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#best film
doodle-boy · 2 months
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Ok so I am buzzed on an weird cocktail of ollipop orange soda, bourbon and peach snaps. I'm exhausted from work and just thsi whole week I've been just like out of it and kinda forgot how to person. I'm a cocktail of things drinkin a cocktail of things.
But do any of yall fuckin remember REAL STEEL??
Man that is unironically one of my favorite robot movies and ain't nobody talkin about it!! Like first of all it's got boxing in it, which is always dope as someone who is a big fan of that sport. It's got ROBOTS (duh) and their all really cool designs too. Like you got to see a broad spectrum of different designs and materials used. From ones make like a they a jaguar car with shiny paint and sleep anrodymanic designs. To robots that looked like they were made out of you're old 1994 ford trucks, rusted and banged up. All of them felt like they were inspired by rock'em sock'em robots. with built in headgears and gloves. Some of them even had their neck pop up like the toy did i swear I saw that in a scene in the movie, I'm like 89% sure they made that visual gag at some point. LIKE IT'S SUCH GOOD ROBOT DESIGNS.
Also the fucking animation was really good too??? Like if you go watch a clip of it right now. you will be impressed at how good the lighting is on these robots. And they got DARING with the lighting, day time, night time, during a storm with flashing lightening, back lit by different things, in a dingy hallway, in a professional boxing ring. They did not hesitate to put the models and shaders thew their fuckin paces. Not to mention they put in the effort of adding motion blur and camera blur and close ups and far away shots. And honestly it still fucking holds up, like it legitimately looks good enough that you're brain can very easily accept it into the reality of the world their in.
And this bitch was made in 2011
I've seen movies from the last three years that looked worse than a nobody film about boxing robots.
Think about that.
Also animation aside the story is really nice too. Is it like a super stereotypical 'rookie makes it too the top' type story that is very similar to Rocky? Yes. But you just walked into a fucking boxing movie what did you expect??? Plus that's not the whole picture. It's more than just about a robot who boxes, it about a human man finding his self worth again. About finally connecting to people and himself. It'll make you cry man. It made me cry. I'm crying right now oh my god.
Anyways. peeps need to watch this movie and I need to go lie down.
i'm blazing this because reasons.
lol
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edgarallennope · 8 months
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The Blues Brothers is one of the greatest films ever made for many reasons, but the disparity in acting skill amongst the various rhythm and blues legends that make up the supporting cast is very good. Matt "Guitar" Murphy is reading his lines like they're being held up on cue cards whilst Aretha Franklin wipes the floor with him. Donald "Duck" Dunn is certainly saying things, but that's between him and the subtitles. We don't need to give Blue Lou any lines, you see, he has hair!
James Brown? Cab Calloway? Ray Charles? Zero notes.
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n0-al-3n8y · 10 months
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Candy (2006)
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kammerer-f · 1 year
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Look at him being all shy 🥺🥺
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Jamie Lee Curtis, winner of the Best Supporting Actress award, Ke Huy Quan, winner of the Best Actor In A Supporting Role award, James Hong, Jonathan Wang, winner of the Best Picture award, Michelle Yeoh, winner of the Best Actress in a Leading Role award, Stephanie Hsu and (bottom row) Dan Kwan and Daniel Scheinert, winners of the Best Director and Best Picture award for "Everything Everywhere All at Once", pose in the press room at the 95th Annual Academy Awards at Ovation Hollywood on March 12, 2023 in Hollywood, California.
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jimhowickfan1 · 1 year
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Christopher Marlowe >>
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xovera-toz · 1 year
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Team 7 first introduction:
Kakashi: ...Well, those introductions were pretty plain. Let's add your favourite movie (or show, if you prefer) and be done with it, hm? Let's start with you, porcupine boy.
Sasuke: ...Wednesday.
Sakura: Twilight! It's so romantic!
Naruto, the Tumblr gremlin, snickering: Goncharov.
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hmwritings · 1 year
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“No matter what anybody tells you, words and ideas can change the world. We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race—and the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”
— Mr. John Keating, from the “Dead Poets Society”
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l0labunny02 · 9 months
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dyingenigma · 2 years
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Rien à foutre//Zero Fucks Given (2021)
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The Fault In Our Stars
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By John Green
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ronjalamwan-blog · 1 year
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The wait is oooooover~~~~~~~😭
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probably will watch it every day🌝🤣
Can't wait for the extras🔥🔥🔥
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n0-al-3n8y · 10 months
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Candy (2006)
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johnsaveland · 11 months
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Rewatching the Kieslowski Color Trilogy and again wondering why this didn’t make the Sight & Sound list of best films.
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myhahnestopinion · 3 months
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THE AARONS 2023 - Best Film
85 films are eligible for The Aarons this year, although it would only be 83 films if you counted every Part One I watched as half a movie. Here are The Aarons for Best Film:
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#10. Are You There God? It’s Me, Margaret.
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Margaret is a modern coming-of-age classic, no question about it. It may have taken a long time for Me to be realized on the big screen, but the universal themes of Judy Blume’s seminal novel easily transcend the 1970s period in which the story is set. Director Kelly Fremon Craig brought the right edge to the material, sacrificing neither its complexity nor its comforting qualities, and was blessed to find the perfect star in Ant-Man’s Abby Ryder Forston. Rachel McAdams and Kathy Bates round out the film’s odyssey through identity crises no matter one’s age. When seeking reassurance in such times of struggle, Are You There God? can be viewed as an answer to those prayers.
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#9. Teenage Mutant Ninja Turtles: Mutant Mayhem
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The latest TMNT film was obviously spun off the success of Sony’s Spider-Verse series, but it quickly mutated into its own beast. In fact, it’s others that should be green with envy: the sketchbook aesthetic of Mayhem’s grungy New York City and its monstrous human inhabitants looks twice as good as films that shelled out twice as much cash. By placing more emphasis on their juvenility than past portrayals, writer Seth Rogan and director Jeff Rowe imbue the Turtles with newfound power: the brothers’ banter has never been better and their search for belonging has never been more affecting. Even those never taken with the Turtles before will find themselves wanting to chime in with a hearty ‘Cowabunga!’. 
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#8. John Wick: Chapter 4
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Wearing classic cinematic influences on its bulletproof sleeve, John Wick: Chapter 4 is maximalist moviemaking at its finest. The assassin’s ongoing vendetta against the nefarious High Table organization upped the ante once again in its fourth installment, dedicating its indulgent runtime to one killer set-piece after another without ever losing a step. Newcomers Donnie Yen and Rina Sawayama leave their mark on the weapons-grade world tour, but nothing compares to how Keanu Reeves continues to throw himself into the stunt work. With hit after hit, the warrior deserves a rest; creatively though, Wick shows no signs of burnout.
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#7. Talk To Me
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Talk to Me, in contrast to recent trends of ‘elevated horror’, doesn’t hold one’s hand through unpacking a deeper meaning at the expense of inflicting sheer terror on its audience. An addiction metaphor is hardly a reach for the film that treats communing with the dead like the latest party drug, but even then that takes a backseat to its nightmarish bouts of brutal body horror. With a focus on social media clout-chasing, directors and former YouTubers Danny and Michael Phillipou seek engagement from a new generation of moviegoers. The film is just as likely to scare these prospective viewers off of the experience forever. For horror fiends seeking such macabre stimulation though, Talk to Me is speaking their language. 
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#6. How to Blow Up a Pipeline
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Even beyond giving xXx a run for its money as the worst movie to try to Google, How to Blow Up a Pipeline is a daring work of cinema. Pipeline channels the spirit of the non-fiction book of the same name into a slick thriller spearheaded by an ensemble of skilled young actors. Despite the direct title, the film doesn’t try to lead audiences to any particular conclusion. Rather, it simply removes any safe distance preventing them from engaging with its characters’ protestations. This ability to play coy is subsequently built upon to ratchet up tension and discharge a mind-blowing finale. From an entertainment perspective alone, it’s worth placing on your watchlist… that is, if you don’t mind possibly being placed on a watchlist yourself.
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#5. Killers of the Flower Moon
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Martin Scorcese has no shortage of stories on the corrosive power of greed; America is a land of opportunity after all. Killers refines the ideas with which he’s long grappled through a larger focus on the victims left in the wake of that ruination. Along with his expected collaborators Leonardo DiCaprio and Robert DeNiro, the director worked closely with The Osage Nation to bring an appreciable authenticity to the harrowing historical account. The other secret to Moon’s success revolves around Lily Gladstone’s Mollie Burkhart; through her mourning, the magnitude of the crimes becomes ineluctable. Like Scorcese’s last effort The Irishman, Flower flourishes within its extended runtime, patiently intensifying the impact of its conclusive gut-punch. 
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#4. Anatomy of a Fall
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Anatomy doesn’t stop at dissecting the purely physical aspects of its pivotal event; it would have been far easier on everyone if it had. Instead, the French courtroom drama is just as concerned with how quickly people can tear each other down in both private and public settings and the far-reaching consequences of doing so. The film has unimpeachable judgment in its use of ambiguity when placing a writer on trial for the suspected murder of her husband, with their blind son as a key witness. Propelled by pointed dialogue and a legitimate award-winning performance by a dog, the dramatic twists and turns taken by Fall reason out enough doubt to forever keep one up at night.
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#3. Nimona
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Nimona rose like a phoenix from the ashes of its initial cancellation during the Disney-Fox merger ready to warm one’s heart and stoke a righteously rebellious attitude. The adaptation of ND Stevenson’s acclaimed graphic novel is made even more animated by the voicework of a fiery Chloë Grace Moretz as the titular shapeshifter and a distinguished Riz Ahmed as her reluctant companion seeking to clear his name. The strength of the science fantasy film lies in its subversive bite, which toys with traditional tropes of myths and monsters. The movie never shies away from supporting everyone’s quest to transition into their best self; the authenticity of this extended allegory is its most transformative element of all.
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#2. Oppenheimer 
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One half of the phenomenon that blew up the box office this past summer, Oppenheimer may be director Christopher Nolan’s most earth-shattering project yet. The nuclei of his filmography have long been humankind’s evolving understanding of physics and the psyche of tormented men; the story of the atomic bomb perfectly splits the difference between the two. Nolan makes a compelling case for all of human history, with time flowing both forward and backwards, being tied to that moment as well; the film’s fractured storytelling revolves all our petty interpersonal conflicts around an inevitable instance of incomprehensible annihilation. The scale of those couldn’t seem more different, but both are turned into equally incendiary IMAX viewing here by the genius.
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AND THE BEST FILM OF 2023 IS…
#1. Past Lives
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The best of last year is Past, and next year may very well have nothing better either. Director Celine Song’s debut feature, which follows a married Korean immigrant who reunites briefly with her childhood sweetheart, is far from the flashiest film, but there are few that are this profound. Its remarkability is rooted in an intense empathy for all parties involved, including the woman’s beloved American husband, as they each contend with the questions of choice the situation provokes. It’s as grand a reflection on roads not taken as previous Aaron-Award winner Everything Everywhere All at Once, though Lives, in contrast, deliberately confines itself to the mortal agonies of unknowability. Something that is for certain is that one should not let Past Lives pass them by.
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NEXT UP: THE 2023 AARONS FOR WORST FILM!
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