🧶 Hobbies ➡️ I enjoy reading, writing, drawing, crocheting, sewing, gaming, and so much more.
🧶 Spoonie / Neurodivergent ➡️ I am chronically ill with a variety of health issues including chronic pain, chronic fatigue, chronic migraines, and also a few mental illnesses.
🧶 Fun Facts ➡️ I am a Hellenic Polytheist (meaning I worship the Greek pantheon). In addition to that, I practice a variety of different forms of divination and witchcraft. I am also a devotional writer and poet.
🧶 Contact ➡️ Asks, DMs, or message me on Discord at DattebayoCrimson
First art of the new year is all about re-structuring your internal monologue.
In my early 20s I was working full time in London with many social commitments and a variety of hustles and side projects.
In my later mid 20s I cater to many sensory and social drain needs I have and indulge in special interests while respecting my lower energy reserves and celebrating my different way of processing the world.
Did I get more autistic? Nah. I got less fake.
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[Art description: Three panels showing figures on a black background. Long descriptions follow.
1. A drawing of OP as a person with hip-length hair and a dress standing sadly with her hands clapsed together in front of her. She is coloured a muted rainbow gradient. Behind her, two pairs of nondescript figures chat while smiling. White text says, ‘I’m getting more and more autistic the older I get.’ 2. OP’s colours are brighter, and her expression looks happier. Crayon-like scribbles have crossed out the text from the previous panel. 3. OP’s colours are vibrant, and she balances on one leg and throws her arms out as she dances. The text above has changed to say, ‘I’m becoming more and more myself the older I get.’ \End descriptions]
One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
I’m working on a new comic for my Patreon/Gleafer (several, actually, so jump on in, the water is fiiiiine) and I’m STOKED about this era!
“A King and His Castle”
Alternate universe that initially starts canon and then swerved sharply off course into a chased-by-demons-in-a-cemetery hellscape and a laudanum fueled demon babbling confessions and curses the whole time.
Watch one of my plush grow from uncut fabric to final photos.
Video description: stop-motion animation of a fox plush being made. Faux fur pieces in black, silver and bright ginger orange get cut, move into a fox shape, attach bit by bit, get turned inside-out for final sewing, turn right-side out and get stuffed, eyes, shaved ears, painted, closed up, and then set up in front of a white board, finished. Music: Lifestream. Musician: Dream Machine. URL: https://icons8.com/music/
101 pieces from 19 different fabrics (17 faux furs and 2 vinyl) went until this fox. It took me twenty-some hours to complete over a month's time, possibly longer to account for all the camera angle fiddling.
This was my first stop-motion video so I definitely learned some things! This is my usual order of assembly for plush, though not every step was captured, in part because I wasn't sure how to do so or it would have been awkward. For example you can see I redid the neck, but didn't show the replacement of the piece between the shoulders. But I hope to try this again and get even more of the process!
Finished art from this week's video!
It was really nice to draw my ice boi again, but even nicer to see him (and the video itself) getting such a warm reception from y’all in the comments - thank y’all so much for the lovely energy 💖
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♻️reblogs are lovely tho!♻️