Bessie Smith experienced a "wretched childhood". Her parents and a brother died while she was young. Her older sister Viola took charge of caring for her siblings and as a consequence, Bessie was unable to gain an education. To earn money for her impoverished household, Bessie and her brother Andrew busked on the streets of Chattanooga. She sang and danced as he played the guitar. They often performed on street corners for pennies, and their habitual location was in front of the White Elephant Saloon at Thirteenth and Elm streets, in the heart of the city's African-American community.
Bessie began forming her own act around 1913. Working a heavy theater schedule during the winter and performing in tent shows the rest of the year, Smith became the highest-paid black entertainer of her day and began traveling in her own 72-foot-long railroad car. Columbia Records publicity department nicknamed her "Queen of the Blues", but the national press soon upgraded her title to "Empress of the Blues". Smith's music stressed independence, fearlessness, and sexual freedom, implicitly arguing that working-class women did not have to alter their behavior to be worthy of respect.
Bessie Smith was born on April 15, 1894 in Chattanooga, Tennessee and died on September 26, 1937 in Clarksdale, Mississippi from critical injuries she suffered in a car crash at the age of 43
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Blues great Bessie Smith was born on April 15, 1894 #botd
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"Tired of bein' lonely, tired of bein' blue,
I wished I had some good man, to tell my troubles to.
Seem like the whole world's wrong,
Since my man's been gone.
I need a little sugar in my bowl,
I need a little hot dog on my roll.
I can stand a bit of lovin', oh so bad,
I feel so funny, I feel so sad.
I need a little steam-heat on my floor,
Maybe I can fix things up, so they'll go.
What's the matter hard papa,
Come on and save your mama's soul,
'Cause I need a little sugar, in my bowl, doggone it,
I need a some sugar in my bowl.
I need a little sugar in my bowl,
I need a little hot dog between my rolls.
You gettin' different, I've been told,
Move your finger, drop something in my bowl.
I need a little steam-heat on my floor,
Maybe I can fix things up, so they'll go.
Get off your knees, I can't see what you're drivin' at,
It's dark down there looks like a snake!
C'mon here and drop somethin' here in my bowl,
Stop your foolin' and drop somethin' in my bowl!"
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Queen Latifah as Bessie Smith in Bessie (TV Film, 2015).
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Black History Month: Ma Rainey
I went out last night with a crowd of my friends,
It must've been women, 'cause I don't like no men.
Prove It On Me Blues, Ma Rainey, 1928
Born in Columbus, Georgia, in 1886, Gertrude “Ma” Rainey began performing at a young age, and by her late teens, was touring as part of Black minstrel shows around America’s south.
Know for her strong voice, she was one of the first performers to popularise the blues, and bring it to audiences around America. She recoreded over 92 songs with Paramount records, alongside well-known musicians such as Louis Armstrong.
Ma had a close relationship with fellow blues performer Bessie Smith, with Ma’s guitarist Sam Chatmon saying that “I believe she was courtin’ Bessie.” Some of Ma’s songs - like Prove It On Me Blues - also teased the idea of her queerness, which appealed to white audiences who saw blues as an exciting, risque, liberated genre.
Learn more
[Image: black-and-white photo of Ma Rainey, smiling, wearing a headband, pearls, beaded earrings, and a beaded dress; source]
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Bessie Smith, Photo by Carl Van Vechten, 1936
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Bessie Smith was buried in an unmarked grave in a cemetery in Sharon Hill, Pennsylvania. In 1970, singer Janis Joplin and NAACP leader Juanita Green Smith paid to have her tombstone erected. It reads: “The greatest blues singer in the world will never stop singing.”
[Follies Of God]
* * * * *
“She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.”
― Ann-Marie MacDonald, Fall on Your Knees
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Janis Joplin had a gravestone erected for blues legend Bessie Smith, who was buried in an unmarked grave after she died in a car accident in 1937.
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One sweltering July night in 1927, Bessie Smith and her troupe were performing under a tent in Concord, North Carolina. When a member of the band slipped out for a breath of fresh air, he spotted half a dozen members of the Ku Klux Klan headed their way. The musician ran inside, and told Bessie to run.
Bessie wouldn't hear of it.
She stormed out of the tent, ran toward the Klansmen instead, shaking her fist and cursing. "I'll get the whole damn tent out here," she shouted. "You just pick up them sheets and run."
Faced with Bessie Smith and a tent full of her loyal fans, the Klansmen fled. Smith returned to the bandstand and began again to sing.
jazz, ep 3 "our language"
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Bessie Smith
April 15, 1894 – September 26, 1937
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Bessie Smith ❤️
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Billie Holiday: The Voice of Jazz
Introduction:
Billie Holiday, born Eleanora Fagan, remains one of the most iconic and influential jazz vocalists of all time. With her unique voice, emotive delivery, and deeply personal approach to singing, Holiday’s music transcended genres and touched the hearts of listeners around the world. In this blog post, we will explore the life, music, and legacy of Billie Holiday, highlighting her…
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Bessie SMITH
"Any Woman's Blues"
(2LP. Columbia. 1970 / rec. 1923-30) [US]
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if we’ve gotta live underground and everybody’s got cancer/ will poetry be enuf? // Eisa Davis to Ntozake Shange
dear ntozake,
I got sacks of mercury under the skin beneath my eyes
either cried too much or i’m abt to
the cool war’s burnin up my retina again
does poetry start where life ends?
i know i’m supposed to be cool:
i wear corrective lenses that feature
high definition tragedy.
baby in the dumpster ethnic cleansing
assassinations multinational mergers
i’m supposed to shake my head
write a poem
believe in ripples.
but i ain’t cool.
i emit inhuman noises
i imagine terrorist acts as i flick my imaginary ash
onto the imaginary tray
i imagine going insane with a purpose
and writing it down feels sorta unnecessary
does poetry end where life begins?
berkeley girl black girl red diaper baby
born of the blood of the struggle
but with reaganomics and prince pickin up steam in ‘81
nothing came between me and my calvins
10 yrs old unpressed hair playin beethoven
readin madeleine l’engle got scared in my pants when i heard
this girl testifying ‘TOUSSAINT’
in the black repertory group youth ensemble
i was just sittin in a rockin chair pretendin to be 82
and talkin like I knew all bout langston’s ‘rivers’
i wasn’t as good as her
and i definitely wadn’t cool
so i gave up drama
and decided to bake soufflés
zake
you wda beat me up in the playground
if we’da grown up together
and you did
eighth grade ‘he dropped em’
at the regional oratorical competition
i saw another fly honey rip it
this time it’s ‘a nite with beau willie brown’
i was bleedin on the ground
i became yours
no more soufflés
i jacked for colored girls right off my mama’s shelf
my mama fania who was sweatin with you
and raymond sawyer and ed mock
and halifu osumare
dancin on the grass back in the day
in you i found a groove
never knew i had one like that
did that monologue over and over
alone in my room
my bunk bed the proscenium arch
13 yrs old screamin and cryin abt my kids
gettin dropped out a window
didn't know a damn thing about rivers
but i knew abt my heart fallin five stories
you were never abbreviated or lower case to me
you just pimped that irony
that global badass mackadocious funkology
you not only had hígado
you had ben-wa balls in yr pussy
betsey brown on my godmother's couch
nappy edges in mendocino at the mouth of big river
spell #7 after the earthquake in silverlake
the love space demands had to be in brooklyn
yr poems are invitations to live in yr body
love letters yr admirers dream they coulda written themselves
no one cd find a category that was yr size
blackety black but never blacker than thou
you teased me into sassiness when i had none to speak of
made profane into sacred but never formed a church
sanctified women's lives
whether we were reading nietzsche or a box of kotex
we were magical and regular
you many-tongued st louis woman of barnard and barcelona
you left us the residue of yr lust
left us to wander life as freely as sassafrass cypress and indigo
and even the unedumacated could get yr virtuosity
cuz you always fried it up in grease
you built an aqueduct from lorraine hansberry's groundwater
and it bubbled straight to george c wolfe
you never read what the critics said
and you scrunched up the flesh between yr eyebrows
like everybody else in my family
but zake
is poetry enuf?
i beg the question cuz you grew me up
you and adrienne kennedy and anna deavere smith
and all my mothers
you blew out the candles on my 26th
so when there's mercury under the skin beneath my eyes
and the world ain't so cool
do you write a poem
or a will?
like leroi jones said if bessie smith had killed some white people
she wouldn't have needed that music
so do we all write like amiri baraka does
or do we all get our nat turner on?
i beg the question cuz i wanna get my life right
do some real work
and i really don't want to kill any white folk
i mean can we talk abt this
maybe it's just my red diaper that's itchin
but i still got that will to uplift the race
sans bootstraps or talented tenths or paper bag tests
this time we uplift the human race
and i know the rainbow might be
but is poetry enuf?
it's a naive question but i'm old enuf to ask them once in a while
if we do finally unload the canon
clean it out
stock up on some more colorful balls
ain't we only gettin the ones that are available at a store near you?
doesn't the market end up setting the new standards anyway?
is poetry enuf if it ain't sellin?
if ain't nobody readin it?
can poetry keep a man who can't read
from droppin his kids out a window?
and how can i call a ceasefire to this cool war
in stanzas of eights
when we've declared poetry a no fly zone?
we have learned to protect it and its potential politics
like a mother
shoot down anyone who might overdetermine a poem's meaning
(while we poets divebomb everyone else's politics with impunity
like we're the United States or something)
if poetry is just poetry
we save it from the conservatives
but doesn't that mean it's of no use to the progressives?
is poetry enuf?
cuz that's all i'm doin.
makin up stories on stage on the page
keepin the beat
and that's all my friends are doin
and that's what a lot of folks my age are doin
but if we've gone and burnt up everything in the sky
if there's nothin else to eat but landfill stroganoff
if we've gotta live underground and everybody's got cancer
will poetry be enuf?
my aunt angela says i can do my thang
and keep swinging left hooks to oppression
if i stay up stay into it stay involved
just one form of praxis will do.
it's just my guilt that thinks i need twenty-two
what's enuf?
shouldn't i (or somebody) be our secular bodhisattva
become a real power player but skip the talk show
can't we stabilize, rekindle collectives
and cooperatives and collaborations
therapeutic communities that double
as creative juggernauts
a publishing house a theatre where the plays
cost less than the movies
get the neighborhood coven back together
take dance breaks in the cubicles
sing until the flourescent lights burst into snow
i ask you because you changed me zake
you changed thousands of women
and i know poetry can't be enuf if you drunk
i ain't tryin ta walk off wid alla yr stuff
and i got nuttin but love for ya
so that's why i gotta know
i'm sittin on my bed encircled by every book
you've ever published
they're open like fans
marking pages with the flint of genius
all i want is for this circle to grow
so tell me:
is this where poetry and life are twins?
i felt so crumpled up when i started writing you
poetry seemed so useless and dingy
next to all the bright red bad news
but now that the poem is over i feel wide open
like an infant of the spring just tell me how
to feed this light
to my responsibilities
and poetry just might be enuf
love
eisa
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