom in late 2022, which is the seed of hating the finished result of some pieces so much that i forced myself to improve.

everyone has their own motivation to get better at art and i've always thought that mine was a healthy one (i want to draw more lesbians, that's all). however, i've had a very solid 2023 and now i don't cringe at any of my pieces, plus i can notice any mistakes they have without wanting to delete them from existence - and i could only get there because at the end of 2022 i told myself i wouldn't make any more ugly illustrations. like, period. i didn't want to get anxious every time i had to look back on my own art.

i also learned that no ammount of compliments from others would magically make me like a piece i see as mid at best. of course, i appreciate every single nice comment i get (genuinely, i get very happy knowing that other people love my work), but gratitude doesn't fix a skill issue.

so, late 2022, many things happened. first i got cancelled on twitter over a drawing of my beloved mizuki from project sekai (this info will be relevant later). then i spent a whole month doing this other monstrosity that is to this day the best thing i've ever done. i haven't peaked it (yet):

this comic actually made me improve and solidify my skills. it wasn't a class assignment, or a collaboration, or anything more than a headcanon i shared with a friend - it was pure brainrot over Revue Starlight and it made me put all my cunt into it. this was also the point at which i started filling in blacks with the bucket tool instead of picking a very dark color, which is a big part of my current style :3

the thing about people cancelling me is that i had to distance myself from fandoms and eventually change accunts, which also affected how i perceived my own art. even if i draw for myself, at the end of the day i still draw characters that are loved by many people, so i disabled comments and stopped interacting with other artists of my fandom circles. that led me to go on hiatus at the start of 2023, knowing that it was time for a fresh start (my art accounts were 5 years old anyway).

that period of time made me think a lot about my finished pieces. since i wouldn't post them until i had a new account, i would stare at them for longer than ever or make small changes even if days had already passed. letting my mind rest from illustrations i had been working on and knowing i could change them whenever i wanted was a big step forward.

i realised that for the past years i had been in a hurry to post my drawings as soon as i was done with them instead of appreciating them. that was a turning point for my mindset. this was also past the time i decided to stop making ugly art, but i hadn't really taken any measures to get better. so i changed the wording of the challenge: i can make ugly art but i can't post it if i don't like it.

it doesn't sound epic, but for some reason it worked. every time i was in the middle of making a drawing that looked kind of ugly, i changed it until it looked right. not perfect, but good enough to avoid cringing in the future. some times i had to redraw it from scratch with a more interesting pose. some times i needed to add a background or a graphic element to make the characters pop. and somewhere on that period, i went wild with colors and effects, and a lot of times that saved a piece that would otherwise be boring.

i have to thank Revolutionary Girl Utena and Revue Starlight for making me experiment a lot during my hiatus. both pieces of media, one being the daugher of the other, give artists so many visual metaphors and interesting topics to work with. the revstar brainrot had been there since the junnana comic, but rgu was something i had been meaning to rewatch for a couple of years and it hit me like a fucking train. it also made me create one of the comics i'm the most proud about:

then i got into homestuck and my art got. well. stuck!! >D< but it was okay because i wasn't making ugly drawings anymore. i was putting into practise a lot of things i had been learning or experimenting with, especially regarding colors and character interactions. and the yuri was delicious hmmmmmmm.

the rest of 2023 was very linear in terms of art but not so much in terms of fandoms (?). which is fine, honestly, but i was also glad to get back into Fire Emblem: Three Houses in late that year because when i first got into it in 2019 i didn't have the skill to draw everything i wanted to draw. and i still haven't drawn all the yuri scenarios that i've been cooking in my mind, but i have until forever to do it!!

so for 2024 i want to study some stuff i feel i'm still lacking in. i think i've always had a good eye for composition, but i've never actually pushed it in my finished illustrations - they depend a lot on the poses because i've always been prioritising drawing over everything else. that needs to change this year.

i also want to get better at drawing characters from extreme angles. i've always felt like my poses are a bit flat and i think i can study photos taken with wide angle lenses to improve at that.

and of course i still want to draw faster, which is something i've always struggled with. i think i have a good rhythm of "producing" art (excuse me for the poor wording), but i'm still too slow for the kind of artstyle i want to achieve, which includes having a looser lineart and less details in irrelevant areas of the drawings. i think that overdoing the lineart actually hurts my illustrations, because everything ends up pulling the viewer's attention with the same energy. i also think messy artstyles are neat.

i promise i'm not crazy and i don't hate what i do. in fact, it's precisely because this year i managed to make some pieces with that kind of feel that i know where i want to aim. special mention to the junnana comic because i haven't been able to replicate that lineart ever since.

examples:

as for the stuff i like about my current artstyle, i definitely want to keep the way i color!! and by that i mean the method i have for applying filters that make my colors pop. i could maybe play more with textures too.

i also like the way i depict intimacy, and people have praised it too. thank you for noticing. it's the yearning that's doing it, not me. but i don't think i'll ever change the content (?) of my art, i eat breathe and speak in yuri. if anything, there are still some ways of conveying feelings that i haven't been able to draw because i lack the skill to do so, but i'll keep trying ;)

i honestly didn't expect this post to be this long. i've been writing for hours now and i'm not sure my thoughts are coherent for anyone that isn't me. i also can't grasp the idea that some people know me from fanart i did in 2016 while others started following me last month, time is wild and it's an extra dimension of complexity that i don't know how to account for when i write stuff like this.

but again, as i do with art, i've written this for myself. it's been nice to put my thoughts in order. i think i've only talked about art in depth with like 5 people and it's always been in casual conversation. no creo que estéis leyendo pero Nahia y Henar os amo y he aprendido mucho de vosotras.

thank you for reading until the end if you have. i hope you have not only a nice day but a nice year. let's meet again in the future.

#my art #i guess¿? it's literally my art but nothing new #art explanations #<- art tag for when i explain art /srs

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