I love revenge plots that focus on like, the emotion of revenge instead of the act of revenge itself. When people sympathize with understand that hatred and either regret doing it or spur it on. The blind hatred. I love it all. It definitely doesn’t feel morally right, but I love reading about revenge. Protag or not.
I found that when characters let go of that revenge for little reasons, it’s boring and anticlimatic. “This character got over their toxic emotion of hatred! It’s a good thing!” and in my mind, I’m wondering what’s going to drive them now. Is this character’s fickle relationship really enough to distract the wronged from their target? Was their vengence really that strong to begin with?
Anyways, this is about Shut Hell.
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After reading the tags on your latest post I was wondering if it would be possible for you to make a brief overview of the iffy tropes/details your sensitivity reader helped you pick up on? Of course it wouldn't replace doing research ourselves, but I'd love to hear about it regardless!
Have not run it by them yet because it is in no fit state for human consumption at this point; the tropes are just from reading their blog + others on Tumblr + general Internet research including the excellent "blind people walk you through normal activities from their perspective" videos on YouTube. But off the top of my head:
Face touching. Where the blind person gropes someone's face to see? Sighted people made that up. I rewrote a chapter in Towards the Sun when I realized that one. Which makes sense, because why would a blind person be any more inclined to run their hands all up in your facial juices. Eww.
Negating blindness with magic and pretty much ignoring the blindness henceforth. Which is why Zuko isn't going to learn to see with firebending. There are very interesting discussions on how Toph herself fits and doesn't fit into this trope; finding them is left as an exercise for the reader.
Token blind character, AKA only having one blind person in the narrative who represents All Blind People. Going to have a few blind NPCs running around, with various levels of sight and accommodations, to thoroughly negate this one.
Being Depressed and/or Overly Inspirational about the blindness. AKA character devotes a large chunk of the story to bemoaning their blindness, with bonus inspirational "overcoming" at the end. Think about how it would feel if the majority of characters like you spent vast word counts hating the thing that makes them like you. And then solving it, in a way you can't, so they don't have to have the tragic fate of Being Like You. ...So Zuko is not getting cured, and he's also not wasting much time wallowing in an angst puddle.
Etc.
Basically, I want this to be a story that low vision folks can read and go "that was fun and less offensive than 70% of actual media representations", and sighted people can go "that was fun and hopefully I internalized some positive things that will make me less likely to grab a blind person's arm and forcibly Help Them Cross The Road, Try To Pet Their Dog (and Get Huffy When Asked to Please Not), or Call People Out On Not Being Blind Because They Don't Fit The Stereotypes".
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got possessed and decided i must make a post about noahs character arc in dramaturgy Immediately
ok,, so the gist is friends. this is the Give Noah Friends Arc. he starts with no friends and then he gets some.
and he also gets some character flaws. for fun. dont worry he grows he develops,, umm so noah [in this AU] as a Character is very deeply rooted in two things: his defense/coping mechanisms, and his background in the industry.
to cover: his defense/coping mechanisms. they are. Bad. his primary defense throughout the show is his nonsubstance itself — but beyond that, the way he intentionally makes himself unpalatable. he makes jokes and seemingly mean-spirited quips at peoples expense and that would be innocuous if it wasnt all he was. but he very intentionally doesnt have character beyond that.
its like advanced self isolation (and regular self isolation when he refuses to interact with anyone after he gets eliminated and generally when hes off camera). additionally (to bring in themes from my original two posts) he creates a severe disconnect between noah The Person and noah The Character and it seeps through to his perception of his castmates as well.
^ this ties back into his Industry past, which,,, kinda fucked him up?? its not like its a normal developmental setting and it shows when hes being noah The Person. he doesnt really know who he is in normal settings; hes so firm in his identity within the industry and his role in it, but in Real Life, Teenage settings? clueless. has no idea what hes doing.
his severe disconnect of person and character also affects the way he sets boundaries, which is to say, hes really fucking bad at it. entertainment industries are Sketchy As Hell, and he kept his head afloat by navigating the system and working within it, but never learned to set clear-cut, do-not-cross boundaries in his relationships as a result (smth smth setting those limits were ‘taboo’ within the industry and could limit the work you got or how many people were willing to reach out)
< tacking onto that parentheses thing, hes also wildly unfamiliar with non-transactional relationships (in this way, him and alejandro are very similar). hes grown up seeing these people around him play nice for the strict purpose of give-and-take and has very few examples for things that are not that. he constantly struggles with understanding that he doesnt have to ‘repay’ things or ‘give’ something to be treated fairly.
(also smth to be said about his ‘keep everyone away’ thing where he silently thinks that even beyond the cameras if he tried to form relationships on the show he would be treated poorly/‘trampled on’ because his nonsubstance wouldnt allow him to ‘give back’ in a way that would make those people see him as worth treating fairly.
his castmates are effectively part of the industry now, why wouldnt they treat him like hes always been taught the people in the industry would?)
^ and again, it seeps through to his perceptions. to things like the love triangle, or sierras obsessive behavior towards cody; noah has trouble understanding why people like courtney would be distraught at it, because to him he can only see it in a transactional light (amplified by it being an on-camera relationship eventually turned plot point). similarly, it takes him A While to properly understand codys distress because to him it seems like sierras giving and he should just ‘return something’ to make them even (not really hitting him that he cant ‘return’ feelings like that).
which brings be further into his overarching Arc. you know, the character one. kicked off initially by wanting to unmask alejandro as a patent fake, he gets his development in other areas too --- like finally getting some real-world experiences with kids his age instead of studio execs three decades his seniors.
it gives him proper, real point of reference as to what matters to his peers beyond a clinical sense and observation --- in short, he learns to better understand the castmates around him beyond what the industry exploits them for, and in doing so he develops past his initial stunted-ness.
< and that in turn helps him learn past his slightly (very) fucked up headspace and perception that his childhood environment created.
(and to slot in now, noahs character in the AU is perfect for consistent themes of internal conflict. how he initially builds up relationships, conflict. struggling on whether to keep the act or expose alejandro, conflict. being hyperaware of both the audience and cast perceptions of him, conflict. realizing his battle has become two-sided and alejandro and thus the cast/audience is catching glimpses of his Person, conflict. realizing hes in too deep and now the plot itself demands him from a meta-ish standpoint, conflict. just conflicts all around for this guy.)
now there is the whole... being a person on camera thing. which is in essence what the entire AU and story arc thereof is centered around: noah learns that he can Be a Person and drop the overly sterile self-regulation sometimes. im,, slightly torn on how exactly to cement this kind of shift in behavior,,
< as it makes sense in my head, noah would be more willing to relent his vice-grip on his facade for the sake of achieving his goal (being expose alejandro outright/at least see whats underneath). so therefore, for the story to progress, there would have to be those opportunities, and for it to make sense those opportunities would have to increase as the plot goes on (and, ofc, inline with alejandros own relent on his mask for the sake of going back and forth in some weird bid for who can expose the other and still keep up their own facade)
^ this is kindof what ive 'settled on' to build up the rest of the AU events on (i will have to find some way to slot in those opportunities proper uuuughghgggh) but yet again if Anyone has Any thoughts at all,, hand them over pretty pls pspspspspspsp
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So um got to that scene w asatrion,……….its a whole thing
so like an immense sense of guilt followed me thru the durge playthrough cuz of what happened in last light inn, which I wouldn't have even felt THAT bad abt if I hadn't tried really hard to save Jahiera and the nightsong. Like I am the reason she had to kill her girlfriend n I feel so bad about that I don’t even go near her side of camp……..sheesh n don’t get me started on jahiera like she deserved a warriors death I literally obliterated the harpers n then I take her w me to baldur's gate n orin wipes out the rest like I am her Judas
THEN we get to the murder tribunal that’s when I found out what happens to a bhaal spawn when they die; they become servants of their lord and technically their souls go back into bhaal so he is resurrected- and that durge is a being born from an immaculate conception, an antichrist like figure- this has been in the back of my mind while playing like damn when we die we are NOT seeing those pearly gates.
And then we went to cazador- I got this dialogue with him, since I romanced him n was like no, no we arent going to let him ascend this time its an insane choice! This 'to care is to live again' would not have hit the same if I wasn’t playing durge!! It in perfectly incapsulates my entire experience its why Rhena didn’t fuck everyone over to be the last woman alive to rule over a dead world- as Amelyssan (Bhaal's former priestess) would've done like damn w an evil durge ending Rhena could've become a messiah like figure in the bhaal cult- the power she couldve received from it, makes a nice parallel with Astarion n Cazador- was it worth it? I am HAUNTED BY consequences astarion shouldn’t be!! its like they say you may start the walk towards power as a person of dignity but ultimately you end it as a gnat
Also the way he FUCKING CRIES IM DEAD AAAAA
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