sudden yearning for time travelling teen jiang fengmian lands at lotus pier fic that winds up being about a perfectly nice kid having a varying series of "oh no. i don't like that. that's a lot" reactions.
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Honestly the idea of putting the victors back in for the 75th games is so immensely stupid even if there weren't a rebellion being planned at the same time like it breaks all the rules, the people were told if you won you got to live and now they don't, the people were told if you get older than 18 you get to live and now that's not true either, the whole point of the games is this extremely fragile balance between fear and hope and even if it hadn't ended with the rebels it would have shattered that balance and might well have lead to rebellion anyway because what did they have to lose if the capitol could just change the rules like that? All this to say Snow's a moron for agreeing to this.
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Aaa, I did some digging on how the hell writing is so inconsistent in Buffy. Turns out the creator Whedon was abusive towards pretty much everyone on the set through all the years they were filming Buffy.
He especially hated that Spike's actor made Spike popular and fans wanted more of him. Whedon threatened Spike's actor James: " (He) backed me up against a wall one day and he was just like, ‘I don’t care how popular you are, kid, you’re dead. You hear me? Dead. Dead!'" Apparently, you don't mess with Whedon's own plans (which is weird; he should know that characters do what they want and it should be an honor if a character resonates with the audience, even when it wasn't your plan).
Whedon also told to Buffy's stunt actress and the stunt coordinator, who met in the series and started dating, that if they don't break up, he's going to destroy both of their careers.
Cordelia's actress got pregnant during Angel filming and Whedon kept insisting that she should abort the baby (because his artistic visions are now ruined).
Even his wife said he's an asshole!
Well. Suddenly it makes perfect sense why - especially Spike - is written so inconsistently. The creator hated the character and its actor. No wonder Spike has been written to do horrible things - yes, I read about Spike's rape attempt towards Buffy, sometime at the end of S6. I'm not that far yet but I suspect it has been written something like "Don't you dare to leave me, bitch!". Lots of attempts to make fans hate Spike from the S5 onward...
I'm always underlining that creations don't really speak about their creators but also, whatever we create, we leave our fingerprints on them.
And Buffy is full of shitty, shitty fingerprints of its creator....
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My sense of what Crossovers are for, conceptually, the thing they do that other works can't, was entirely formulated by my early-childhood exposure to Kurt Busiek and George Perez's seminal 2004 Marvel/DC crossover JLA/Avengers. Like most stuff Busiek writes it's a love-letter, and part-and-parcel with its status as a love-letter was that he took the time to render the horror and bewilderment that the respective teams had upon encountering the status-quo of their counterpart's setting. The JLA encounter the anti-mutant hysteria, the supervillainous fiefdoms like Latveria, figures like Hulk and Punisher being allowed to roam free, all those tonal hallmarks of Marvel, and they come to the conclusion that the Marvel Universe is hanging on by its fingernails and that the Avengers are somewhere between in over their heads and actively negligent. Meanwhile the Avengers explore the shiny, forward-thinking, optimistic DC universe, encounter the ubiquitously positive reactions they get from people on the street just for visibly Being Superheroes, see things like the Flash Museum and the Hall of Justice, and Captain America comes to the conclusion that the Justice League obviously must have led a fascist takeover of America. Then they hit each other a lot.
Anyway, if you're writing a crossover between two works and you want me to care at all, you need to meet the JLA/Avengers Bar. When a character from one work is placed in the context of another work's setting, what commentary on the original work is that character in a position to provide through their outlook and worldview? What insight, in turn, can their commentary provide on on the assumptions and conventions of their native narrative? Have all characters involved experienced enough of the events of their own work that they've actually got something to compare and contrast with, or is the crossover occurring so early in one or more of their respective timelines that you're basically dealing with OCs due to the butterfly effect? Are you actually acknowledging the different properties as discrete narratives that are abrading each other in interesting ways, or are you for the one millionth time reimagining Izuku Midoriya as a native resident of some other setting (seemingly decided via roulette wheel?) And of course, are you correct in your assessments of how these are bouncing off each other? How many times am I getting hit with "They would not fucking say that/react like that/understand their new surroundings in that way/go five minutes without trying to disembowel this fan-favorite character from the other work that you've decided they're getting along great with?"
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you want to analyze a cartoon that is something children can watch? ok here's the first and most important lesson ever.
have you ever heard of "suspension of disbelief?"
ok. next step. do you know what an unreliable narrator is and can you separate the character's perspective and opinions from the writers? because i promise you that the beliefs of the main character do not always reflect the writers and the point of analyzing media is to dissect that.
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red robin #4
robin iii: cry of the huntress #4
same vibes. to me.
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there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these
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How is tumblr going to ban porn and then show me ads where two triceratops are straight up having sex
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Gale: I've missed them. I've missed this.
2. We still have each other. That's all I ever need.
Gale: I'm not sure I'll ever get over my good fortune in that respect. You are the happiness I never dreamed I could deserve.
Apparently you only get this line if Tara is busy around camp when you talk to Gale. To really hammer home how Gale really wasn't happy even before the Orb and thought he would never deserve *check notes* ...the happiness of someone loving him as a person.
...anyway if you pick option 4, he admits he would like to write down a book on all that happened! Perhaps with some embellishments! Yay!
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"Noé" being the name of the biblical savior of all life.
"Vanitas" meaning vanity, futility, something that is ultimately meaningless and doesn't last. I am unwell.
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what makes minedai even sadder is that we never rlly see daigo try to build a bond with anyone else like he did with mine it rlly shows how badly it effected him like yeah he reached out to shinada in y5 but that’s rlly it and he probably would wanna leave him alone after that and not involve him in any yakuza stuff so i don’t think they would’ve hung out or anything like that afterwards. All he rlly had were saejima and majima but they were more like babysitters than anything, wish we saw more of their dynamic tho like we did with majima and daigo in dead souls since that was fun and we were lowkey robbed but in canon he’s just as lonely as he was before majimas promise to kiryu. And mine is the only person he really had a meaningful relationship with romantic or not they were still really close and we don’t see that again with daigo ever (from what i recall after y3) ok sorry for rambling LMFAO
even with shinada, he reached out to him more so out of 'duty' and trying to make up for the misfortune that befell him because of yakuza than wanting to rekindle any kind of friendship they might have had in high school (though it sounds more like they were just acquaintances if shinada needing a second to remember who daigo was is anything), so yah i doubt they really had any kind of bond afterwards
dead souls really was the only time after Y3 where we got to see daigo be more sociable with someone, but its as you say majima and saejima are more like retainers than close friends
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something that i wish thirteen's era had covered more fully are the sheer weirdnesses in this body she regenerated into. why did she regenerate with brown hair that was already half-dyed blonde? how did she have ear piercings as part of a fresh new body? in what world does it make sense for her newly regenerated body to have cleanly shaven legs? thirteen has all these little feminine things going the second she appears, and it's never noticed within the show. and while i guess the masculine-presenting doctors also had little weirdnesses (Ten freshly regenerated with hair gel already applied), it feels more noticeable when the alien doctor falls in so hard with the very specific beauty trends of twenty-first century earth, in every element.
idk i just think having a female doctor could have been room for such growth, but these unspoken little markers that require work and choice being shown as innate and present the minute the doctor appears female strikes me as...i dunno, like guys who think women only look right if they're wearing makeup? like the female-presentation shtick women go through is in any way natural. the thirteenth doctor often seems surprised to be labeled a woman, and yet she's wearing eyeliner. who put that on?
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genba is hilarious because he really just watched jou and gang get their ass demolished for 10 minutes straight and then he gets acknowledged and leaves
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billy accidentally nearly calling steve ‘sir’ during an argument one time
maybe steve’s pissed about something, maybe billy is, either way they’re having an argument
maybe steve backs billy against the wall for a minute, not thinking anything of it because it’s billy and billy can hold his own, can argue back
but then steve asks him a question, yells when he says it
and maybe billy flinches, forgets where he is
and that’s when it happens
you know a little “yes si-” and billy just freezes.. and steve’s staring at billy and trying to work out what billy was going to say and then he’s like oh..
..oh
and maybe he reaches out for billy but billy’s embarrassed so he tells steve to fuck off before getting the hell out of there
because he knows steve’s steve
knows steve would never lay a hand on him
not like that, not now
and billy’s so embarrassed
and he ends up avoiding steve for as long as he can, thinks that steve must think he’s a mess - even more of a mess - thinks that steve won’t get it.. not that billy really gets it either and that’s the problem
maybe billy just wants to forget it ever happened, wants steve to forget but he knows steve won’t because he’s steve.. he’s steve and he’ll want to talk about it
and billy doesn’t, because billy can’t explain it, doesn’t get it, doesn’t want to get it
doesn’t want to dig that deep
and steve’s all “you know i’d never hurt you, bills” “i’m not him” “you get that, don’t you?”
and billy refuses to even meet his eyes, knows it’s hurting them both but he doesn’t want to think about it
doesn’t want to talk about it
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i do like comparing the fan translation of the fsa manga to the viz translation sometimes because i like seeing the differences in the implications and how that plays out later in the story. in this specific instance i'm looking at the difference in translations in ch2 when shadow is about to strike green down and the fairy appears and drives off shadow with her light and what interests me about it is the difference in shadow's words after he's like "argh the maiden still has power even after i sealed her"—in the viz translation, he says the (infamous) "light!! i hate... ...the cursed... ...light!" while in the fan translation he says "light!! light... i'm afraid... damn..." and both these sentences are accompanied by him clutching his shaking wrist. and quite frankly i do love the bluntness of the fan translation more because while shadow being scared is IMPLIED with the shaking (since he shakes like a chihuahua when the dark cloud scares the shit out of him again with light magic and he admits he's afraid AGAIN later on) i think there's a kind-of sort-of implied thing going on that you can see better with the fan translation and that thing is that the light scares shadow far more than it hurts him. which was quite literally the point of zelda's words to him at the end ("do you really think the light will hurt you?"). like it CAN hurt him obviously (see: The Fucking Four Sword) but when it comes to light by itself the only thing holding him back is his own absolute terror because he was having like seven panic attacks rolled into one anytime a light source got anywhere near him.
AND THEN THE LIGHT DIDN'T EVEN KILL HIM WHEN HE "DIED". that was the POINT. he's link's shadow and when he disappeared into the light he quite literally reformed the second link was whole again. yes he lost the tangible body given to him via the power of the dark mirror (which could honestly be traded out for another power source) but he is Still Alive. he is still HIMSELF. he walks in the light alongside link and zelda and it doesn't harm him and he's smiling and waving a little thumbs-up in the air. there MUST be light for a shadow to be cast in the first place. light is as integral to him as it is to link and zelda. that's the POINTTTTTTT
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Ohsama Sentai King-Ohger | #14:
“You’ve really lost all sight of yourself, haven’t you?”
“How?!”
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