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celestie0 · 2 days

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childhood friends to lovers with gojo.

warnings/tags. fluff & angst, sad ending

you two were five when he kisses ur cheek on the playground underneath the slide n you both thought that counted as a first kiss. u two were attached by the hip all throughout elementary school, i mean srs, your parents would even have joint parent teacher conferences bc there was just nothing the two of you wouldn't do together.

and then middle school came around, you joined the marching band n he joined the football team. he starts acting different around you, and it hurts. bc you two were best friends. you were always supposed to be best friends. he starts hanging out w the popular kids, and you find yourself walking home alone. summer before high school, he wants to hang out again, but you tell him you deserve better than that. and you two drift apart.

it's hard starting high school without him, watching him from afar during lunch in the cafeteria. he's with his table of phonies, acting like someone he's not, and you know because you've always known him. better than anyone else. you really wanna join the cheer team, since you've done gymnastics for a long time, but you've always been too afraid to tryout for the team. this time, you do, and you get in. now all of a sudden he wants to talk to you again, now that you're popular in high school and have earned a place on the field during his games. fuck that, you say to him, you threw away what we had just because i wasn't good enough for you to have by your side. you start dating his teammate, you two are nominated for prom queen & king, and he has to watch as you kiss someone else on stage when you win. someone that should've been him. he starts dating the cheer captain, just to show it off when he comes running to her after a winning game, kissing her right in front of you but he's not looking at her, he's looking at you. to make sure you're watching. and you do the same thing to him. and the whole time you two are wondering what are we doing to one another?

summer after high school, he shows up to your doorstep one day on his skateboard. with a box full of all the letters you used to send him as a kid. you still have yours too, somewhere tucked underneath your bed. you spend the whole afternoon laughing with him as you read through them all, laying on the carpet of your living room, and you both feel like kids again. he hovers over you when he kisses you, but you're still mad at him, and to show him how mad you are, you kiss him back. it's no use, you two are going to different colleges, you'll hardly see him, but he swears he's call. he swears he'll fly to see you. he swears he'll never makes the same mistakes again, because he wants you. and only you. you kiss his cheek, and say okay.

and he does. he does everything he promises you. but the distance is too hard, and he was a little too late. you break up with him over a twenty-one character text sent while you're drunk at a house party your second semester at university, and he just doesn't understand. he'll never understand. and he never sees you again.

until you're both thirty-two, standing in line at the grocery store. he taps your shoulder, you turn around, you wonder if it's a stranger who wants a favor, and you realize he's so much more than that. he's the little boy that kissed your cheek underneath the slide when you were five. your first kiss. except it wasn't, was it? his face is long, and his cheeks have lost plush, but he looks so handsome it makes your heart skip a beat. you two are pleasant, exchanging it's been so long! and you look great! but when his eyes catch the twinkle of the wedding ring on your finger, his smile drops ever so slightly, and when he scratches his cheek to hide the sadness, you notice a band on his finger too. and he pays for your groceries, just to be kind. and you thank him for it, just to be kind. and you go your separate ways, never to speak again. but there's a box that still sits somewhere in your closet. and a similar one still sits in his too.

#sorry idk why tf this got sad all of a sudden #this was just supposed to be fluffy #lfmaooo??#help #gojo satoru #gojo x reader #gojo x reader fluff #gojo x reader angst #gojo fluff #gojo angst #jujutsu kaisen #so heavily inspired by many ts songs w this one loool

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yumeka-sxf · 2 days

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Japanese Linguistic Observations in Spy x Family - part 3

Part 3 - Yor's keigo

I discussed in part 1 about the different levels of speech in Japanese, particularly how Twilight changes his speech depending on the persona he's donning. He uses keigo, the standard polite form of speech, when he's acting as Loid Forger, but uses casual speech as Twilight. Yor, however, uses keigo all the time, to a degree that some would feel is excessive, but also makes sense for her character.

Keigo is the most basic form of polite speech in Japanese. It's the speech that's taught in pretty much every beginner Japanese learning course because it's the "safest" for most situations. Without getting too technical, it basically involves using the polite conjugations of verbs. All verbs in Japanese have a "polite" conjugation form that's used in keigo. For example, the verb "to go," 行く (iku), will change to 行きます (ikimasu): change the く(ku) to き (ki) and add -ます (-masu). -masu itself is then conjugated further to show past tense, negative tense, etc. Likewise, one would use です (desu) as the "to be" verb instead of its casual equivalent だ (da). For example, saying 車です (kuruma desu), which means "there is a car" instead of 車だ (kuruma da). It's even more casual to leave out the "to be" verb altogether.

Unlike Twilight, who changes his speech depending on who he's talking to or which facade he's using, Yor consistently uses keigo, whether she's talking to an adult like Loid, a child like Anya, and even an animal like Bond. She uses keigo with strangers as well, even those who are antagonistic to her, like the other assassins in the cruise arc.

Even at times when using polite speech isn't warranted, like in her own thoughts, she still uses keigo regardless.

In addition to using keigo with pretty much everyone, she also uses the polite -さん (-san) honorific with everyone's names as well. It's not unusual to do this with fellow adults like Loid, Camilla, and Franky, but when it comes to kids, especially when they're not your own kids, other honorifics are also an option. For example, adults can use the honorifics -ちゃん (-chan) for little girls and -くん (-kun) for little boys, both of which denote endearment to someone young/cute. Loid calls Damian "Damian-kun" and Fiona calls Anya "Anya-chan" for example. But Yor uses "-san" for Anya, Damian, Becky, and probably every other kid she hasn't met yet! She uses "-san" with animals as well, which isn't nearly as common. She's the only one who calls Bond "Bond-san" and she even called the cat Kopi from chapter 43, "Kopi-san."

She also uses "-san" for people whose names she doesn't know, and in some cases, probably shouldn't show respect to. She calls the terrorists from the doggy crisis arc "terrorist-san", bad guys that she takes out on her missions "warumono-san," Olka's group "mafia-san," and the other assassins from the cruise arc "koroshiya-san."

The only exception to Yor's excessive use of keigo is Yuri, which makes sense since it's standard practice to be more casual with a younger relative than an older relative or someone outside the family. He's the only person she refers to without "-san" (she just calls him "Yuri"). And while she does use the informal verb forms with him, she still uses "desu" and its conjugations. So overall, she's more casual with him, but not completely so.

When talking about herself, Yor uses the standard, gender-neutral, polite word for "I"/"me," 私 (watashi). However, when talking to others, she never uses any form of "you." Like I mentioned in part 1 about how there's different ways of saying "I" and "me" in Japanese depending on the speech level, the same is true for "you." But it's always more polite to say someone's name or title instead of "you," and Yor does that all the time. Just like in part 2 how I couldn't recall any instance where Anya says "I" or "me" since she always refers to herself in third person, I can't recall any time Yor called someone "you" instead of saying their name or title.

While Loid uses the casual "you" word お前 (omae) when talking to Anya, Bond, Franky, and anyone else he doesn't have to be polite with, he doesn't use any form of "you" for Yor. He speaks to her the same way she does to him – saying her name plus "-san" instead of using "you."

Unlike English, Japanese is a language where you don't have to say pronouns if it's understood by the context, which is why something like this is difficult to convey in a translation.

I think it's an interesting contrast that Twilight is constantly changing how he speaks depending on whether he's acting as Loid Forger, as a spy, whether he's conversing with a fellow spy like Fiona, a casual friend like Franky, someone he respects but can't be fully open with like Yor, and even how he talks to himself in his head…yet Yor is the total opposite. As I've discussed in this post, she's extremely consistent in her speech, never straying from being polite no matter who she's speaking to or whether she's in her Thorn Princess role or not, or even whether she's speaking to herself in her head or not. This just further proves that, while Yor has to keep her assassin job a secret, she doesn't have to create a fake persona for it. Unlike Twilight, who acts one way as a spy and another way as Loid Forger, and perhaps another as his "true" self, Yor doesn't feel the need to hide anything about herself other than her job as an assassin – Thorn Princess and Yor Forger are the same person who shows respect for others no matter what her relationship is with them.

Such excessive use of keigo is odd for a fluent speaker, but it's not unheard of. There are plenty of examples of characters from other anime/manga who use keigo all the time too. I think it gives us an interesting, subtle look into their character. In Yor's case, I think her constant use of keigo comes from a combination of her sweet personality that never wants to offend anyone, but also her poor self-esteem. After all, keigo and other polite forms of Japanese speech are meant to elevate the listener while humbling the speaker. Yor speaks politely to everyone because she simply wants to be kind to everyone and make them feel comfortable, even those she has to kill, but at the same time, she often feels inferior to others.

However, there are rare exceptions where Yor stops using keigo which are, appropriately, during very suspenseful, high-stakes moments where politeness would be the least of her worries. For example, during her fight with Barnaby when she realizes she's holding back, she starts using casual speech. But she goes back to keigo before too long.

But probably the most notable example of her completely dropping keigo is near the end of her big battle against the assassins on the cruise ship, where she finally comes to realize what she's fighting for. During her whole epiphany scene – starting from when she thinks of Yuri and herself as kids until she stands up and says she won't stop fighting – she switches completely to casual speech.

There are many ways to interpret this, but I think it shows what an emotional revelation this was for her: she remembered that the suffering in the world is what caused her to want to protect Yuri from any kind of tragedy, and now the same can be said for Loid, Anya, and Bond. She remembered the words of acceptance she heard from Loid when they first met, words no one else had likely ever said to her before. She realized that she didn't care what happened to her as long as she could stop anything bad from happening to her loved ones – in that moment, no formalities were necessary with such intense self-reflection.

<- Return to Part 2

#sxf #spy x family #spy family #spyxfamily #loid forger #yor forger #anya forger #twiyor #sxf manga #sxf analysis #sxf manga spoilers #sxf meta

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myun-saidthoughts · 3 days

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Reasons Why Water House Synastry Is Karmic and Intense:

In this post, I want to address some reasons why water house (4th, 8th, and 12th) synastry can be very intense, very transformational and create/increase codependency.

(the basis of this thread is the fact that there is attraction and desire within the romantic connection, and the depth of feeling will run more true if you share multiple other intense synastry aspects/past life connections. Friendships/family relations that have heavy 8th/12th house synastry overlays manifest *very* differently)

Each water house has one common factor, and that's with these type of synastry overlays; you will feel seen or accepted. In some way, some form, the severity of it depends (as usual), but if you struggle with:

4TH House:

Showing your true character to others without the fear of being judged.

Sharing your inner thoughts to others with ease and safeness.

The fact that you never felt/had a safe home, so now you long for that feeling (of being at ease/comfortable with someones presence).

Feeling ease and comfortability within your environment or within yourself, instead you experienced that those feelings came at a cost.

8TH House: If you struggle with:

Self acceptance.

Self worth.

Self love.

Self confidence.

Accepting/receiving love.

Having low respect for yourself (meaning how others treat you may be hurtful but because of lack of validation within, you allow or accept that behavior).

Having a pattern where the way others treat you either gives or takes away validation your inner wounds need.

Deeply craving emotional closeness yet fearing it at the same time.

Allowing yourself to desire love.

The fact you're emotionally unavailable; so you're unsure with how to deal with romance, and yet a part of you still deeply desires a partner.

These also may resonate if you have 8H, Pluto aspecting inner planets/Scorpio placements)

12TH House: If you struggle with:

Emotionally availability/allowing someone to see you, all of you.

Receiving tangible, stable, harmonious, love.

Having a habit to/find it easier to fix or save someone in hopes of changing their self destructive habits or mental health issues. This type of tendency creates an avoidance within yourself especially if you don't focus on your own needs or problems. (it's easier to focus on someone else's pain rather than your own)

Feeling safe with the idea of not being needed, instead you choose to be the giver or other woman since it subconsciously keeps you at a distance of being openly loved (which is something you subconsciously fear)

Holding the deep desire to feel seen past the physical 3D.

Allowing yourself to receive the type of love you're able to give/shower another.

Wanting to fix or heal someone's mental health wounds or problems, you find it safer to be their savior rather than have a true give and take partnership.

(These also may resonate if you have 12H, Neptune aspecting inner planets/Pisces placements)

These are a few examples of how intense these synastry overlays may manifest if you are struggling with the above statements. I briefly mentioned a few indicators, needless to say they are more and each synastry chart or even natal chart will always paint the picture better of how deep these relationships can manifest.

then 4th, 8th, and 12th house synastry will cause internal shift within, whether you want it to or not.

4th House: With the 4th house and when someone walks into your life and they ignite your IC, the part of your character that you readily hide becomes unlocked. If you personally have struggled with being comfortable in your skin, or have struggled with feeling secure with who you are as you are, then this person to you will feel like a comfort blanket. Their presence will shift you into a mood where all you feel is safe, present, and in the moment. With them, you will feel complete in showcasing your inner world and your inner thoughts. Their presence will become this key that you didn't even knew you need. It'll feel easy with them, and there is no hesitation, confusion or worry. You can't feel worry, and it's not because they insistently tell you not to feel anxious, you just naturally won't. You guys will likely share the same humor or communication style, and if there is a Venus conjunct IC then the IC person will feel this romantic pull with showcasing their personality outwardly that they won't be able to shake towards the Venus person. Overall these feelings are especially true if you struggle with letting someone in, if it takes some time for you to allow someone else to see your personality or thoughts, then they will feel like a cure for allowing to let that side of you out and when you're next to them; you'll feel like you're finally home.

Example: you walk into a bar and they make eye contact with you, you instantly smile, they instantly smile, and the conversation that ignites feels as if you just spoke to them. It could be weeks, months even since you last saw them but the comfortability between the two of you oozes out in a way where it feels like they just came back home to you.

The reason why this type of connection can be hard to let go of is because their presence might cause or create a codependent need in you for them in order to feel "safe." All their presence is doing is igniting the secure feeling in you that you wish you had, you finally can look into another's eyes and feel that type of comfortability you've always been scared enough to unlock or accept. Your private thoughts and characteristics feel safe next to them, and because of that, they create this security within you won't know how to let go of. So, all they are doing is unleashing your wish of being your truest self without fearing the consequences of being seen for who you are.

In some cases, 4th house synastry may not run as intense, and some say it can be 'mundane' or boring, especially if you don't struggle with the listed wounds I stated, or if you don't share other intense or cute attraction synastry aspects with them; but in essence this individual will feel like a grounding force.

The bond you can form with them is tangible, it's secure, and it feels real. So, letting them go will feel as though you're letting go the one desire of ever revealing your private inner self with ease, especially if this is a part of you that you've been too afraid to openly show or even accept.

Songs That Relate

Look After You - The Fray

Chasing Cars - Snow Patrol

Control - Zoe Wees

8th House: With the 8th house, these type of connections are more intense, and naturally so. With this type of synastry, and if you struggle with self acceptance especially with self love or self worth, then letting go of this connection will feel near to impossible. It will feel like life or death if they walk away from you, and it will feel like a part of you dies every time they don't give you the reassurance or acknowledgment your soul wishes for. Their eyes alone, tell you it's time to let that wall down and without effort your wall crumbles. You know that if they leave, a part of you will leave with them but if your wound of wishing to be accepted runs so deep within, you can't help but take that risk. You're aware that the unavoidable low following their absence will cut deep, yet instead of walking away, you prepare yourself for its inevitable arrival.

You allow that pain to embody you because that pain hurts less than not feeling those moments of acceptance that they are able to give you, especially if it's what you've always reluctantly wished for.

With their presence that void of wanting emotional closeness that you've always longed for will feel like it has vanished, their eyes alleviate the long-ignored half-empty feeling, and so the part of you that wishes to been seen, the part of you that wishes to feel accepted, the part of you that wants to be vulnerable won't know how to let go.

You could run into them and it could be weeks, months even and if you still struggle with loving yourself in the way you wish they would, their presence will create this upheaval that will shake within you, this synastry holds cycles, loops, ups and down to the point of where if you don't hate them, a part of you will still want them.

This synastry creates a dynamic where this soul that entered your life is only igniting the parts of you that you, yourself don't accept, love or acknowledge. Their presence becomes this band-aid that somehow soothes the deepest parts of you that have been abandoned, and their presence soothes the part of you that you yourself believe you can't heal. This fear then creates a scarcity mindset that can cause you to become someone you're not, and even if you logically know what is objectively best to do in situations to not create more intensity within the connection; there's just a part of you that can't care.

The reason why this type of connection can be hard to let go of is because their presence might cause or create a codependent need in you to have them in order to feel "seen." Their presence gives you a sense of acceptance where you allow yourself to accept love in. If you struggle with emotional abandonment, or fear love, then their presence will feel like a "skip the line" pass with inner healing the parts of you that feel broken.

The reason why 8th house synastry is discussed so promptly and openly is because these feelings that persist (when dealing with inner wounds) become such catalysts of growth and ego deaths; but that is only because this connection allows in the hope for love you've been wishing for all your life. You want to be held, you want to be cared for and loved in a way that you've never received, and this person presences grants that sole wish. They bring you that one solace feeling that you've never felt and because of that, letting them go is letting go the one key that makes you feel worthy, seen, and accepted.

Their presence creates this codependent need within because they become this one "thing" that you think you need in order to fulfill that self love wound you keep repressing. You'll start to rely on them for emotional clarity or serenity, you'll start to "need them" in order to feel good, and you'll expect them to make you feel "better" emotionally and if they fail to meet those expectations, all you'd be faced with is the unwavering feeling of the lack of self love or worth you're too afraid to self develop.

The love you're so readily able to give them, is what your soul is asking you to give yourself.

*Those who have prominent natal Scorpio or 8th house placements as well as having Pluto aspecting harshly their inner planets or ascendant will feel these trials and errors more*

Songs That Relate:

Locksmith - Sadie Jean

Addicted - Kelly Clarkson

Im Yours/Haunted/Heartbeat - Isabel LaRose

Just a Little Bit of Your Heart - Ariana Grande

12th house: With the 12th house, this synastry unlocks so many different routes and experiences. Many factors influence how each individual can feel towards this ethereal connection. One way this synastry can manifest is through the tendency for the 12th house to cloud, confuse, and bring hesitancy into the connection. In some cases, Person A will feel as though they can read Person B in such a deep and subconscious way; this type of knowing may even be hidden from Person B to the extent that they are unaware of their own subconscious emotional needs, thoughts or feelings, and yet (especially if there's care or desire on their end) Person A can read Person B like a book. 12th house synastry can be so thought provoking because of the absolute depth and surreal feeling it can add into the connection. The planet person (or the person who has heavy Neptune/Pisces/12th house placements) will feel this innate drive to be with the house person (or the other partner who isn't as spiritual adept). It's as if one partner, driven by an innate need to give endlessly, is profusely tossing their sole bucket of water into the vast ocean of the other partner's needs. The giver (or the person who has heavy Neptune/Pisces/12th house placements) is so focused on giving that they overlook the importance of receiving, while the receiver remains oblivious.

If Person B remains unaware of the deep spiritual bond between them that can manifest, they may perceive Person A's actions as invasive or unnecessary. Person A, recognizing wounds in Person B that they may not be aware of can evoke a sense of fear in Person B, this has to deal with the issue of them not allowing or accepting a form of love that they believe (Person B) doesn't serve them.

If this scenario resonates with you, then this individual is provoking a wound within yourself that deals with the acceptance of receiving authentic love. This innate need to only give highlights your own fear of receiving real tangible love.

In this scenario where one party wants to save, fix, heal or give highlights that fearful nature in you where you allow to stay in shallow waters. You subconsciously know that you have such passionate love to give, but that thought of giving to someone who in turn might be willing to give back evokes fear and uncertainty within you.

This subconscious block holds more comfortability within you since it allows you to never accept a love where your soul will fully be fulfilled. It's self sabotaging and self written, you naturally already know how the story will end between you two, and so you subconsciously will find a character who perfectly embodies the story you yourself say you try to run from.

On the other hand this synastry (when desired and when is dealing with highly evolved individuals) can unlock such deep soulfulness between both partners. Between the two parties, it'll feel as if they have found someone that can finally understand them better than anyone ever has, it'll feel dreamy and mystical. Their body language writes stories that you could only read.

In a pure sense, one partner that desires the other very deeply and whole heartedly wants to make sure that their partner is seen, and understood. And this comes from a very sincere place and if the other receiving partner allows that kind of love in while being okay with giving that same love back, that is when this type of connection can be ideal.

Now in this scenario, this type of codependent nature deals with over emphasizing redemption with no boundaries. If there is solid exchangeable love, a part of you may believe there is always more good than bad within them or within the relationship, and so their wrongdoings or unacceptable behavior to you or to others somehow receives justification or more understanding than he or she should receive (especially if you also share 8th house synastry with them)

This type of dynamic receives interchanging parts, with the 12th house things can lack a solid foundation and lack crystal clear communication, some days you both won't deal with struggling dynamics, then one say Partner 1 acts out, to which Partner 2 cuirasses and holds, then a few weeks later Partner 2 acts out and Partner 1 comes to their aid.

Truly the amount of stories, experiences, how Person 1 will feel vs Person 2 is genuinely so intercomplicated and nuanced. Each story lies within the two parties involved, with this house they are just so many different routes and avenues it can uphold so in this particular post may not cover every ounce of information on 12th house synastry. If you are curious to learn more only about this synastry I have a long updated post titled "Understanding 12th House Synastry" and it's far more in-depth.

In essence, how the other partner receives this type of boundless understanding calls for them to be a very kind and open individual. It's important to understand and recognize red flags or self undoing patterns. Staying aware of the actual real situation instead of sitting in bed thinking of the "What if's" are key. Their posts may not be about you, that song on their story can be just a song, remember that. Especially if the individual lacks self awareness or care on their end.

Finally, I don't believe water house synastry holds malicious energy or serves as a dictatorship with stating how the relationship will fail. Not every synastry overlay is set for such intense energy or uncomfortable experiences, each planet in a natal chart holds different themes. What truly matters at the end of the day are the two souls involved within the connection. Desire, care, love, and acceptance are all foundational keys for any relationship to last even those with or without water house synastry. Accepting yourself in the purest form when it comes each water house theme (4,8,12) is key.

Your natal chart when it comes to synastry serves as a mirror within yourself, everything you are feeling for someone else is already sitting within you.

Don't forget that.

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bisexualiteaa · 3 days

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Mornings Like These

Cooper Howard x Fem Reader

CW: slightly NSFW, established relationship, mentions of sex, sexual daydream, OOC Cooper, Cooper in a frilly apron cooking, cursing, slight deviance from the canon, more domestic Cooper because 🥹❤️

AN: Had the most wonderful request to do something a little different than what I’m used to! I know it’s out of character for our cowboy ghoul but I just loved the concept. This is a continuation of my last work, so it is set in the same Fallout TV series and Fallout 4 tense. Breakfast is served my lovely Cooper simps, hope I did your ask justice @morrrrow !! Hope y’all enjoy!

“God damn this fuckin’ thing” spoke the ever recognizable southern twang of Cooper from the kitchen. You woke up to hearing a few pots and pans clank together as he removed them from the cabinet, and his not so quiet curses in frustration that he was a man who failed at being quiet. Outside of bounty hunting of course. You were still in bed, having just barely woken up as the sun poured in through the windows, making you rub the sleep from your eyes. You padded into the kitchen to see what all the noise was about, seeing him trying to work the stove that you both bought off of someone that was supposed to be repaired and in working order. “What a fuckin’ rip off” he said angrily as he threw the towel down on the floor that was resting on his shoulder, then leaned over the sink to breathe, doing his best to try to control his anger before he started breaking things. “Stove givin’ ya trouble, hun?” You asked, your voice carrying a sleepy rasp to it as a small playful smile stretched to your lips, making him look over at you. In that moment, it was as if all the anger inside of him had just melted away upon seeing you, clad in just a tank top and underwear, hair slightly messy from sleep. You were truly a sight to behold at all hours of the day in his eyes. “Shit, I’m sorry darlin’. I wanted t’ surprise you with breakfast but this damn thing won’t work. Shoulda known it was a fat load a shit when he said it was workin’” he replied, defeat and agitation still evident in his tone, making you walk closer to him and grab his hand. “Hey, it’s okay, Coop. I think it’s mighty sweet you wanted t’ do that. Can I take a look? Maybe a fresh set’a eyes can help?” You asked, watching as his shoulders dropped a little bit as the tension left him at your touch, a small smile reaching his thin, marred lips as he looked down at his girl. “Go ‘head” he replied, starting to follow you and what you were trying to do but you stopped him before he could do anything. “*You* have a seat and relax, I’ll take a look, ‘kay?” you said, your hands resting on his shoulders to make sure he listened to you, knowing well and good his stubbornness was his biggest attribute. He gave a grunt before giving in, recognizing that you just wanted him to relax after being all worked up. “I’ll take care of it, promise. I’m a big girl, but if I need anythin’ I’ll holler for ya” you said, smiling up at him sweetly once more as you rubbed his shoulders a little before kissing him softly. His hands rested on your hips for a moment as you kissed, and in that moment, everything felt at peace in the world. As you parted from the kiss, you turned and moved out of his way before coming to take a look at the new appliance. Well, maybe not *new* but new for post war standards. You took a look at the wiring, noticing that it looked pretty good for a shit box that survived a nuclear bomb or two. No rust, no corrosion, hell even the paint didn’t look half bad. Cooper knew he had to get it for you the moment your pretty eyes lit up with excitement upon seeing it, going on about how much you missed making homemade pies, casseroles, and bread. He knew you were one hell of a cook with the passion you put into making some iguana, or even your famous stew he’d grown to love that was made from just about anything you could get your hands on. He swore you put some kind of drugs in your food with the way he craved it all the time, he’d joke that you could put cyanide in it and still manage to make it taste delicious. And that was just over a fire, he could only imagine the creations you’d put out if given the right materials. Seeing you working a stove, in a house that was starting to get pretty settled into, would be one step closer to the dream of having a domestic life with you when the rest of the world had gone to shit. He wanted to see you happy, because when you were happy, everything was alright in the world in his book.

You opened the door to the stove, bent over and examining the inside for any reason as to why it wasn’t working. The broiler seemed good, all the coils were there, nothing was rusted or corroded so you weren’t quite sure what the issue was. Cooper however, was in a whole other world looking at you. Had he been the man he was before meeting you, he’d have had half the mind to fuck you right then and there while your body was half way in the oven. He gave a groan at his own daydream, watching you with your ass in the air, clad in just the panties you were wearing, making him shift in the small, dining room chair he was sitting on as his pants began to grown uncomfortably tight. You always had a way of getting to him, whether you meant to or not, that man stayed feral for you all hours of the day. He wondered if your moans would be muffled or amplified with your head stuck in the oven, how you’d squeeze him tight with the slight sensory depravation. What he really wanted was the memory to play in your mind each time you’d use it, for you to bend down and remember the way he used you in that same position as you’d slide a casserole in the oven. He was broken from his daydream when you called his name, finding that you were no longer in the kitchen but outside checking the power source. He stood up and walked towards the front door, leaning in the open doorway as you stood outside, looking to him with a relieved smile as you found the solution. “Was wonderin’ why it was so hot in there” you thought out loud, explaining that it was a problem with the power source, not the stove itself before flipping a few switches and connecting a few wires then hearing your electricity hum back to life. “‘s ‘cause you’re here” he joked flirtatiously, sending a wink and a smirk your way, making you giggle. “Wasn’t the stove, was the power. Radstorm must’ve knocked it out last night” you said as you both came back inside, plugging the stove back in and sure as shit, it turned on. You dusted your hands off, standing there proudly in front of your new, working oven. He was thoroughly impressed. “Well I’ll be damned, when’d you get so handy?” Cooper asked with a teasing grin, making you smile as he looped an arm around your waist proud that his little lady was able to fix the problem. “Since I had to start fixin’ things ‘fore you break ‘em” you teased, coming up to kiss his cheek as he swatted your ass affectionately in retaliation.

“Ya know, before you start cookin’ I have the perfect thing for you to wear” you said, slipping from his grasp for only a moment, making him raise a brow at you as you giggled and treaded into the closet of what you called your bedroom. You opened it, finding a frilly white apron you used to own back in the day when you would bake and cook everything by hand at home. You smiled as you grabbed it, knowing full and well you’d have hell to pay for this little stunt, but when has that ever stopped you before? So you snatched it up, leaving it folded before coming back into the kitchen and handing it to him. “A good cook needs a good apron, and I just know this one would look damn good on you” you said, handing it to him with the most mischievous glint in your eyes and grin stretched to your lips, leaving him to unfold it and look it over. Now this was where you were expecting to get in some serious shit. To hear a chide comment or a “never in a million years, sugar” but no, this man looked at you like you’d handed him a challenge, and he was going to take it in stride. So with a smirk, he set it aside and started to shake his duster off from his frame. “I’ll do ya one better there, little lady” he said, that look in his eyes told you he was up to no good and it had you curious. He started working his shirt off and you’d be damned if you weren’t enjoying the sight of him shirtless and just in his pants, the decorative buckle on his belt helping him maintain that rugged cowboy look. He noticed your stares, giving a dry chuckle. “Like whatchya see, sweetheart?” He asked, his voice dipping a little lower but he didn’t need you to say anything, he already knew the answer. “Always” you replied, a half lidded expression on your face as your tone dripped with something a little less pure. What you really hadn’t been expecting was when you saw him take his pants and briefs off before you, a slack jawed grin coming to your mouth as he tied the apron around his frame. Completely naked underneath. You gave a laugh as you watched him wear it with pride. “You sir, never fail to surprise me” you said, making him chuckle but you spotted the tent that started to poke at the apron where he was getting hard underneath. “Think you’re right, it’s a pretty good look” he said, turning to face away from you and you gave that same crude whistle he’d always give you when he liked something you wore or did, because you had an eye full of ass standing right in front of you. You walked up and stood behind him, wrapping your arms around his torso and laying kisses to his shoulder and back. “On second thought, who needs breakfast when you look this good? Hell, I think you pull it off better than I ever did” you said through a giggle, feeling him swat at your grabby hands the way you do when he gets handsy with you. “Can’t disturb a chef when he’s cookin’, sugar” he said coyly, making you chuckle as he started frying a few slices of Cram in the skillet. “Oh but you can disturb me when I’m doin’ laundry? I see how it is” You said playfully as you took a seat down at the dinner table you two found, it wasn’t much, but it was nice all things considered. Gave that homey touch that was missing from the house when you two first put together the settlement. You watched as he romped around the kitchen, going out of his way to put on a show for you and get you as worked up as you make him. “You are such a tease” you said, making him grin as he had his back turned to you, fully focused on making a good breakfast for the two of you to enjoy. “Welcome to my world, sweetheart” he said, making you laugh. You could certainly get used to this.

#fallout #fallout x reader #the ghoul smut #the ghoul x reader #the ghoul #cooper howard smut #cooper howard x reader #cooper howard #fallout smut

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raven-at-the-writing-desk · 3 days

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If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.

Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.

Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.

I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!

Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.

The Accent, EN vs JP

It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).

In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.

What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).

In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.

Macarons and Soft-Spokeness

Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.

Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.

Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.

The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?

One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.

Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.

At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).

What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.

Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?

I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).

What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.

I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!

#twst #twisted wonderland #Vil Schoenheit #Epel Felmier #disney twisted wonderland #disney twst #harveston sledathon spoilers #Marja Felmier #notes from the writing raven #question #book 5 spoilers #twst en #twisted wonderland en #Neige LeBlanche #Azul Ashengrotto

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asvterias · 3 days

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𝖨𝗍 𝖠𝗅𝗅 𝖥𝖾𝗅𝗅 𝖣𝗈𝗐𝗇 ~ 𝖢𝗅𝖺𝗋𝗂𝗌𝗌𝖾 𝖫𝖺 𝖱𝗎𝖾

part two || chapter playlist (1) & chapter playlist (2) || clarisse masterlist

helping palestine 🇵🇸

warnings: the killing of a monster?, character death, crying, some blood mentions & stabbing (not inflicted against us!)

pairings: (both aged up to 16) clarisse la rue ✘ black!fem!demigod!reader (daughter of poseidon) | younger!brother percy jackson ✘ older!sister!reader

genres: sally & reader’s mom (jessica) are lovers bcs GENUINELY FUCK GABE (hate his ass), reader & grover has a sibling bond, hard cold angst, sad angsty beginning, reader’s mom actually dies 🥲, reader’s emotions control the weather, very sad!reader, kinda depressed!reader, reader in denial, MAJOR character death, reader is kinda a girlboss, kinda!dark!reader x always!clueless!percy, vengeful!reader, reader is OUT for blood (specifically the Minotaur)

summary: secrets are liable to make or break the jackson-matthews family until they result in dangerous situations, nearly escaping from death…well nearly most of them managed a safe recovery.

word count: 2.7k+

tag list: @lvrue @kyuupidwrites @xanasaurusrex @urdeadpoet @aurorailvsm @quinnsadilla @st4rzl7 @p0rkbun @star-girl69 @aphroditesmoon @lcvved @tinytea-biscut @dearlydarlings @nvirskies @rocknr0ll @urbisexualfriend @k4zuhas-visi0n @marlswhore @lovelyy-moonlight @thegiganticgirlkisser @thewritingbarbie @apocalypticlibrary @solecitoszn @mira-belcul18 @ampitrit3 @mthefae @sleighingstella @korizzybee @hoku-k @liv444me @lila-went-missing @mariposa555 @cherriesnbutter @justintinderlake4 @natasha-took-fall-damage @b0ok-lover @novastarrs @urfavefag @babyzzlove @importantpotato @laughingcheese037 @iheartamberfreeman @karslyn @haerinfrr @gianni7867 @jimfiqs @4evafvctional @lyzsaphrodite @f4riedimples

author’s note: i really enjoyed writing this ngl! also i have a faceclaim for reader’s mom, jessica matthews is portrayed by candice patton.

Born from the same father but different mothers, your sibling bond with Percy was unbreakable, certainly unconditional. Your mothers were very close, growing up as best friends from when they were teenagers, accomplishing every achievement together for the sake of you and Percy’s life.

Of course, your moms fell in love, hosting a small spring wedding when you were 10 and Percy was 6 years old.

So when Sally had to move again, your mom didn’t ask questions and instead packed your bags, placing them in the car and driving to the airport. A loving family of four was maintained by dark secrets that cost lives.

With everything going on, with the upbringing of your heritage, both of your mothers went through thick and thin. Developing from friends into lovers hardly changed anything, presumably their love maintained massively for themselves and shared children.

It was a rainy day, you and Percy had just been expelled from Yancy. Nancy bullied your brother so you reacted like how any big sister would and punched her before she flew into the nearby fountain, completely drenched in water. That little defense mechanism got both you and your little brother expelled from Yancy indefinitely as you two took a train back to your parents’ apartment.

You two apologized profusely to your moms, but they remained nonchalant, telling you two to pack a bag because you were visiting your residential cabin.

Something was wrong, extremely wrong and you felt it in your gut as soon as you stepped foot into the unkept cabin. From the moment your mom became sorrowful and honest, retelling the story of how she met your father, you knew something was up. Sadly, you just didn’t know that it’d be life-changing for you both.

Interrupted by rapid knocks on the cabin door made you jump a little in surprise and your mom, Sally, went to open the door. It was Percy’s bestfriend, Grover. He was soaked from the rain and began to blabber on to your moms, incoherently talking about revealing the big secret.

“Grover…” Percy speaks, waringly looking down at his friend’s lower body, or rather the lack thereof. Shockingly enough, his lower body wasn’t one of a human’s but one of the legs of an animal, specifically a goat.

“What?” Grover snapped, turning his head to the siblings, hitting his hoove against the wooden floor.

“Grover, why is there half a goat in your pants?”

“Did your mom fuck a goat or something?” The question had to be asked, but it yet remained to be answered.

Doubled in confusion when Grover, Percy’s best friend was also your satyr protector, dedicating to getting both of you at Camp Half-Blood safely. When your mothers’ actually revealed the truth about your father’s real identity, you were appalled, to say the least. You assumed he was a deadbeat and couldn’t care less about his kids, and you were absolutely right. Only now his identity expanded in further detail, making him out to be a god, one of the most powerful gods there ever was. Therefore making you and Percy, forbidden children in both worlds, are continually being hunted by monsters, who strive to see your demise.

“Do you believe this, Y/N?” Percy turns to you, mouth open in bewilderment.

“Right now, I don’t know what to believe anymore.” You truthfully spoke.

“Did you know I’m 24?” Grover asked you innocently.

You and Percy shared the same shocked expression, “Wait? What?”

Grover winces, staring back at the two adults in the car, “Out of curiosity, what exactly did you tell them?”

“We were getting there!” Your moms shouted simultaneously at Grover.

Grover nods his head, leaning back into the seat.

“Moonlight…listen to me.” your mom looks at you through the mirror as your gaze hesitantly meets hers. “You and Percy are forbidden children, monsters are going to attack you every day, this camp can protect you both.”

“Why can’t you and Sally come with us then?” you bargained with her, tears forming in your eyes. You couldn’t imagine, much less experience your life without your mother and Sally. The same women who nurtured you since you were babies and taught you everything you knew. You refused to give up on them, everything they did was to protect and love you, and now it was your turn.

Sally starts to talk, eyes stuck on the road, “We humans are not allowed there. Only demigods like you two.”

“But we don’t wanna leave you two.” Percy persisted.

“You’re our moms.”

“You’re gonna have to, that Minotaur isn’t gonna stop until he kills both of you.”

All of a sudden, a collision hit the car with enough brute force to send the car off the road and everything went black. It was all so quick, the collision, the swiveling of the car and landing on the side of the road, far from bypassers to rescue.

The rain pattering against the car turned into a heavy rainpour as everyone in the car, hanging upside down with the seat belt anchoring them, remained still, all unconscious.

After a while, the dulling pain in your head sharply woke you up, being the first to recover from the crash. Holding your head in pain as you slowly opened your eyes, feeling the blood trickle from your head, surveying your surroundings as you saw Percy and Grover still unconscious. Quickly unbuckling your seatbelt, you got out of your seat, repeating the same action to your younger brothers.

One by one, you carefully got everyone from the car as they began to wake up. A growl from the distance urges you to move faster as you help your other mom, Sally, get out of the damaged car.

Sally, Percy, and Grover were recovering, standing on their feet, checking for any injuries and your mom was the last one who needed rescuing.

“Mom…” you shake her but her body is motionless as the tears well up in your eyes.

You felt Sally’s arm pushing you back, sending you into Percy’s and Grover’s embrace as you nervously observed.

“Come on, come on, Jess…” Sally murmurs, kneeling down, searching for a pulse. “You gotta survive, we have children together, we can’t lose you right now.”

“Is she okay?” Percy chirps up, deciding to speak for you.

You found everything incomprehensible around you, your senses became deafening and a high-pitched ringing in your head matched the loud heart beating in your chest.

When Sally stayed silent, it only worsened your anxiety, “Mom, is she okay?!” Percy speaks again, adding some base in his voice yet his tone slightly wavers.

“She has a fading pulse…” Sally whispers, sparing a sad glance at you and quickly turning back to Jessica, “It’s decreasing rapidly,”

Dropping to the muddy slippery ground on your knees, tears quickly filling the brim of your eyes, threatening to fall as you moved closer to her.

“Mommy…” you cradle her face into your chest, saddened by her face, eyes closed as blood trickles down her forehead.

“We can revive her, right!” Your voice cracks, whipping your head to Sally, “Tell me we can revive her!”

“Y/N…” Sally sighs deeply, trying to contain her own tears. You turn around, looking down at your mother, resting on your lap, body motionless yet her face looks peaceful.

“No! We- I can save her. We can do heart-to-heart compressions,” you shake your head, starting to do heart-to-heart compressions. “Why isn’t she waking up? Mommy, this isn’t funny anymore now, you have to wake up and help us. Please I can’t do this without you, I can’t do this whole new demigod thing without you.” your voice was dry, as you leaned down, blowing air into her mouth, hoping for a miracle to occur.

You didn’t truly believe in miracles, but for your mother, you’d start believing it. Right now, you would do whatever it took to bring her back even if it meant wishing on the impossible.

“We didn’t do plenty of things yet, I wanted you and Sally to meet my first girlfriend, attend my graduation, be there when I move out and eventually get married, and get grandkids from Percy because we both know I’m not going through that torture.”

Your senses became intensely heightened, catching onto Grover’s whisper to Sally, ignoring him as you spoke up.

“I refuse to leave her alone, she isn’t dead, just having some problems waking up and getting a pulse back.” You were in extreme denial, “Come on, mum, you focus on her face, giving her air and I’ll do her chest,” you beckoned Sally forward.

“Sweetheart…she’s already….gone.”

“She’s my mom and Percy’s mom, your wife. She wasn’t supposed to die this early. If all you’re gonna do is stand there and be useless, don’t bother talking to me.” It wasn’t intentional to snap at your other mom, but your emotions were driving you crazy and brazen.

“You’re the sun to my moon, Mommy, I can’t shine when you’re not there with me.” You sobbed. Despite being physically exhausted, you weren’t giving up on trying to revive your mom, she would have never given up on you so you would stop trying until you had something, anything; a pulse, a gasp, her eyes shooting up. “Remember…” You weakly asked, holding onto the moon-shaped necklace on your neck, staring at your mom’s sun-shaped necklace.

The sky crackled with slight thunder as the rain poured down heavier. Finally understanding the meaning of your nickname, you sobbed desperately until the broken cracks of your voice gave out.

There was no sunshine without her moonlight, always them being in a pair, nothing without the other. Sadly, you lost your sunshine, darkening your moonlight to its deepest depths, harvesting it into something vengeful and heartless. Something that even scared you to a certain extent, like this was another new side flourishing because of the horrible circumstances.

“Hold up, is Y/N doing that?” Percy quietly asks Grover.

You rested your mom on the ground, ignoring the cold rainpour.

“She’s gone…” Sally cries, grabbing your arm and pushing you into her body for a hug. You cried into the hug, tightening your grip as your wails echoed throughout the forest. Maybe this was all a nightmare, where you’d wake up and relax in reality. This was the time that your mom needed to wake you up and reassure you that she was right there, staying with you and protecting you.

Your chest clenched against your rib cage, devastation wracked throughout your entire body as the tears relentlessly spilled out.

“But she- she can’t be gone!” You hiccup, eyes glossing over with fresh tears, feeling another arm snuggle around your side.

“I know, sweetheart. I’m so sorry,” she caressed your face.

“What kind of demigod I am, if I was blessed with all these supernatural powers, can’t even save my Mom from death? What kind of daughter am I to just stand by and watch her own mother die? I don’t want this demigod life anymore, please take it all away if it meant my mother is coming back, to me, to home.”

“Don’t you ever say that again, you did everything you could, your perseverance is one of your strongest qualities that Jessica adored very much. She wouldn’t want you to doubt yourself like this nor would I,” Sally reassures you, resting a thumb on your cheek, “Our beautiful daughter, she’s so proud of you, I want you to know that.”

Your eyes were puffy and red from tears as you listened to your mother’s words of encouragement and reassurance.

Much to your dismay, another loud roar broke the semi-family grievance, reminding them of the harsh reality.

“We have to go now!” Grover hastily urges.

“I’m not leaving my mom here like this,” you point to her figure on the ground.

“We won’t, I promise you, sweetie. I’ll give her a proper burial, but right now we have to go!” Her tone was urgent as she quickly scanned the dark forest with the illumination from the car light.

You hurriedly rushed towards your mother’s still figure on the muddy ground, leaning down.

“Goodbye, Mom,” you whisper hoarsely, kissing her forehead for the last time. You stared down at her neck, gazing at the sunlight necklace she wore and yanked it off, and shoved the meaningful jewelry into your back pocket. Your heart broke again, realizing she can’t respond back, despite being in extreme denial.

Unfortunately, that was the last time you saw your moms, one died in your arms and the other sacrificed herself for her children’s safety.

The pain and suffering became a dangerous mix of anger and hatred directed at the Minotaur.

Grover’s statements fall on deaf ears, partially drowned out by the heavy rainfall. “Y/N and Percy come on, we’re almost there.” you glance at your blonde brother who holds the same expression on his face. You were going to avenge your mothers, and you didn’t care if you died trying. This monster had already taken your worlds away, so you had nobody else to lose.

Grabbing the pen from your pocket, holding it out, and witnessing it transform into a golden sword at will.

The fight with the Minotaur was brutal and intense, alongside the heavy downpour of rain attempted to slow down the intensity of this fight. Despite double-teaming the monster, he resisted surrender, determined to win and kill you both. Surprisingly, you gained the agility to climb onto his back while Percy distracted him.

Somehow, you gained the ultimate advantage with the lighting sword in your hand and stabbed the monster in its eye, ignoring his roar of pain. If anything its pain only further encouraged you to continue.

Too full of adrenaline, you grab his two horns, gripping them and pulling them out with your utmost strength. A new sudden strength you just obtained. Gasping in shock was quickly outlived when your sword slipped out of your hand and dropped onto the muddy ground, disappearing from your eyesight. Stumbling onto his feet, inflicted by the pain, you groaned, gripping the monster by his rough skin as he attempted to shake you off.

“Percy the sword!” You yelled at him. Your brother throws the sword upwards as you catch the weapon.

You stab the monster in the neck, wincing at his loud screeches, but continue to stab his neck. Once the monster was deemed weak enough, you sliced the sword right through his neck, seizing the opportunity of successfully killing it.

This was all this stupid monster’s fault. If it hadn’t chased after you or slammed itself into the car, your mom would be alive. If it didn’t have such a bloodthirst for demigods, Sally, your mum would still be alive. Alive. Alive. Alive. You just wished your moms were alive, to see you mature into such a courageous daughter to avenge their deaths.

Soon enough, the monster staggered on its feet and its body began to disintegrate into black dust before your eyes.

“Y/N!” The voice becomes disoriented as you stumble on the ground, two arms catching you as you faint, everything fading away into a black abyss.

likes, comments and reblogs are highly appreciated!

#dior goodjohn #dior goodjohn x reader #clarisse la rue #clarisse la rue x reader #clarisse la rue x fem!reader #clarisse la rue x black!reader #clarisse la rue x black!fem!reader #clarisse la rue x you #clarisse la rue x y/n #clarisse la rue angst #clarisse la rue series #clarisse la rue imagine #clarisse la rue oneshot

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rosesdrop · 1 day

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A general pick a pile

Your person of interest:

Do they share the same feelings towards you?

For those of you who don't know, this person watches you from a distance. They don't necessarily feel overwhelmingly romantic towards you; they see this connection from a different perspective, and they think you two find it hard to get along with each other. So here's the thing: they see the value of this connection and its potential, but they're waiting for the right moment to propose the idea to you. Both of you are fierce in character, and they feel a resemblance to you. They see this as a great opportunity. It's hard for them to say anything currently because they think you're sharp and that you would turn them down. This person goes hot and cold about you; one minute they're all in, and another minute they just want to focus on their casual connection with you and keep things formal. This person fears conflict with you and your disagreement; that's what stops them from deciding what to make of this. For some, they want to approach you, but their feelings are not serious. They see this connection as an opportunity; they're not coming from a place of heart; they want it for what it has to offer.

You are on this person's mind 24/7; this isn't a new connection as far as I'm seeing here; you two seem to know each other for quite some time; you could even be asking about someone you used to be with. They think about all the good times you shared together, and they're reminiscing about them. Even though there's zero to minimal contact here, this person still feels passionate about you. They haven't seen you in a while; they miss seeing you, I'm getting, but they see that this connection isn't going anywhere; this person is very troubled. In their minds, they have a lot of friction; they're dealing with their own stuff, so they don't even have the energy to pursue this; their thinking is self-focused right now.

This person thinks you're theirs. They love every bit of the time they spend with you. You may recognise them as someone who doesn't say what's on their mind, but they're a very intense person. They feel fresh and new around you. They're not the type to be all lovey-dovey around you when showing you their feelings; they keep to themselves how they're convinced that you're the one for them. When they're sure about someone's place in their heart, that's the big deal for them. This person is not good with words at all, and it's a bit of a struggle for them; they don't know how to say the right things to you. Your preciousness for them is buried deep in their hearts. Their intentions are good for you, and they want you to know that. Pile 3 I really like your people's energy; they're really genuine and unbiased people.

#channeled message #channeled reading #intuitive tarot reader #pac reading #pick a card #pick a pile #tarot community #tarot reading #tarot #spirit messages

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i-heart-hxh · 2 days

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One thing that I deeply love about HxH as a whole is how seriously it takes the trauma of its characters.

Rather than things that happened in the characters' pasts being relegated to just simple flashbacks, their pasts legitimately feel like they shaped who they are as people in the present of the series, in both obvious and subtle ways.

I love how the significant events of their past and how they grew up are shown continuing to affect them even many years later, and not just in a straightforward "Oh, that's sad," or "This one personality trait/goal and nothing else came from that," kind of way. They make decisions based on what they've been through, the ways they understand the world are different as a result of it, what they prioritize and strive for often comes out of it, even their nen choices are often related to it.

It gives the characters a strong sense of being human, and I think this theme of trauma and how it affects people is something Togashi explores with unusual sensitivity, care, and weight. HxH doesn't lose sight of how much a deep loss or a life of abuse or neglect or abandonment shapes someone, and at the same time the narrative offers so much hope for the way connections with others provide second chances, meaning, and eventually healing.

I could go into examples, but honestly the series is full of them, almost wherever you look. All of the main four especially exemplify this. It's one of the elements that makes HxH so special to me, why it resonates with me so deeply. Plenty of stories explore this kind of theme, and a lot of them do it well, but HxH does it in an especially convincing and beautiful way, in my opinion. Because the way the characters are affected is so genuine and multifaceted, it's easy to empathize with them and find meaning in their struggles.

#hxh #hunter x hunter #meta #my posts #just something I think about a lot #it's hard to express this because a lot of stories do explore these kinds of themes #but the way hxh does it is just different and really effective and meaningful imho #it feels incredibly well-rounded and integrated #incidentally this is why I increasingly think kurapika will likely survive somehow

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universalitgirlsblog2 · 2 days

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🎀🍓⚞🎀・◦・⚟ YOU ARE NOT A VICTIM.🎀🍓⚞🎀・◦・⚟

🍓REALISE THAT LIFE IS A IMAGINATION.

You going to your job. Your job is your bosses imagination. He imagined a company that he wanted to create and then he put it into physical realm. So you are basically working towards your bosses imagination.

Countries are not real. We all collectively imagine a border but it's not real. It's all earth. Everything is earth but we imagine that those countries are separated.

Money is also imagination. It's just a piece of paper. We imagine that the amount of money in our bank is worth that much but it isn't. If tomorrow a big corporation says that the money in your account isn't worth that much or the money isn't in use anymore . It's not.

All this means that we all are living in a imagination. A dream . A game . Matrix. Whatver you want to call it.

We imagine everything we do. We imagine our future and dwell in our past which also doesn't exist. Future and past doesn't exist. Only this moment exists.

🎀REALISE THAT YOU ARE THE CREATOR OF YOUR IMAGINATION.

We can create this imagination or dream however we want it to be.

🍓QUESTIONS TO ASK YOURSELF

How do I want to create my game , my dream ?

How do I want my imagination to look like ?

Who do I allow into my imaginations ?

How do I behave ? Who am I? What does my character look like ?

🎀BEING A VICTIM MAKES YOU FEEL SAFE

Being a victim is the most comfortable thing because you don't have to do much. Your life is a circle. Everything just keeps moving in the same way , in the same circle. But this is comfortable for you. Why ? Because you know what is going in happen in the circle. You don't have to take risks. You don't have to deal with different people.

🍓CHANGING YOUR LIFE AND STOP BLAMING OTHERS

To take a leap of faith , you need to be brave. It takes guts. Everyone wants to blame everyone . At the end you will be left no one to blame but yourself. Your life is shit because of you. People don't care about your victim mentality. You know when they care ? When you get out of it. When your life becomes a success story. David Goggins is not David Goggins without his success. No one would care if he was the same guy before.

🎀YOUR LIFE WILL ONLY CHANGE IF YOU CHANGE

Everyone moves on and you will be left behind. NO ONE IS GOING TO SAVE YOU. WHY ? BECAUSE NO ONE CAN SAVE YOU. The only person that can save you is you. No one is going to make you change.

🍓GROWTH IS : 2 STEPS FORWARD AND 1 STEP BACK.

Everytime you learn something,it's one step forward because you have more knowledge but if you put it into practice, you will be 1 step back because you are not used to it. You still have to continue. If you feel uncomfortable and give up, you will be right back where you started. Stop abusing yourself by being in the same circle that you don't like. Stop abusing yourself by being the same person that you don't like. Look in the mirror , we don't have anyone to blame. As a victim it's easy to run away and be like " I tried I tried", You didn't try and you didn't try hard enough . Try again . Try again until you get there.

🎀REALISE THAT YOU ARE ADDICTED TO DRAMA.

Alot of people when they come out of abusive household , later they will think that it's too peaceful . They will start to attract people that will give them that toxicity again because this is the only thing they knew. Realize that you are the creator of that drama though. You can choose to have a peaceful life. You can choose to have peaceful people around . If you can't find peaceful people , just be peaceful on your own for a while until you find someone that makes you feel peaceful.

Stop creating drama when it was never meant for you. Stop involving yourself in things that were never meant for you. Stop watching things that are so dramatic.

🍓REALISE THAT YOU HAVE CONTROL.

You have control who comes into your life , you have control about who you date . You have control about what you watch , listen to , what you read. You have control over what you put in your mind. Your mind isn't a dustbin.

If you decide to open the news and it's all negative and now your day is bad. Don't blame the news. Blame your eyes and blame your hands for putting that on.

🎀ASK YOURSELF : WHY DO I ALLOW THESE PEOPLE IN ?

"My friend , partner is toxic". Why don't you start looking at why you allow them in ? Don't you have control over who I allow into my life? Why don't you ask yourself ? What is it in you that you don't feel worthy enough of having people that actually respect me ?

🍓WHAT ARE YOU DOING TO FIX YOUR LIFE ?

What part are you playing in life ? You can cry all day about being overweight or underweight . Are you doing something to fix that or are you just crying all day ? What are you doing to fix your life?

🎀WHEN YOU WANT SOMETHING BADLY YOU WILL FIND A WAY

When something wants something badly , they will get it done anyway.

🍓GO FROM COMPLAINING TO GRATITUDE

Turn your mindset around. Set your mind on a plan and focus on it . The more you start going from complaining to gratitude, the more your life will change. If you constantly focus on what isn't there instead of what it is , you create more of that.

🎀REALISE HOW PRIVILEGED YOU ARE

You are privileged and you want to talk about people in North Korea. They won't be able to see liz video or read this post since they don't have access to internet but you do.

🍓WE NEED THE GOOD AND BAD TO KEEP THE WORLD IN BALANCE.

This is how the world works.

🎀PAST AND FUTURE DONT EXIST

Accept your past and start working on yourself. It doesn't exist. You only have now. Don't dwell on the future. What are you doing now ? How you are now will determine your future and not the other way around.

🍓RECOGNISE THE WAYS YOU SABOTAGE YOURSELF.

Everytime something good comes into your life. Do you ruin it ? What in life are you doing that sabotages you ? You have to ask yourself these things.

🎀START TAKING RESPONSIBILITY FOR YOUR BEHAVIOUR

It's not fair what happened to you but whatver I do with it next , it's on you.

🍓TAKING CARE OF YOURSELF FIRST IS THE MOST SELFLESS ACT

If you don't take care of yourself , you can't show up as the best mother , daughter, employee or boss. You don't feel good . You are depleted and depressed. If you want to perform the best you want to be for others , then you should think about you first and nurturing you first so you are happy. If you don't feel good in your life , it's okay to take a step back from everyone and focus on nurturing you . Put yourself first . No is coming to take care of you.

🎀YOU DESERVE EVERYTHING YOU DESIRE

You deserve everything you want and you can get once you set your mind to it. Stop taking advice from people that you don't want to share lives with ,these people are miserable themselves.

🍓🎀 ⚞🎀・◦・⚟I LOVE LIZ SO MUCH. 🍓🎀 ⚞🎀・◦・⚟

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communistkenobi · 1 day

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Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

#tos.txt #< have more posts in there also

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cy-cyborg · 2 days

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Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

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