Emma Peel as the “Queen of Sin”
Diana Rigg, “A Touch of Brimstone,” The Avengers, 1965
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The Principle of Evil Made Flesh by Cradle Of Filth is a dark, twisted, and incredibly Black Metal Album. From the opening track,to the closing track, this album is a non-stop assault on the senses. The musicianship is top-notch, Dani Vocals are absolutely demonic.
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i just know because of the shitty middle aged woman demographic Amanda Abbington is going to do well on strictly come dancing, but i really hope however well she does Layton Williams does better so young LGBTQ+ people can see that they’re allowed to turn up, to take up space to be present and seen. We’re allowed to win because fuck hate
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kate and yelena take a trip to london and kate wakes up alone one night and starts panicking until yelena comes back admitting awkwardly she tried to break into the tower of london to get kate a “little souvenir” to remind them of the trip like kate asked but she’s more confused how yelena didn’t get caught
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We all talk about the Miranda/Silver parallels, but I just rewatched 3x08 and it occurs to me that in the later seasons, there's kind of an Anne/Silver parallel as well: they're wildly different in terms of personality, but both their identities exist as an extension of another person — Anne says that when she tells someone her name, the first thing they say is Jack's; and by mid-season 3, the same is true of Long John Silver with Flint — and both are invested in Flint's war out of loyalty to the person/people they care about rather than its actual aims (Anne wants to free Jack but doesn't care about retrieving the chest of Spanish gold; Silver ends the war to keep Madi and possibly Flint, depending on your interpretation of the ending, alive). The difference is that Anne's loyalty to Jack is ultimately requited, whereas Madi and Flint both love Silver, but no amount of love is more important to them than their war.
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