billy collins in response to being asked "if you aren't a poet, but were interested in getting started, how would you do that?"
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Sonnet
by Billy Collins
All we need is fourteen lines, well, thirteen now,
and after this one just a dozen
to launch a little ship on love’s storm-tossed seas,
then only ten more left like rows of beans.
How easily it goes unless you get Elizabethan
and insist the iambic bongos must be played
and rhymes positioned at the ends of lines,
one for every station of the cross.
But hang on here wile we make the turn
into the final six where all will be resolved,
where longing and heartache will find an end,
where Laura will tell Petrarch to put down his pen,
take off those crazy medieval tights,
blow out the lights, and come at last to bed.
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franz wright / ada limón / billy collins
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Consolation
How agreeable it is not to be touring Italy this summer,
wandering her cities and ascending her torrid hilltowns.
How much better to cruise these local, familiar streets,
fully grasping the meaning of every roadsign and billboard
and all the sudden hand gestures of my compatriots.
There are no abbeys here, no crumbling frescoes or famous
domes and there is no need to memorize a succession
of kings or tour the dripping corners of a dungeon.
No need to stand around a sarcophagus, see Napoleon's
little bed on Elba, or view the bones of a saint under glass.
How much better to command the simple precinct of home
than be dwarfed by pillar, arch, and basilica.
Why hide my head in phrase books and wrinkled maps?
Why feed scenery into a hungry, one-eyes camera
eager to eat the world one monument at a time?
Instead of slouching in a café ignorant of the word for ice,
I will head down to the coffee shop and the waitress
known as Dot. I will slide into the flow of the morning
paper, all language barriers down,
rivers of idiom running freely, eggs over easy on the way.
And after breakfast, I will not have to find someone
willing to photograph me with my arm around the owner.
I will not puzzle over the bill or record in a journal
what I had to eat and how the sun came in the window.
It is enough to climb back into the car
as if it were the great car of English itself
and sounding my loud vernacular horn, speed off
down a road that will never lead to Rome, not even Bologna.
By Billy Collins
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In All the Excitement I Forgot to Ask His Name
In the middle of a walk
across San Diego’s famed Balboa Park
one damp, sea-soaked morning,
I was politely introduced
by a woman in a blue jogging suit
to the third fastest whippet in America,
a young, wiry, white and tan creature
crouching tensely by her side.
He can cover 200 yards in 11 seconds
and crosses the tape at 35 miles per hour,
she told me, as we stood
under an enormous eucalyptus tree.
The dog was paying no attention.
He was staring straight ahead
across what looked like 200 yards of open lawn,
restrained by a special leather leash.
Young, wiry, white and tan,
poised at the end of a century of breeding,
his tail was coiled under his belly,
he had 11 seconds dancing in his eyes.
Billy Collins
in Poetry, May 2003
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April 8, 2024: As If to Demonstrate an Eclipse, Billy Collins
As If to Demonstrate an Eclipse
Billy Collins
I pick an orange from a wicker basket
and place it on the table
to represent the sun.
Then down at the other end
a blue and white marble
becomes the earth
and nearby I lay the little moon of an aspirin.
I get a glass from a cabinet,
open a bottle of wine,
then I sit in a ladder-back chair,
a benevolent god presiding
over a miniature creation myth,
and I begin to sing
a homemade canticle of thanks
for this perfect little arrangement,
for not making the earth too hot or cold
not making it spin too fast or slow
so that the grove of orange trees
and the owl become possible,
not to mention the rolling wave,
the play of clouds, geese in flight,
and the Z of lightning on a dark lake.
Then I fill my glass again
and give thanks for the trout,
the oak, and the yellow feather,
singing the room full of shadows,
as sun and earth and moon
circle one another in their impeccable orbits
and I get more and more cockeyed with gratitude.
--
Also: Seeing the Eclipse in Maine, Robert Bly
Enjoy today's eclipse, North America!
More space-related poems.
Today in:
2023: Neither Time Nor Grief is a Flat Circle, Christina Olson
2022: Pippi Longstocking, Sandra Simonds
2021: Waking After the Surgery, Leila Chatti
2020: Gutbucket, Kevin Young
2019: Insomnia, Linda Pastan
2018: How Many Nights, Galway Kinnell
2017: The Little Book of Hand Shadows, Deborah Digges
2016: Now I Pray, Kathy Engel
2015: Why I’m Here, Jacqueline Berger
2014: Snow, Aldo, Kate DiCamillo
2013: from The Escape, Philip Levine
2012: Thirst, Mary Oliver
2011: Getting Away with It, Jack Gilbert
2010: *turning, Annie Guthrie
2009: I Don’t Fear Death, Sandra Beasley
2008: The Dover Bitch, Anthony Hecht
2007: Death Comes To Me Again, A Girl, Dorianne Laux
2006: Up Jumped Spring, Al Young
2005: Old Women in Eliot Poems, David Wright
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Look in art: Sun Yuan & Peng Yu
Sun Yuan [born 1972] and Peng Yu [born 1974] are artists living and working collaboratively in Beijing.
* * * *
Billy Collins, “The Afterlife” →
They’re moving off in all imaginable directions,
each according to his own private belief,
and this is the secret that silent Lazarus would not reveal:
that everyone is right, as it turns out.
you go to the place you always thought you would go,
the place you kept lit in an alcove in your head.
Some are being shot into a funnel of flashing colors
into a zone of light, white as a January sun.
Others are standing naked before a forbidding judge who sits
with a golden ladder on one side, a coal chute on the other.
Some have already joined the celestial choir
and are singing as if they have been doing this forever,
while the less inventive find themselves stuck
in a big air conditioned room full of food and chorus girls.
Some are approaching the apartment of the female God,
a woman in her forties with short wiry hair
and glasses hanging from her neck by a string.
With one eye she regards the dead through a hole in her door.
There are those who are squeezing into the bodies
of animals—eagles and leopards—and one trying on
the skin of a monkey like a tight suit,
ready to begin another life in a more simple key,
while others float off into some benign vagueness,
little units of energy heading for the ultimate elsewhere.
There are even a few classicists being led to an underworld
by a mythological creature with a beard and hooves.
He will bring them to the mouth of the furious cave
guarded over by Edith Hamilton and her three-headed dog.
The rest just lie on their backs in their coffins
wishing they could return so they could learn Italian
or see the pyramids, or play some golf in a light rain.
They wish they could wake in the morning like you
and stand at a window examining the winter trees,
every branch traced with the ghost writing of snow.
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Billy Collins
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Irish Poetry
That morning under a pale hood of sky
I heard the unambiguous scrape of spackling
against the side of our wickered, penitential house.
The day mirled and clabbered
in the thick, stony light,
and the rooks’ feathered narling
astounded the salt waves, the plush coast.
I lugged a bucket past the forked
coercion of a tree, up toward
the pious and nictitating preeminence of a school,
hunkered there in its gully of learning.
Only later, by the galvanized washstand,
while gaunt, phosphorescent heifers
swam beyond the windows,
did the whorled and sparky gib of the indefinite
wobble me into knowledge.
Then, I heard the ghost-clink of milk bottle
on the rough threshold
and understood the meadow-bells
that trembled over a nimbus of ragwort—
the whole afternoon lambent, corrugated, puddle-mad.
Billy Collins
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The History Teacher
by Billy Collins
Trying to protect his students' innocence
he told them the Ice Age was really just
the Chilly Age, a period of a million years
when everyone had to wear sweaters.
And the Stone Age became the Gravel Age,
named after the long driveways of the time.
The Spanish Inquisition was nothing more
than an outbreak of questions such as
"How far is it from here to Madrid?"
"What do you call the matador's hat?"
The War of the Roses took place in a garden,
and the Enola Gay dropped one tiny atom
on Japan.
The children would leave his classroom
for the playground to torment the weak
and the smart,
mussing up their hair and breaking their glasses,
while he gathered up his notes and walked home
past flower beds and white picket fences,
wondering if they would believe that soldiers
in the Boer War told long, rambling stories
designed to make the enemy nod off.
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