#bed and board

[forever70s]

Jean-Pierre Léaud in "Domicile Conjugal" (1970)

#domicile conjugal #actor #french #1970 #film #bed and board #bed and board film #jean-pierre léaud

[nouvellecine]

Jean Pierre-Léaud and Claude Jade in Domicile conjugal/ Bed and Board (1970) dir. François Truffaut

#domicile conjugal #bed and board #francois truffaut #jean pierre leaud #jean pierre léaud #claude jade #cinema #nouvelle vague #french film #french movie #french cinema #french new wave #new wave #films #film #truffaut #70s

[gameraboy2]

Bed and Board by Jonathon Ward Kozy Books K172, 1962 Cover by Ser Leone

#bed and board #ser leone #vintage #paperback cover #painting #art #illustration #1962 #1960s

[dyingenigma]

#bed and board #domicile conjugal #jean pierre leaud #francois truffaut #french cinema #french film #tw suicidality

[okavunicibalikbenmisim]

Books in Bed And Board

#françois truffaut #movies #books #bed and board #domicile conjugal

[byneddiedingo]

The Antoine Doinel Cycle

Jean-Pierre Léaud in The 400 Blows (François Truffaut, 1959)

Cast: Jean-Pierre Léaud, Albert Rémy, Claire Maurier, Patrick Auffay, Georges Flamant. Screenplay: François Truffaut, Marcel Moussy. Cinematography: Henri Decaë. Film editing: Marie-Josèphe Yoyotte. Music: Jean Constantin. One of the unquestioned great movies, and one of the greatest feature-film directing debuts, The 400 Blows would still resonate with film-lovers even if François Truffaut hadn't gone on to create four sequels tracking the life and loves of his protagonist, Antoine Doinel (Jean-Pierre Léaud). There are, in fact, those who think that the last we should have seen of Antoine was the haunting freeze-frame at the end of the film. But Antoine continued to grow up on screen, and perhaps more remarkably, so did Léaud, carving out his own career after his debut as a 13-year-old. (It's hard to think of any American child actors who were able to maintain a film career into adulthood as well as Léaud did. Mickey Rooney? Dean Stockwell? Who else?) Having Truffaut as a mentor certainly helped, but Léaud had an unmistakable gift. He is on screen for virtually all of the 99-minute run time, and provides a gallery of memorable moments: Antoine in the amusement-park centrifuge, Antoine in the police lockup, Antoine on the run -- in cinematographer Henri Decaë's brilliant long tracking shot. And my personal favorite moment: when the psychologist asks Antoine if he's ever had sex. Léaud responds with a beautiful mixture of surprise, amusement, and embarrassment. It's so genuine a response that I have to think it was improvised, that Truffaut surprised Léaud with the question. But even so, Léaud never drops character in his response. This praise of Léaud is not to undervalue the magnificent supporting cast, or the haunting score by Jean Constantin. It's a film in which everything works.

Jean-Pierre Léaud and Marie-France Pisier in Antoine and Colette (François Truffaut, 1962) Cast: Jean-Pierre Léaud, Marie-France Pisier, Rosy Varte, François Darbon, Patrick Auffay, Jean-François Adam. Screenplay: François Truffaut. Cinematography: Raul Coutard. Music: Georges Delerue.  Four years after he made The 400 Blows, Truffaut was asked to contribute to an anthology of short films by directors from various countries to be called Love at Twenty. As he had with the first film, Truffaut drew on his own experience, an infatuation with a girl he had met at the Cinémathèque Française. And since Léaud was available -- he had worked with Julien Duvivier on Boulevard (1960) after completing The 400 Blows -- it made sense for him to play Antoine Doinel again. A narrator tells us that Antoine had been sent to another reform school after escaping from the first, and that this time he had responded well to a psychologist: After leaving school, he has found a job working for the Phillips record company and is living on his own. Then he sees a pretty young woman at a concert of music by Berlioz and falls for her. Colette (Marie-France Pisier) is not much interested in him, but she is evidently flattered by his advances. Her parents like Antoine and encourage him so much that he rents a room across the street from them. (Truffaut had done the same thing during his crush.) But one evening when he comes to dinner at their apartment, a man named Albert (Jean-François Adam) calls on Colette and she leaves Antoine watching TV with her parents. It's a droll little film, scarcely more than an anecdote, and the stable, lovestruck Antoine doesn't seem much like either the rebellious Antoine of the first film or the more scattered Antoine of the later ones in the cycle.

Jean-Pierre Léaud in Stolen Kisses (François Truffaut, 1968) Cast: Jean-Pierre Léaud, Claude Jade, Michael Lonsdale, Delphine Seyrig, Michael Lonsdale, Claire Duhamel, Daniel Ceccaldi. Screenplay: François Truffaut, Claude de Givray, Bernard Revon. Cinematography: Denys Clerval. Production design: Claude Pignot. Film editing: Agnès Guillemot. Music: Antoine Duhamel.

The Antoine of Stolen Kisses is in his 20s, but has reverted to the more haphazard ways of his adolescence: He has been kicked out of the army, and now relies on a series of odd jobs to get by. But he has also renewed acquaintance with a young woman he met before going into the army, Christine Darbon (Claude Jade). Like Colette's parents, hers are quite taken with Antoine, and they help him get a job as a night clerk in a hotel. He gets fired from that job after helping a private detective who is spying on an adulterous couple, but the detective helps Antoine get a job with his agency. While working for the detective agency, he has to pose as a clerk in a shoe store, and winds up in a liaison with the store owner's wife, Fabienne (Delphine Seyrig). When that ends badly, he becomes a TV repairman, which brings him back to Christine, with whom he winds up in bed after trying to fix her TV. At the film's end, a strange man who has been following Christine comes up to her and Antoine in the park and declares his love for her. She says he must be crazy, and Antoine, who perhaps recognizes his earlier infatuation with Colette in the man's obsession, murmurs, "He must be." Stolen Kisses is the loosest, funniest entry in the cycle, though it was made at a time when Truffaut was politically preoccupied: The film opens with a shot of the shuttered gates of the Cinémathèque Française, which was shut down in a conflict between its director, Henri Langlois, and culture minister André Malraux. This caused an uproar involving many of the directors of the French New Wave. Some of Antoine's anarchic approach to life may have been inspired by the rebelliousness toward the establishment prevalent in the film community. But it's clear that the idea of a cycle of Antoine Doinel films has been brewing in Truffaut's mind: There is a cameo appearance by Marie-France Pisier as Colette and Jean-François Adam as Albert, now married and the parents of an infant.

Claude Jade and Jean-Pierre Léaud in Bed and Board (François Truffaut, 1970) Cast: Jean-Pierre Léaud, Claude Jade, Claire Duhamel, Daniel Ceccaldi, Hiroko Berghauer. : François Truffaut, Claude de Givray, Bernard Revon. Cinematography: Néstor Almendros. Production design: Jean Mandaroux. Film editing: Agnès Guillemot. Music: Antoine Duhamel.  Antoine and Christine have married, and they have settled down in a small apartment. (There's some indication that it's paid for by her parents.) She gives violin lessons and he sells flowers -- carnations, which he dyes, using some environmentally questionable potions. But settling down isn't in Antoine's nature, and when Christine gets pregnant he looks for more lucrative work. He finds a curious sinecure in a company run by an American: Antoine maneuvers model ships by remote control through a mockup of a harbor. ("It gives me time to think," he says.) One day, a Japanese businessman comes to see the demonstration, accompanied by a pretty translator named Kyoko (Hiroko Berghauer), and Antoine is soon involved in an affair with her. Naturally, this precipitates a breakup, though by film's end they have seemingly reconciled. Still, it's obvious that the marriage is not destined to be permanent. They can't even agree on a name for their son: She wants him to be called Ghislain, and he wants to call him Alphonse. Antoine wins out by a trick: He's the one who goes to the registry office to legalize the boy's name. Antoine also spends time writing a novel about his boyhood, to which Christine objects: "I don't like this business of writing about your childhood, dragging your parents through the mud. I don't know much but I do know one thing: If you use art to settle accounts, it's no longer art." Truffaut had his own regrets about the portrait of his parents in The 400 Blows. Less farcical than Stolen Kisses, Bed and Board still has a strong vein of comedy tinged with melancholy.

Claude Jade and Jean-Pierre Léaud in Love on the Run (François Truffaut, 1979) Cast: Jean-Pierre Léaud, Marie-France Pisier, Claude Jade, Dani, Dorothée, Daniel Mesguich, Julien Bertheau. Screenplay: François Truffaut, Marie-France Pisier, Jean Aurel, Suzanne Schiffman. Cinematography: Néstor Almendros. Production design: Jean-Pierre Kohut-Svelko. Film editing: Martine Barraqué. Music: Georges Delerue. Truffaut admitted that he wasn't happy with the final film in the cycle. It's a bit too heavily reliant on flashback clips from the four earlier films, and if it's intended to show that Antoine has finally stabilized now that he's in his 30s and divorced from Christine, it doesn't quite make the case. He has a new girlfriend, Sabine (Dorothée), his novel has been published several years earlier, and he works as a proofreader for a printing house. He's on friendly terms with Christine, and agrees to take their son, Alphonse, to the train station when the boy leaves for a summer music camp. At the station, he runs into Colette, now a defense lawyer, who is on her way to confer with a client -- a man who has murdered his 3-year-old boy. Perhaps a little too coincidentally, Colette is involved with Sabine's brother, Xavier (Daniel Mesguich), and she has bought a copy of Antoine's novel to read on the train. Antoine impulsively boards the train, and sets up a meeting with Colette in the dining car, after which she invites him back to her compartment. All of this sets up a series of revelations: Colette's marriage to Albert broke up after their small daughter was killed by a car. She claims that she supplements her small income as a lawyer by prostituting herself with men she meets on trains. Antoine finally made peace with his mother after her death when he met her old lover, M. Lucien (Julien Bertheau), who persuaded him to visit his mother's grave. (There is a flashback to the scene in The 400 Blows when Antoine, playing hooky, sees his mother kissing a strange man on the street.) Antoine became infatuated with Sabine after hearing a man in a phone booth arguing with a woman on the other end of the line and then tearing up her photograph. Antoine picked up the pieces from the floor, put them together, and after some sleuthing, discovered the woman was Sabine. His marriage to Christine finally broke up after he slept with her friend Liliane (Dani), who he previously had thought was having a lesbian relationship with Christine. And so on. The result of all the flashbacks and revelations is not to round out the Antoine Doinel saga, but to make Love on the Run feel over-contrived.  

#The 400 Blows #Jean-Pierre Léaud #Marie-France Pisier #François Truffaut #Antoine and Colette #Stolen Kisses #Bed and Board #Claude Jade #Love on the Run

[nicoooooooon]

Claude Jade with François Truffaut during the making of Bed and Board (1970)

#cinema #bed and board #claude jade #actress #dijon #François Truffaut #director #Paris #france #nouvelle vague

[cinemajunkie70]

A very happy birthday in the afterlife to François Truffaut!!

#francois truffaut #french new wave #the 400 blows #day for night #jules and jim #fahrenheit 451 #close encounters of the third kind #the last metro #the wild child #the soft skin #bed and board #stolen kisses #the bride wore black #mississippi mermaid #cinema #filmmaker #the little thief

[ladiesfaceclaims]

Bed and Board (1970) dir. François Truffant

#bed and board #film #1970s #70s #love #couple #relationship

[kunfeko]

bed and board by françois truffaut (1970) x jacquemus ss20 - la vie en france des oranges des couleurs et des filets de pêche

#jacquemus #françois truffaut #nouvelle vague #bed and board #domicile conjugal #frenchcore

[frnndlcs]

Domicile conjugal, François Truffaut, 1970

#domicile conjugal #françois truffaut #bed and board

[temeyes]

gonna turn in early and catch up on some zzz's hehe

#hc: ghost claims he sleeps as str8 as a board but he actually curls up into a fetal position (he is me like for real) #also uses arms as a pillow instead of an actual pillow (also me LOL iT'S JUST MORE COMFY TBH) #n e ways- i haven't had a full 8hrs since last friday lol #i've been so busy.. even during the weekend i Hate it!!!!!!! #ok im going to bed fr. goodnight y'all #my art #2024 #call of duty #call of duty: modern warfare #call of duty: modern warfare ii #call of duty: modern warfare iii #cod #cod mw #cod mwii #cod mwiii #modern warfare #mw #mw2 #mw3 #simon riley #simon ghost riley #ghost #ghost cod #art #fanart #digital art #digital drawing #sketch #doodle #video games

[mattodore]

theo’s bedroom is slowly coming together

#river dipping #theodore doe #echthroi #ts4 #ts4 edit #after the save broke yesterday morning for the fourth! time i finally pulled up mod manager and started looking through the hundreds of #conflicts i apparently had and also deleted well over 500+ duplicates... my mods folder is SO rancid i'm sure i missed some conflicts #bc see those dark blue pillows on theo's bed? those are actually white :) but for some reason when i move the pillows near the wall they #change color depending on the time of day... it's not just those pillows some other objects do it too... just closing my eyes at it <3 #the bed and desk are where theo spends most of his time so i spent forever on them. his bed needed to be overwhelmed by stuff #there are... ten pillows i believe two large covers a sheet and a blanket. theo kind of just... burrows into the center and hides. #bunny boy behavior........ and yeah those are matthias's gloves on theo's desk <3 #i have to recolor the stuff on theo's walls later. i imagine his walls are mostly empty and it's just the floors in his apt. that're messy #but i wanted sticky notes to help him remember things and that back wall is going to have matthias's art and love letters #<- which theo definitely takes down and hides whenever matthias actually comes over lmaoooo #also i finally moved all of the pins from theo and matthias's boards over to @theodoredoe (mattodore was taken 😞) #i wanted a place just for my oc boards and i also wanted to be able to add sections to each oc's boards so! new acc! #yk how i mentioned theo's board looking so cluttered? yeah so. figured out it's bc over half of his board is just quotes #i made a section and threw all the 200+ quotes in there and will slowly put some of them in his main board #his board just looks so much better now like i'm so happy about it 🥰 it was definitely worth the time #OH ALSO!!!! IF ANYONE HAS SOME DEAD PLANT CC PLEASEEEE SEND IT MY WAY!!!! #theo really loves just. ripping plants and flowers out of the ground and taking them home to put in little pots but. he always kills them #jsknndkhj so i need dead plants!! limp!! DEAD!!!! #but i seriously can't find any #anyway... that's my build update <3 fr not much has happened bc i've had to start over four :) separate :) times :) but it's getting there. #i miss mattodore tho...... gkhjndfkhjn so i might take a break and get some poses and an edit going soon

[konivae]

#girls of tumblr #girl tumblr #mood board #in bed #pretty

[dyingenigma]

#bed and board #domicile conjugal #film #cinema #film stills #mine #french film #french cinema #french new wave #jean pierre leaud #francois truffaut

[fischlcatgirl]

Just finished the archon quest and needless to say i am going absolutely fucking insane. However. There is first and foremost one thought on my mind.

SHE THREW HIM??? SHE PICKED HIM UP BY THE SCRUFF OF HIS FUCKING NECK AND THREW HIM?? SHE FUCKING THREW HIM?? SHE THREW HIM?? SHE THREW HIM LIKE A BALL OF FUCKING PAPER?? SHE THREW HIM??????????

#childe #genshin impact #board certified my post #ITS LATE SO I HAVE TO GO TO BED BUT LIKE. REST ASSURED I HAVE THOUGHTS ABOUT THIS #genshin spoilers