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cuddl3s4shur1 · 1 year

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Love Or War

Shuri x Talacon Fem reader

Wakanda Forever Spoilers!

Summary:You where told to go on a mission to have a 1v1 with the black panther . You couldn’t be serious the whole time so you where either cracking jokes or flirting. After your being 1 v1 the 2 of you could only think about love or war

Authors Note:GRAMMAR ISSUES im lazy

You where a member of the talacon and recently your nation had been going against wakanda. They had been going against wakanda and hitting hard at that . Recently you got a mission to break in to the “lab” .Your mission was to have a 1v1 with now the queen shuri . The only problem with this plan was what if she punched a whole in your mask . You told your thought to Namor and he exclaimed that you had to drink something .The drink would make you like Namor half human and half fish . You where happy you could be on earth and be just fine.

Now was your debut your debut to have your 1v1 agains shuri.You had been training for months for this moment.While other members of the Talacon was destroying the outside of the place as a distraction. You where making your way into the lab .

Once you got in the lab you start to look around .”This is pretty nice” you say casually.Your back was facing the door you heard the sound of spear coming your way . You reach your hand up catching the spear .

“Thought you where slick huh “ you tug on the spear getting control of the spear . You slowly turn around to see the face of queen shuri . “Just the lady I was looking for ironic “ you smile . “Who are you and why are here” shuri says getting defensive.”Oh silly me I forgot to introduce myself “ you chuckle . “Well my princess I mean queen I am y/n a member of the talacon” you say while bowing.

You start to feel the spear with your hand . You felt engraved letters on the hold .You touched the blade with your finger.”Nice Blades you got here babe very pointy” you end with a smile .You where fighting with your hands.As you where using your fists for this fight you some how got shuri on the ground. You started to look and get on top of shuri . “What an iconic moment right now I got the kitty on the ground “ you smiled . “Not for long she says “ she now was on top of you . “ What’s wrong cat got your tongue “ she smirks

Shuri was getting fed up she wanted to fight at this point.”Not a talkative person I suppose “ you say getting in fighting stance . “Give me everything you got babes “ you say than you whisper “even if that means you have to choke me also I personally like it rough” you giggle .

Shuri had changed into her black panther suit while you where talking . Danm she was fine in the suit . She pressed a button showing a smirk on her face you knew that the 1v1 had finally started.

She took her claws out and started to try to claw you . “Not to fast kitty “ you say dodging her claws. You use the spear to jump behind shuri and Stab her in her back. You guys where now fix fighting. She tried to trip you but you did a cartwheel. You lost your spear at some point which means you only had hands.

You where fighting with your hands.As you where using your fists for this fight you some how got shuri on the ground. You started to look and get on top of shuri . “What an iconic moment right now I got the kitty on the ground “ you smiled . “Not for long she says “ she now was on top of you . “ What’s wrong cat got your tongue “ she smirks .”No just admiring how your so sexy” you smirk . You decided to get up from your position . You punched her in chest and jumped behind her to turn her around and do the same thing .

You got your spear trying to hit the black panther in the stomach but they happen to be to fast . “Did the panther get to fast for you “ she chuckles . “Oh no doll it was a distraction to do this” you break her mask with a spear . “ just wanted to see your pretty face of course “ you smile .

You guys kept on fighting at this point. But then you made your way on the floor.”Looks like you most really like the floor “ she chuckles than smirks . “When I said rough I didn’t mean this rough” you say rolling your eyes .You kick up kicking shuri and getting up .Shuri groans while you where getting up . You kept using your spear to fight due to you not having your other weapons .

She kept trying to punch but you would either dodge or punch or both . Every time you would use your spear it would either fall or shuri would get in control. At some point shuri was on top of you . But it didn’t last that long due to you doing a wink sliding under her to surprise her from behind . That was a very iconic fighting move if you say so yourself.

You got kicked pretty hard in your stomach . But you got payback later in the fight . You happened to break her mask in the middle of the fight.In that case she was mask-less for the rest of the fight . You started to hear Dora miljae talking outside the lab . This was your cue to leave the lab. “Your pretty good at fighting kitty ,next time not to rough and stop looking kissable . You say while chuckling and leaving .

When you got home all you could think about was the fight with the queen . How she was kinda funny during it and how damn fine she looked in that suit . Where you developing feelings for the the Enemy.

Shuri was thinking about how flirtatious you where acting . It made her smirk while thinking about all the names you called her . It turned her on . You where on her mind and she was on yours the only problem was

Did you guys want

Love

War

#black panther wakanda forvever spoilers #shuri #shuri fanfiction #shuri udaku #queen shuri #princess shuri #wakanda forever #daddy panther #black panther #black panther marvel #mcu shuri #mcu fanfiction #shuri x y/n

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listadisneylgbt · 7 months

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Black Panther: Wakanda Forever

En esta película hay una escena de 10 segundos donde vemos interactuar a los personajes de Ayo y Aneka, la segunda le da un beso en la frente a la primera que luego le dice “Thank you, my love”, en español “Gracias, mi amor”. Esta pareja fue confirmada luego por la actriz de Aneka, además de que en los comics ya era cannon.

Video de: https://www.tiktok.com/@intparies/video/7165769664369315115?is_from_webapp=v1&item_id=7165769664369315115&lang=es

#disney #disneyla #disneylgbt #disneylgbtq #lgbt #lgbtq #lgbtq🌈#lgbtqia #lgbtargentina #lgbtcommunity #lgbtpride #pride #pride🌈#orgullo

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stargraev · 1 year

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BLACK PANTHER V1 #2

Words/Art Jack Kirby

1977

#black panther #jack kirby #read his whole run and it’s wildly entertaining #comics are good #marvel #Bronze Age

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sharoncarterappearances · 3 years

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Captain America V1 #100 pt.2

Writer : Stan Lee

#sharon carter #comics :: captain america v1 #w :: stan lee #c :: steve rogers #c :: batroc #marvel #comics #p :: jack kirby #c :: black panther

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comic-bucky · 4 years

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Golden Age

Captain America Comics (1941) #1-78

All-Winners Comics (1941) #1-21

Young Allies Comics (1941) #1-20

USA Comics (1941) #6-17

Kid Komics (1943) #2-10

All-Select (1943) #1-10

Complete Comics (1944) #2

Mystic Comics (1944) #4

Young Men (1950) #24

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Silver Age

The Avengers (1963) #4, #56, #106-107, #277, #387, Annual #16

Sgt. Fury (1963) #13

Tales of Suspense (1964) #63-71, #75, #82, #95

Captain America v1 (1968) #105, #107, #109, #112, #121, #128, #131-132, #139, #162, #176, #215, #219-220, #227, #253, #255-157, #261, #264, #281, #294, #297-299, #326, #349-350, #372, #383-384, #423, #437, #441, #445, #447-448

Captain America Annual (1970) #1, #6, #9, #13

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Bronze Age

The Invaders (1975) #1-31, #38-39, Annual #1

Captain America's Bicentennial Battles (1976)

Marvel Premiere (1972) #29-30

What If..? (1977) #1, #4, #5

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Modern Age

What If..? v2 (1989) #28, #105, #200

Adventures of Captain America (1991) #1-4

Captain America: Medusa Effect (1994)

War Machine (1994) #15-17

Batman/Captain America (1996)

Deadpool v1 (1997) #0, #61

Captain America/Citizen V (1998)

Captain America: Sentinel Of Liberty (1998) #7, #12

Fantastic Four (1998) #569, #584, #588

Domination Factor: Avengers (1999) #2.4, #3.6

Earth X (1999) #0-1, #4, #10

Universe X (2000) #9, #X

Universe X Special: Cap (2001) #1

Paradise X (2002) #0-1

Captain America v3 (1998) #1, #12, #25, #32, #39, #48, #50, Annual 2001

Captain America/Nick Fury: The Otherworld War (2001)

The Ultimates v1 (2002) #1, #3, #7

The Ultimates v2 (2005) #1, #8

Ultimate Avengers (2009) #2, #6

The New Invaders (2004) #2

Captain America v4 (2002) #10, #17, #19-20, #26

Captain America: 65th Anniversary Special (2006) #1

Captain America Comics 70th Anniversary Special (2009) #1

Captain America Comics 70th Anniversary Special (2011) #1

Cable & Deadpool (2004) #45

Captain America v5 (2005) #1-50

Winter Soldier: Winter Kills (2007)

Young Avengers Presents (2008) #1

Punisher War Journal (2007) #11

Fallen Son: Wolverine (2007)

Wolverine: Origins (2006) #15-20, #23, #25, #30

Civil War: Battle Damage Report (2007) #1

Iron Man/Captain America: Casualties of War (2007) #1

Secret Invasion (2008) #4, #6-8

What If? Secret Invasion (2010) #1

Avengers/Invaders (2008) #1-12

House of M: Civil War (2008) #3-4

What If? House Of M (2009) #1

Mythos: Captain America (2008) #1

Invincible Iron Man v1 (2008) #17, #20-22, #501

Incredible Hulk v2 (2009) #601, #607, #609

Nomad: Girl Without a World (2009) #1, #4

Ms. Marvel v2 (2006) #41-42

Ms. Marvel: War of the Marvels (2009) #1

Agents of Atlas (2009) #3-5

New Avengers (2009) #48-64, Finale

The Amazing Spider-Man v1 (2009) #600-601, #637, #648, #661

Wolverine (2003) #38-40, #72-74

Young Allies: 70th Anniversary Special (2009)

The Marvels Project (2009) #7-8

Avengers: The Initiative (2007) #19, #34-35

Dark Reign: The List - Avengers (2009) #1

Captain America v1 (2009) #600-619

Captain America: Reborn (2009) #1-6

Captain America: Who Will Wield The Shield? (2010)

Siege (2010) #2-4

Siege: Captain America (2010) #1

Steve Rogers: Super Soldier (2010) #1

Dark Wolverine (2009) #84

Avengers v4 (2010) #1-7, #10, #12.1, #16

Avengers vs. Pet Avengers (2010) #1-4

I am An Avenger (2010) #2, #4-5

Free Comic Book Day: Avengers (2009) #1

AAFES 7th Edition (2009) #7

AAFES 9th Edition (2010) #9

Wolverine: Weapon X (2010) #12-15

Avengers vs. Atlas (2010) #1, #4

Dark Avengers Annual (2010) #1

Hawkeye & Mockingbird (2010) #1

Age of Heroes (2010) #1

Invaders Now! (2010) #1-5

World War Hulks (2010) #1

World War Hulks: Captain America vs Wolverine (2010) #1-2

Captain America The 1940s Newspaper Strip (2010) #1-3

Captain America: Forever Allies (2010) #1-4

Black Panther/Captain America: Flags of Our Fathers (2010) #4

Black Widow: Deadly Origin (2010) #1-4

Black Widow v4 (2010) #1-6

Chaos War (2010) #1, #5

Chaos War: Dead Avengers (2011) #1, #3

Heroes for Hire v3 (2011) #9-10

Fear Itself (2011) #3-4

Fear Itself: Captain America (2011) #7.1

Fear Itself: The Worthy (2011) #1

All-Winners Squad: Band of Heroes (2011) #1-5

Captain America and Falcon (2011) #1

Captain America: A Little Help (2011) #1

Captain America Corps (2011) #1-5

Captain America and Bucky (2011) #620-624

Captain America: Hail Hydra (2011) #1-2, #5

Captain America v6 (2011) #1-2, #19

The Winter Soldier (2012) #1-19

Marvel Zombies Destroy (2012) #1-5

Secret Avengers v1 (2010) #15

Secret Avengers v2 (2013) #9, #16

Captain America v7 (2013) #6, #13, #20

Winter Soldier: The Bitter March (2014) #1-5

Marvel 75th Anniversary Celebration (2014) #1

All-New Marvel Now! Point One (2014) #1

All-New Invaders (2014) #1-15

Original Sin (2014) #1-8

Bucky Barnes: The Winter Soldier (2014) #1-11

Black Widow v5 (2014) #8, #12, #15, #17-18

Planet Hulk (2015) #1-5

Runaways v4 (2015) #1-4

1602 Witch Hunter Angela (2015) #1

1872 (2015) #1-2

Red Skull (2015) #1-2

Civil War (2015) #1-4

Captain America: White (2008) #0-5

Captain America: Sam Wilson (2015) #7-8

Loki: Agent of Asgard (2014) #12

A-Force v1 (2015) #5

POP Secret Avengers: A Tussle in Time (2016)

Thunderbolts (2016) #1-12

Captain America: Steve Rogers (2016) #1-2, #4, #11-13, #16, #18

All-New, All-Different Avengers (2015) #8-9

Avengers Standoff: Welcome to Pleasant Hill (2016) #1

Avengers Standoff: Assault On Pleasant Hill Alpha (2016) #1

Avengers Standoff: Assault On Pleasant Hill Omega (2016) #1

Black Widow v6 (2016) #9-10

Captain Marvel v6 (2016) #8

Agents of S.H.I.E.L.D. (2016) #8

A Year of Marvels: July Infinite Comic (2016) #1

Generations: Sam Wilson: Captain America & Steve Rogers: Captain America (2017) #1

Secret Empire (2017) #0, #2, #4-5, #8-10

Secret Empire: Brave New World (2017) #1-2, #4-5

Secret Empire Omega (2017) #1

Tales of Suspense v2 (2017) #100-104

Captain America v8 (2017) #25, #695, #701

Captain America v9 (2018) #1, #5-7, #12, #19-21

The Punisher v8 (2016) #227-228

The Punisher v9 (2018) #5

Old Man Hawkeye (2018) #6, #8

The Unstoppable Wasp (2018) #7-10

Rise of the Black Panther (2018) #3

Captain America Annual (2018) #1

Winter Soldier (2018) #1-5

Invaders (2019) #1-12

War of the Realms (2019) #3-5

War of the Realms - Strikeforce: The War Avengers (2019) #1

Strikeforce (2019) #1-9

Web of Black Widow (2019) #2, #5

Deadpool v5 (2018) #13

Gwenpool Strikes Back (2019) #3

Captain Marvel v8 (2019) #6

Uncanny X-Men (2019) #11

Marvel Comics (2019) #1000-1001

Marvel Comics Presents (2019) #7

History of the Marvel Universe (2019) #2, #5

Avengers: Save Like A Hero (2019) #1

Captain America & The Invaders: Bahamas Triangle (2019) #1

Spider-Woman v6 (2020) #1

Amazing Spider-Man (2020) #38

Ruins of Ravencroft: Dracula (2020) #1

Hawkeye: Freefall (2020) #1, #4

Falcon & Winter Soldier (2020) #1-5

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Other Bucky reading guides *work in progress*

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updated 12/08/20

#reading guide #bucky barnes #winter soldier #comic bucky #some of them are cameos but they are great #the other guides are coming one of these days

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agentxthirteen · 3 years

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SAM WILSON aka The Falcon is a former U.S. Air Force pararescue jumper turned Avenger who was Steve Rogers’ right hand man. When Sam finds himself tangled in an international conflict that is more personal than he could have ever imagined, his only shot at overcoming this trial will be to team up with his least favorite 106-year-old: Bucky Barnes. Anthony Mackie, who returns as Sam/Falcon, welcomed the opportunity to dive deeper into the character. “I feel like with this series, we've been able to show you why Sam and Bucky are who they are and why they believe in what they believe,” he says. “You get to meet and get to know them as three-dimensional characters. You get to see them as people. It's funny because usually in a movie forum, you only have two hours to tell the beginning, middle and ending of a story. But we have six episodes to tell the entire scope of where these characters have been, how they feel about the world they're in, and where they're going once this series is over.”Upon returning from the Blip, Sam joins his sister Sarah in Louisiana in an effort to help save the family business. It’s complicated and he struggles. “Sam became a hero because of where he’s from—he saw that the world was not fair,” explains head writer Malcolm Spellman. “He ran off to save the world by joining the military. But he’s always worried if joining the military was really about running away from problems at home—they seemed so insurmountable, it'd be easier to save the world.”But it’s not the only thing on his mind. The future of the shield and the role Sam plays is not as clear as Steve Rogers anticipated. Says Spellman, “He truly believes that there’s an argument to be made that red, white and blue—stars and stripes—inherently represents oppression.”Adds Mackie, “Sam considers the shield a representation of the country that we live in. There's a lot of trepidation as far as how does a Black man represent a country that does not represent him?”

BUCKY BARNES was Steve Rogers’ best friend and a WWII veteran who was brainwashed by Hydra to become the Winter Soldier—a deadly and ruthless assassin who would stop at nothing to achieve his assigned mission. As revealed in the post-credit sequence of “Black Panther,” Bucky’s mind was healed by the Wakandans, and he later joins the Avengers to heroically battle and ultimately defeat Thanos. But now that Bucky has been thrust back into the real world, he must figure out how to become James Barnes again—all while facing the demons from his past. Sebastian Stan portrays the eternally troubled Bucky/Winter Soldier. “He is trying to embrace his new life—but he’s pretty lost and having an identity crisis again,” says Stan. “He's doing his best, finding his own path after Steve, after all those events. It feels like this is the first time he's finally free, so to speak, to look after himself. But it's not easy. “How does this character now function in the world?” continues Stan. “What's his life going back to Brooklyn? How is he meeting people? How is he interacting at coffee 5shops? Is he dating? Is he thinking about another career? Is he in therapy? There were all these questions about where we could take this character. There were a lot of fun and exciting things that came out of that exploration.”Co-executive producer Zoie Nagelhout adds that for the first time, Bucky is making a concerted effort to take charge of his life—and that includes making some difficult amends. “He is working to unburden himself from the trauma of being the Winter Soldier,” she says. “He believes that will get him closer to knowing what he wants.”Stan asserts, however, that Bucky’s past is there to stay. “Look, there's always going to be a darker side of this character, which I’ve always loved—it’s what makes him more interesting and complex,” he says. “I feel like that doesn’t go away. It's still there deep down. He's just learning how to deal with it a little bit better.”

JOHN WALKER is one of the highest-ranking soldiers in the U.S. military. He is patriotic, strong, good-intentioned, and every bit of him will be put to the test as he tries to team up with Sam and Bucky to protect the world from a new threat. Wyatt Russell was called on to portray the dedicated soldier. “We thought Wyatt was an interesting choice because a lot of his work before had him playing the slacker with long hair and a beard,” says executive producer Nate Moore. “But we found this unique energyin him that neither Sam Wilson nor Bucky Barnes has, and we felt that was important so that John Walker stood apart from these two characters.”But, says Russell, Walker’s journey is not without complication. “I gravitate towards characters who need to make difficult decisions,” he says. “His dichotomies are what attracted me to him, and I’ve been allowed the leeway to shape him a little because we’ve never met this character before.”

SHARON CARTER, a former S.H.I.E.L.D. agent who went on the run after breaking the Sokovia Accords, knows that if she stepped foot in the United States, she’d be arrested. But life underground has taken its toll on Sharon, who’s become somewhat jaded while fending for herself since the events of “Captain America: Civil War.” But heroism runs in her blood, and she finds herself tangled in Sam and Bucky’s global fight.Emily VanCamp, who returns to the MCU as Sharon Carter, says the character has changed since we last saw her. “Listen, when we find Sharon, she’s in a pretty dark place,” says VanCamp. “When we first see her, there’s a little bit of anger. She’s tougher, a little raw and rough around the edges—a totally different version of Sharon than what we’ve seen in the films. That’s really interesting to explore.”Adds Nagelhout, “We never really heard from Sharon after she put herself out there for Cap, Sam and Bucky, so we felt it was important to tell her story—to see what’s she’s been going through after throwing her career away to do what she felt was right. She’s that kind of person.”

ZEMO, the Sokovian special forces officer who targeted the Avengers after he lost his family in the battle of Sokovia, has been rotting in a German prison since we last saw him in “Captain America: Civil War.” But Zemo isabout to be reignited with a new ferocity. “I kind of fell in love with Zemo,” says director Kari Skogland. “He’s a man who’s struggling with this desire for revenge. But his story is a slippery slope of trying to make something right, but going about it all wrong. So, when we meet him, he’s paying for his crimes. He’s lost everything. He’s in a very sad place. I couldn’t help but feel a certain amount of sympathy for him.” DanielBrühl, whoreturns as Zemo, feels similarly about the character. “In ‘Civil War,’ I was fascinated by the fact that Zemo is a multi-layered villain,” he says. “He’s not just a sinister bad guy. But there was not that much time to explore different facets of him, so it was great to be given the opportunity to revisit this character.”

#sharon carter #sam wilson #bucky barnes #baron zemo #spoilers #john walker

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mattelektras · 3 years

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do quicksilver and black panther have a friendship in comics? this may just be the avengers 60s comic but they’re very friendly towards each other!

their interactions have mostly been 60s yeah they were on that team together for a long time but they had a fair few nice interactions in and beyond that, probably more than im remembering. t’challa called him old friend (in iron man v1 i think) once which was cute. he did punch him in the face first but thats kind of normal when approaching pietro

#anonymous #q & a

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comicreadingorder · 4 years

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Uncanny X-Men by Chris Claremont Reading Order

With each list made I felt better about trying harder ones, but this was still the most intimidating comic reading list there is. It encompasses so many years, titles, minis, GNs and characters that I didn’t know what to bother with and what not to, or where they led. It took me a long time and a lot of mixing and matching of other lists to find a basic framework that I could then nudge as I read it.

This is an attempt at presenting the entire mutantsphere as it evolves. When New Mutants/X-Factor/Excalibur start I add what you need to know to introduce them - things that you would’ve known about if you were reading at the time of release just because of the climate or through osmosis. That said, I only mention the basics for setting up the title before returning to UXM, rather than integrating them all. Because of that not everything is by Claremont, but I’d say at least 80% is, and if I included anything that isn’t then there's a reason.

I chose to start with Classic X-Men, a reprint comic published in the late 80s to catch people up. Each issue has some corrections and cleaning up of panels or dialogue, plus a new short story (usually by Claremont) taking place around the time of each issue. I read these instead of the original issues because of the extras and benefit of hindsight.

Bold=important parts of the main story Italics=optional (with explanations)

Classic X-Men 1

Giant-Size Uncanny X-Men 1 -- Even though Classic 1 is supposed to be a modified reprint, it skips a lot of stuff in here, so I think both portray a more complete picture. Not gonna lie, it’s pretty messy reading both of these back to back cause Classic rewrites like 2/3 of the story, but that kind of big overhaul and confusion is only for the first issue.

Classic 2-13 (UXM 94-105)

UXM 106 -- Wasn’t in the Classic run because it wasn’t part of the “main” story but it’s a fun one shot.

Classic 14-16 (UXM 107-109)

UXM 110 -- A fill-in story that also wasn’t included in Classic, which is a crime because it’s the first time they played baseball!

Classic 17-30 (UXM 111-124)

UXM Annual 3

Classic 31-44 (UXM 125-138)

Bizarre Adventures 27

Phoenix The Untold Story -- Sort of a high-end “what if” issue that contains round table transcripts of the creators and editorial team, plus artwork of how they came to the conclusion of the story, and other possibilities along the way.

UXM Annual 4

Classic 45 (UXM 139) -- The end of the reprints adding new content. They continue on but without bonus stuff.

UXM 140

Marvel Team-Up (V1) 100 -- Introduces a future new mutant plus a short backup story about the first meeting between Storm and Black Panther as children. Written by Claremont.

UXM 141-149

Avengers Annual 10

UXM 150

UXM Annual 5

Marvel Fanfare (V1) 1-4

UXM 151-153

Uncanny X-Men and the Teen Titans -- Out of continuity crossover written by Claremont. Takes place around this time but can be read anytime after the Dark Phoenix Saga.

Marvel Treasury Edition 26, 27 -- The short backups near the end of each issue.

UXM 154-166

The New Mutants Graphic Novel -- Introduces the new students.

New Mutants 1-3 -- Leads into 167 better than just the graphic novel.

UXM 167

UXM Annual 6

UXM Special Edition (1983) — Reprint of giant-size 1 but includes a new kitty Pryde backup story.

X-Men: God Loves; Man Kills -- Wasn’t meant to be canon but future writers retcon it in.

UXM 168-171

Wolverine (V1) 1-4 -- Relevant to the main story.

UXM 172-175

UXM Annual 7

Magik 1-4 -- Shows how Illyana grew up and what she went through.

UXM 176-180

NM 15, 16 -- These (and later 17) follow Kitty’s journey with the NM while the rest of the X-Men are on Warworld in SW.

Secret Wars One 1-12 -- If you’ve read this before or don’t want to read the whole thing you don’t have to, but you should at least skim it for the X-Men bits, as the Colossus parts are particularly relevant. Magneto and Prof X also refer back to it sometimes.

UXM 181, 182

NM 17

UXM 183-188

Kitty Pryde & Wolverine 1-6

UXM 189-192

UXM Annual 8

Firestar 1, 2 -- Introduction to the character from the Spider-Man and his Amazing Friends cartoon into comics canon. It takes place over years which is why I cut UXM 193 in between.

UXM 193

Firestar 3, 4

X-Men and Alpha Flight 1-2 -- Muddy continuity things prevent it from clearly being put anywhere. Apparently the explanation is that it takes places between the middle and end of a single issue... Becomes relevant later.

UXM 194

Nightcrawler (V1) 1-4 -- Cockrum writes and draws Nightcrawler fucking around for four issues. Gets the briefest of acknowledgements later.

Power Pack (V1) 12, UXM 195

Secret Wars Two 1

UXM 196-198

Longshot 1-6 -- Introduces Longshot, Spiral, Mojo and Mojoworld.

UXM 199

NM Special Edition 1 (1985), UXM Annual 9

UXM 200, 201

X-Men: Heroes for Hope -- Special charity issue by every big name writer/artist at the time. Self-contained.

UXM 202-206

Avengers 263, Fantastic Four 286, X-Factor 1 -- These show how the Original 5 X-Men members come back together to form X-Factor. Can be read anywhere between 202 and 210, I just stuck them here for an attempt at pacing.

Marvel Fanfare 33 -- Doesn’t fit super well anywhere because this issue was meant as a video game tie-in. Other lists put it after annual 11 but that’s publication order and definitely doesn’t fit there.

NM Annual 2, UXM Annual 10

UXM 207-209

Mutant Massacre

UXM 210, X-Factor 9, UXM 211, XF 10, NM 46, Thor 373, Power Pack 27, UXM 212, Thor 374, XF 11, UXM 213 -- NM adds some backdrop -- like creating a medical area -- to the events but doesn’t progress the main story.

UXM 214-219

Fantastic Four vs The X-Men 1-4

X-Men vs Avengers 1-4 -- Provides closure to the story in 200.

UXM Annual 11

Fall of the Mutants

I dropped some titles you’ll see in other lists like Daredevil and New Mutants because they either add nothing or have their own, unrelated story that really just keeps you from the main title longer. Everything italicized is related to X-Factor, which also tells its own story but has some links to UXM which carry over into Inferno. It’s broken up with UXM issues for impact and spoilers. If you don’t care about X-Factor you can skip all that and just read 220-227.

XF 18-23, UXM 220-224, Incredible Hulk 340, XF 24, 25, PP 35, UXM 225-227, Captain America 339, XF 26, FF 312 -- Hulk is mostly a transition issue between 224 to 225, Power Pack just shows an extended version of a fight, Cap closes a loose end, Fantastic Four is an epilogue.

UXM 228-231

Excalibur Special Edition (1988) -- Alternate title “Excalibur: The Sword is Drawn.” This shows what happens to the leftover X-Men members who weren’t around for FotM and ties up their loose ends before launching Excalibur.

Marvel Comics Presents 1-10, Wolverine (V2) 1-8, 10 -- These take place over the months between 227 and 232. They’re just Wolverine solo stories I included because there are a couple easter eggs that distinctly place them during this time and because Claremont wrote them.

UXM Annual 12

UXM 232-238

Inferno

UXM 239, X-Terminators 1-3, XF 36, UXM 240-241, NM 71, XT 4, NM 72-73, XF 37, UXM 242, XF 38, UXM 243, XF 39

UXM 244, 245

UXM Annual 13 -- Atlantis Attacks tie-in that’s pretty confusing if you’re not following the whole event. Jubilee backup that shows what happens to her between 244 and her next appearance. The Jubilee story is kinda worth it.

Havok and Wolverine: Meltdown 1-4 — I didn’t add this originally because it’s disappointing and self-contained but eventually it’s mentioned again, years after these lists end, in X-factor 112.

UXM 246-267

Days of Future Present: FF Annual 23, NM Annual 6, XF Annual 5, UXM Annual 14

UXM 268, 269

X-Tinction Agenda: UXM 270, NM 95, XF 60, UXM 271, NM 96, XF 61, UXM 272, NM 97, XF 62

UXM 273-274

Kings of Pain: NM Annual 7, New Warriors Annual 1, UXM Annual 15, X-Factor Annual 6 -- Story across annuals about NW and X-Force with backups about Freedom Force. Totally skippable unless you’re reading those. Put here for breathing room between it and the Muir Isle saga.

UXM 275-277

Muir Isle Saga: UXM 278-279, XF 69, UXM 280, XF 70

X-Men (V2) 1-3

For some epilogue stories, see also

X-Men (V2) 4-11 -- Jim Lee stuck around on pencils through 11. And while I have opinions about his effect on the series, he drew the hell out of the book.

Weapon X (Marvel Comics Presents 72-84) — Barry Windsor-Smith tells the original story revealing Logan’s transformation and escape from Weapon X.

X-Men/Spider-Man -- A series of one-shots about crossovers between the team and SM across their careers. It’s fine by itself but excels at finding points in each title’s continuity to unite them. Like 4 issues of fun references and interactions.

X-Men: Grand Design -- A truncated retelling of the X-Men’s years from the start up to Claremont’s exodus, including most future retcons. It might seem weird to suggest a retelling of stories you just read but this is done so well while seamlessly including retcons and making small adjustments with the benefit of hindsight that it is itself a great reading experience. Sort of like when you watch a movie series after finishing the books to compare.

X-Men Forever: Alpha, 1-20, Annual 1, 21-24, Giant-Size 1, XMF 2: 1-16 -- This was an ongoing that Claremont started in 2009, picking up from X-Men #3 to tell the stories he’d had planned as if nothing happened afterwards, which he does for some (like pairing kitty with gambit) while others he just kills off because he decides he’d rather add some stuff he couldn’t have done back then. It’s still fun to see all the rumored plotlines and hints coming to fruition. Or being somewhat confirmed. The story itself isn’t satisfying, but at least it’s interesting. Alpha reprints those 3 issues from 1991 but also has a short story bridging the gap between it and issue 1. You should read it before starting the first issue because they didn’t even include that in the trade. After 24 it then has a giant-size one shot and reboots into X-Men Forever 2, which lasts up to 16.

I’ll occasionally add some stuff so if you didn’t catch something last time it might not have been there! Like the X-Men Forever entry, which I read almost 7 months ago but didn’t decide to put in until now.

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scarletwitchpanels · 2 years

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Marvel #6

#I’m obsessed with this style #wanda maximoff #scarlet witch #elektra natchios #t’challa #black panther #sw costume #marvel 616 #marvel #marvel v1 #mitch o’connell

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dragynkeep · 4 years

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Honestly, I wish they explored Weiss' past with the White Fang more because the way she described them in V1 is so interesting to me. She says they "executed" board members and made family friends "disappear." It'd be so interesting to see how that effected Weiss as a child and how it shaped her view on Faunus. It could also lead to exploring Blake's time in the WF, outside of Adam, because as much as the show likes to pretend she didn't, she probably killed or led to the death of some people.

god fucking mood. organizations like this are not pretty, they’re not sweet & uwu please lets all get along. they enforce change through violence & while it was hinted with weiss’s words to blake in v1, it feels like they’re kind of afraid to acknowledge that the white fang was a terrorist organization. everything is neatly “justified” unless it’s tied to adam, but terrorist organizations don’t work that way. antisemitism ran rampant in the black panther party. the ira bombed motorways & killed innocent people, including children.

while weiss wasn’t valid in equating all faunus to the white fang or comparing them to trash, that was racist; she was valid in her hatred of the white fang. they actively contributed to her abusive childhood, they murdered people close to her. she was an innocent child much like blake & it kinda irks me that this is brushed under the rug. the issue is so much more complex than m&m&k could handle and it really shows.

#rwby #weiss schnee #blake belladonna #owl.txt #answered #q #both of them were innocent kids brought into an adult war #Anonymous

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marvelheroperil · 4 years

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Black Panther fights against Soul Strangler the demonic version of The Klan.

- Marvel Premiere v1 #53, 1980

#Black Panther #the black panther #T'Challa #The Avengers #Marvel Premiere #Avengers #random villain #Wakandans #monsters #choked #dragged #determination #defiance #blasted #dazed #Dude in Distress

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powerbottomblake · 5 years

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How well do you think RWBY handles its race metaphors and well its characters of color? I seen a lot of people upset at the Faunus subplot and the lack of good characters of color. Like a series can have good (white) female and/or LGBT rep but fail POC. That’s white feminism in a nutshell. RWBY has its stumbles with some colorism here and there but with Maria I think CRWBY is improving. Thank you in advance.

I think CRWBY are extremely hit and miss when it comes to handling race.

Undercut because it got long.

So first: Faunus as an allusion to every kind of racial systemic oppression confounded is kind of iffy since it lumps all people of color together and assumes that all of them face the same kind of oppression, which is…utterly simplistic to say the least. Plus when you take actual race away…from a racial storyline and attribute it to a whole other species, you kind of dilute the message considerably. The point will fly over people’s heads 9 times out of 10. People will sooner empathize with catgirls than black or brown people and this has been proved time and again.

But seeing how the story is being helmed now by two white men who seem (and iirc have outright said) that they’re out of their depth when it comes to race, it’s probably preferable to have a blanket statement rather than go for actual racial storylines since the risk of a misstep gets higher.

And the thing is, when CRWBY miss their mark they really Miss The Mark. The two very clear missteps I think of that denote a certain tone-deafness/ignorance on their part were:

At the end of V1, we never get an apology from Weiss. What’s worse is that Blake is somehow framed as the only one who has to come clean and justify herself which is so…wrong after Weiss’ vicious, racist insults. Yes the White Fang are Bad now and are extremists but Weiss literally started the whole thing about Sun, who had no known affiliation to the White Fang, calling him a degenerate just because he was a Faunus like?? She made it clear she distrusted any Faunus?? And somehow the whole arc was framed to get Blake to realize that White Fang had lost its soul, which yes! She should! And it’s part of her storyline! But we never get to actually see Weiss going back on what she said. We never see her apologize for the racial prejudice she hurled at both Blake and Sun? And at the end it’s just. brushed off. The whole thing is very clunky and awkward and overall, I’d say tactless.

In V5 when Blake states “Humans didn’t do this…We did this” as she points to her house on fire and it’s. ok so it makes sense in context bc this is about Blake reclaiming the White Fang movement from Adam which is fair. But the thing is, the phrasing is very. This is dangerously close to making the oppressed class shoulder the full responsibility for the clashes occuring…because of the systemic oppression they’re being put under. That was very close to a “black on black crime” rhetoric. That scene, that particular quote left an incredibly bad aftertaste bc somehow the Faunus are taking full responsibility for smth that was primarily born out of the humans’ oppression of them. Incidentally this is the exact bone I had to pick with Black Panther too. Both Erik and Adam are products of what the oppressing class has done, yet the full responsibility for taking them out falls on the oppressed somehow. Humans might not have lit that house on fire but we wouldn’t even be on that island, Adam wouldn’t even exist if it weren’t for the SDC apparently using Faunus slaves for their mines. I know this is more a result of short-sightedness than actual malice but yeah…again it still ends up being tone-deaf.

Now beyond that I think that likewise when CRWBY hit they do Hit the Spot. The White Fang storyline especially asks some incredibly important questions when it comes to activism and fighting for your rights as an oppressed people: How far can political correctness carry you in the face of people who are out to rob of your most basic rights? When is retaliation righteous and what kind? What is justice and what is spite? How can you walk the fine line between meekness and violence? All of these questions are especially relevant today and make for a compelling storyline, especially since we get to see one of our main characters (Blake) navigate them. We’re shown that Ghira’s position, while foregoing violence, recoiled too much from conflict and ended with a deal mostly disadvantageous to his people. We’re shown that Sienna’s guerilla warfare ultimately devolves into Adam’s White Fang: bloodshed that only really perpetuates the cycle of violence and forgets its initial cause along the way. Now Blake has rejected both paths; the next logical step, and one that would neatly wrap up both a great leadership arc for her and a great political storyline all around would be for her to witness the full scale of horrors in Mantle and establish the threshold at which fighting back isn’t just necessary, it’s righteous and a duty. There’s a balance to be found and Blake is the one geared to find it. Question is: will CRWBY take the storyline there as it should (my guess is YES otherwise we wouldn’t have had need of Adam being literally branded by the SDC, adding up to Ilia’s backstory)? More importantly will they do it justice? Jury’s out on that one tbh. I think it’s fair to be wary considering the past offenses but the White Fang subplot has been surprisingly and really good mostly so. Wait and see I guess.

Despite all of its flaws I think calling RWBY white feminism is deeply incorrect? White feminism is about propping up white female characters’ storylines at the expense of POC characters, while disregarding any type of specific oppression non white characters and non white women especially have to face, which is not what’s happening here. Beyond the Faunus allegory, Blake is literally not meant to read as white and has very apparent asian coding. Ilia, who’s both very clearly POC and LGBT, has a story that is given weight and proper development and gets the redemption arc from within the White Fang. Bumbleby is literally meant to be read as an interracial couple, and while yes I’ve had qualms about Blake’s skin tone being incredibly inconsistent between volumes and especially washed out in V6, I do believe it stems more from a lack of foresight/animation and lighting wonkiness than outright malice or disregard, which I hope gets resolved in the later volumes.

#answers #tbh that's the ONE part of v7 I'm really really wary abt #my posts #Anonymous

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sharoncarterappearances · 3 years

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Captain America V1 #100 pt.1

Writer : Stan Lee

#sharon carter #comics :: captain america v1 #c :: steve rogers #w :: stan lee #marvel #comics :: tales of suspence #c :: black panther #c :: batroc #alias :: irma kruhl

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cybercitycomix · 4 years

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Top New TPB/Hardcover Releases for the Week of June 3rd, 2020.

Amazing Mary Jane Tp v1,

Ghost Rider Tp v1,

Joker 80 Years of the Crown Prince of Crime Hc,

Black Panther Marvel Action Tp v2,

Paul is Dead OGN,

Robotech Remix Tp v1 +

Spider-Man Venom: Double Trouble Tp.

#trade paperback #ghost rider #marvel comics #collection #joker #dc comics

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nerdsideofthemedia · 5 years

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Faunus and the White Fang: The Portrayal of Racism

RWBY has been adored by the progressive community due to the portrayal of 4 strong young women, at least 2 of whom are LGBTQ+. Not to mention the inclusion of other LGBTQ+ minor characters.

Despite this, the show is far from flawless, and it’s time to address what is probably its biggest problem: the portrayal of racism. I suspect this may end up being my most controversial post yet, but, like someone said, “It’s both possible, and even necessary, to simultaneously enjoy media while also being critical of its more problematic or pernicious aspects”.

Before I start I think it’s important to clarify that unlike in conversations about being a woman and LGBTQ+, in this one, I come from a place of no experience, since I am a white European. I do not intend to speak over POC, nor do I claim that my knowledge on the subject is flawless (far from it). Hopefully, this is only the start of a conversation and not the entirety of it.

To be clear: I am not a part of RWBY hatedom. While it’s flawed, I like it, I wouldn’t be doing it if I didn’t. I am criticizing this aspect because racism exists in real life, so how the subject is handled is important and I don’t want the edgelords controlling this entire conversation because their stance on racism in real life is: it doesn’t exist.

Lazy worldbuilding

Like Bright and Crash, RWBY, for the most part, frames individuals as the main culprits of racism instead of the systems which favor certain groups over others. We see this with Cardin, Cordovin, V1 Weiss, Roman and the village people (in the Adam short). Yes, those racist individuals exist, sometimes like caricatures however, they are far from being the only or even the most relevant type of prejudice.

By putting the blame on very specific characters, racism is presented as something easily identifiable and fixable when it’s neither of those things for a significant portion of the population. People often ignore that though laws have changed, biases didn’t magically disappear, segregated neighborhoods didn’t desegregate themselves and the wealth accumulated before wasn’t redistributed. The racist policies of the past created the now and will affect the future unless we try to fix the system.

Keep in mind that the Faunus Rights Revolution happened after the Great War, so… less than 80 years ago. Considering this timeline, it’s just unlikely the Faunus would be equal anywhere, let alone in 2 kingdoms (Vacuo and Vale) and the only thing we see in Mistral is the possibility of discriminating with the ramen shop owner.

The mere fact this sign exists shows discrimination is possible but that shouldn’t be the only thing shown.

Atlas is the exception. In “Tipping Point”, we can hear a conversation about the Faunus, which mentions economic disparity and lack of opportunity, but it quickly fades into the background.

In terms of race issues, Remnant is wildly unexplored, even the renowned for its racism, Mistral. Maybe the writers just thought digging into politic could make for a boring story or maybe they didn’t want to risk alienating the portion of the audience that listens to edgelords. In either case, it makes no sense to have racism as a major theme.

Justifying racism

“Early men were scared to death of the Faunus, and honestly, it’s not too hard to sympathize with that. Seeing something that looks like you and acts like you walk out of the forest and reveal a pair of fangs, can be a little… upsetting.”

Qrow, World of Remnant about Faunus

This does sound a bit like justifying racism and trying to present as understandable. This is an idea that I see a lot. In a review of a book that had a new species and racism as a theme, one of the complaints was that there was no justification given for the treatment like welfare and gangs. Those aren’t causes of racism – they’re just excuses. If anything, they have a lot more to do with stereotypes and wealth disparity caused by racism.

RWBY does make this mistake with Blake’s speech in True Colors, which is reminiscent of when people hold all Muslims accountable for an attack done by one, judging them all for that person’s actions, even though we’d never do that for our own race.

“We’re just as capable of hate and violence as the humans, but I don’t think any of us would jump at the chance to point that out. So why are we letting Adam do it for us? By doing nothing and staying silent, we let others speak and act in our place. And if we’re not proud of the choices they make, then we have no one to blame but ourselves.”

Ghira does the same in the Adam character short, claiming Adam’s violence is the reason why people attack them. If you judge an entire race based on the actions of a few – that’s on you.

Um, actually Antifa is the problem

While the White Fang is not the only group of people fighting for Faunus rights (in the first episode, we learn they interrupted a peaceful protest), they are definitely the ones who are given the spotlight and it’s very unfortunate how they’re portrayed. With the exception of Ilia (and arguably Sienna), they are shown to be so radical that they are not only OK with destroying cities, but also mass murder. They are terrorists and don’t even deserve a face.

In contrast, the racists both deal with their shortcomings fast (Weiss and Cordovin), they all are worthy of sympathy and redemption (even Cardin and the ramen shop owner). I think the writers were going for “racists are people too”, which is a troublesome stance to take when you frame the ones fighting racism as flat out evil.

I imagine that Atlas is going to be shown to be more unforgivably racist and the Faunus will be more sympathetic, but… even so, it kind of feels like trying to make a case for “both sides”. Yikes!

Menagerie

I’m not entirely sure Menagerie was meant to be a paradise. It looks like it, Sun expresses loving it, but Blake quickly claims it’s overcrowded. I’ll give it that it seems a lot less developed than the other kingdoms judging by its constructions, but that’s about it. I think that if they were not going for a positive perspective on it, we should have been made more aware of Menagerie’s drawbacks.

To be clear, it’s wrong to force someone to live somewhere they don’t want to live, but I think it’s a bit problematic to present it as a paradise when in the real world, white supremacists are increasing and their way of speaking is by defending a white ethnostate, claiming homogenized societies are better.

Due to the lack of good characterization of the rest of Remnant, it makes it harder to believe Faunus really went to Menagerie due to being too jaded to be somewhere else because of racism.

Adam’s scar

I have written about Adam before and just so we’re clear, I stand by my post – I’m OK with him being there to be Blake’s cruel obsessive ex-boyfriend who wants to harm her and that he basically represents the last obstacle to close Blake and Yang’s arcs of running away and facing abandonment issues, respectively.

This been said, considering the story, the scar was a huge mistake and I have no idea why someone thought it was a good idea. We’re not supposed to feel sorry for him, it doesn’t make us empathize with him – he’s clearly beyond redemption when it’s revealed and it doesn’t tie to his main motivation, his obsession for Blake, which is the cause of him being in the story. The scar would only make sense if he was an anti-villain, someone with a good cause, but evil methods (Black Panther’s Killmonger). That has never been his story though. He’s always put Blake above his cause and ultimately, he meets his end because of his obsession with her, not because she decides to confront him about his methods. Not to mention that if the scar was tied to his motivation, we should have seen it a lot earlier, not 2 minutes before he died.

Giving him a scar that reveals a cruel treatment of Faunus by humans for no other reason than to show racism is going to have a spotlight in the next volume is incredibly cheap and an awful idea, especially when it basically means nothing for Adam himself and doesn’t humanize him at all – he’s literally trying to kill 2 main characters at that point.

“Remnant can’t be racist, because…”

I also want to counter a few bad arguments against the idea there can’t be any systemic racism in Remnant. The examples usually given are Leo being the headmaster of Haven Academy and Neon representing Atlas in the Vytal Festival.

Leo

Thanks to Raven, we learned Ozpin chose the headmasters in other academies, therefore it’s possible to infer Leo was Ozpin’s attempt at fixing Mistral’s racism.

Neon

Yes, she studies in Atlas, but the headmaster is Ironwood, chosen by Ozpin and probably is also fighting against racism as far as the academy goes.

“They wouldn’t allow a Faunus to represent their kingdom”.

The equivalent of “I can’t be racist, I have a black friend”. Allowing a Faunus to go helps with the “we’re not racists, we even have a Faunus representing us”.

Other than Ironwood, I see no one else who could even have a say in that decision.

“She wouldn’t accept to represent a racist kingdom”

This either reveals an incredibly dishonest take or an almost child-like naivety. I am sorry to burst your bubble, but often people do go against their own interests provided the salesmen know how to sell it (there are Muslims who voted for Trump, women who fought against women’s voting rights, etc.). We can have prejudices against groups we’re part of.

Many will gladly go against their groups’ interests, provided they have something to gain (more than a few people spring to mind).

In this case, her decision doesn’t even hurt Faunus as far as we know – it just advances her fame.

“The townspeople weren’t racist since they were wearing masks and had weapons and we never see what’s inside of the truck”

I cannot believe I have to dignify this with a response… First, the inside of the truck is irrelevant. We had no reason to believe it was anything bad and one certainly can’t start shooting someone else just because they find them “suspicious”. Murders have happened because of racist jackasses who wanted to play hero by attacking a black “suspicious” person. Second, it’s Remnant, a place so full of monsters, teenagers are allowed to have weapons. They are clearly needed to go from one town to another. Sure, they could have dropped their weapons, but that still doesn’t change they weren’t attacking, not even in self-defense. Third, Ghira was still in charge of the White Fang and we know that during this time, the methods of the group were mostly peaceful, even if they were already wearing masks.

“They allowed an army of Faunus to go to Mistral”

OK, this is by far the most difficult one to justify, but not because of race – it’s just the authorities should have handled it all by themselves and I highly doubt they would allow civilians to fight against a terrorist attack. As for the racism point, the Faunus clearly warned the authorities, so I think it’s very unlikely they were bad guys and their weapons were awfully rudimentary. It’s not a great explanation, but I don’t think it’s more of a hit on verisimilitude than letting civilians fight.

Conclusion

I think the problems in the portrayal of race is due to a lack of understanding of racism, insufficient worldbuilding which should have been done before beginning to write RWBY and, probably, trying to avoid alienating any groups in the audience, which is not likely when the subject is racism and should not be the goal. This resulted in a mess where it feels like there is a need to frame racism as wrong, yet understandable (WoR), easy to fix, and too worried about holding the audience to task, hence sticking to cartoonish racism. While all of that is already pretty bad, it’s impossible to deny that it isn’t made worse by the rise of white supremacist groups.

I wish the writers will be more careful during the Atlas arc, but I fear we might be entering a white savior’s narrative as Weiss will probably be the focus of it. I tend to give credit to RWBY for putting the minority character at the center of their struggle, but ultimately Blake was there to fight her own and I suspect they will do the same with Weiss – she will fight her father for the rights of the Faunus (at least partially) and she will be the one who ultimately fixes racism…yeah, we might be heading to a white savior narrative.

I am hoping for the best while preparing for the worst. Still, no matter how well the next arc is handled, it cannot fix the past volumes retroactively.

One last note, I think the election of Trump should be more than enough to reveal that racism is alive and well, but if you want to understand systemic racism and the portrayal of racism in media, here are a few links:

7 Ways We Know Systemic Racism Is Real;

Adam Ruins Everything (it’s a video);

NCSC Implicit Bias;

ContraPoints – America: Still Racist (also a video);

Bright: the Apotheosis of Lazy Worldbuilding (video);

Renegade Cut - Green Book - A Symphony of Lies (video).