Breaking Bad, again and again, very directly, very openly: "Walter is systematically using the fact that Skyler is covering for him and his secrets in order to vilfiy her in the eyes of her family and especially the eyes of Walt jr. (their break-up, the car-thing, her call to the police where she tries to have him removed from the house). He consciously and strategically tries to make her look annoying and self-centred at best, insane and irrational and hostile at worst to anyone who doesn't know the truth about him.
He expects her to accept lack of agency, uncertainty, powerlessness, and condescension when those same things constantly cause Walter himself lash out and act irrationally and with hostility all the time, showing how for him his role of a provider is both a burden but also his means of self-aggrandisement, feeding into his extreme superiority complex."
Fans in the early 2010s: "So wife bad, right? Nagging harpy bad, right? Skyler is annoying, right? Doesn't let her husband cook meth!!"
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Dear Producers,
Heartbeat! Revival: Honey-Dipped Summer Rain will start soon!
Crazy:B has lately been receiving higher-profile jobs, having developed a name for themselves. Their latest offer is the chance to be in a short movie, where Rinne is one of the main leads. However, Niki finds himself in a position he didn’t anticipate…
Stay tuned for further event announcements!
Featured Cards:
★5 [Cerulean Lovesick Heart] Niki Shiina
HI OKAY YEAH full disclaimer, this is not a real event!! Fun collab project between 2 insane creative minds haha sorry
Y’all are in for a ride okay have fun o7
Card template is from fourleafprince on twt!
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Girl, help, the book authors are trying too hard to be "hip" with the fleeting "teen lingo" and trends again, immediately dating their works before they're even released
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i think there's something to be said about what exactly it means to be "non-human" in a story that is as much about humanity as wolf 359 is, where even the dear listeners are defined less by their own perspective and more by what they fail to understand and therefore reflect about the human perspective - to the point that they don't even have their own voices or faces or identities that aren't either given to them or taken from humans. they speak to humanity as a mirror.
even pryce and cutter are "very much humans" - pryce defined by her resentment of and desire to transcend its limitations, and cutter by his aspirations to redefine and create a "better" type of human - and find the idea that they might not be human laughable. it's interesting that they have distinctly transhumanist aspirations when their goal is the narrative opposite of common science fiction fears: that we will expand the definition of humanity so much that we'll lose whatever it is that makes us human. pryce and cutter's transhumanism narrows the definition of humanity to the worthy and the useful, as defined by them; "there will still be a humanity; it'll just be our humanity."
in direct opposition to that, i think it's meaningful that the show instead expands the definition of humanity in ways that include lovelace and hera, who in another show with different themes might be considered (in the descriptive, non-moralistic sense) non-human. i will always make a point of saying that personhood and humanity are two often-related but meaningfully distinct concepts, especially when talking about sci-fi and fantasy. i am talking about humanity.
the question of how hera identifies, and what social pressures influence that, is a complicated one. i've talked about it before and i will talk about again. what's important for the purposes of this post is that i think the show considers her fundamentally human. think about her role in shut up and listen - consider jacobi's lion example and the concept of different paradigms - that even things that are close to humans, comparatively speaking, understand the world in different ways. whatever differences hera may have from the others, it's primarily in experience, not fundamental understanding. she shares their emotions, their concerns, their values, their thought patterns. she has an appreciation for music, which the show considers a hallmark of humanity. she fits within the framework of humanity as the show defines and is, in her own words, left feeling "uneasy" about how difficult it might be to communicate with beings who don't. and it's significant that this takes place in shut up and listen, of all episodes, specifically because the way she is clearly and unambiguously included in the show's understanding of what it means to be human highlights the ways she and lovelace are othered by eiffel's careless comments that suggest otherwise.
(i don't want to get too into these details for this particular post, but it's worth noting that hera will refer to 'humans' as a category, often when she is upset and feeling isolated, but has never said that she 'isn't human' - she has never been upset that people are treating her 'too' human. i've seen it said about the line "you need to get it through your heads that what goes for you doesn't always go for me", but that's a frustration related to ability and safety, not identity. far more often, she will refer to herself in 'human' terms - referring idiomatically to experiences or body parts etc. that she doesn't literally have - and is upset primarily with comments referring to her status as an AI. it does not diminish how being an AI influences her perspective and experience, but again, so much of that is in terms of ability that it feels almost inseparable from a discussion about disability.)
lovelace's humanity and hera's humanity are so interlinked and directly paralleled in the text that i think it's impossible to really argue one of them is "not" human without making implications about the other. in desperate measures, lovelace tells kepler he's "not human" and he responds "you're hilarious. on a multitude of levels." later, defending lovelace against kepler's repeated dehumanization, hera very pointedly uses the phrase "that woman." in out of the loop, hera says she's never met anyone who "worked so hard at being inhuman" as jacobi, who says "what do you know about being human?" hera very emphatically responds, "i know plenty." later, defending hera against jacobi's repeated dehumanization, minkowski pointedly uses the phrase "that woman." with the care taken towards language and the way scenes and turns of phrase will parallel each other, that's not a coincidence. it might seem strange to have the "non-human" characters be the ones to express criticisms based on perceived "humanity" (something hera will do in other contexts as well - "we don't have funerals for animals" etc.) but in the broader context of the show, i think it's the point.
so, whether hera would ever call herself human, or be comfortable with that, is a complicated question for another time and depends on a lot of other factors. but wolf 359 is a show about humanity, it includes her within its definition of what it means to be human, and i wouldn't be comfortable definitively saying she's not human because of that. it can't be a neutral statement within the particular context of this show.
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the “my name is john silver, and i’ve got a long fucking memory” scene will always be one of my favorites because it’s one of the points where you really feel the inevitability of black sails. it has to end a certain way because you know from the very first episode that this is a prelude to treasure island, which is an extremely well known story. you already know how silver’s story has to end, because you know who he has to become. everyone knows the person he will become, his character in treasure island has had an enormous influence on pirates in pop culture (peg leg? check. parrot on his shoulder? check.). and while there are other moments that set him on the path to being the long john silver in treasure island (such as becoming the cook on the walrus and losing his leg), arguably the most important part is him getting the name long john silver.
before that, his future isn’t quite set in stone. sure, he’s the sea cook of the original title of the book, and sure, he has the missing leg, but he’s not long john silver yet. he doesn’t have the identity that he will be known and feared for. he doesn’t have to be long john silver. gaining the name and the persona that comes with it is such an integral part of sealing his fate, and before it comes you can almost believe that the story won’t end like that. that the john silver you see won’t become the long john silver that lives on in pop culture enough that there’s a fucking seafood restaurant chain named after him.
and, if you’re like me, you’ve spent almost 3 seasons wondering how it will happen— how “silver” becomes Long John Silver. the scene doesn’t even seem incredibly special at first, until silver says “my name is john silver, and i’ve got a long fucking memory” and then all you can do is sit there for a moment because that’s it. he’s put into motion what you know will eventually become the identity he’ll go down in history with. he hasn’t become long john silver yet, but from that moment on you know he will. it’s one more piece of the story clicking into place, and it’s a crucial step in bribing us to the inevitable ending. you can see the island looming on the horizon.
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Build A Butch (poll 2)
Had some fun with doodling the butches. Crow butch still needs some color but at least bear butch is getting there.
Let's go for her eye color !
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for the pride requests: eönwë/finarfin with ace (or aroace) flag?
They obviously built a strong friendship over the War of Wrath
🏳️🌈CELEBRATE PRIDE WITH ME🏳️🌈 - send in a character or a ship with a pride flag and I´ll draw it
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GLOWING OUT
It's not goodbye my only friend
Yesterday started over again
Circa 2021... three years in and it looks like yesterday indeed! This piece is extra special to me because it marks my first investment in making Transformers fanart and is usually my pic to go when presenting my portfolio for fanzines/artbooks x'D
The flowers shown are Magnolia Star Wars, known to be one of the oldest and first plants to bloom, and so, probably dinosaurs saw (and ate) them!
I will share some gif processes here because I'm not used to do a lot this type of complex rendering and is cool af to see it step by step!
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Unga bunga these take 3 hrs to make
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Minor throwaway sentence in a book on corruption I've just finished was talking about 1930s gangsters and about certain organisations in Chicago which the author stated were more ethnically diverse than the Italian mafia, and whose members were said to have included 'Irish, Welsh, Italian, and Jewish' gangsters.
Now call me sheltered but I've seen MANY Italian American gangsters immortalised in film, I've heard of the Jewish mob, and the police Irish American gangs but I have yet to see a movie about the Welsh mob. As a rule I don't go in for gangster movies but I feel there's an unfilled niche here and also I need more info.
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friend who didn't know much about anthony ramos until rotb: I've seen so many people shipping noah with mirage! it's gotta be weird for anthony to see himself being drawn like that, right?
me, former hamilton kid: oh honey.
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YOU SAID YOU HAD NO ASKS AND IM FIXING THIS.
LITTLE TRAVELLER WOLF. remember. I Do. i remember everything, luna. And am i still thinking about the light-suppression cuffs and the moths and the Eliksni and--
Think about it again,,, always bleeding a liquid light, trying to stop the hatchlings from trying to eat it (still crying). the family that basically adopted them while they were out of it, and who they stayed with when they were themself again. the wolf plushie...
I never forget,,,
Saladin watching someone he’s always seen as a powerful warrior deteriorate into something almost akin to a child but it is not quite that either- no it is something else, something wrong. A slow acting poison ending in death set upon Wolf by the people they should have been able to trust the most.
Do you remember Wolf in the wilds? Travelling alone to a destination they don’t remember? Resting in hunter hideouts they had made or been trusted with, admiring the light of the stars, and the moths of course.
The Traveller only wanted its favoured guardian back, taken from it for being too good, too powerful. It can do nothing but give away as much as it can until its power is warping the foundations of Wolf’s body and soul into a form that cannot remember itself. Saladin looks upon Wolf whose arms glow with bright white Light, whose fingertips are ever so slowly beginning to melt into nothing. At the near ever-present liquid Light tears running down one side of their face out from under freshly replaced bandages. Their body is covered in fissures, bodies shouldn’t do that they think- for a moment until the very capability of thought is gone again.
This Light is a gift. Each time Wolf looks upon their wounds they know that they are loved. This Light is a gift that leaves everyone questioning if Wolf is even human anymore. They can see through walls, hear what no one else can. The Traveller speaks, they alone hear it.
Then once they are free from their quite literal shackles they remember the hands that stemmed their bleeding, who cried once their blood stopped running red, who walked them through the city and bought them the one thing they had ever wanted.
Eliksni arrive to the city and Wolf can feel the Traveller welcome them, even if the humans do not. It is awkward, always, for they worship the traveller and it’s Light is Wolf’s body. There is little else left. Though they are not alone in their stilted interactions with Wolf- no one is quite sure about how they are supposed to speak to them, to the one the Traveller loves. Except for the ones who held them together when no one else would, those ones still treated them as human.
The Eliksni endure the animosity thrown at them. Ask for nothing from no one. They have endured, they do not need gifts to survive. But the Traveller still answers their silence, through Wolf’s voice it tells them that they’ve found peace, finally, they’ve done good, they can have the Light now.
…But not in so many words, Wolf has never been one to speak after all. Let everyone decipher their actions instead.
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