Da more stuff a toon indulges in dat is un-cartoony-like and not what they're made for, they just start slowly becoming off-model and drippy to be more "realistic". So when Bendy keeps smokin, swearin, killin and stuff, he's gonna start seeing some changes sooner or later. It's up to him if he wants to stop or continue!
When Batman is out in his cowl he is able to record anything so that he can few it later. The faces he sees will run through a program for face recognition. This makes it easier to recognize faces of potential villains civilian identities. Because of that, the camera system of Wayne Enterprises is also linked to the program. The problem is, the same things applies to his league colleagues.
Of course he already knows the identity of most of them, but that is because they told him or he found out on pure accident.
But because of this he takes his colleagues faces out of the program. As long as they don't go rouge he sees no reason to infringe on this part of their life.
Well at least that is what he normally does, but he didn't bother with Phantom. Not only are there few cameras that can even catch him. He is also a dead, fourteen years old boy.
So really, it isn't Bruce fault. If he had known that Danny Phantom had a civilian identity, he would have gone through the trouble of blocking his face in the program.
But now a young man in his early twentieth sat before him, with a nervous smile on his face. And he is making puns. Daniel Fenton (and God they needed to talk about a better hero name, now that he knew the boy had a very similar civilian name) was the negative of Phantom. Black hair, blue eyes, older and alive.
But he could scold him later, after the job interview was over and Bruce found a way to explain to Danny that his new boss was also a founder of the Justice League.
I think the reason people have so much nostalgia for 80s and 90s Barbie--even collectors who were too young to have actually had them--is the material and tailoring of her clothing was better than on modern Barbie.
If there was a giant tub of 80s Barbies and a giant tub of modern Barbies and I randomly grabbed one doll for each then, yeah, I think the odds are that I would find the 80s Barbie more technically impressive.
But looking at Barbie as an entire line, something about her 80s toys feels so . . . elderly. Like an old person's conception of female beauty and fashion, as informed by southern beauty pageants.
It is completely unsurprising to me that Bratz ground Barbie's face into the dirt with their oversize feet when they debuted.