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#because the third panel kinda looks like trash
emeraldart · 11 months
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New AU: Combining the Hunter is raised in human realm and Vee is raised in human realm AUs
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(Vee looks different because she’s disguised as a random scout)
[ID: It’s a comic with characters from The Owl House. First panel: Boots run over red grass. Text: Hunter: “Cmon, cmon!” Second panel: Owlbert’s wing is visible. A bag with “human treasure” written on it is in the middle. Text: Eda: “Nice haul, Owlbert. Hey! Get away from my door!”
Third panel: A hand holds the door frame. On one side, there’s rain. Text: Hunter: “This way!” Fourth panel: A marigold under the rain. Text: Vee: “Hunter, where are we?” Fifth panel: Vee’s arm is around Hunter. She has brown skin and red hair. Her ears are visible. Hunter is in his Golden Guard uniform without a mask. They both have scratches and tears in their clothing. Text: Hunter: “I think… we’re in the human realm.” Luz: “Mami! I hear something!” End ID.]
Lore dump under cut (there’s a lot)
Maybe about 4 years precanon Hunter is just hanging out and meets Vee and they become best friends (but he definitely doesn’t see her as a little sister because that’d be ridiculous and he’s not at all attached). About 2 years precanon the kiddos are just hanging out when Belos finds them and stuff gets bad. They run but Belos has to keep it low key so the people wont know he’s a bitch. Vees disguise is just based on a scout but due to limited magic she still has spots, ears, etc. They find Eda selling her human trash and Vee thinks it’s a great idea to hide behind this funky looking door with the rain behind it. And then, oh my titan, the rain doesn’t boil. Hunter figures out they’re in the human realm.
Luz (who’s maybe about 12?) finds a pointy eared boy with pink eyes and a shapeshifter so this is the best day of her life. But they’re injured! She calls her Mami who is very confused but she sees hurt kids and is like mine now. So now she’s got these magic children on the run from a mysterious realm. Neat. Through the power of plot armor (idk) they’re officially adopted. They take time to warm up to Camila but they take to Luz instantly.
Luz has 2 magic siblings so she’s even more into fantasy now. So, reality check camp. The principal is meaner because this girl is constantly sneaking her homeschooled siblings into school. So yeah, summer camp. Hunter and Vee are not happy but not really confident enough to tell Camila that. So they wait with their sister for the bus.
Then! An owl comes! Luz starts chasing it and then they start chasing her. Hunter and Vee recognize the isles and possibly Eda. They’re all freaked out but Luz is like, yay! Now we can figure out where you’re from! This is like a side mystery. They do the regular adventures but with noceda sib bickering. Occasionally there’s curiosity in finding Hunter and Vees mysterious parents they’re being vague about and not really being helpful.
In AOAW, Hunter and Vee are being really weird about skipping the field trip but okay, they’re weird all the time. Maybe there’s a mini adventure of them bringing Amity her homework or something. So in YBOS they gotta save Eda. This is a horrible idea but sure why not. Luz’s siblings are being especially mean to Lilith even though she’s trying to be better. Luz doesn’t like her either but like why are they being so mean?
In that part where they find Belos her siblings are so scared but then he grabs them. Luz tries to get them but he takes them to some other room. Oh titan. She does the whole biz but doesn’t find her siblings so she’s very scared.
Meanwhile! Vee is returned to the Conformitorium. Belos doesn’t really have anyone to refill his supplies so he kinda needs her and Hunter. He locks Hunter in his old room and gives him an ultimatum. He does his old duties as GG or else he’ll replace him and Vee. He can’t escape during missions because Vees still at the Conformitorium.
In Separate Tides, Hunter catches up Luz and King on the ship and then Eda robs it. They clarify things, figure things out, etc. So Luz has isn’t entirely reunited with her siblings but she knows where they are. She probably tells Willow, Gus, and Amity, too.
In Hunting Palismen, they free the palismen and defest Kiki so, high on power, they break Vee out. They kinda sorta come home at they same time as Eda and King do with the wood so that’s an interesting conversation. So the next few eps are the same but with siblings and more trauma. Maybe Hunter and Willow also get together in knock knock knockin or maybe not. Maybe during then Vee thinks about a pretty enby they knew in the human realm. There’s also lumity here and there because lumity. Eclipse Lake Belos never gets the key but they only use half the blood and the key is taken Post hollow mind when the EC takes the owl house. Yesterdays Lie has all 3 Nocedas talking to Camila who does know they’re missing in this one. Cue depressing reunion. ASIAS is just silly kids play sports. Maybe there’s a small run in with the EC. In E&E, Luz is extra sus of phil especially with his drawing (of her ‘mano???) but the others stay home to meet del.
Hollow Mind! Night market incident where they just… bump into the traitors. Oops. Still just Luz and Hunter now with less bickering over if Belos is evil because y’know they know. At the end Hunter still runs so Labyrinth Runners can still happen. Vee is there for the whole “you’re a titan, King” deal and comforts him because she gets it. She’s been there.
The siblings reunite in COTH and there’s some minor changes in with Vee in the Belos fight and maybe she goes back to the demon realm with them? (It also makes sense if she isn’t ready). Plot wise it’s the same after Kings Tide but Camilas closer with Hunter and Vee (calling them mijo and mija more, etc.) and sadder because all her kids were missing and there wasn’t really a doppelgänger so she knew they were gone the whole time.
I hope at least some of this made sense :)
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vespertine-legacy · 2 years
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Critty actually had a full roster last night, so I got to watch them prog R4, and let me tell you, R4 is going to absolutely murder my computer since every boss has huge visual tells for the mechanics and huge graphical “you are now getting your shit obliterated” mechanics, but it looks very fun. Though if I ever need to dps it, I am probably going to have to learn to play a ranged spec better than “trash” (I can kind of faceroll some of the ‘slinger/sniper specs, and I’m kinda picking back up facerolling the sorc/sage specs, but I have never even tried to play merc/commando dps).
The person streaming didn’t have the quest for the storyline, so those of us watching didn’t get any of the dialogue/cutscenes for what’s actually going on (which is fine, I’m kind of excited to see that for myself, but still mad I need to run like 20+ more toons through Dxun to get them eligible for the mission, I do at least have it on 3 of them lol).
Tons of opportunities to fall to your death, to get lost, to get stuck in weird things. 10/10 environment.
Thoughts on the fights, from what I saw on stream:
First boss didn’t seem too complicated, but there’s definitely a benefit to having some strong rdps, and I’m worried about what my lag is gonna be like with all of the animations. I’m glad that the symbols to break the shields have different colors and shapes, so it’s at least a little more accessible (although it was funny to watch the stream chat yelling about “it’s not an octagon you idiot, it’s a hexagon). All of the mechanics are pretty clearly telegraphed (and it’s very “I warned you I was gonna do that, if you didn’t move out of it, it’s your fault you’re dead”), it’s immediately apparently which terminals you need to click in order to break the shields. The boss’s cast in the final phase is probably a dps check - beat it or you’re dead.
Second boss looked like it had some elements of the Ancient Guardian Droid from Nathema (not just in the design of the boss itself, but in the mechanics for the tank), but again, I’m worried for what my lag will do. Looked like some opportunities to blow each other up if a pull is going badly. This fight is all about positioning, because you need to keep certain circles and get the fuck out of others. Probably a good idea to stack on pull to keep the field clear of the first missile launch. There’s some fun red light/green light bullshit where if you’re a certain color and you move, you die. Then there’s a point where the tank has to hide behind someone who has the opposite color of the beam the boss is charging at them (it looks to me like hiding behind the Hunter Probe during the Nathema guard dog fight) in order to not take any damage, but at least in SM, it can almost entirely be mitigated by a sorc bubble if no one gets there in time. I couldn’t hear all of the ARIA dialogue during the fight, but it sounded like she was giving pretty good directions.
Hell Hallway is a bit like the hallway in the Seeker Droid final mission where you’re trying to do the batteries for the generator/bomb thingy and the enemies keep coming and it’s easy to get overwhelmed, only it’s Worse and Red, but you can Divide and Conquer for clicking the panels, kill the big glowy thing that is attracting more of them, and ez peazy. (everyone re-spec’d to dot spread for the Hallway, and even with Shatter Burst getting nerfed, they just smashed the bajesus out of everything; sidenote, now that Shatter Burst has been nerfed, I’m wondering if I can keep up with juggs on lethality on trash...).
Third boss looked kind of like if Tyrans took a lot of drugs? I talked with one of them for a really long time about ways the mechanics could better be controlled (based on what I saw on stream that he hadn’t seen from his pov and what seemed reasonable to be able to do because of one of the achievements for the fight). It seemed to me like the group can somewhat control where the rot is appearing/hardening to ensure they have more of the field still available (and to keep the corners clear for the achievement). We also talked about, but they didn’t try, whether or not the Fire Probes can be moved by friendly movement abilities like the PT/Vanguard tank grapple and sorc/sage pull, to reposition them rather than waiting for them to doot along into a good position (I feel like they have to be, because they move so slowly, and you can’t just wait for them).
They ended up not clearing third boss, so I haven’t actually seen last boss.
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black-and-yellow · 3 years
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That's one for the fridge for sure.
Thinking about that one scene where Denki draws Aizawa in his notebook. He's a little artist.
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a discussion of jabberwock with team interaction hcs + deeper nash analysis
for anon who asked "Can we get some headcanons for jabberwock members or like headcanons when they're together? (its okay if it was jason or nash only)" and made me realise it's about time i get these guys' personalities down
note before we start: cause i didn't know their names until i wrote this
zack is the bald one, allen is the one with a headband, nick is the other white guy apart from nash.
team hcs
nick gets bullied for being under 6ft, but not by jason
nah good old jason teases all of them for being short fucks, emphasising that they’re all 5ft tall in comparison to him
he 100% lifts things out of the others' reach and then laughs for ages after when they try get them
unfortunately though, they’re all used to this and now just ignore him. either that or nash stares at him so intensely jason actually repents and hands it back
zack’s another one with a very good glare, but he’s used it too often on jason and it’s since stopped working.
also jason gives me ‘straightens his back as much as possible when getting measured so he’ll measure in as 7ft’ vibes
oh and he thinks he could wrestle a gator and win. i’ve got no explanation for that except for the fact you can't tell me it's ooc.
allen’s very protective over his white headband - it’s his lucky item - but he’d never let anyone know that
he’s confident in his abilities like the rest of them, but there’s nothing wrong with wearing a headband just in case
(nash knows anyway)
they watch nba matches together and do not shut up once throughout the entire match - lots of jeering, booing each other if someone criticises a player they like, lots of “i could do that”, lots of “get your fucking hand out of my popcorn do you want me to punch you in the face” etc
they used to all live together, but nash has since moved out. he was sick and tired of trying to make people do chores, as the only one who kept their room clean.
yeah the others’ house looks like a heap of trash but also very much “where’s my toothbrush?” “it’s in the third coke can by the orange peel behind the sink” *silence* “yeah thanks” *a minute later* “who the fuck has been using my toothbrush”
they’re all “bro your dribbling sucks why are you on this team loser” to one another, but also very protective (aka arrogant for one another) if anyone else Dared to criticise one of their teammates
then again, what kind of person would criticise jabberwock
half of the time he spends with jabberwock, nash is a Single Mother TM trying to get a bunch of man children to behave; the other half of the time, he's just as bad as the rest of them
i talk about this a lot but i get the feeling nash is an exceptionally hard worker, but at least he gets to let his hair down around his teammates sometimes
nash is also the only person jason thought was truly ‘strong’ at first sight
and nash is also the only person who can beat jason in a fight, and also the only person who can get nash to train, and also the only person who can.. [etc. you see my point].
(n.b jason calls himself the ‘almighty me’, nash says that ‘even god can’t beat me’. point made.)
you know how jason silver’s motto is “I have never thought”
imagine him proudly stating that, before zack adds with a straight face, “yeah cause nash does it for you.”
in short, the team would fall apart without nash.
although the team’s communication and coordination is very fine tuned, nash is the guy who keeps everything in order off the court to prevent what is essentially a team of aces ('main characters', if you will) from falling apart
they hang out together a lot, but do all have other friend groups that do not overlap
team bbqs
unofficial rule not to criticise anchovies on pizza because the one time nick did, nash snapped
however pineapple on pizza is fair game, even though zack quite likes it
more than once, jason has brought a girl home and nick has stolen her attention away with effortless trick shots, funky ball manoeuvring etc
more than once nick has had to trek to nash’s place (with a black eye) at midnight to have somewhere to sleep
do you see a correlation?
oh and everyone in the team has been walked in on by nash when they were naked with some girl
nash has absolutely no shame
he apologises to the girl with a charming albeit insincere tone, and then remains standing in front of the bed/couch until his teammate does what he expected of them
usually it involves not having come to practice
allen learnt a few (emphasis on ‘few’) words of japanese before they travelled to japan and was disappointed that he never got to use them
that said, one of those words was hentai
and now a quick analysis of some panels
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a) so there's at least one player who wasn't underestimating vorpal swords. if i were to overanalyse, i'd add that nick's wearing a hoodie (possibly athletic wear) whilst nash has a 'fancy' shirt on; perhaps nick wasn't expecting them to be going to host clubs instead of chilling/training?
b) i know what you're thinking: "how can you say nash is a hard worker when he didn't want to practice for the match". i reckon he was still pretty high on the complete and utter success of their previous match, that plus being around girls, encouraged him to have a more 'jason-y' personality. (either that or fujimaki didn't want to add too much depth/realism into nash's character bc he's unequivocally the villain, right? and obviously this helps with the plot and the jabberwock bad geniuses gom good geniuses rhetoric.)
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earlier, i mentioned how nash is the only one that could keep the team together, and is thus the undeniable head of the team; here's a clear example. you can see both jason and zack have no interest in continuing - if anything, there's disgust in their faces, kinda just saying "we spat on all of japan, now we can go home". whereas nash won't allow for the slightest of possibilities that there might exist a team stronger than them, and hence agrees to the match. the key thing here is that the others do as he says without too much fuss.
another thing to note is nash's reference to harakiri. now what can we make of that, alongside his proficiency in japanese, in relation to his character? the way i see it, he's either a weeb or possibly has some japanese lineage. (you could spin that even further and say his mother was japanese, taught him the language, then abandoned him, and hence his almost excessive hatred/mockery of the japanese people.) (is that why he wanted to do another match in japan..?)
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just a quick point. "thanks to him" - jason isn't so superior as to think that he could win this match effortlessly without nash's support. links pretty nicely with my earlier idea about how nash is the only person jason has always considered 100% strong.
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yet another point about how nash is the strongest of the team in pretty much every way you can think of. you know how scary/powerful you have to be to shut jason up (after he's getting real pissed from being prevented from scoring?)
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i personally think this is a pretty important panel, though i've never seen anyone mention it before. did nash grow up training in a professional basketball training situation, as opposed to growing up playing streetball like i suspect the others did? well, to answer that question, imma bring in another panel.
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here we see visible rage on nick, zack and jason's faces - they can't accept their loss, which is fair enough. but i'd argue that nash's face seems to depict sadness more than it does anger like to rest of them, look at how downturned his mouth is - and he's looking away from the 'camera', as if hiding his shame.
when you combine that with what he says here, i have no doubt that this is someone who has experienced some proper lows in basketball - as would be expected from someone who's played 'properly'. he's possibly not even a prodigy like the rest of them - compare jason's motto with his. "i have never thought" versus "do not suppose opportunity will knock twice at your door".
there's various lines of thinking you could design with this - he might have been trained by alex (hence, himuro having heard of jabberwock, though he should have known of a team as popular of jabberwock regardless), he might have grown up with professional basketballer parents etc. but here's my own little theory:
nash received serious basketball training from early on - maybe because his parents were living vicariously through him, or maybe he always loved the sport and wanted to be no1. so there he was training away, but, as he grew older, it started getting all a bit too much.
he didn't want to dedicate his entire life to basketball. after all, his hobby is water sports and his speciality is boxing; that's a lot of different things to be keeping up with, whereas the pipeline for promising athletes demands people focus solely on basketball. as a result, nash become bitter: stopped attending practice regularly, got in trouble for trash talk of increasing severity, etc.
result was he was kicked out of the program.
only when he was no longer playing basketball again, did he realise how much he missed it. and hence he got into streetball, where he was tremendously successful as someone with so much training, 'elite skills', and the overly confident attitude to boot.
then, one fateful day, he met jason and the rest is history.
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meeko-mar · 3 years
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Ok I just thought of this. 
This is a further, further thought about my Kidnapped Deku Theory, about the captivity of Izuku, as well as the FUNCTION such an event would serve in his story. Surprise influence from a different Anime(movie) plays into my thought on this. 
Now. Imma just preface this with: Part of me hopes I'm wrong about this, cause I like Compress and I don't want him to die yet.
But here we go.
So, Deku gets kidnapped, and somehow, the whole group, (probably minus Machia) escapes.
They bunker down in some hidden location. Shigaraki is way too depleted to physically do anything about stealing OFA at this particular point, so for now they just restrain Izuku where they can keep a close eye on him until shiggy gains enough strength . Izuku is desperately tired as well and cannot even hope of fighting back yet. So sit in captivity he does. And he observes.
And now here's where the whole thing of "Izuku needs to realize that the villains need saving too" thing comes into play,
Compress is SUPER injured. And unless one of them has some pretty adept med skills, it's unlikely that he'll get proper medical treatment for his wounds. So...barring anyone coming up with sudden healing Quirks, be it Shigaraki Or Izuku, it's likely that Compress will die. 
Izuku is going to have a front row seat to the league as they lose, and mourn the loss of their friend.
Like I said I kinda don't want compress to die, but if his death has a purpose, aside from the escape of Shigaraki, maybe it's a step towards humanizing the League to Izuku. Up until this point, to him, they have been a nefarious, one-dimensional entity who has done nothing but terrorize his class and caused mayhem and death.
And nooo, this definitely ain't gonna erase any of that terrible shit they’ve done, or want to do, and he sure as hell ain’t gonna become their friend, but seeing some more relatable  moments and seeing that even these guys are a found family and mourn each other's losses and that they sacrifice for one another too. It's gonna give him something more to think about in the big picture(and maybe make him realize some of the flaws in their Hero Society)
And, even though Izuku has chosen the profession of Hero, it doesn’t mean that he’d witness Compress’s death and be happy about it. He’s not the type to sit there and say “GOOD, you all deserve it, one less villain in the world!” (that’s Bakugou’s thing, after all) Izuku is a naturally kind and empathetic person. He can understand death and loss, and even though he cannot agree with their methods of rage, murder and destruction, he could come to understand some of the more nuanced roots of it. He wants Villains to face justice for their crimes, but he’s never been the type to actually wish death upon them (even when he’s trash-talking them while emulating Bakugou’s style). 
((not to diverge too far, but I think the same goes for his understanding of Touya, he can grasp that Enji Todoroki was an absolute shit-heel to his kids/wife. He has a concept of abuse and how that had affected Shoto, and has in fact snapped back at Enji himself back at the sports fest when he really didn’t have to or even have the place for it, BUT It still doesn’t change the fact that Dabi was so far out of line in trying to murder his own brother that yes, Izuku is still super justified in what he said to Dabi instead of stopping mid-battle and trying to work it out with him. Like I said before, this ain’t that type of Talk-no-Jutsu anime. BUT I DIGRESS, BACK TO OUR TOPIC))
Like I said before and will say again til I’m blue in the face, Izuku’s understanding and developing vision of this world is more nuanced than that, and this is basically a slow-burn. He’s still young and learning, and he just needs those perspectives and experiences to edge in to his pre-conceived and admittedly exclusionary notions of heroism and society.
Secondly, Toga is also going to be mourning the death of Twice, who was killed at the hands of a hero that Izuku has worked with/admired himself. She’s going to have her own issues with Izuku and she may get the chance to have a more extended conversation with him, not like how the convo with Ochako was so stunted because Ochako was trying to apprehend Toga and was full of anger and adrenaline...Izuku in this situation will probably have no other option than to hear her out entirely. Assuming she’s not trying to stab him or suck his blood while she’s doing so. 
The third thing that could affect him and his outlook, is that Izuku has already seen AFO’s manipulative tendencies over Tomura in the Quirk “dimension”, so he even has that to think about as well...potentially more, if Shiggy gets to try stealing OFA again. So there’s also that, which I think Hori is going to expand on later no matter what, arguably there was that one panel already that showed Izuku try to run towards Tomura as if to save him(not sure if that was what was happening, but we shall see).
Izuku may find himself in the den with villains, but he may see more pieces to the puzzle, and it might be the perspective he needs to truly become the world's next symbol of hope.  
OKAY ADDED CONTEXT TIME. I suddenly realized where I think I got this particular vision. 
If you have seen the Studio Trigger movie, PROMARE, there is a scene where the plucky protagonist, Galo, finds where a group of the Burnish are hiding, and the Deuteragonist, and Burnish leader, Lio knocks him out and ties him up. (without being too spoilery, the Burnish are people who have sometimes uncontrolled bursts of flames that have a habit of causing much destruction and death)
From here, Galo witnesses how they take care of each other even when the public image of the Burnish is a harsh and fearful one of rigid oppressionand dehumanization. He sees that they need to eat to survive, and most importantly, he witnesses one of their number perish after being a victim of many human experiments, and he sees them try to save that person, and then mourn, before they all leave. Additionally, Lio explains to him what the Burnish experience is actually like, as opposed to the narrative that is out there surrounding them, that Galo knows.
Now, Galo wasn’t exactly hateful against the Burnish people to begin with, but due to his job being a firefighter(an occupation in this world that is super Hype, kind of like Heroes in BNHA), his lot in life runs opposed to them by nature. He serves to protect others from the chaos that the Burnish people (mostly unintentionally) bring about...(also a bit like the Hero society.)
But this scene, set in a cave, with him restrained and with no option but to observe, serves to humanize the Burnish people, which obviously serves as the catalyst to the rest of Galo’s development and his choices later to stand up and help Lio.
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BTW, PROMARE is an absolutely EXCELLENT movie and I highly recommend it...my hubby and I only just now got to watch it one of the first nights we were stuck at home sick. We slept on this the first year or two it was out, but it’s really good.
And as I was typing this and looking at a Meta video on YT about PROMARE it clicked that I must have gotten a little brain worm from this scene. Sorry if this got too far out of BNHA, and I didn’t share anything very spoilery.
So, RETURNING TO DEKU, and long story short: what would be the point of Deku getting kidnapped, especially at this time when the Villains have faced loss with Twice, and are quite likely to face it again if Compress dies from his wounds??
I think it’d be very very similar to this Promare scene, and would serve...almost the same function. Again, he’s not gonna become friends with the villains, and they are not going to turn to the Hero side, either. And it bears stressing, it doesn’t erase or condone or change Deku’s opinion on any of their criminal actions. Of which, there are many.
But it’d force Izuku into a different perspective, and he might learn a bit about at least some of their past, and their reasons for villainy... If they feel like explaining any of that to Izuku. It’s going to build on that foundation that his fight with Gentle and La Brava built. (Y’all, I love Gentle and his fight with Deku was important, if I’m reading these breadcrumbs right)
Anyway, this was super long, hopefully wasn’t too hard to follow, But my Kidnapped Deku Theory just keeps growing-- H E L P. 
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fromzerotoeuphoria · 4 years
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me watching the Free! Timeless Medley films
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A jotting down of my thoughts while watching the Free! Timeless Medley films (but really it’s just yet another gush sesh about RinHaru I’M SORRY I CAN’T HELP IT 😩)
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Timeless Medley 1: The Bond
1:36 AM | Okay, starting the first film and omg I found a dub version! 🙌🏽
Also, dang woah already this opens up with drama and tension, but this time it’s with Ikuya (with Haru correlating whatever happened with Ikuya with Rin (but nothing comes close to what happened with Rin heh 😁)).
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Oh and after the Ikuya/Rin dream is the scene of Haru curling up on his bed looking lonely and sad and like he needs a cuddle ☹ 
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OMG this music is too emo ugh I love it  
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And OMGGGG Haru and Rin’s race was AFTER High Speed/Haru joining the middle school swim team. So when he quit swimming because of Rin, it caused strain between him and the others on the team #howdidijudtgetthisnow
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Aww Makoto and Haru’s friendship montage is adorable!! Look at the lil squishy babies :((((( chibi!MakoHaru is too stinkin cute
2:02 AM | UMMMMM WHY DIDNT RIN GET HIS OWN PANEL IN THE INTRO MAY I ASK????? 😒 Y'all better not do my baby and my ship dirty in this film…
2:07 AM | okay okay, that montage of rinharu was *chefs kiss* Kinda wished it happened with Haruka thinking about it instead of the teachers discussing the boys, but in a way it goes to show how much Haru is tied to Rin without even realizing it, kinda like how he hated to admit even to himself how much he admired and cared for Rin in elementary school
2:29 AM | yes it’s another rinharu trash update, but like: when Kisumi meets Haru again for the first time since junior high, he points out to Haru how they met right after RIN left overseas and how Haru always seemed pretty down about that. This was before the race between him and Rin that ended with the both of them quitting swimming, meaning that Haru was obviously down about Rin leaving alone, not only because the race went bad. And the fact that others saw it too is just UGH, I mean yeah we already knew Rin leaving had such an impact on Haru but like he was visibly down and affected by Rin’s departure, so even though Rin was just a short time in Haru’s life, he still left such a huge impact on Haru. Rin truly was a shooting star, a brilliant glittering light that blazed into Haru’s life and left just as quickly. But he showed Haru something beautiful, something Haru had never seen before, like only a shooting star would. UGH OMG IM SO EMO I LOVE MY SHIP 😭💫💖
2:50 AM | aww eeeeeek the gang is at regionals and Rei just overheard a guy from another team walking by mention how when he was in a rut, some kid with glasses recommended to him books on mental training and AWWWW IT WAS ASAHI from High Speed!!! And Rei stood up and stared after the team because he knew that the guy was talking about him!! Aaaaaaah okay so I’m glad I’m watching these compilation films because these new scenes are so great and really set things up wonderfully for Season 3.
3:04 | ummmm I think I may be crushing on grown Rin too 😣 
Rin and Haru are in Australia right now and ugh Rin’s just…he’s just so chill and calming (well, when’s he’s not all fired up at least) and the way he lazes himself arounf and just LOUNGES when he sits and the way he slings his arm around people is AHEM so attractive. Also ,his fashion sense is *chef’s kiss* And he has a sensitive, artistic-soul AND have I mentioned how his entrance scene when he first showed up as an adult in S01E01 WAS FRIGGIN HOT, like the way that music came in with the close ups of his face and his swaggering saunter was just *gesticulates wildly because words don’t do it justice*
…yeahhhh it was a lot, Rin is a lot, and I’m surprised it took me this long to start (possibly) crushing on adult Rin T_T
3:33 AM | Okay, I’m finished with part 1 of Timeless Medley, and why did that ending scene with Ikuya actually get me psyched for watching how things play out with him in Season 3? 👀 I hope I like Ikuya in DTTF, because right now he’s tugging at my heartstrings and is begging me to put him in my pocket for safe-keeping (plus glimpsing him as a high schooler kinda made me feel some type of uwu way). Seems like things will be intense, because Ikuya resents Haru for quitting the swim team and honestly, I feel for Ikuya: he had no friends until Haru, Mako, Asahi and Kisumi came into his life, and the swim team meant so much to him. So for Haru to quit like he did…yeah I can see why Ikuya would resent him. It’ll be interesting to see things unfold in Season 3. Until then, onto Part 2!
✧   ✧   ✧   ✧   ✧   ✧   ✧   ✧   ✧   ✧
Timeless Medley 2: The Promise
3:42 AM | I’m literally like 7 seconds into this and already I’m UWUSKFJSAHHAKK!!!! WE GET LITTLE RIN and I hope this means we’ll get a lot of elementary school Rin *crosses fingers* Also…umm dang but like Rin’s dad was a looker too 👀 Rin doesn’t look much like him though, so he must take after his mom.
   //
OMG this opening backstory for Rin, showing his relationship with his dad and how he was heartbroken when his father died, how he stepped up at such a young age to be the support to his family…I THINK IM FALLING IN LOVE WITH HIM 😭😭😭😭😭 And Mama Matsuoka is gorgeous whattheheck. The entire Matsuoka family is beautiful, like wow.
4:52 AM | Ugh Rin is just…ugh the way Sousuke told Rin the reason he didn’t tell him earlier about his injury was because, “I knew it would break your heart” was just ERHGNSJSNSJJSJDKD 😭😭😭😭😭😭 Rin is such a passionate, sensitive soul who truly cares about those he loves and his heart breaks for other people, and it’s just like UGHHH 😭😭😭😭 Like he even cried a little when the guys surprised him with the pool full of cherry blossoms because Rin is just that sentimental kind of man and omg I LOVE HIMMMM 😭💖💖💖
Also: okay dang EVERYONE wants to swim with Rin: Haruka and Nitori and Sousuke, like Rin really does have folks falling for him left and right THAT’S MY BABY’S POWER.
I wish the films had more RinHaru but it’s ok the added scenes make up for it 😝 Plus…RINHARURALIA (so i can’t be too greedy)
5:16 AM | I’m watching the end after credits and the scene with Gou and Rin with Rin carrying Gou’s bags and walking her home is EVERYTHING. He’s also an awesome gentlemanly brother?? Rin PLEASE you’re killing me!
The thing is, Rin as an adult isn’t spectacular like a Levi Ackerman (my first hubby), but there’s constantly these moments of a brilliant shining light that he displays, and it just guts you and makes you fall for him more and more. They’re subtle, yet so very effective and I just…ugh STAHP okay, I need to be done, this entire overview of Timeless Medley thus far has just been 85% gushing about Rin and the rest gushing about RinHaru 😅🙈 I need to force myself to call it a night because it’s almost 5:30 in the morning and I need to NOT watch the third film Take Your Marks and instead just GO TO BED. 
Rin Matsuoka, please stop making me fall in love with you because I’m falling way too hard way too fast and I already have an anime husband (though I doubt Levi cares enough to be mad about it).
(reposted from original blog, July 26, 2020)
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twiststreet · 3 years
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Question part! What do you think of Urasawa? I love his works because he constructs an entire world and has fully flesged out characters who drive the action through personal motivations. He can make some missteps story wise, but his stories feel like worlds you can fully live in. Just curious what your take on him is....
I wrote a whole career survey of Naoki Urasawa back in 2004-- nothing that’d age well or was worth reading, but that was before he was licensed in the US so I was just reading scanlations off of IRC (this was just at the cusp of Bittorrent if I remember right-- like, Youtube was a year old?  My failure to buy Bitcoin cheap was years ahead of me...).  He’d just started Pluto I think, and 20th Century Boys was at, I think, 15-17 volumes in.  I remember what I wrote being kinda lousy but if I ever collect a best of, and tune it up and put together some kinda director’s cut, I guess I’d include that in there (it’d take a lot of tuning up!)... I was always proud of being ahead of the curve on the guy, though, and he’s one of my guys, because I like his work but also just for having had that experience.
I think people in the US have a very distorted picture of Urasawa though-- partly, at his design!-- because they haven’t brought over all his work, so things like Happy or Yawara, his comedic work, hasn’t been seen.  I think that’s at his request...? (I hadn’t seen Master Keaton in 2004 or that Pineapple Army one, but I don’t really rank Master Keaton high anyways-- that’s not my book for him).  (The bigger problem being where the hell is Billy Bat?  I didn’t scanlate that out of respect, and because back when it started, I wanted to have a shared experience of it when it came out in the US with other US fans that I didn’t get to have with his other work.  But maybe I’ll cut out that respect shit later this year because boy do I ever not want to share experiences with US fans anymore-- jesus).  Anyways, not that I’m saying that Happy or Yawara changes the picture considerably but that... Urasawa to me’s a mass audience entertainer, he’s like a Stephen King type guy, or a Spielberg or something, more than some artiste, and I think only seeing him in thriller-mode in the U.S. just doesn’t present the full picture of the guy, his bedrock desire to just entertain a reader in any/every way possible to him.  
That and I think how Urasawa was received was badly distorted by his breakthrough in the US work being Pluto.  Because it was the closest to an Ultimate-style superhero comic.  And it’s a nice book, but I wish it had been 20th Century Boys instead.  So many people seem to believe there’s this value in “reinventing” or “Rebooting” or whatever, I saw Pluto cited in some discussions of books that were just rebooting stupid trash, that they miss that there’s a difference:  Urasawa did a reboot when he was at the peak of his career from his own work, paying homage to Tezuka, who was a peak creator-- it’s two top creators having a conversation with each other.  It wasn’t just that he was in an industry that was like “well, we need ___ number of Astro Boy SKU’s” and was incapable of creating a Monster, a 20th Century Boys, a Yawara, etc., or a career that varied or full or prolific.  Boring Reboot XYZ is usually missing that conversation quality... 
But overall, you know:  I think Monster’s a mess but an enjoyable one; I liked Happy more than other people though it’s, you know, not essential comics; I like Pluto but I don’t like it as much as other critics because I get my back up about how they rep the “wrong” Urasawa pick; I had a nice time with Sneeze (and that comic about the little girl he just did-- that one I read the first volume of on scanlations actually come to think of it), though it’s all minor, minor key stuff; and for me, I think his essential work is 20th Century Boys.  The problem with 20th Century Boys, maybe the same problem to Monster (though I think Monster is easily the less interesting of the two) is it just goes on so long that its strengths get lost in the pornography of its plot, all those apocalypses, all that rushing around into and out of virtual reality flashbacks, he gets undercut by how prolific he is (which is a weird thing to say when you’re 600 chapters into One Piece but), but... 
At its core, 20th Century Boys is a kind of story that I get very excited about which is the guy who has succeeded as an entertainer kind of turning back and going “I don’t know if I feel good about all the time I spent consuming this entertainment even though I love it.”  I always see a continuity to the stuff I like, like Kojima or Kill Bill (I’ve been thinking a lot about Kill Bill lately on my commute), so maybe it’s all in my head.  But... 20th Century Boys, as the title suggests, is very much Urasawa going “being a kid and having this pop culture, we ended up pretty screwed up, huh?”  There’s even that wonderful scene where the bad guy builds his own Gundam or whatever it is, and it’s all paper mache and run down and kinda sad. 
And you know, I think the story is really about, if you don’t let that stuff go, it’s going to be the end of the world... It’s not subtle!  It’s very much a “maybe this shit isn’t healthy to keep in your head too long” work (and I imagine that stuff lands harder in Japan with the stuff they’ve had to work through-- they’re ahead of the curve than we are with people just checking out and going to live in fictional spaces)(we’re not headed the right way, though, and god only knows what that looks like post-COVID... no guesses there... I miss the world but when it comes back, how long before the “don’t take just sitting in a bar for granted” wears off?  This was the third act of Judd Apatow’s Funny People, the massively un-entertaining portion when Sandler gets better, the part where the girl I was with just kept saying “I don’t like this” out loud over and over in a crowded theater, to I’m sure the delight of many people around us, who shared her sentiments).  
But until it winds its way to finding a reconciliation, and saying, “you know, it meant something to hear that rock music in that moment, and that feeling was what mattered” at the end.  (I’m talking off my ass here, I don’t really remember it 1000% clearly, that’s just how i remember that end, how it ends... I remember not LOVING the end at the time I read it, but that was one that kind of worked better as I (a) forgot it and (b) sat with it...) (That hasn’t happened with Monster though... I still don’t really love the end of Monster...).
I don’t know-- I’ve lost track of what I’m saying.  Anyways: I like Urasawa.  I like when he just draws talking head stuff-- seeing him do that was a *BIG DEAL* for me in 2004.  That was something that’s still a big deal for me.  I don’t think I knew you could do that, really, you could just make a comic of two guys talking and talking and talking, and have it be riveting, as much as when I watched him do that back then.  (He moves his “camera” in such careful ways, and he’s never just doing lazy ass wide screen or repeating panels like that Mark Bagley Venom thing that went around-- it’s always a varied layout but he’ll vary the angle from 3/4ths to profiles to head on shots, and change the panel shapes to themselves reflect the emotions of what’s being said and so on and so on and so on). (He talks in his master class about making sure the gutters horizontally are smaller than the ones vertically, so the reader instinctually knows to read a row before skipping to the next row...?).  I read like all of Monster while I was super-sick with a head cold and could barely move, and it was one of the best “comic experiences” of my life so (which puts it above stubbing my toe and below a sandwich I ate once from Subway)... So yeah, I feel strongly about the guy.  I just think of him biographically at this point.  Good? Bad?  Finding out about Urasawa was part of my life.
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vampthropologist · 3 years
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So I occassionally have really cool or weird dreams that I remember, and this one was cool since it’s the first superhero movie-like dream I’ve had. The twist is, it had no real superheroes, just characters that were adapted a bit to fit. The only real hero to show up was the Hulk in one split panel scene.
Anyway, I’m going to tell it here as best as I can because it had fandom characters and that makes it funnier.
So, I’m at this grey concrete superhero HQ, don’t know why I’m here. I get up from a bunk I’m in and leave this room of bunk beds (like the ones in military movies) and walk around for a bit. I eventually get to a room with a big screen and command consoles (like NASA looking things) and I see a brown meteor looking planet and the face of some dude who looks like Darkseid (maybe??) on the screeen. The people controlling it look back and yell at me to get out and that new recruits should be in the lunchroom or whatever. So I get out fast (because I still don’t like getting yelled at) and eventually find the lunchroom. I meet some people, like a Sayaka Maizono who doesn’t look like Sayaka al the way; a robot that looks like the ones from Mitchells vs the Machines but skinny and with a Gladys head that has a blinking blue light, she’s called Miku and she speakers through charades, can dance, and is just for recording and broadcasting; and I meet the head honcho who kinda looks like J Jonah Jameson and that dude from that new superhero show (I haven’t watched it yet but the one in blue and yellow that’s like Superman and has a kid). He greets me and tells me about how we stopped the bad guy (from the screen) and how I’m here with new recruits to stop him from coming again. We know that he needs to slingshot around his planet twice (think the Apollo mission to the moon, or Daft Punk Intrastellar) to get to a portal that gets him to Earth. Since he was defeated, we’re all going to party tonight.
We get into trucks (like military trucks) and head to this large area with a huge parking lot and a park on the other side with a building far off in the park. Most people went to the building or park, but I was awkward and didn’t like initiating conversation (oops like real life) and stayed in the parking lot. I ended up “talking” with Miku, then talking to a more robotic version of Kiibo. Sayaka makes an offhand comment about the robots, and I say that their actually pretty cool. Sayaka leaves. I’m wandering around a bit and looking at the cars, when the big boss comes up to me and makes a comment about how nobody is talking with the robots and laughs. I tell him I‘ve been talking with them and thought they were pretty cool. He is shocked by this but brushes it off and tells me to join the others and mingle more.
Time skip, some Of us slept at the HQ and others slept at the park building. Big boss man gets me up and tells me to grab the robots. we get into his sedan and I’m about to throw the robots in the trunk when they roll up into balls and go to sit at my feet. It’s dark and empty on the streets, and the boss is stopping at stoplights and going very fast when it’s green. He has a window open, and Miku flys out. I try to tell him when he slows down on a mossy covered road, but he ignores me and tries to speed up again. When he gets to the next stoplight, I tell to him that he left Miku. He yells at me that I should’ve said so earlier, so I tell him I did but he gaslights me and says I didn’t. We go back looking for Miku (it’s now light outside) and eventually I see her hiding behind a streetlight pole. I call out to her to get her to come back, but she won’t. Nagito Komaeda comes out and grabs Miku and throws her in the car (he’s one of the heroes that went to the party building i learn) and before he gets in I tell him that he better not bring up any “hope vs despair” trash, because I am annoyed by him a lot more in this dream. He is intimidated but agrees and jumps in to sit next to me in the backseat. Miku’s eye glows blue a bit even though it shouldn’t in her ball form, this unsettles me so I push her head up against the seat in front of me.
We go to an empty plot of land and everyone gets out. Miku starts recording, Kiibo is standing guard, and a third robot comes out and shape shifts into a big green woman wearing a red dress. Big boss tries to command her to shoot a laser at the bad guy’s planet, but she flys into the air getting increasingly larger and goes through a portal she’s made. Boss is freaking out and furious, I’m scared for my safety around him, and it cuts to the HQ screen and everyone is freaking out at the green robot-lady that is turning the meteor planet around to a direct angle at the US on Earth (only time we get a direct location named). The lady starts shooting her laser around, and the screen splits to show the Hulk in a corner on a volcano planet trying to dodge her laser beams.
Everyone is panicking. Then I woke up
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bcrtonarrcws · 3 years
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Meta: Claire's relationship with Barney
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              HELLO, HI, YOU HAVE JUST UNLOCKED AN ESSAY THAT IS PROBABLY JUST A LITTLE TOO LONG, if I do say so myself and given that I wrote it, I would say you should listen.
 Anyway, the Bartons are actually my favorite comic siblings to ever exist – probably actually my two favorite comic characters ever ever. Their relationship is so dysfunctional and a little broken, yet held together by shitty guardians and a rough childhood. It’s kinda beautiful, how after everything that happened to each other, they’re still close?? Like they trust each other, tease each other, they have each other’s back?? The relationship between Clint and Barney is truly one of my favorite representations of a pair of siblings who didn’t have the easiest life, mainly because, like without the superhero nonsense, their relationship is actually very similar to my own relationship with my siblings – a severely messed up ride or die that might end with one of us killing each other.
Yet, this question is what does Barney’s and Claire’s relationship look like, not Barney’s and Clint, which despite how little it would change, does change some things. To figure out what it changes though, I’d like to head to what their relationship is like, in canon, for me. I know that the fandom has it’s own view of Barney Barton – I don’t agree with it nor particularly like it, so it’s probably best if I explain how I look at their relationship.
So Barney Barton, born Charles Bernard Barton, is the eldest of the two – no ages because this is the comics and characters can’t have canon ages ?? I guess it’ll break the suspension of disbelief but like shrugs – and he showed up in the comics in 1969, before this, he never existed. Of course this is during the age of the 60’s so most superheros didn’t really like have a life outside of the comics they were in so it’s not that big of a deal, but like still, Marvel just creates this character to be Clint’s brother, tells us he’s a racketeer that’s been on the Avenger’s radar for a while, and then kills him in the same issue, only revealing at the end that he was an undercover FBI agent.
(yeah, they gave Clint a family and then killed said family right away, sounds so similar, y’know kinda like the movie-verse which gave clint a family with very little characterization and then snapped them – no wonder I love Laura so much)
Anyway, later issues of Clint’s will explain that their parents were abusive, they died and Clint and Barney ran away from the orphanage they were in when they were like teenagers – this would be retconned to young teenagers, then implied to be younger as of the Hawkeye (2012) series, which puts Clint sleeping under the tents at age 9 (src), which could or could not imply them being their already - it’s whatever, like it’s just gonna get retconned again. Running away to the circus always puts strain on their relationship no matter what age they are though, mainly due to Clint receiving training from their mutual “father figure” Jacques DuQuesne and Barney becoming jealous; a completely and natural thing according to all child psych I’ve read, it creates an environment that allows one kid to be the “golden child” and the other to be the “scapegoat” – now of course, we don’t know much about the dynamics of their full childhood, Marvel hates sharing any information like that, but we can extrapolate a fair amount.
(also, just so everyone knows, this jealousy did not pave the way for their relationship in later comics, namely Blindspot. In that it’s very clearly stated that Barney was found by Egghead to still be slightly alive. He was then held onto, for nefarious reasons, in a healing chamber, until he was found by Baron Zemo years later who then manipulated Barney against his brother so that Baron Zemo could get his revenge against Clint Barton. I’ll say it again, Barney was used against his own brother by an evil guy who hated Clint because Clint slept with Zemo’s wife; that is where the “Cain and Abel” dynamic comes from – not childhood)
Back on the tangentially related topic I was writing about. This jealousy grows until Jacques DuQuesne leaves after Clint finds out about his illegal dealings ( though the all new hawkeye actually kinda, maybe, a little, I’m unsure, retcons this with Clint finding out about it much earlier, when he finds out about Jacques having Barney stealing from people and places and finds the hidden cache of a gun, money and some other things under Jacques’ bed??? I don’t know, I’m now a little confused if Jacques still fucks off thanks to that comic ) - of course, this is after Jacques chases Clint through the circus, cutting the high wire Clint tried to hide on. Barney tells Clint, while his brother is in the hospital (and in literally a comic that got retconned basically) that he should’ve kept his mouth shut and stuck by Jacques no matter what (can we say that that sounds like trauma?? because guess what, psych 101 says that that’s kinda sounding like trauma since Jacques was trash to these kids, like literally, fuck Jacques DuQuesne – all my friends hate him – he’s an interesting villain but fuck the whitewashing of his bullshit).
This doesn’t sour their relationship at all – no seriously, it doesn’t which uh shows that neither of them really take each other at face value anymore – and they go back to the circus, Clint heals up, starts working with Buck (a man currently being written out of the comics world which is a shame because he’s kinda important but kinda not) and then Barney decides he wants out. With Barney in the army, Clint continues down the crime street and well, now that we’ve got a bit of background (over 800 words of background), let’s get onto what their relationship is really like for Claire and Barney.
Simply put, like in the comic relationship with Clint and Barney, Barney is a protective older brother, he taught Claire how to fight and aim, how to patch up simple bruises and cuts, taught her to drink her first shot (at like age fourteen, but like what do you expect when that boy was drinking much younger???). He was her first teacher, her best teacher – yes their relationship got complicated; it’s Claire when isn’t her relationships complicated – but at the end of the day, he helped shape her into who she was.
Less simply put…
He is her everything—in all the P L A T O N I C (I’m emphasizing platonic because please don’t take this in the romantic sense, they’re fucked up but not like that; I am not Marvel, I don’t ship siblings and pretend that shit is fine.) sense of the word—he was her guardian when all the guardians around her failed to properly take care of her; he was her brother who teased her and made fun of her; he was her best friend who understood what she went through, the only other person who did; he taught her as much schooling as she would sit down and listen to, he taught her how to cook herself some basic food.
He was a father, a mother, a brother, a best friend, a moral compass – which is why when he went off to the Army, Claire found it a betrayal. She hated him for the time that he was gone, though she forgave him not long before she first shot him because she could understand that to him  (the little purple box in the third panel: Carnival of Death, of course this is how Barney would remember things) the circus was never a home, just another temporary place to stay. 
(btw this is “shooting barney” thing that is part of my main verse, is canon. Clint shot his brother, who was working undercover as a bodyguard, while Clint was breaking into a mansion with the aforementioned soon-to-be-retconned-I’m-sure-of-it Buck Chisholm, which led to Buck shooting Clint in the shoulder when he refused to leave his brother’s body and pinning him to a tree – I don’t quite recall how Clint got out of getting arrested, I’m pretty sure it never explained, but I’m rusty and not really up for pulling out some old comics to read up on) 
(I lied, here’s the comic strip: 1. 2. Clint “somehow” managed to get free, take his brother to the hospital and then leave??? yeah sure. )
Anyway, let’s get on with it. So if that was their relationship when they were younger, what is it like now?? Now that Claire has found a place – a sturdy, yet unsteady, comfortable, yet spartan, to call her own –
( and yes, this sounds angsty, but Clint has issues accepting that he is where he wants to be – Clint is always running, even when standing completely still. It’s a trauma response to his shitty childhood where they never stayed in one place for too long; even when their parents were alive, they moved from above the family butcher shop to the Barton farm. Barney had it too, but apparently a relationship helped with that (and okay, look I love Simone and Barney, but that part in All New Hawkeye rubbed me wrong as a fellow wandering child turned rootless adult; the guy needs therapy, not just a relationship – but then again, Barney Barton does not get agency or a personality outside of Clint Barton; his life must revolve around Clint Barton, even when he was on the Dark Avengers, it was about Clint – and yeah, they’re brothers, “two sides of the same coin”, and all that jazz but like I’ve got three sisters and a brother, I’m my own person at the end of the day – something Barney Barton cannot say, which means ending his story on the note of retirement and falling in love is just the best thing so they don’t have to keep finding a reason to try to remember that Clint has a brother   I’ll stop with the rant, I’m sorry.) )
   where does a man who no longer has to be a father, mother, brother, best friend, and moral compass stand when his sister has all that? Well, for the most part, he stands next to her – in my main verse at least. After he has come back wrong (Buffy much?), he finds his place standing beside his sister, no longer solely protecting her from the world (as he had always done because the world is not kind to lost little girls or boys), because he’s learned that she can, for the most part, protect herself, and Claire finds herself less on a lower standing (less of a burden in her eyes, less of a child in need of comfort) with her brother, but more like an equal, something that’s a bit of a new situation for the both of them.
In truth, Claire’s relationship with Barney is complicated and messy but it’s hers, and when you have something that’s complicated and messy, you have to figure it out, and that’s what, in my canon, she’s doing. Sure Barney isn’t around a lot - he’s got his own shit to figure out - but he’s her brother, and she loves him, and he loves her and they’re trying to get to a place where they don’t accidentally poke the trauma they’ve got and ruin a good thing. 
......
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Okay, so like did any of this make sense??? I don’t know. I guess, to sum it up really quick, in my main verse - and most of my canon - I’d say Claire’s relationship with Barney is slightly yet not really awkward – it’s awkward because once upon a time, it was simple. Yet at the same time, it’s a really important relationship because Claire was shaped by her brother (and of course all those shitty adults because there are no good mentors in the Marvel world, not for kids at least).
Idk, this is really just me rambling. Like I should just state that tis is just Mun taking all the retcons that Marvel stuck her babies through and trying to make sense of them along with a healthy dose of a smattering of psychology shoved all about because unlike Marvel, I have no desire to ignore the C-PTSD/PTSD that seems to follow both boys around thanks to their childhood – of course this crazy amount of words actually kinda ignores all the trauma they have as adults, but that’s a whole nother post for some other day
I also know that I carry some ~controversial ~ barney barton views - ie. he’s not a villain and that him and clint share a close relationship, that he isn’t dumb muscle (bitch got a 1350 SAT score with like minimal schooling, i’d like to see you do that) and that he wasn’t a shit older brother when they were kids - i’m not apologizing for them. not at all. i will never apologize for them. characters are more than one dimensional and if i gotta be the one to wade through all this vague ass bullshit to get those other two dimensions then i’m going to do just that, which i have done. 
plus it doesn’t even matter because through all the retcons clint and barney has gone through, this is what their relationship is; a fucked up dysfunctional sibling relationship gone off the rails when Barney was brought back from the dead and manipulated/brainwashed into hating his brother. it eventually got better, how? we’ve got none of that, but it did and and at the end of the day, as clint said:
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frisbeep · 3 years
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WD*Steven New Episode Thoughts
** Warning, below the cut contains spoilers for the newest episode of @ask-whitepearl-and-steven's comic series, as well as my theories for the next episode with the title listed.
This is also a blind reaction, meaning I'm commentating on it as I am reading it for the first time!
(1-2)Starting off with Steven answering an ask! Looks like he's trying to find Garnet. I love how Steven comments on how Pearl and Amethyst's rooms are so closely connected, as it stays true to the canon, I also enjoy how Steven is unsure about how to find Garnet's room, because, just like in the canon, Steven found it by accident while trash diving with Ames.
(3)Third panel! Steven, my poor baby, mmm, lemme squish--anyways, I both love and hate his anxieties over asking Garnet about this, because, yea, it's a tough thing to have to talk about, especially after working so hard to gain their trust back after the reveal. Finding out that Coral was mostly Steven, with almost no (if any) Earl control would be a scary realization.
(4-7)AAAAAAAAaaa future vision :>
(8-9)I forgot for a moment that Jasper was poofed and was scared to see Garnet holding her bubbled gem. Maybe she didn't use future vision to see why he might think she would view him as a failure? Or maybe she's hiding it and trying to find the right words depending on what he says?
(10-11)I was sortof right? I am kinda glad that she couldn't see what he was going to ask, but, that begs the question, were there other things she saw revolving around questions Steven's going to ask? Also "ziplining across a void inside the temple" is 100% Steven XD
(12)Welp, nevermind, must have been thinking of the canon*Steven, oops ^^;;
(13-14)J a s p e r ! Bring her back! Maybe she'll get a redemption arc instead of Lapis and Peridot in this canon? That'd be so rad, and would honestly make so much sense, because basically everything is flipped on it's head in this AU, in the diamond crest, White was at the top, while Pink is at the bottom, so instead of the lowest Diamond giving birth, it was the highest. Instead of Steven learning his powers gradually, he was kinda sorta info dumped on once he realized he was still mind controlling Earl.
(15-16)O H M Y S T A R S did Garnet really just-*chokes* you're gonna make Steeb nervous qwq
(17-19)Steeb...I feel so bad for him, I really hope that Garnet can comfort him, help him, right now. Maybe she'll truly be the first Crystal Gem he really connects with (if my memory serves me correct, he's already kinda doing that with Amethyst, and Earl isn't technically a CG yet)
(20-21)Garnet help him! The look on her face though, she's confused, definitely. Maybe this was an unlikely path?
(22-24)MY FEELS!! I love how Garnet was trying to give advice, and Steven, being the anxious mess he is in this AU was all scared and is crying about turning out to be like his "past self" (because, you know, the reveal hasn't happened yet)
(25-26)Thank you Garnet, now help Steeb by telling him to talk to Earl! I know you're going to do it, I know you want to say it Garnet, just do it! Earl's the only one who can truly help in this situation, you can help with fusion, she can help comfort him!
(27-28)WHAT THE HECK! Garnet! Are you trying to help him, or crush his fragile little heart?!!
(29-30)Oh phew,,I thought this would be a lot darker, like, "your memories may be resurfacing in other ways" type shit, but, it's just talking about how powerful White was, and, yea, I get that it would be a confounding variable, and adding with the possibility that Steven may be unable to fuse with any gem makes a great story point, one that gives him the anxiety Lapis and Peridot have canon, Peridot is afraid of trying something new, or to lose herself in the fusion, while Lapis is afraid of hurting someone again.
(31)Damn straight! Sorry for the short comment, it's just, oh boy when she finds out Rose is Pink--
(32)>.> I literally just mentioned Rose, how, in, the, hell-
(Next Episode Title: Fountain of Confessions) I think this will be about Steven and Rose having a heart-to-heart at Rose's Fountain. Maybe Steven talks about Coral, how scared he feels, and how he doesn't feel like he belongs because he's the only Diamond. Maybe Rose also confesses to some things about not trusting him at first, but how he's growing on her, as well as some hints to there being more about her than just a Rose Quartz. Maybe we'll even see Greg again! Ooo! What if Greg hints at his affair with White before he met Rose :0
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aftermathdb · 4 years
Text
DEATH BATTLE Review: She-Ra vs. Wonder Woman.
So, quick heads up: Due to computer problems that I was told would get my computer back to me by Monday (I only got it back on Tuesday), this review is going to be a bit short, and it won’t contain any mid-preview Wiz and Boomstick segments. Many apologies, please blame the Mac repair shop that decided to assign my laptop to a person who didn’t come into work.
She-Ra′s Preview.
So, the story on She-Ra starts with the war between Etheria and Eternia,with Prince Adam being the hero for Eternia as the mighty He-Man. But the hosts go over his sister, Adora, who was captured and brainwashed by the Horde. Until the magical Sword of Protection freed her, and allowed her to become the powerful princess, She-Ra.
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The hosts go over a lot of her base statline, and review her arsenal. Like how the Sword of Protection has multiple different forms.
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We get a brief Wiz and Boomstick segment, and the we cut back to her feats.
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Among them is how she has defeated multiple foes and has pulled off some amazing feats of speed.
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Like when she climbed to an airship at over mach 21 speeds, or how her horse Swiftwind moved over 400 times the speed of light.
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They also go over how she’s kicked a moon, a feat worth 44 yottatons of TNT.
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Going over her feats, She-Ra’s got quite a bit. But, because of my aforementioned computer problems, I can’t really go over it here. Sorry about that.
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Wonder Woman′s Preview.
The hosts start off on Themyscira, Diana’s birthplace. Where the Amazons had been isolated from the outside world for millennia. Until a War plane crash landed on their humble little island. So, they sent an ambassador, Diana Prince, who would be better known as Wonder Woman.
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After the hosts go over her experience levels, we go into her arsenal.
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Diana’s sword in particular can slice atoms. So, it’s going to cut through just about anything.
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We get more info on her other feats, like her entire arsenal being able to be summoned at anytime, and how she’s managed to block Darkseid’s near-unavoidable Omega Beams that were supposedly unblockable.
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She’s tagged Speed Force users like Professor Zoom, who was punching her at beyond lightspeed, a force equivalent to 2 Billion Megatons of force.
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She’s helped move the earth, putting her strength at about 2 Quintillion tons. While she does need help for some of these feats, it’s still impressive.
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Regardless, Diana has proven herself to be a Wonder of a Woman.
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The Battle Itself.
Kristina is maining this fight, She-Ra was voiced by Amber May and Wonder Woman was reprised by Natalie Van Sistine. , Princesses of Wonder by Therewolf, and audio led by Chris Kokkinos.
So, we open up on them… apparently agreeing that this is a battle to the bitter end? In all honesty, both of them responding to the same threat and mistaking the other for being the enemy probably would have worked just fine. But I guess this helps them back their claim that the “FIGHT” Byte shouldn’t come back.
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So, after a bit of trash-talk from Diana, the fight starts. And to be honest, the swordplay is really awesome. We even get a bit of a shockwave clash near the start of it all.
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A bit more later, and Diana uses her Lasso to pull down a pillar to fall on top of the Princess of Power, which is then thrown like a javelin.
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I any case, Diana does the sword halt to get herself back in the fight.
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I’m gonna say it: I love this technique. I don’t care what anyone says, this technique is awesome.
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A bit of Swordplay later, and She-Ra eds up on WW’s invisible jet (Fun fact: This is the first time this has been shown in a death battle).
She-Ra uses her physics-defying strength to fling it towards Diana despite lacking leverage, and Diana cuts it in half.
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(RIP: Invisible Jet)
Now, a bit later, She-Ra starts wailing on Wonder Woman, and it actually looks like she’s stronger. But Diana doesn’t halt her defense.
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And She-Ra eventually breaks through the Bracelets of Submission, and prepares to bring down the Amazon. So finishing blow in
5…
4…
3…
2…
1…
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Verdict + Explanation.
So, for starters, She-Ra… actually did have strength. Moving a moon on her own is more impressive than needing to do so with help. But Diana helping to move the Earth at all means that the power difference isn’t that massive.
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So, with strength out of the way, it’s onto the rest of the stats to determine the victor.
Adora’s arsenal is technically more versatile than Diana’s, but the fact that she has to swap them out makes it more of a thing that keeps WW has to look out on her toes rather than something that is an explicit threat. Especially since not a whole lot of them were combat-suited.
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Wonder Woman’s experience put her ahead. While both have been fighting for their whole life, Adora is much younger than Diana by at least two thousand years. So nothing in Adora’s arsenal is anything that Diana couldn’t handle.
Let’s talk speed.
Adora riding Swiftwind and Crystal Sun Dancer implies that she does this to compensate for her own speed. So, beinng generous and applying everything to being a reaction speed, means that Adora’s speed comes out to…
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Nearly 22 Billion times the speed of light.
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But, as we all know, the Shattered God feat blows that out of the water. Aside from the hotly-debated “DC’s universe is bigger than our universe” thing going on (there’s a panel explicitly saying this, can we just shut up about it?), the peices of the Shattered God were all blocked and came from across the Universe.
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So, accounting for how absurdly fast that the pieces would would have to be, Diana would be moving over nine billion times faster than She-Ra in terms of reaction speed.
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Not only is this far greater than the strength difference, but it also means that She-Ra wouldn’t have a whole lot of opportunities to actually land a fatal blow.
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Overall impression.
I’m going to be blunt: Because of my computer problems, I saw this on my phone first, and TBH, I was largely unimpressed. Like… the swordplay’s great and all, but that’s about it. The island didn’t even blow up at the end of it! At the very least, Hulk vs. Doomsday ended with the ENTIRE CITY they were fightinng in being leveled. Thor’s fight with Wonder Woman ended with a moon blowing up. Goku vs. Superman 1 had the planet going kaboom. Thanos vs. Darkseid had the ENTIRE UNIVERSE going out. I get that the quarantine probably means that they can’t get too crazy with the animations, but really? The most damage is to Wonder Woman’s invisible jet.
There’s not enough collateral damage in this fight to really signify that these two were at all on the same power level that could move moons around. Again, the island could have at least blown up.
In addition, the swordplay was really the best thing about this fight. But there are other battles that have done it just as well or better. Like Link vs. Cloud, Sasuke vs. Hiei, Zoro vs. Erza, Power Rangers vs. Voltron, Weiss vs. Mitsuru (though, admittedly that one was mainly their stand-wannabes doing the sword fighting), Virgil vs. Sephiroth, and Guts vs. Nightmare.
Also, was anyone really expecting Diana “tagged Speed Force Users” Prince to lose the speed stat? Or Wonder “Lived for 2000+ Years” Woman to lose experience as well? Like, no offense to those rooting for She-Ra, but… C’mon. This is DC. As in, “Regularly breaks all known laws of physics and reality” DC.
Hot take: This felt like filler. Which is the biggest problem with combatants that have returned for a third time. You know them well enough that you can kinda know who they could beat and who they couldn’t. Had this been She-Ra vs. Xena or some other god-like princess that wasn’t Wonder Woman, this probably would have generated more excitement.
7.1/10 Neat swordplay, but that’s kinda all that this fight has going for it.
Next Time…
None here. All we know is that it’s Beerus vs. an unknown opponent.
Is there a fight that you want me to review? - Send an ask/request, and I’ll look into it!
Do you want to read my fanfic based around DEATH BATTLE itself? click here!
Thank you for reading, and I hope to see you next time for…
Beerus vs. ???
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fizzpixie · 5 years
Text
LeviHan Highschool AU
Requested from @appleblondie0397
Is it bad that I initially imagined Levi as a hot senior boy and Hanji as one of  those lil freshman girls that he has a huge thing for? I’ve been seeing memes floating around about that lately.
They aren’t in this story tho I swear
I’m very excited about this prompt, thank u so much. This ended up being a lengthy monster because I got super into it so I kinda cut the ending a little short. 
Levihan Highschool AU Title: Prompted Request: Levihan with the context of them being in highschool and levi and hanji having a sleepover at Levi's place (doesn't have to be anything rated r or sexual) Summary: Hanji (a junior) is head over heels for the short boy (a senior) she sits behind in her literature class. Their friendship blossoms over the course of the semester, until one day he invites her over to work on an essay together. Little does she know, he has been paying close attention to her, too. Word count: 2882 Warnings: very seldom vulgar language, mentions of sexual themes (none related to levi or hanji)
“And remember, this is all due by next wednesday. Late work is unacceptable.” Mr. Pixis exaggerated as he passed out papers to the front row, having the front students cascade the worksheets down to the people behind them. Levi groaned as he slipped a sheet for himself when the pile came his way and handed the stack behind him without turning around. Hanji subconsciously took a sheet and passed on the stack. She stopped scribbling in her notebook, glanced at it, and then tapped Levi’s shoulder.
“I’m sorry, what did he say? I wasn’t paying attention.” Levi rolled his eyes.
“This sheet has the prompt for our next essay, it’s due this upcoming Wednesday--,” He paused for a fleeting moment after processing what she had said, then swiveled around to give Hanji a quizzical look, “now what on god’s green earth could possibly keep four-eyes from paying attention in class?” She was quick to cover the contents of her notebook from his unwelcome eyes.
“None ya.” She promptly responded. Hanji was pretty protective of her journal that she used for her advanced placement literature class. Inside she had spent a collection of hours doodling Levi’s name in little hearts within the page margins. Levi had tried to peek at it before, but to no avail. Hanji would always snatch it from his view and say ‘none ya’ as in ‘none ya business’.
Their literature class was small, with maybe a little less than twenty people in it. Their mutual best friend, Erwin, sat in the farthest front corner. There was no seating chart on the first day of school but it was created as soon as everyone picked a seat. Erwin showed up late for class on the first day of school. Hanji, on the other hand, strategically showed up to class as early as she could, then proceeded to drum up mindless conversation with the teacher until a specific person showed up for class. When Levi finally crossed the classroom’s threshold right before class started, Hanji prayed to the gods that he wouldn’t pick a spot where she couldn’t sit next to him. She abruptly ended her conversation with Mr. Pixis just to see Levi had picked an obscure spot completely shrouded by other classmates. However, she was fortunate enough to snag a spot directly behind him. It wasn’t ideal. She was typically the type of student to sit front and center to help her pay attention and perform better in class. But she had been eyeing Levi in the hallways all of last semester. When she found out they finally had a class together -- a literature class, of all things-- she was beyond thrilled.
Yes, Levi was short. But he was still entirely masculine. He fashioned a more casual-gothic look. Hanji couldn’t tell if it was unintentional or not, because naturally, his hair was darker colored and he was always a bit more pale with heavy eye bags. Though he did seem to have a preference for the color black. He often wore black skinny jeans and boots, but when he wasn’t wearing a casual t-shirt he would sometimes pose in a nice button up or polo. Whenever Levi wore his jean jacket, Hanji would melt. But despite her admiration towards the quiet boy in black, she had a deep sinking feeling that she wasn’t his type. It seemed unorthodox for an ambitious, overly intelligent, and reckless girl who followed her impulses to be his type. Not to forget, she was entirely loud and obnoxious. He seemed to like quiet and logical girls who kept to themselves.
They were coming up to the end of the second semester for summertime. Levi and Hanji’s friendship grew exponentially when they first met in Mr. Pixis’ notorious class of literature, all with Hanji’s efforts of initiating conversation with him. This was one of their final essays before their upcoming final. 
“Alright. Well, Miss. ‘None ya’, I’m getting some food with Erwin after class and then going home to start this essay. Would you like to come over to my place to work together?”
Hanji felt her heart skip a beat.
“Would Erwin be there?” Surely this was too good to be true.
“Nah. He told Marie that he would hangout with her tonight to catch up on homework. We both know what they’re actually gonna do, though.” It wasn’t. Hanji tried to act casual.
“I mean like, yeah, I’d be down to come over.” Levi gave a small nod with his head. The bell then suddenly blared, signaling the end of the school day. Levi stood and neatly tucked the sheet in between some folders in his backpack.
“Cool. You have my number, I’ll text you the address and you can come over around 9 or so.” Hanji glanced up at him.
“9? Doesn’t that seem a little late?”
“Yeah, my bad. I have a lot of errands to run after getting food with Erwin so I’m not free until then. Is that okay?” It wasn’t okay. Hanji prefered to go to bed at 10 pm sharp so she could wake up at 6 am and get a full eight hours of sleep.
“Yeah, that’s fine!” It didn’t matter. She had never been over to his house before. Looking back on it, she didn’t recall anyone ever going to his place before. Not even Erwin. She could afford to lose one night of a full eight hours.
***
Hanji parked in front of a busted apartment on the outskirts of downtown. She noticed how Levi lived an astonishing distance away from school. She checked her text again to reread the address, then scanned the address plate etched into the brick. She was definitely at the right place. She tried the front door of the apartment-- which are traditionally supposed to be locked at all times for residents safety-- that slid open with ease. Hanji also noted the gaping hole shattered in the glass on the side panel by the door, as  if someone had kicked it.
‘Okay, third floor, apartment 304.’ She anxiously thought to herself. With each creaky step up, her heart rate only got faster. The lights flickered inconsistently over her head, buzzing as if they would burn out any second. ‘I can do this. We’re literally just doing homework. I like homework. It will be fun.’ She tried to calm herself as she ambled down the dim hallway and approached his apartment.
She stood in front of the door for several seconds before knocking. She examined the walls and floors of the hallway. The walls were white and dirty with a checkered patterned accent on the baseboard. The floor was concrete. It felt like a poorly kept, horror movie hospital.
As she raised her arm to knock, the door suddenly swung open. Levi stood there with a large trash bag slung over his shoulder.
“Oh, hey Hanji. How long were you there for?” He paused, “actually, nevermind. I need to take out the trash really quick, but feel free to let yourself in and sit on the couch. I’ll be back in a sec.” He moved passed her and trudged down the hallway. Hanji didn’t say anything, and watched him as he disappeared beneath the stairs below. When she was by herself, she turned to face the entrance to his place and with a cautious step, she entered.
It wasn’t very big at all. At first she thought it was a studio apartment, but she then noticed a narrow hallways that branched off into three rooms with closed doors. She located the couch and sat down, setting her backpack to her side. To her surprise, the apartment was spotless. The floor was a dark grey carpet that seemed permanently stained with age, but there was a rug thoughtfully placed and vacuumed in the center of the room. The sink was free of dishes, the few pictures and decorations on the walls were symmetrical and clean. Even the kitchen counters had been polished. To her surprise, there were two glasses of water on the coffee table, resting on home-made cork coasters.
‘He got me water. That’s very nice of him’. It was a basic courtesy, but she appreciated it. She gingerly picked up the glass and took a sip as she examined more of the apartment. The walls were a dark green with wooden shelves that hung up and displayed odd ornaments, such as old weapons and antiques. As she continued to observe the base of the apartment, her eyes landed on a picture that was not like the rest. It was a portrait. A smaller portrait of a woman with raven hair and grey eyes. Despite looking tired, she was smiling. She seemed very happy, and she was incredibly beautiful. She also had a striking resemblance to Levi.
Her thoughts were interrupted as Levi came back into the room unannounced.
“Sorry about that. My uncle didn’t take out the trash like he said he would. He’s a bum.” Hanji chuckled.
“No it’s totally cool. I was just chillin’ here. Thank you for the water.” She remarked. He replied with a solemn ‘mhmm’ then found a spot next to her on the polyester couch. With how close they were sitting together, Hanji nearly died. He pulled out a cheap laptop from his backpack and proceeded to log on as he simultaneously checked the sheet with the prompt.
“Okay, so the prompt is ‘Life is full of opinions and people differing from you. Everyone has and will encounter times when someone they meet has a different perspective from them. What are  the most effective ways to communicate ideas? What do you do when those ideas aren’t relayed properly, then argumentation breaks out? When was there a time you met someone completely different from yourself? How did it turn out?’” He began to read, but Hanji had zoned out as he was speaking, staring intently at the portrait of the mystery woman.
“Who’s that?” Hanji blurted out and pointed at the frame. Levi glanced up at her.
“Who’s what?”
“That. That woman on the wall.” He followed her finger to the portrait.
“Oh. That’s my mom. My uncle happened to have an old photo of her, we don’t have many of them.” It made sense. He was a spitting image of her.
“She’s very beautiful. Will I ever get to meet her?” Levi responded bluntly.
“She’s dead.” Hanji felt the blood leave her face, making her grow pale.
“Oh my god, Levi I’m so sorry I didn’t mean to--”
“Don’t be,” he started, “she’s been dead for a long time. I think I was like, what, four years old? I don’t remember. Either way, I’ve healed from it now,” Hanji frowned. Even if what he said could be true, there is permanent damage when missing an important figure in your life. And it’s affecting him whether he knew it or not, “Anyway, we should continue. It’s getting late.
***
The antique clock on the wall read 12:04 pm. They had spent at least a full hour writing, but the last two hours were spent vicariously sharing stories and talking about unrelated things to the prompt. Hanji was learning a plethora of new things about Levi, and she couldn’t be more satisfied. She felt sadness swell in her heart when she peered at the clock. Her eyes were growing heavy, and she knew she couldn’t write anymore for the night. Nothing when she was tired was as quality as she would like. Levi was continuing a story.
“But yeah, my uncle can be an asshole sometimes. There was this one time when he stole my computer to watch porn on some sketch website and he infected it with 12 different viruses. It also wasn’t cool because he didn’t tell me he used it for porn, so when I opened my computer at school--”
“Hey Levi? I’m sorry to interrupt, but I really think I should go home, it’s really late and I’m incredibly tired.”
“Oh, that’s fine,” He glanced at the window to see rain pouring down outside. They didn’t notice it started to storm while they were writing.
Hanji packed her things slowly to relish her final moments in his apartment. She wasn’t too sure if she’d ever be here again. When she finished, she approached the door. Levi saw her out.
“Thanks for coming over, I think we got a lot done.” He thanked her as she stood at the door.
“Yeah, I think so too. Thanks for having me.”
***
Hanji dashed to her car parked on the side of the road to avoid getting wet.
‘I knew I shoulda got my keys out before going outside’ She scolded herself mentally as she desperately fished in her pocket to find her car keys, only to notice they weren’t there. She gave up trying to do everything with haste, being that she was already soaking wet. She knelt down to rummage through her backpack, but they didn’t seem to be there, either.
‘Maybe I left them in his apartment?’ She started to question herself as she peered inside her car window. She sighed in disbelief. She had locked her car keys inside of her car. The keys mocked her as they sat in perfect view on the passenger seat. Hanji, not really knowing what to do, took a slow walk of shame back inside the apartment to tell Levi. She trudged up the stairs and to room 304. She knocked quietly. Levi opened the door pretty quick with a confused look apparent in the bend of his brow as he observed her standing there, completely drenched.
“Is something wrong Hanji? Did you leave your keys here or something?” Hanji sighed.
“I wish. I locked them in my car…” She took a beat to think about what to say next. She didn’t think about what to ask him while she was walking up the stairs, “could you maybe drive me home?” Levi shook his head.
“That would be dumb. It’s pretty late and I know you get up in like 5 hours. Why don’t you just spend the night?”
Hanji had to take a second to process what he had said. Then another second.
“Your uncle wouldn’t mind?”
“Kenny isn’t home. He won’t be until tomorrow.” Hanji toyed with the idea in her head. She absolutely wanted to, more than anything. She didn’t even bother with the pros and cons, she just went with her impulsive gut.
“Yeah, that’d be great.”
***
“Here, you can sleep in my bed. I’m familiar with the couch we have, anyway,” He guided Hanji through the hallway into the door on the right, “the bathroom is across the hall. The closed door at the end is Kenny’s room, don’t go in there,” He continued to instruct, “If you need anything let me know.” He handed her a small stack of dry clothes. Hanji set her bag down on the floor. His room was like the rest of the  place -- spotless, but a little worn with time.
“I feel bad that you’re sleeping on the couch.” Hanji started.
“Don’t,” he paused for a moment. They shared the silence for a beat, “but keep in mind, I don't have to use the couch.” Hanji didn’t physically react to his proposal, but felt like her stomach was knotting itself.
“You mean like, sharing the bed?” Levi scoffed.
“It’s a good thing you’re cute, four-eyes. Yes, we can in fact share the bed. There are no physical limitations to us sharing a twin sized bed--”
“Oh, shut up. I know there aren’t any physical barriers, but it just feels, I don’t know, intimate.” Hanji felt her face going pale. She was making a fool out of herself. Levi crossed his arms, with the faintest shit-eating grin tugging at the corners of his lips.
“Oh, darn. Now what ever will we do? We don’t have to, of course. It’s just a suggestion.” He reminded her. Hanji didn’t want to give herself time to think about it, knowing she would over analyze the situation. It was just a night of sleep.
***
Underneath the sheets, Hanji curled up into a ball. Levi was on the other side of her, their backs touching each other as they were facing away from each other on the tight bed.
“Thank you for the dry clothes.” She said as they lay in the darkness in silence for a little while. She was sporting a pair of his old grey sweat shorts and a baggy band t shirt.
“Yeah, I didn’t want you getting my bed all wet.” She was aware. But despite being in dry clothes and wrapped in sheets, she was shivering cold. Levi could feel her body tremble next to his.
Without a word, Levi rolled over so he was facing her back, and slowly snaked one arm over her waist and another underneath her pillow to wrap himself onto her. Hanji completely froze at the abrupt feeling of warmth pressing onto her back and legs. Levi noticed her quivers completely cease.
“Are you okay with this?” Hanji noted how he noticed she was cold. She didn’t smile, but instead felt her arm search for his, lacing her fingers with his warm hand. She was entirely grateful.
“Yes. Definitely.”
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reaperintheroses · 4 years
Text
White Canary Character Introduction
So I mentioned earlier that I would be starting my OC introductions which basically means will include a description of my OC and a one-shot about them. So this is the one-shot portion of my OC called white canary. I know the names kinda overused but I like it so it's fine. Please be gentle with it because this is the first thing I've written since creative writing in high school but I would really appreciate some feedback. This is set in season three so Aquaman is actually Kauldr. 
Warnings: Like one swearword, in the beginning, Mentions of passing out, Mentions of blowing stuff up. gets a little angsty. 
Word Count: 1131
“You know what, fuck it, let’s blow it up and call it a day” turning around to look at the rest of the team with a hopeful smile she wondered to herself why they decided to elect her leader when she had ideas like this. With the UN always breathing down her back and the ever-growing amount of meta laws it's hard to always be the perfect hero and always solve things without violence. So when she and the league get sent out to deal with minor disputes and messes that are really an insult to her skill level it’s hard to not want to just throw some gasoline and matches on the heap of trash that is the result of this week's villain showdown. As a leader, it’s expected for you to have good ideas and always do the right thing so when she is met with Aquaman's unimpressed looks and Superboy’s thin mouth she wishes that she kept her mouth shut about her true wishes and gave a more regal idea. An idea that a normal leader would have. Then again she wasn’t your average leader. “Or we could always deal with it like how we’re supposed to, you know, call someone who can move it and not make more of a mess”. Turning to the left there was Nightwing with his signature smirk. With a small inhale she replied “or we could do that”. As Aquaman made the call she sat down to relieve her legs of supporting the rest of her weight and to keep herself from passing out knowing that if that happened for the third time this month her parents would have her head, as would Jason. Superboy walked over and took a seat next to her. She already had a prediction as to what he was going to ask. “Are you alright?” he asked with real sincerity. She knew that he was not just trying to be nice or make conversation. After working with him for 6 years and being his friend for nearly as long she could tell with the intent of his voice that he meant it. She also knew that he wasn’t just talking about her tendency to get light headed after a fight like that. “I’m fine” she snapped before he added on. Looking back up she saw that the pile of wreckage had been dealt with and that they could zeta back to the tower. At this point, all she wanted to do was take a shower and curl up in bed. All she heard was the monotone voice “White Canary- 28” before that blinding light surrounded her, transporting her to her 4th and hopefully her last stop before she could head home tonight. After giving her eyes a moment to adjust she walked to the shower room hoping for it to be empty. Shouldering the door open she breathed a sigh of relief when she saw that it was in fact empty. Knowing she had to hurry if she wanted to catch Jason before he left for night patrol she quickly finished and threw on the comfy pair of clothes she brought with her she opened the door once more hoping no one would stop to talk. Hurrying through the tower she almost reached the control panel where she could enter her coordinates and get home to fulfill her fantasy of crashing into bed with a good book and a bowl of ice cream. As she started to ascend the steps she heard someone call out to her with the accompaniment of pounding feet. Hoping that if she just ignored them they wouldn’t press farther. Neither the less they persisted. “White Canary hold on!” knowing that they used her full allis meant her mother must be in the vicinity of the meeting hall so she hoped they wouldn’t talk about what she said earlier. She already had enough people doubting her she didn’t need her mother to join their ranks. Turning around she saw Dick racing towards her, his hair still dripping. With the most unimpressed look, she could muster she replied with a lazy “Yes Nightwing?” hoping that he would drop it. He dropped his hand and just replied “Nothing, just wanted to say goodnight”. Success. She knew it was wrong. Looking back she should at least have replied to him. After all, he was her brother-in-law. At the moment she had other things on her mind. Turning back she swiftly entered her location and stepped in the range of the zeta tube’s entrance. She heard the monotone voice for the last time that night announcing her departure. When she reemerged from the halo of light she rubbed her eyes. Starting the swift walk back to her apartment. When she ascended the last flight of stairs she pulled out her keys. Walking down the hallway she looked down at her keychain sliding the pieces of copper around trying to find the one that will unlock the door to her home. Inserting the key she turned until she heard that click that signified that she had done at least one thing right and not had to spend time trying to figure out all the ways she could insert the key before finding one that worked. Looking around as she dropped her keys into the porcelain bowl she smiled softly at the calming scent that is home and felt her smile grow as she looked at all the goofy pictures that hung up. Dropping the bag that contained her suit on the ottoman in the corner of her living room she trekked into her room. Pulling open Jason’s shirt drawer she grabbed the first shirt she touched and pulled it over her head. Wiggling out of her pants she started her nightly routine. When she laid in bed ten minutes later she was staring at her ceiling wondering what time Jason would be home. When she was alone with her thought they started to wonder. She started to replay the looks of disappointment she received when she brought up her idea on how to manage the aftermath of her showdown from earlier that day. She cringed. She knew that if people were going to start respecting her as a leader she needed to start acting like one Then again she wasn’t an average leader and the Justice Leauge wasn’t your average team. As the claws of sleep almost had her in their complete grasp she grimaced again at the thought of having to explain to the team what she meant and her thought process behind her idea. With that, she finally shut her eyes and let herself be whisked away to her land of dreams. Knowing she would have to get up tomorrow and do it all over again.
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lorirwritesfanfic · 5 years
Text
Opera Geeks
Author's note: This is my submission for the third day of Choices August Challenge. If you’re into operas, didn’t watch Madama Butterfly and dislikes spoilers, you might want to skip this one. [All characters are owned by Pixelberry studios].  
Book: Perfect Match Pairing: M!Hayden Young x F!MC (Natasha) Rating: T Word count: 946 Summary: Natasha and Hayden have another date at the opera and their night turns out to more emotional than she imagined. Based on the prompt: Choices August Challenge Day Three - Opera
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Hayden fishes out his phone to distract himself while he waits for Natasha. He doesn't mind that she takes her time to get ready, but when he realized they were going to be late for the opera, he decided to simply take a deep breath, sit back on the couch and play a game instead of picking up a fight. All he wants is a pleasant night with his girlfriend.
Soon Natasha's perfume fills the air with its spicy and floral tones. He turns around to look at her, she walks into the living room wearing a rose gold maxi dress with nude-colored heels and putting her earrings on. All pieces of her outfit match with his mahogany and black tuxedo. He stands up in awe.
"I'm so sorry I made you wait, babe," she leans in to give him a quick kiss. "I had a little wardrobe malfunction and it took me a while to fix it, but we're ready to go. Our uber is waiting outside."
"Oh... Okay then," he composes himself. "We should go."
As they leave the apartment, he calls the elevator while Natasha locks the door, but he isn't really paying attention to the panel. He can't take his eye off her. The elevator pings startling him, he offers his arm to her and they get in.
"Are you okay, Hayden?" 
"I'm fine."
"Are you sure? You seem a little distracted."
He smiles fondly. "I am. I'm just admiring my beautiful date."
"Thank you. But just so you know, I'm not relying on being pretty tonight. I did my homework."
"Did you?" A broad smile spreads across his face.
"Yup. I read everything I could find about Madama Butterfly so we can comment about it all night."
"Really?" He smirks.
"Try me," she wiggles her eyebrows and grins.
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Tears stream down Natasha's face as the curtains of the main stage close, marking the end of Act Two. When the lights turn on inside their private box, Hayden fishes a silk handkerchief from his pocket, gives it to her. But before he could say something to comfort her, she sits on his lap and buries her face on the crook of his neck. 
"Ugh... This story sucks," Natasha grumbles.
"Why?"
"Because he's a jerk! He promised to go back to her, but he married someone else. Now he's back and she's there, so hopeful, so happy. She's waiting for him like a fool."
"He is a pretty awful person, but it's not like she doesn't know it. She chose to believe he wouldn't cheat because she's in love. Love can make us look like complete fools."
"I know!" She whines. "And you know what's worse? I know how the story ends because I read and watched it online and I kinda wish we were all wrong and she was right. I wish he really was a good man, not another white trash."
He chortles, tightening the embrace.
"What? You know it's true," Natasha grouches.
"Yes, I do know that. I'm just wondering about the researches you did about this opera."
"If you mean the critiques about how Puccini wrote an inconsistent and racist opera and said 'hey, here's my stereotyped version of what Japanese culture is. Also, romance is overrated', yeah. I've got some really terrible impression about it and male roles in it," she scowls.
He laughs. "You've really taken Cio-Cio-san's side."
"Well, didn't you?"
Hayden grins. "I do. I think you should that the director of this particular version affirmed she'd give a new approach to this performance to make it more believable and less controversial. But that's the beauty of operas. Even when the story is outdated and all kinds of wrong, it still affects us. We still cheer for Cio-Cio-san to be right because the love scene was so compelling and it makes us wish for them to be together until Pinkerton finally arrives and ruins everything. If it was a movie or a play, you'd probably have ranted about it without shedding a single tear. But you're crying. This is how powerful and dramatic an opera can be."
"I guess watching a live performance in which the actors are so talented and express the characters feelings so beautifully does make a difference," she says, resting her head on his shoulder
"It certainly does to me. Otherwise, I'd never watch an opera written by a guy who probably didn't go to Japan more than once and didn't care enough to research about Japanese culture and geishas before composing the libretto," he adds.
"Now I understand why you love operas so much. I was trying to impress you with all my research about Madama Butterfly, but in the middle of Act One, I forgot everything. I could only think about throwing my shoes at the Bonze when he tried to ruin the wedding," Natasha frowns.
"Yeah, I got it when you mentioned you wouldn’t rely on being pretty. And by the way, I never thought you did. You're beautiful, smart, passionate, kind and we've learned so much with each other. But hey, I’m glad you read about it. Now I have an opera buddy," he beams.
"Aww...” She wraps her arms around his neck and kisses his cheek. “But next time, I'll choose which one we'll watch."
"Sounds great to me," he grins.
They gaze into each other’s eyes and share sweet kisses before the theatre lights dim, signaling the end of intermission. She returns to take her seat by his side and places his handkerchief on her lap, just in case she needs it again.
"Okay, are you ready for Act Three?"
She grimaces. "I'm so not." 
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roxannepolice · 5 years
Text
But yah rey as a character is just so frustrating you know? Cause like, yeah sure she could be complex with a powerful arc where shes forced to come to terms with the fact she wasted years of her life on self-imposed delusions in a cathartic way, or she could be a flat piece of marketing cardboard which Disney is banking on vagina+superpowers=profit without having to go through that persnicty character flaw overcoming or the like. Because like you said, hearing shes a nobody (which ngl, her assuming she was a somebody wasn’t really ever supported in tfa, just that her family was coming back and she desperately wanted them to) is apparently the worst thing but it changes absolutely nothing, not her approach, not her demeanor , if vaguely sad is the absolute worse a character is gonna experience in a goddamn space opera then yeah, full offense ill take the l on Mary sue discourse but her character will definitely be a boring ass wash. We all make fun of whiny new hope Luke but him being a kinda nuisance to both the audience and those around him is what made is transformation into full blown Jedi knight so powerful. With Rey so far what weve got is badass perfect cinnamon roll finally get her due as such, which is clearly working for some people, but I fail to see how that isn’t spectacularly tone deaf to make a protag in this genre such. Operas about drama, not patting you on the back. Rey (assuming she remains as is) would’ve been fine as a protag s the only piece of Star Wars media we ever got was a new hope. But rn she a chosen one architype (and I know that bunch of ppl are gonna go but the series ‘but shes not the chosen one, Anakin still is, the new series isn’t trying to make her one!’ but lets not beat around the burning bush, if u got a character that walks on water and the reason why is because god said so, ur dealing with a chosen one trope and if a character is star wars is made ultrapowerful in lore breaking ways because force said so? Yeah were dealing with a chosen one.) when we had both the deconstruction and the reconstruction done. Shes a straight hero when the success of the ot rest on hitting the formula near perfect the first time. What exactly is Rey, the individual character, bringing to the table? What makes her story supposedly so important the a perfectly good ending had to be made invalid to tell it? A bunch of ppl will say heroines’ journey! But if that’s the case I gotta say, wheres all the feminine shit? Im serious, if the heroines journey is reintegrating the feminine and realizing ‘oh shit mom had a point’ there where is both the feminine skills/coping mechanism and the mom? I mean I saw some ppl arguing for leia in a ‘reys Persephone!’ meta (she isn’t, you can make a much better case for ben himself as Persephone to be quite frank, yall are focusing so much on the trees ((girl gets abducted by guy)) that u forgot the forest existed, the actually story ((girl winds up queen on the underworld, well gee whiz which character just took control of that after leaving the world of living and a grieving divine mother behind, it’s a mystery apparently) behind, it’s a mystery apparently) ((but seriously though even if we hope for dark rey does anyone assume its gonna be taking control of a dark/dead coded org at least partially at this point, do you, do you really??). but given the fact she had what, one line of screen dialogue that’s breaking ur arm with that stretch. As far as skills go I guess you could make an argument for scavenging, but if that’s the case dlf did a shit job of conveying that as female-coded. Everything about rey in tfa seems deliberately androgynous, and yeah, she had her hair let down/mascara moment, but that’s tied to her ‘failure’ on the supremacy thus something nw.SPEAKIGN OF FAILURES ON THE SUPERAMCY AND LACK THERE OF. I find it kind funny that bunch of reylo bnfs (you know who they are) are all ‘hur dur fanboys/antis are dumb and don’t get story structure.’ And then going, ‘why are yall asking how/assuming rey fucked up in throne room/climax of her story in the second portion/darkest point of her character arc? Why do you hate women/ur own ovaries so much?’ because it like walking into a prefurnished house and being told by the relator ‘HERES THE LIVING ROOM’ and having no damn couch. It’s a living room, I expect a couch here. And in a movie where it’s the low point of a character arc and they drag puppet yoda out to tell me the movie is about failure, I expect a damn failure in whats clearly the climax of the characters arc for this movie. As it stands now there are three possibilities imo. 1st, rey had no failure, she is the pure badass maid o light ppl want and every inch the boring cardboard she is accused of by fanbros, remains static, and is relegated to an also ran to benlo taking the most compelling character trophy this trilogy in 10 yrs2nd possibility and the one im hoping for, failure speech wasn’t just thematic explanation but also foreshadowing, rey fucks up big and dramatic in a way that makes her manage to stand out as unique with both her contemporaries and her predecessors(last part, if its ever to much lemme know pls im sorry i just gotta get it out) 3rd and most likely possibility, rey isn’t the main character, benlo is and that’s why his failure both moral in the throne room and logistic on criat take center stage for the last third or so of the movie. Rey is merely a pov character to tell the dramatic villain protag story they wanted and have their very marketable unproblematic Disney heroine cake too.
Ok, so this discourse kinda died down by now, but thanks to that it’s possible to maybe have a calmer look at it I’m totally not trying to justify my late response.
Anyway, the good result is that quite recently my brother, who’s not overly taken with Rey - or the sequels in general, for that matter - said something which really stuck with me as a possible crux of the problem: 
She’s neither comical nor tragical. Just bland. 
This neither comical nor tragical really struck me. And the more I though about it, the more it was appearing to me that this qualm really applies to the sequels as a whole. The thing is that DLF are essentially telling a straightforward story that they’re trying to make captivatingly convoluted. And not just make, but keep this appearance over four years. And this is... a narrative teeth crasher. Like, when you’re honest about the endgame (in the context of the most structural meanings of comedy and tragedy), you can maintain a decorum, though you can also play with it, of course, whereas when you don’t want to be honest about the endgame, you end up mixing the styles somewhat messily. You can’t break or discuss with the rules without acknowledging them, so to speak. Because the originals were honest about the happy/hopeful endgame (the first episode is title A New Hope ffs), they could allow themselves deeply tragic moments like Larses’ deaths, Han getting frozen, destruction of Alderaan, etc. Because the prequels were open about being a tragedy, they could allow themselves lighthearted comic relief for the sake of lighthearted comic relief. 
The sequels... badly want us to consider the possibility of FO winning and Ben dying unredeemed while simultaneously insisting we root for those things not happening, while appearing conscious we’re definitely not buying the former and the latter only somewhat. And it’s tiresome. Dishonest. And indeed, bland. If the story is a tragedy it will be a bloodcurdlingly real one, if it’s a comedy it will be a borderline grotesque one. 
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But yeah, returning to Rey, I guess as the main character she’s a lens which focuses the above problems. A very bitter tragedy of what her parents did t her prevents her from being comfortably comical whereas whoohooos I like thats and prancing like a husky on red bull over idols and visions because it’s for children so it must be hopeful prevents her from being intriguingly tragical. So I guess the intentioned effect was tragicomism but, from pov of an engaged casual fan that is my bro, it’s neither. 
As far as Rey’s heroine’s journey lacking some of the usual elements, I blame it on Disney being... a bit too ambitious, maybe. I think they tried to make a heroine’s journey that isn’t ostentaciously seeped in traditional feminine/masculine traits, maintains the structure without what could be called accidentals. On the one hand, I would point out that hero’s journey has pretty much desexualised itself over time, we are rather accustomed to “shero’s” journeys, but on the other... maybe Disney set out on a too novel a territory and may crack their teeth on it, alongside trying to out-Vader Vader at redemption. To elucidate, “toxic femininity” in which a heroine is supposed to find herself in the beginning of her journey, in Rey’s case is uprooted from any of our usual concepts of feminine-masculine social roles (it’s space, duh). My interpretation is that Rey’s version of toxic femininity kind of exists in contrast with Kylo Ben’s version of toxic masculinity - and since the apparent focus of the story is the attitude towards the past/parent figures, toxic femininity would mean her clutching onto the past. Which is why I predict that some act of IX will find Rey inebriated with apparent success in masculine world, meaning she’ll be the one rejecting the old gods this time - and I would point out that panel in Poe comic where she shows herself more sceptical towards idolisation of past don’t mind me, I’m just expressingmy trash dreams for a proper sith lady Rey.
Then again, Rian Johnson said she already found perfect balance between Luke’s clinginess and Kylo’s rejection of the past, so... idk, maybe I’m giving DLF too much credit again.
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As for the Persephone thing, I guess the rub is that this reylo reading focuses less on the traditional reading of the myth (where Demeter is the actual main character and Kore is a Princess Peach MacGuffin) and more of an interpretation of it as one of the eldest (at least in Europe) versions of story depicting a transition of a girl into a woman, making Persephone more of a protagonist. 
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Like, y’know, this Persephone (D. G. Rosetti, source: https://en.wikipedia.org/wiki/Proserpine_(Rossetti_painting))
I’m no expert, but myths can lose their original meanings because of power relations (anyone still remember about Dionysus, the god associated with excessive drinking, going through a very Christ-like death and resurrection?) and I think it’s possible that this is the case with the story of Persephone becoming a pre-scientific explanation of seasons changing over the year. So teah, that’s how I always understood the Persephone theme regarding Rey.
But yes, I must agree that I’m confused about Disney’s handling of the mother figure, which... Look, SW became a legend of a modern myth because of how epically Lucas handled the hero dealing with his very explicit father. So yes, I don’t understand what exactly is their game with Rey Nobody from Nowhere in this regard. It’s one thing that they had a cool idea with giving her no lineage, another that parent figures are an essential element of archetypal journeys and from symbolic viewpoint the case of a female character the biological relationship is even more crucial than in male’s. And I swear to all the ewoks and porgs in the galaxy, I do hope Disney’s idea of Rey healing the mother/daughter divide isn’t through her healing the divide between Leia and Ben. Again, this isn’t the idealistic sphere. Just... no. 
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Anyway, I still maintain hope (this whole meta blog is built on hope) that Rey will indeed turn out to have a proper personal mistake which will make her stand out in the saga. I do have to admit, though, that I find your last theory very likely. I mean, even when I read all the reylo metas going oh, Rey is going to have such an exciting arc in IX, she has so much to deal with though of course it’s not going to compromise her morally, it will be sooo exciting, I just... f*ck’s sake, what you’re describing isn’t a dramatic character only a dramatised role model. It’s great if that’s your thing, but don’t claim it is space opera-worthy, in operas people drown themselves because of cursed sailors, kill over a break up, decapitate over a bad dream and get dragged to hell over a dinner, not persuade their fallen lovers to change their ways, let alone patienly wait for them the understand the error of their ways (and if they do it’s doomed to end in someone dying).
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jimkirksgirl · 5 years
Text
Rayborne-9
My sweet little sister wrote this for me and since she doesn’t have a Tumblr, I encouraged her to post this somewhere. She asked me if I would post this to my Tumblr so here it is! 
{WARNING, LANGUAGE}
“Captain on Bridge!”
As far as bad days go for James T. Kirk, this one was pretty damn awful. However, it didn’t start out that way. It hadn’t been ten minutes ago that the illustrious starship captain had been sitting in the Mess Hall, enjoying a nice, hot cup of coffee, his feet propped up on the seat beside him and Stephen King’s “Pet Sematary” left open in his lap.
James was right in the thick of the novel, his eyes darting from left to right as he scanned each page intently. The recommendation to read this book came from none other than his favorite doctor and closest friend, Bones. At first, Kirk was reluctant to read it, but Leonard was able to persuade him by explaining how the book was “thrilling” and “right up your fucked up little alleyway, Jim.” Though it took him a good three or four weeks to finally get around to picking up the thing, as soon as he had, Kirk quickly fell into the horrifyingly morose King tale. He had been right at the part where the toddler, Gage Creed, was about to get creamed by a semi that the ship went on red alert.
“RED ALERT. READ ALERT. REPORT TO STATIONS IMMEDIATELY. APPROACHING KLINGON VESSEL. RED ALERT.”
Jim had closed his eyes, taken a deep breath, and shut his book.
Here we go again.
In minutes, he was on the lift, the small pod carrying him up, up, and away. The imagery of an oncoming delivery truck hurtling into the endless vacuum of space, taking with it his hot coffee and peace of mind, could be used to accurately describe how he felt as the doors slid open on the bridge.
Just another day on the Starship Enterprise.
“Alright, what do we got here,” he mumbled, hopping into the captain’s chair.
“Sir, there is an approaching Klingon war vwessel,” Chekov called, his fingers working feverishly at the control panel.
“Tell me something I don’t know,” Kirk replied, leaning forward in his seat and looking up. A Klingon Bird of Prey was sitting dead center of the screen, its wings nearly spanning beyond view of the bridge as it stared them down like the intimidating predator it was.
“They’re scanning the ship, sir,” Sulu added, turning in his chain to face him.
“Awesome. Any attempt at communication,” he asked, not taking his eyes off the beast.
“No, Captain, there have been no incoming transmissions from the Klingons,” Uhura answered, quick as always.
James leaned back in his chain, resting his hands on the arm rests.
Great. Another Klingon ship. Third one this week, by his count. They were probably there to make a worthy attempt at kicking their shit in, like the other two had, and would probably end up as space dust, like the other two had. He sighed tiredly and closed his eyes again, pinching the bridge of his nose as a migraine began to settle in.
Finally, he said: “Uhura, make contact with those wrinkly motherfuckers and see what they want, will ya?”
Uhura confirmed the order, then went about making contact with the ship. James kept his eyes squeezed tight as the bridge moved around him, a somewhat subdued sense of panic and intrigue making the room feel more like flight school than a battle to the death. Really, a third ship? If they really wanted them dead, why not send the whole damned fleet instead? Had they not learned their lesson the first two times when they had reduced their warships to chunks of sparking space trash? Dumbasses.
Uhura turned in her chair. “Sir, I’ve made contact,” she said, almost sounding a little bored.
“Put it on screen,” Kirk sighed, reluctantly opening his eyes. After a minute or two, the snarling mug of a Klingon captain appeared on screen.
“Captain Kirk,” he sneered, his grotesque fangs hanging over his bottom lip, “a pleasure.”
“Yeah, yeah, cut the pleasantries. What do you want,” Kirk asked, his tone that of a tired old man.
The Klingon snarled, “How dare you? I’ve come to crush you and your pitiful crew like the insolent little-”
“Dude, shut up,” James interrupted, rubbing his temple, “I know you’re scanning my ship! All three of you bastards have scanned my ship! What the hell are you looking for?”
Kirk was really growing impatient now. His ears were turning bright red, a little vein popping in his neck. It was this kinda shit, the fucking around and evil monologuing that really set Jim off. ‘Either shut up and fire your goddamn death-ray or tell me what the hell you’re after,’ is what he wanted to scream on days like this.
The Klingon smirked disgustingly. “Why should I tell you when I can just take it for myself?”
Kirk sighed for what felt like the 100th time that day. “Because, you can’t. And you know you can’t. We’ve taken out two of your buddies already, what makes you think you can beat us? Honestly, this is getting old…”
It was at that moment precisely the lift door slid open and onto the bridge stepped Mr. Spock.
“Captain, I know what they’re searching for,” he said, crossing the bridge in a few long strides.
Kirk smiled tiredly, looking more in Spock’s general direction than directly at him. “Oh, yeah? Lay it on me.”
Spock extended his outstretched hand, a round stone sitting in his palm. It was small, maybe an inch or so wide, with a color not unlike murky swamp water. Jim tilted his head and looked up at Spock, giving him a puzzled expression.
The small rock he was holding was… Well, it was trash. One of the red shirts had picked it out of the dirt on an abandoned planet they were scouting about a week ago, wanting to take it back to the ship for analysis. Kirk and long since forgotten about the thing, having only glanced at it when the young man asked if he could keep it. What was so significant about a rock? It looked like any other chunk of dirt Kirk had seen.    
Jim looked back at the screen. “Is this what you’re after,” he asked, his inflection mirroring his confusion.
“That is Klingon property, thieves! We demand that you return it at once,” the alien spat.
Kirk turned back to Spock, his brow furrowed. “Well, what’s so important about the rock?”
Spock closed his hand, “I believe it is an old Klingon relic, captain. It used to be the centerpiece of a crown worn by only rulers of the highest nobility. During one of Klingon’s many wars, however, the crown was lost, presumidly stolen or destroyed. It took me quite some time to recognize it, as it has sustained considerable damage since it was last described. The stone itself is cut from a very rare mineral only found on Klingon, valued at roughly 1,000,000,000 Talon.”
Kirk processed this information for a moment, his eyes on Spock’s closed hand.
“Alright, sir, if you want the rock so bad, you can have it. It has no value to me or my crew and, honestly, it’s not worth anyone dying over, human or otherwise. So, if you’ll kindly send a shuttle pod our way, we’d be more than happy to meet you halfway.” he said, sitting back in his chair and crossing his legs. Honestly, all this goddamn fighting over a fucking rock. Where do these wrinkly motherfuckers get off?
The Klingon made a nasty expression that Kirk guessed was supposed to be a smile, then said, “Captain, your compliance is greatly appreciated.” Then, the screen flickered back to space, the imposing warship front and center. Kirk rose stiffly from his chair.
“Captain, may I ask what it is you are planning,” Spock asked, following Jim to the lift.
“Planning?’ I’m not planning anything. What about what I just said made it sound like I was planning anything?” Kirk stepped onto the lift and pressed the button that would take them down to the loading bay.
Spock entered in after him, raising an eyebrow as the door slid closed.
“Pardon me if I am being too presumptuous in my familiarity with your behaviour, but it is quite unlike you to simply comply with a Klingon’s demand. You must have some underlying plan that involves you boarding a Klingon shuttle and gaining access to their ship?”
Kirk rubbed his eyes, “No, Mr. Spock, there is no ‘underlying plan.’ I’m giving them the stupid rock.”
Spock stepped forward and pressed the emergency stop button.
“But captain,” Spock pressed, “there may be serious repercussions for simply handing it over. The history of the stone is quite obscure, it may have an alternate purpose aside from being jewelry. The Klingons could know something we don’t, captain, and that should not be a risk you are willing to take.”
James sighed, his eyes facing forward. “Mr. Spock, with all due respect, you sound paranoid. It’ a fucking stone. We didn’t pick up any odd readings from it, it’s not glowing
or pulsating; it’s just a rock.”
Had Kirk been in a more amicable mood, he may have entertained Spock’s idea a little. After all, it wasn’t an impossible theory, all things considered, and Spock was definitely one of the smartest people he knew. But today, Jim was simply not in the mood to pick a fight with those wrinkly motherfuckers OR discuss it with Spock.
“Captain, you’ll have to forgive me again for my assumptions, but you seem to be acting out of character. If I may be so bold, are you still upset with me about our time spent on Rayborne-9?”
Of course he had to bring up Rayborne-9.
Kirk wheeled on his first officer, “Spock, I already told you, what happened on Rayborne-9 is in the past! It was a mistake, ok? I was drunk, you just got dumped, and I didn’t have a fucking clew what was going on. I thought we agreed to leave what happened on that shitty, little, party planet there with the techno dance music and three headed strippers.”
Kirk had gotten right up in Spock’s face as he spoke, his cheeks flushed red with anger and embarrassment and his voice loud and authoritative. Spock was calm, maintaining eye contact and keeping his lips pressed tight together. Once Kirk was finished, he spoke in a soft yet controlled tone:
“Jim, I am aware of the terms we agreed upon when leaving Rayborne-9. That’s why I’m bringing it up. You’ve been getting progressively more irritated and distressed everyday since that night. Perhaps it is you who cannot let go of the past?”
Jim was speechless. He searched in Spock’s cold eyes, searching for the correct answer to that question, but he couldn’t see it. Was he the one not letting go of that night? Sure, he had been super drunk when it happened, but Kirk knew all too well that a couple of drinks does not make you… Well, it doesn't change who you are. Kirk closed his mouth, his face softening as his eyes fell from Spock’s to his chest.
After a few moments of silence, James finally spoke again, his voice whisper soft and weak.
“Spock, I don’t know what to think about you. What happened on Rayborne-9… I didn’t know-I didn’t think… Shit, Spock, I didn’t mean to-”
His words were cut off by Spock leaning forward and gently pressing his lips to his.
Just like he had done on Rayborne-9.
Kirk wasn’t able to pull away. He wasn’t able to think, either. Everything, all the anger and frustration with the Klingons and his own internal feelings, melted away at Spock’s touch. He let his eyes flutter shut as he leaned into the kiss, his heart racing in his chest.
After what could’ve been hours to Kirk, Spock broke contact.
“James, for once, I understand how you feel. This, romantic attraction to another man, is quite unfamiliar to me. There is nothing logical about one man loving another, as they cannot reproduce biologically, but perhaps such an attraction serves a different purpose. What I’m saying, Jim, is that I don’t think we should fight this. Because just as it is illogical to be with you, it is illogical to not be with you, especially since it causes you such internal discourse.”
Kirk blinked, his lips hanging slack. “Spock, what are you saying? You wanna be my boyfriend? Are you serious?”
Spock nodded, his face calm yet soft. “Yes, James, if that’s what you’d like to call it. I don’t see any use in a title, but if you prefer it.”
Jim didn’t know what to say. Was this really happening? Was Spock, the calculating and cynical alien who almost never let himself emote, really asking to be his partner? Kirk suddenly felt dizzy, the lift spinning around him as he stood so close to Spock he could feel his breath hit his cheek. He could only stare dumbly into Spock’s gaze, that cold calmness from before gone. In its place was warmth and care, something almost loving.
“I gotta get down to the shuttle bay,” Kirk whispered, unable to look away.
“I know, captain,” he reached over and disengaged the emergency stop, “we’ll be there shortly.”
“Spock?”
“Yes?”
It was James who kissed Spock this time. “I don’t know how to do this, like, at all. I’m a terrible boyfriend.”
Spock grunted, almost chuckling, “I know, captain. If it is at all comforting, I, too, am quite deficient in that area.” The door to the lift slid open and Jim stepped back, patting Spock’s shoulder.
“Well, then I guess we’ll just have to figure it out together,” he said, stepping backwards off the lift. Kirk flashed Spock his trademark smirk as he turned and disappeared into the swarm of ship hands.
Spock stared after him, the most slight of grins tugging at the corners of his still burning lips.
END
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