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#best invention of my life
ayoedebiris · 2 years
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GET TO KNOW ME MEME: 2/5 FRIENDSHIPS ▸ ROBIN BUCKLEY & STEVE HARRINGTON
i’m hopeless. we both are. if only we could just combine...
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ride-a-dromedary · 5 months
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Thinking about Thaniel and Halsin reuniting again when he wakes.
Thinking about how Halsin describes Thaniel as having been ripped away from him (just as he was from Oliver). How he was the only one able to see and interact with him; how Halsin is very insistent that Thaniel made him who he became. How Halsin's "very first friend" being an encapsulation of nature itself affected the entire trajectory of his life. How that implies, to me, that Halsin and Thaniel were connected on a level far stronger and more significant than just being unlikely playmates as children - even moreso than just Halsin deciding to become his protector as he aged, or the implication of the relationship becoming more along the lines of a parent and child - to the point of being so interconnected and intertwined, Thaniel evidently uprooted and followed Halsin from the High Forest to its own unpredicted detriment.
Thaniel's being cursed and trapped quite literally *did* rip the two of them away from one another, just as tearing Thaniel's being in two twisted and created Oliver. Halsin feels a hole in his absence - a loneliness and disconnect that eats away at him. He describes losing contact with Thaniel all that time ago as being "worst of all", which is saying a lot considering what else was happening to and around Halsin at the time. And all Thaniel talked about whilst trapped was Halsin, insisting to find him because he was the only one who an entire force of nature itself believed could help it.
Losing Thaniel sent Halsin into a century long spiral; Halsin who blames himself for "dawdling" in his own pain as it suffered. Who could almost place himself in the catalyst of Ketheric Thorm's tragedy of losing his daughter pushing him to the edge. It's the elevated metaphorical adult fear of losing a child and the indescribable sorrow involved in that, mixed with the loss of an important childhood and formative influence, mixed with losing a friend, a piece of oneself, all in one.
I just imagine Halsin twitching in his skin to head immediately back to camp after convincing Oliver to return. Distractedly following behind, but evidently elsewhere, until he is dismissed or the group returns. And he is first to arrive and first to break off to his tent, pulling aside the cloth, lacking any considerable delicacy of action, to see Thaniel sitting up, blinking slowly at his surroundings. Alive; the smell of lavender heavy and sweet. Not dead and rotting, not twisted and empty. Small. Frail. Not quite whole. But alive.
And Halsin...hesitates on the threshold, hands shaking, everything having come to its head at last and he doesn't know what to do with himself. He holds his breath, fearful of any disturbance spooking the life away that they'd worked so hard to revive, until Thaniel turns its eye slowly towards him. Two deer caught in a crosspath of light. A century past and there are hundreds of things to do, hundreds of things he had planned to say to him if they succeeded, but all Halsin can manage is a strained: "It's me."
And he does not need to say who he is; Thaniel knows. All those rehearsed things fizzle away in its face. Halsin is older now, he reasons, much older; perhaps Thaniel will not recognize the century carved upon his brow just as Oliver had not. In a moment of desperation, he needs it to know him. Needs Thaniel to remember - but, fool that he is to underestimate the power of life before him, of course he remembers. Of course Thaniel would recognize him, just as he had recognized him after the long winter had passed - when he had changed so much, and was no longer a little elfling and never would be again. Just as Thaniel had recognized him every springtime after, the thawing of ice bringing another year with it, even as its face did not change at all. It must; his eyes betrayed the centuries beneath his boots, even as the child rubbed fitfully at them.
"It's me," Halsin murmurs again, falling to his knees - as if he could make himself impossibly smaller - bring him back to the beginning, turn back the years before it all went wrong. And Thaniel just nods its head and touches little hands to his face, and when he echos his name, it feels like that first thaw of spring again.
"I heard you calling," it whispers, gentle like summer breezes. "You cried for me to stop hiding. You were frightened and did not wish to play anymore. But when I came out, it had gotten dark. I could not find you."
"I know."
"I called back," he continues, even and intoned, but his lip wobbles. "You could not hear me.
"I know," Halsin repeats, brokenly.
Thaniel blinks a few more times, seemingly working out how to reteach a face long asleep, though there were no muscles to move. A false start later, a twitch of the nose, and he is...smiling. "But I kept trying - I knew you would find me."
A single stick too heavy and the dam breaks. Eyes filled with tears, he hugs Thaniel to him like he hadn't since they were children chasing each other through the underbrush with glitters of gold tangled in his hair. Since Thaniel had guided his hand to make the flowers in his father's garden grow. Since all they'd had was each other under the endless canopy of trees.
"Forgive me," Halsin whispers, a century of pain and loss and loneliness exiting from him in a single rush, the cold empty spaces inside him filling up with warmth. And at last he wakes, dragged violently into the open air after drowning for too long, blinded but alive and whole once again. Interconnected; not alone anymore. The earth sings beneath him and Oliver's spirit hovers just beyond the outskirts of his vision. Halsin chokes on his laugh. "I was never very good at this game."
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imrisah · 15 days
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I'm 32 years old, have had big boobs for more than half of my life and I've learned about bra liners only today.
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pullakori · 13 days
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Revive cherik 2024
Day 11. AU 
Stardew Valley AU
This one has been on my mind for ages and while my life is violently beating me down and I have no energy or time to write an actual fic, I wanted to share this one nevertheless.
There are endless possibilities how this could go, but these are the two I've had.
1. Charles as the farmer.
Kurt had taken the charge of Brian Xavier's company when he had died, turning it into a souless corporation, where Charles now works, but has no real power over. He is sick of Kurt's treatment of him and all the pretencious people who try to get close to him just to gain something. The frustration of the situation and the backstab world of business world makes him seek for an out. He finds  out that there is a farm that his grandfather had left for Brian and which had then been passed to him. So, he decides to leave the company and head towards Stardew Valley (Genosha Valley? Maybe not X'D)
The farm is in shambles, but Charles is not too defeated and starts to fix everything up slowly but surely. He meets the people who live in the town and most of them are happy to welcome him to the Valley and are encouraging of his efforts to start his farm. But when Charles meets Erik, the local blacksmith, when he brings most of his tools for a fixing, the other man is not too impressed. He fixes the tools, it's his job after all, but doesn't think that Charles, a rich city boy, will last even to the end of the year.
Well, Charles is ready to prove Erik wrong and works twice as hard as he had before. The beginning is rough, he knows next to nothing about agriculture, but he is if nothing else but stubborn and slowly learns and succeeds to turn the farm back to it's former glory. And maybe he also develops feelings towards Erik along the way. And the blacksmith also learns that there was more to Charles than he thought in the beginning.
2. Erik as the farmer
Erik is working for Shaw with minimum wage and it's slowly sucking his life out of him. He hates everything about his work, his coworkers, his boss and his current life. After one late night at work he finds a letter from his mother who passed away years ago. It tells him about a farm that belonged to her grandparents and his mother had planned to move there too, but her health made it impossible. But maybe Erik could find a nice life there. Erik hadn't payed too much attention to the farm mentioned in his mother's will, but now... It sounds just what he needs. So with a huge middlefinger, he leaves Shaw's company and heads to the farm.
It's in a bad condition, but Erik is ready to work hard for it and this time, the work feels actually meaningfull and at the end of the day he doesn't feel like he is slowly suffocating. The townspeople are pleasant too, if a bit nosy. Especially Charles, the teacher of the town, who lives in a trailer with his step brother. But as Eriks first crops grow, so do his feelings for the other man as they spend more and more time together. And suddenly Erik notices how he has become a part of the community.
Nevertheless who is the farmer, the end conflict would be:
The valley life is good and Charles/Erik has found a community there, where people care about each other and are like a one big family. Everything is fine, until Kurt's/Shaw's company arrives to the valley and threathens to change everything for the worse (capitalism, you know). Charles/Erik has to face the life they had left behind to save their newfound family. But this time, they don't have to do it alone.
And there is so much ability to customise this AU!
- Which x-men character is which stardew valley character (Even Erik and Charles don't have to be the ones I chose here. Erik could also be a struggling writer living in a cabin on the beach or a shopkeeper who is having a rivarly with Kurt's megamart. Charles in turn could also be a researcher, living with his sister's family near the mountains or a doctor, who has to patch Erik back together after a monster attack in the mines.)
- If you want a kid fic, you can make either Erik or Charles or both single fathers and have all or some of their kids there too.
- Could be an AU with or without powers. I usually prefer powered AUs myself so that's what I was thinking while planning this. But not a necessity.
- Would most likely end up as quite a fluffy fic, but there is also room for hurt/comfort for example.
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harboretum · 1 year
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Drew my spouse’s babygirls in socks
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deathsmallcaps · 8 months
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So, I was just looking for a Snow White gif set, and I came across quite a few posts expressing displeasure about Rachel Zegler’s flippant attitude to the original Disney film. And while I agree she was being a bit glib, you have to remember, it’s all about playing it up for the camera. Maybe her manager told her to push a love-to-hate-it angle. Who knows. Disney is still trying to work that little bit of feminism that is truly marketable but is ‘safe’ in their standards.
But what irritates me is that those posts immediately delve into the history and animation of the work in the film. As an artist, I totally respect the work and success Snow White and the Seven Dwarfs was in 1937. It’s a beautiful piece, to be sure.
And Snow White was kind of modern for the movie’s supposed setting and time period! She has a bob! It’s easily demonstrated and acknowledged by the audience how hard she works, in both the castle and the cottage! She’s a upper class woman who manages to stay chaste despite living with, horror among horrors, seven unmarried men!
But, come on. She was relatively safe, barely pushing the envelope, in 1937. Women were in factories, wearing pants, and were still actively fighting for their rights at the time. All while weathering the Great Depression!
Films like Mirror Mirror and Snow White and the Huntsman have already done more-feminine-modern takes on the tale. But Zegler isn’t wrong. If the original film’s story, no changes, came out today, it would be disappointing to a lot of feminists. So if you’ve watched the other live action Disney princess films, I’d say don’t knock the Snow White one just yet. It might actually offer something new but nice to more modern feminist audiences.
Just please don’t forget that something can be wonderful in one way and meh in another. The original film was an artistic masterpiece, but wasn’t the be-all end-all of feminism in the 30s. Check out this film, for example.
And hey, this is the webbed site of anxiety. You’ve all probably said things you regret, whether you ‘deserve’ to regret it or not. Don’t forget actors can make mistakes too. They’re human.
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nostalgia-tblr · 1 month
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The reader-insert people seem to use "Y/N" in direct speech with a reckless abandon not seen since The X-Files was airing.
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pyr0cue · 2 months
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They should invent things that don’t ever end and I can do forever and ever and ever
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soldier-poet-king · 1 year
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Once again I need everyone to like me all day long so much and it's INCURABLE
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fragmentedblade · 1 month
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Not to be a jingfu on main, but it's so cute that Jing Yuan thought of Fu Xuan with those jelly beans
#me: the Xianzhou characters are all just coworkers#also me whenever anyone is shown to be fond and have intimate knowledge of some other character: awwww#Like Fu Xuan and Jing Yuan playing starchess and teasing each other or making a reference to things they like#or Jing Yuan talking about young Yukong#Quingque apparently disliking Fu Xuan but obviously that not being the case‚ knowing what she likes and how she thinks#Fu Xuan hiding that she has a sweet tooth but Jing Yuan and Quingque knowing it and teasing her for it#I don't know. There are a lot of instances of these small intimate details in the middle of what looks like a coworker relationship#Good coworkers‚ but coworkers nonetheless#And ironically it moves me so much? Even more so than Belobog. I've been told several times that Belobog seemed more tight. And I agree#In Belobog people were friends or family or companions but linked by something closer than mere coworkers with Wildfire#Even Sampo in the Underworld was strangely 'theirs'. He had the magenta colour of Wildfire and he was trusted to some extent#The Luofu characters don't have that. And yet the fragments of intimacy scattered through their interactions move me a lot#These are people who have known each other for centuries. Jing Yuan knows of Yukong's youth‚ its joy and grief#He knows Fu Xuan has a sweet tooth and teases her about her height. Quingque does too#Fu Xuan chastises both of them for being lazy but she knows they're smart and good at their job. She plays starchess with Jing Yuan#Quingque mocks Fu Xuan for being a workaholic but is very aware of the weight she carries both in her position and ideas about destiny#I won't mention Yanqing and Bailu because there is obviously more than a coworker bound when it comes to them#But yes I love the moments of intimate knowledge scattered through the Xianzhou‚ so telling of the fact that these people have known#each other for longer than several human lifetimes‚ and that perhaps they don't necessarily regard each other as more than their coworker#But perhaps that's enough in order for them to care. Perhaps in a lifetime over one thousand years the intimacy gained with a coworker#through several centuries is something beyond what we could understand in our decades lifespan#But also‚ perhaps‚ I don't know. Also‚ perhaps‚ the do care beyond coworkers in that strange line between work and friendship#Perhaps it's strange for Xianzhou natives to tell apart that kind of relationship after so much intimacy and knowledge through the years#And perhaps‚ once again‚ as it often happens for them‚ they think they'll always have enough time to tell; until they run out of it#They play chess together. Quingque can lose time because Fu Xuan can't stay mad if she brings her sweets. Are they just coworkers?#We play chess. I know what tea and sweets you like best. I brought them today since you would indulge me and play starchess with me#Thanks for playing with me‚ I'm running out of book puzzles. You keep divining my moves but I'll invent a fake story to distract you#Are we coworkers or something more like friends? Where is the line after so many years?#I talk too much but I love this charged nothingness haha I find it ironically so true to how many relationships in real life develop#And I find it so moving‚ that representation of this endearing smallness of everyday life. Of these small things is life made
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misosuper · 3 months
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y'all I am finally able to play beat saber (amazing partner got a cheap used quest from a friend) and I am HEALING MY INNER CHILD by giving her LIGHT SABERS and letting her COMMIT VIOLENCE to FALL OUT BOY SONGS
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sapirserket · 4 months
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Come back Reze Chainsawman please Reze Chainsawman I miss you
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olliecoded · 5 months
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ughhh AND i miss adam ☹️
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I've been really enjoying Spite and Cabal lately what sucks is, that I've seen them live but didn't listen to them yet then :(((
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crehador · 1 year
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OH MY GOD SHUT UPPPPPPPPP GINNNNNNNNNNNNNNNNNNN I DID NOT DARE HOPE FOR ANYTHING NOT EVEN A GLIMPSE BUT THEY LET ME SEE HIM THEY LET ME SEE MY LITTLE BOY HIIIIIIIIIIIIIII BABY ILYSM HOW ARE YOU I MISS YOU i’m losing my mind
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evilkitten3 · 9 months
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What would you think, if, after getting advice from Iroh, Zuko and the gang travel to the spirit world in order to find Aang’s people so that Aang can teach the air acolytes more about the air nomads? But Zuko gets attacked by a poisonous spirit and reverts back to pre Season 2 Zuko after losing some of his memories due to the poison fogging his mind. Zuko is confused and doesn’t know why he’s firelord. The gang try to explain things to him, but it only causes him to become even more confused. Aang and the gang then leave Zuko behind to spend more time with the air acolytes. While they’re gone, Zuko is very uncertain about what to do, but soon corrupt advisors convince him to restart the war. Zuko doesn’t remember his friendship with Aang, but he hears that he once joined Aang, so Zuko assumes that Aang once brainwashed him into joining team Avatar and turning against his Father. Zuko intends to be a much greater firelord than his father, and he and his army raid the air acolyte settlement in their airships in order to hunt down Aang once again, and end up burning down the settlement. Aang and the gang wonder why Zuko chose to hunt them down again. Aang eventually comes to the conclusion that Zuko backslid due to bad advice from his advisors and because he lost some of his memories. Aang then travels the nations looking for a cure to help restore Zuko’s memories.  
Azula escapes from the mental institute and Zuko sends bounty hunters after her to capture her. Soon, Azula gets bitten by a snake, so she finds help in the village of Jang Hui where she is healed by two waterbenders, who are taking refuge there. Jang Hui is the village Katara helped in The Painted Lady. And the villagers aren’t on good terms with the firelord. The villagers accept her and assume that she’s on their side because she’s made an enemy of the Firelord. The villagers teach Azula how to heal people using firebending techniques inspired by water bending, and she ends up becoming a fisherwoman because it’s a fishing town. She starts to warm up to the town, but one day she overhears the waterbenders talking about sneaking out to sabotage the smelting factory(which is currently undergoing reconstruction) in order to help the villagers. Azula offers to join their mission, and the three sneak out to destroy the factory, but she betrays the waterbenders over to the fire nation in hopes that she might bring glory to the fire nation. But now that the waterbenders are captured and eliminated, the town is defenseless. Zuko’s army burns the town down leaving few survivors. Zuko didn’t exactly authorize the attack, but he did give his generals permission to do whatever it takes to stop the villagers from trying to halt the rebuilding of the factory used for the war effort. A few survive and declare revenge on Azula for what she did.  
Azula starts to feel terrible about betraying the people who saved her life and indirectly causing the village to be destroyed, since she didn’t know it would be destroyed. And she holds Zuko partially responsible for destroying the village. After wandering around, Azula looks through a telescope and sees Aang try to save a fire nation village from a volcano, and she also sees Zuko. Zuko does nothing after his corrupt advisors tell him to leave the village, saying that Aang will probably die, so Zuko runs away. But Aang manages to save the village from the erupting volcano. Azula gets accepted into the gang when she uses her new healing abilities to heal Aang, who is wounded by the volcano. They reluctantly team up to stop Zuko.
After wandering around the Earth Kingdom to look for a cure for Zuko's memory loss, the gang sees a massive stream of fire pour down from a few fire nation airships hovering above a village. The stream of fire burns the village to the ground, leaving few survivors. It turns out that fire nation scientists developed a highly addictive serum that can increase the fire power of any fire Bender. The downside is that prolonged use of the serum results in loss of the senses, and eventually death. Senses such as taste, smell, sight, touch, and hearing. Zuko intends take the serum and lead a fleet of airships to finish what his Dad started by burning the Earth Kingdom to the ground. After learning what Zuko intends to do, even Aang feels tempted to give up on him.
it's an interesting concept, but i have a few critiques.
first, if the gaang knows zuko lost his memory, why would they leave him in the first place? and even if they did that, surely there'd be somebody in the palace who could say "hey firelord zuko maybe don't restart the war dude wtf" or at least alert the gaang or something.
second, i've seen a lot of people try to have azula's redemption involve learning some kind of healing, and i gotta say, it very very rarely does anything for me. for starters, it (probably unintentionally) reinforces the northern water tribe's ideology that healing is inherently for women (the show admittedly also did this bc the only named male waterbender who uses any kind of healing in any canon that i'm aware of is unalaq). moreover, it's not something i think azula would be particularly good at or have much interest in.
also, why are there waterbenders in jang hui? it's a fire nation village. you said they were taking refuge, but from what, and why there? on top of that, azula knows zuko is firelord and doesn't know he's lost his memories, so why would she assume betraying the waterbenders to the fire nation would bring it glory? if she just broke out of the asylum, then the last time she saw zuko was when he and katara fought her during the agni kai.
third, if zuko lost his memory to a "poisonous" (???) spirit in the spirit world, why are they searching the earth kingdom for a cure? shouldn't they be looking in the spirit world? aang's the avatar, and iroh's gotten in before, so it shouldn't be the hardest thing in the world.
fourth, if zuko lost all his memories of books 2 and 3, he shouldn't know about ozai's plan to burn everything to the ground, since that wasn't established until after he returned to the fire nation with azula, mai, and ty lee.
finally, even before book 1 began, zuko was deeply loyal to his people, balking at the mere idea of sacrificing newbie soldiers for the sake of a win, so i can't fathom a world where zuko is ok with burning down jang hui (a fire nation village) just cuz.
i'm not trying to say there's no potential here, you have some very interesting ideas, but there's a lot that doesn't really work for me.
(to be fair tho i'm not a huge fan of anything involving much of the air acolytes bc i frankly could not give less of a fuck about them. i don't hate them or anything they just don't mean anything to me)
#atla#it's an interesting concept#but honestly as described here it's more confusing than anything else#also the whole premise relies on the idea that zuko blindly listens to what people tell him to do#which is something he's never once managed ever in his life#also the whole ''let's burn everything to the ground'' was something zuko wasn't remotely ok with#bc unlike azula he hasn't been raised to believe that the right thing to say is whatever makes dad proud of you#he HAS been raised to believe that paternal love has to be earned through blood sweat and tears#but if he knew ozai was in prison then obviously the best way to get his favor would be to let him out and reinstate him as firelord#which would be. very confusing to ozai#imagine just sitting in prison and then your son storms in and tells you he's freed himself of brainwashing and you can be in charge again#then imagine having to explain that the avatar can take away bending now but you'd be happy to help him rule from the shadows#since clearly your daughter wasn't of any use#...actually i think you have the start of a really good toxic father-son bonding experience that absolutely nobody wanted#having said that my biggest piece of advice is to cut the serum idea entirely#it makes no sense in the established atla world#they haven't even got antibiotics over there yet#it'll be awhile before they're inventing super soldier serums to create captain fire nation or whatever#also i'm curious what advice iroh gave that prompted all of this#aang doesn't need to go into the spirit world he has all the previous air avatars on psychic speed dial#oh and why would jang hui hate zuko?#katara definitely would've pushed him to send them help#also they apparently became famous for their seafood after the war#so zuko would probably be pretty well liked by them#again it isn't a bad idea it just needs a lot of workshopping#bc right now it raises way more questions than it seems intent on answering
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