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whinlatter · 1 year

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Harry’s thoughts of Ginny in the Forest: a meta

‘Nothing too big, because you wouldn't be able to take it with you... I wanted you to have something to remember me by.' - DH, p. 99 (UK edition)

Here I am, on a rainy Thursday, doing re-reads for some writing and thinking about the parallels between Harry and Ginny's kiss on his birthday, and Harry’s thoughts of Ginny as he goes to his death.

I’m thinking differently about Ginny’s motivations for the kiss these days. I used to think about her words to Harry that morning, and the act of kissing him, as a promise she’ll wait for when he comes back. Lately, I’m wondering if it’s not something sadder, and more profound. I think what Ginny does on Harry’s seventeenth is the act of a person who is starting to process the fact that the person she loves is likely going to his death — that he might not be coming back. It's a scene of a person bracing for grief and thinking about love after death, and it will set the stage for how Harry meets his own death in the Forest.

So here’s a much-too-long meta to help me think through these ideas - about the kiss, Ginny’s suspicions about Harry’s fate, and what it means that Harry returns to the memory of Ginny at the end of his life. (Stick the kettle on for this one and if you worked this all out long ago before me, just give me an eye roll and forgive me).

I’ve always taken Ginny's words to Harry before their kiss at face value. I thought of it not quite as a fun scene - it’s certainly sad - but sweet, a little sexy, and sort of reckless, even a bit mischievous on Ginny’s part.

It’s the birthday of the boy Ginny loves. They’re not together anymore. She knows he's going away. She wants to give him a birthday present, but she doesn't want to give him something he has to haul around or might lose. She does want to let him know that, despite their separation, her feelings are still the same. She craves a moment with him before he goes. She is still in love with him, she is deeply attracted to him, and part of her still feels a bit possessive. Although she’s not really concerned Harry’s going to crack on with some Veela, she does want him to have a memento of their time together. She wants him to have a happy memory, of physical intimacy and emotional comfort, to keep him going while he's away, to feel less alone.

Most of all, I used to think of the kiss (and whatever Ginny imagined might come after the kiss) as a promise. I still love you. Even though we’re not together and I respect why you have to go, I’m still all in on this. I’ll wait for you for when you come back. I want you to have the memory of this, as proof.

Harry’s reveal

But the more I’ve thought about it, the more I think about the context of when this kiss happens, after Harry and Ginny's last conversation before his birthday. It's the one a few days before, when Harry and Ginny are laying the table for dinner, and Harry lets slip to Ginny what he, Ron and Hermione will be doing when they leave:

'‘And then what does she think’s going to happen?’ Harry muttered. ‘Someone else might kill off Voldemort while she’s holding us here making vol-au-vents?’ He had spoken without thinking, and saw Ginny’s face whiten.‘So it’s true?’ she said. ‘That’s what you’re trying to do? ‘I - not - I was joking,’ said Harry evasively. (DH, 78-9, UK edition)

This is a desperately sad scene, but it’s also an important moment. Harry, so used to having his guard down with Ginny, realises he’s accidentally confessed something big: that he’s going on the run to try and kill Voldemort himself, with Ron and Hermione’s help.

Ginny is shaken by this. As a character, she tends to either take things in her stride, or yells first, processes later. But this catches her off guard. Her words suggest there has been speculation about what it is the three of them are going off to do (‘So it’s true?’ suggests that Ginny, and perhaps other members of her family or the Order, have been speculating about this for some time). But both she and Harry realise here that he’s flippantly confirmed something huge that Ginny did not already know for sure. He’s spoken aloud the task is that Dumbledore has left him.

It is a sign of how close Harry feels to Ginny, how safe he feels in her company, and how difficult he finds managing keeping secrets from her, that he lets this slip. He won’t come as close to telling the truth to anyone else, even people he trusts. The scene before this, in his conversation with Mrs Weasley, he didn’t let on nearly as much (though he admits that he found affirming the importance of secrecy difficult when he looked at Mrs Weasley and saw Ginny’s eyes staring back at him):

‘Well, Dumbledore left me . . . stuff to do,’ mumbled Harry. ‘Ron and Hermione know about it, and they want to come too.’ ‘What sort of ‘stuff’?’ ‘I’m sorry, I can’t—’ ‘Well, frankly I think Arthur and I have a right to know, and I’m sure Mr. and Mrs. Granger would agree!’ said Mrs. Weasley. Harry had been afraid of the “concerned parent” attack. He forced himself to look directly into her eyes, noticing as he did that they were precisely the same shade of brown as Ginny’s. This did not help… ‘Dumbledore didn’t want anyone else to know, Mrs. Weasley (…) I didn’t misunderstand,’ said Harry flatly. ‘It’s got to be me.’ (DH, 77-8)

Later, he’ll also refuse to give any information to Lupin, for the same reason.

'‘Can you confide in me what the mission is?’ Harry looked into the prematurely lined face, framed in thick but greying hair, and wished that he could return a different answer. ‘I can’t, Remus, I’m sorry. If Dumbledore didn’t tell you I don’t think I can.’ ‘I thought you’d say that,’ said Lupin, looking disappointed.’ (DH, 173-4)

But with Ginny, he’s accidentally gone much further. He hasn’t said Horcruxes, but he’s as good as. The trio are setting off to try to kill Voldemort, the most dangerous task imaginable in this war. He tries, in vain, to undo it, but the damage is already done. Ginny knows more now than she did before: that the journey he’s about to go on is one that very likely will claim his life.

What does Ginny know about Harry’s fate before this moment?

It's clear from this interaction that Harry has never discussed any of this with Ginny before. In their breakup scene, Harry repeatedly said that he was breaking up with her for her own safety. He said he did not want her to be used as bait, as she already had been previously, and as Sirius was: 'Think how much danger you'll be in if we keep this up...' (HBP, 602). The focus was entirely on the risk to Ginny's life, a risk Harry says he cannot live with.

Ginny’s remarks at Dumbledore’s funeral told us something about how she, at that point, understood the path ahead for Harry. She made her half-joke that Harry was always busy saving the Wizarding World, and says she thinks he 'would never be happy', never fulfilled or satisfied, unless he were 'hunting Voldemort' (HBP, 603). She showed she interpreted his actions as choices being made by someone brave, determined, and personally committed to bringing about the end of Voldemort, not someone destined to. Harry’s motivations and reasons are ones she respects and empathises with. She knows the path ahead is dangerous. She doesn’t yet think of it as lethal.

Harry didn’t respond to her assessments at the funeral, neither correcting nor confirming them. He didn’t let her know, at that stage, exactly what it is he is going to set off to do. The closest Harry came to revealing the road ahead for him in the break-up scene was this:

'It’s been like… like something out of someone else’s life, these last few weeks with you,' said Harry. 'But I can’t… we can’t… I’ve got things to do alone now.' She did not cry, she simply looked at him.’ (HBP, 602)

This is a pattern throughout their relationship, both as friends and later as romantic partners. Ginny knows a little, but not a lot, about Harry’s path. She thinks of it almost entirely as a decision he has made himself. Conversations about Harry’s destiny - about the Prophecy, about being the Chosen One, and, eventually, about the Horcrux hunt - happen near Ginny, but never with her. She does not seem to believe that Harry is the Chosen One or in any way bound to Voldemort's own fate. At the start of HBP, on the train in Slughorn’s carriage, Ginny states publicly her belief that any speculation about Harry being the Chosen One is nonsense:

‘We never heard a prophecy,” said Neville, turning geranium pink as he said it. ‘That’s right,’ said Ginny staunchly. ‘Neville and I were both there too, and all this ‘Chosen One’ rubbish is just the Prophet making things up as usual.’ (HBP, 140)

Ultimately, before DH, Ginny has been given very little information. We can assume that she’s decided to respect Harry’s decision to keep any information from her and not to push for it. She has reason to fear he might be in danger, but she doesn’t yet know the full extent of it.

Ginny’s response

The immediate aftermath of Harry’s confession at the Burrow is very telling.

‘They stared at each other, and there was something more than shock in Ginny’s expression. Suddenly Harry became aware that this was the first time that he had been alone with her since their stolen hours in secluded corners of the Hogwarts grounds. He was sure she was remembering them too.’ - DH (79)

It’s important that, immediately after this confession, Harry’s mind immediately takes him to private time spent alone with Ginny at the end of HBP. His certainty that Ginny, too, is reminiscing about them is typical of their wordless displays of understanding. They both reach for memories. And the memories of the last time he was alone with her, when they were still together, suddenly trigger an intense emotional and sexual tension. They are soon interrupted, and the dinner afterwards is extremely awkward. Harry wishes he were further away from Ginny, and tries, with great difficulty, to avoid touching her at the dinner table. The energy between them is intense and charged, anticipatory and frustrated. There are lots of ‘unsaid things’ that have just passed between them, and both are aware of it (DH, 79).

There are important themes being introduced here. Whenever Harry thinks about memories of his time with Ginny in DH, he does so consistently in two clear ways. To him, those times were private, intensely intimate moments which carried huge personal significance. It is strongly implied those were moments of sexual intimacy between the two of them, and where they shared an emotional closeness neither has found with any other character. But those moments with Ginny are also something Harry feels he was wrong to take. His relationship with her was something that, in retrospect, he embarked upon against his better judgement. He now feels it was something he was not entitled to, on account of his own burdens and obligations. Those were ‘stolen hours’ that were ‘something out of someone else’s life’. If we look to the wedding scene, we can see this most clearly:

‘‘Yes, my tiara sets off the whole thing nicely,’ said Auntie Muriel in a rather carrying whisper. ‘But I must say, Ginevra’s dress is far too low cut.’ Ginny glanced around, grinning, winked at Harry, then quickly faced the front again. Harry’s mind wandered a long way from the marquee, back to afternoons spent alone with Ginny in lonely parts of the school grounds. They seemed so long ago; they had always seemed too good to be true, as though he had been stealing shining hours from a normal person’s life, a person without a lightning-shaped scar on his forehead…’ (DH, 121)

There are certain tropes at play here, that will that recur again and again in Harry’s thoughts of Ginny until the point of his death: the memory of time alone, the feeling of shared emotional and physical intimacy, to an intense degree; the sense of their time together being something stolen, both in the sense of it being snatched from within darker times, but also being forbidden, given with Harry’s fate when it comes to Voldemort. That Harry recalls these moments at a moment as two other characters make lifelong vows of marriage to each other is not insignificant: all is set up to maximise the sense of tragedy.

Ginny processing Harry’s fate

Ginny is not naive. Harry’s confession seems to change something about how she thinks about what he’s about to do. She may once have dismissed the prophecy of Harry as the Chosen One as nonsense. But she now has reason to suspect that might not quite be true.

She may well re-trace what she does know. After all, she was at the Department of Mysteries two summers prior, where she learnt that Voldemort, at least, thinks there is a prophecy of significance that involves Harry directly. She knows Harry has been having one-on-one lessons with Dumbledore: she even gave him one of the invitations (HBP, 228). She also knows that Harry and Dumbledore left school for a secret mission alone on the night the Astronomy Tower was attacked and Dumbledore was killed. She observed how Harry saw Dumbledore’s death as a catalyst to prepare for a path that required him to step back from her. Above all, we also know that Ginny is a character who understands Tom Riddle intimately. She is one of the people who comes closest to understanding the stakes of your life being bound, in some way, to Voldemort.

It is also significant that Ginny is a character canonically intrigued, and touched, by death, and by powerful Dark magic. The diary, and her own near-death experience, is the most obvious example. But in the Department of Mysteries during OotP, we are told she is also one of the characters most drawn to the veil, despite having far less direct experience of loss and grief than Harry, Luna, or even Neville:

‘[Harry] took several paces back from the dais and wrenched his eyes from the veil. ‘Let’s go,’ he said. ‘That’s what I’ve been trying to — well, come on, then!’ said Hermione, and she led the way back around the dais. On the other side, Ginny and Neville were staring, apparently entranced, at the veil too. Without speaking, Hermione took hold of Ginny’s arm, Ron Neville’s, and they marched them firmly back to the lowest stone bench and clambered all the way back up to the door.’ (OotP, 775)

I don’t mean to suggest Ginny knew what was coming for Harry, that she foresaw him having to go to his death. She knows nothing of Horcruxes, she doesn’t know the contents of the Prophecy, and she certainly doesn’t know Harry himself is a Horcrux. Harry, of course, doesn’t yet know the certainty of him going to his own death, at this point in the text. But given the information she alone has been handed, inadvertently, by Harry, she has plenty of reason to begin to suspect the path Harry is on is one that might end in death, moreso for him than for an anyone else in this war.

Ginny doesn’t appear much in the following pages, other than in her role helping to prepare the house for the wedding. Over the next few days, she has lots of time to consider Harry’s words. We know she’s also sharing a bedroom with Hermione, who is actively preparing for their imminent departure, and watching the three of them try to sneak off together to make plans. This is time for Ginny to start to digest the information Harry has unwittingly divulged. She can now begin to think about how she ought to respond to the prospect of him leaving for a mission that will, likely, cost him his life.

The kiss itself

We can see Ginny has planned this interaction with Harry in her bedroom. The false casualness of how the scene opens - ‘Harry, can you come in here a moment?’ - and the actions of the bedroom’s other occupant, Hermione, suggests some level of premeditation and collaboration. For the first time, Ginny brings him into her bedroom, with the door closed. The setting is obviously intimate and suggestive.

Harry describes Ginny as seeming nervous, but purposeful, like she is readying herself for something - she ‘[takes] a deep breath’. She is looking at him ‘steadily’. Harry is nervous, too: he cannot bring himself to look at her, finding it almost painful, like ‘gazing into a brilliant light’ (DH, 98). Her trademark blazing look is in full force. She doesn’t entertain his attempts at small talk: she is serious about what she’s about to do.

‘‘I couldn’t think what to get you,’ she said. ‘You didn’t have to get me anything.’ She disregarded this too.’ (DH, 98-9)

Ginny opens by revealing how difficult it has been for her to work out what she could give him, under the circumstances. She is, in her own way, acknowledging how hard she is finding processing what it is he has to do now. She has been struggling with the prospect of Harry’s departure, and the possibility, even the likelihood, of his death. But she has decided she wants to make that path easier for him. Despite his reassurance, she insists she wanted to give him something.

‘‘I didn’t know what would be useful. Nothing too big, because you wouldn’t be able to take it with you.” He chanced a glance at her. She was not tearful...' (99)

These lines are so significant. The first two lines in particular are deeply profound. They read very differently to how I first thought of them, if seen in this light. I didn’t know what would be useful, she says, because she doesn't know what she can say that will be useful. What could possibly make this easier, to help Harry think about the enormity of his situation, or to help guide him on a path requiring him to accept his own likely death?

She doesn’t want what she gives to him now to be too heavy, too sad, or too serious, because she knows Harry will not be able to deal with it (‘nothing too big’). Anything too declaratory, too sentimental, or too enormous, would be impossible for him to leave with. In the last part of the sentence, her words are deliberately vague: because you wouldn’t be able to take it with you.

I think this is the most poignant part, and it suggests the part of Ginny's mind that believes in, and is curious about, what happens beyond, after death: the voices on the other side of the veil. I think there is some part of her that thinks Harry might be going somewhere she can’t reach him - what Dumbledore will later call going on. Ginny does not openly speculate about where Harry will be taking whatever she gives him. That it could be to his own grave, or beyond, is left unspoken. He looks at her, finally, after these words, because he seems to understand, on some level, what she is trying to say to him.

‘She took a step closer to him. ‘So then I thought, I’d like you to have something to remember me by, you know, if you meet some veela when you’re off doing whatever you’re doing.’’ (DH, 99)

Ginny has decided: the thing she will give him is a memory, one that he can take with him when they part. Something to remember me by. She wants the memory of her, of them, to be useful, to serve him in some way, and to be something that he might be able to take on with him after death. She tries to soften what she’s trying to convey, with the joke about the veela. But both seem to understand what she is really saying: that she isn’t really asking for his loyalty or fidelity. She doesn’t say she’s giving him ‘something to remember me by’ for when he comes back and they can be together again. Her words are very final. The joke is supposed to make it easier for him to hear what she is saying: she’s telling him, quietly, how to think about her when he leaves, whatever leaving might mean.

Harry, for his part, continues the joke. (‘I think dating opportunities are going to be pretty thin on the ground, to be honest.’) She plays along, sort of, in a very sad way (‘there’s the silver lining I’ve been looking for’). But both seem to know that there is no real silver lining to this.

And then there’s the kiss itself:

‘There’s the silver lining I’ve been looking for,’ she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion, better than Firewhisky; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair —’ (DH, 99)

It all comes to a head here. Harry recognises that this kiss feels exceptional, unlike any other they’ve ever shared - that Ginny has never put so much into a kiss before. It is ‘blissful oblivion’, this moment of extraordinary intensity, where she kisses him and allows him, for a moment, to think only about her and them together. It’s heady and sexual (‘the feel of her’). It’s a gift for Harry to be able to forget everything and let this moment be a vacuum, to focus only on her. The crescendo effect of the short causes and run-on sentences allows the moment to build and build, a crescendo effect that anticipates something to come.

Of course, their moment gets interrupted, again. Unlike when Ron interrupted her with Dean, Ginny doesn't rage at him this time: she is subdued, a response that is far more appropriate for her processing the fact that she may have just had her final kiss with the boy she loves. Harry suspects she has started to cry, something he notes is out of character. Ginny had imbued a lot of meaning into this interaction: this is a portrait of a character whose heart is breaking.

When Harry and Ron are discussing the kiss outside on the lawn, after the initial shock of being yelled at by Ron for going anywhere near Ginny, Harry has his own, shattering realisation of what all of this means for himself and Ginny:

‘Yeah, but you go snogging her now and she’s just going to get her hopes up again—’ ‘She’s not an idiot, she knows it can’t happen, she’s not expecting us to— to end up married, or—’ As he said it, a vivid picture formed in Harry’s mind of Ginny in a white dress, marrying a tall, faceless, and unpleasant stranger. In one spiralling moment it seemed to hit him: Her future was free and unencumbered, whereas his . . . he could see nothing but Voldemort ahead.’ (DH, 100)

Thinking aloud, Harry says it would be idiotic for he or Ginny to imagine they could be together, either now, or at any point in the future. He expects her to find someone else; he cannot even begin to imagine a future for himself after the task set out for him. He does not say his inevitable death - he has not yet embraced that reality - but he remains caught in the certainty of an existential battle with Voldemort that he knows he may well not survive.

Later that day, Harry will receive the snitch from Dumbledore’s will. Though he doesn’t know it yet, he now holds the resurrection stone, the item that will open at the close in the forest. It is a birthday that starts and ends with hints about what little time he has left: the stage is set for an arc that, now, has to end in his own death.

Foreshadowing Ginny and the Forest

Moments foreshadowing the significance of the forest are all over Deathly Hallows. Sometimes, they mirror the moment of his own death; often, they are related to Ginny. When they leave the Ministry, with Ron splinched, clutching the Horcrux locket, they arrive in a forest. For a moment Harry’s heart ‘leaped’ at the thought that they were back in Hogwarts’ grounds, the site of so much of his earlier happiness with Ginny (DH, 221). When the trio hear that Ginny, Neville and Luna tried to steal the sword of Gryffindor, it is the Forbidden Forest they are sent to by Snape as punishment (248-9). Harry does not fear the Forest, and is consoled by the thought of Ginny serving detention there rather than anywhere else.

In the Forest of Dean, the scene where Ron returns begins with Harry thinking of Ginny. He sits at the mouth of the tent, wanting to look for Ginny on the Marauders’ Map, until he remembers it’s Christmastime and she is at the Burrow (297). Later, in a moment that mirrors his later walk to his death, he follows his mother - Snape’s patronus, the doe - into the woods, in order to recover and destroy the Horcrux, inching Harry’s own life closer to its close:

Though the darkness had swallowed her whole, [the doe’s] burnished image was still imprinted on his retinas; it obscured his vision, brightening when he lowered his eyelids, disorienting him. Now fear came: Her presence had meant safety. “Lumos!” he whispered, and the wand-tip ignited. The imprint of the doe faded away with every blink of his eyes as he stood there, listening to the sounds of the forest, to distant crackles of twigs… He held the wand higher. Nobody ran out at him, no flash of green light burst from behind a tree. Why, then, had she led him to this spot?’ (DH, 299)

Foreshadowing Harry's end in the Forest means also foreshadowing Ginny's own appearance at the moment of his death.

Harry’s ‘death’ in the Forest

In the final battle, Ginny is the last person Harry sees before he begins his walk into the Forest. He takes the words she says to the child on the ground as her final act of comfort. Harry hears them as if they are being spoken to him:

‘He was feet away from her when he realised it was Ginny. He stopped in his tracks. She was crouching over a girl who was whispering for her mother. ‘It’s all right,’ Ginny was saying. ‘It’s okay. We’re going to get you inside.’ ‘But I want to go home,’ whispered the girl. ‘I don’t want to fight anymore!’ ‘I know,’ said Ginny, and her voice broke. ‘It’s going to be all right.’ Ripples of cold undulated over Harry’s skin. He wanted to shout out to the night, he wanted Ginny to know that he was there, he wanted her to know where he was going. He wanted to be stopped, to be dragged back, to be sent back home (...) Ginny was kneeling beside the injured girl now, holding her hand. With a huge effort Harry forced himself on. He thought he saw Ginny look around as he passed, and wondered whether she had seen someone walking nearby, but he did not speak, and he did not look back.’ (DH, 558-9)

Harry believes that this is his final moment with Ginny before he goes to die. A part of him wants her to know that it’s happening: he is leaving, at last. But he can't call to her, because he worries she will try and stop him, and he might let her. Instead, he walks on, and doesn’t look back. After watching Ginny comfort the girl crying for her mother, Harry then goes on to the Forest, and summons his own mother, his own family, to walk with him to his death.

‘His body and mind felt oddly disconnected now, his limbs working without conscious instruction, as if he were passenger, not driver, in the body he was about to leave. The dead who walked beside him through the forest were much more real to him now that the living back at the castle: Ron, Hermione, Ginny, and all the others were the ones who felt like ghosts as he stumbled and slipped toward the end of his life, toward Voldemort. . . .' (DH, 561-2)

Harry is already preparing to go on from this world: his living loved ones are the ones he now feels furthest from. He stands now with the dead he has summoned, who recognise him and seem to have memories of him. He doesn't fear the dead: he is going to join them.

It’s the death scene itself that I think has subtle, but important parallels with the kiss scene much earlier. In both imagery and in writing style, the scene recalls that earlier moment, where Harry found himself on the edge of another kind of oblivion. There is this mounting, febrile sense of anticipation. There is a tension that is almost sexual, a dynamic injected into the scene through descriptions of Bellatrix’s body language and behaviour towards Voldemort:

‘Bellatrix, who had leapt to her feet, was looking eagerly from Voldemort to Harry, her breast heaving. The only things that moved were the flames and the snake, coiling and uncoiling in the glittering cage behind Voldemort’s head.’ (DH, 564)

The ugly parallel of Bellatrix and Voldemort is not supposed to show the pair as the mirror image of Harry and Ginny. Rather, it is a theme that recurs throughout the series to demonstrate the gulf between Harry, with his immense capacity for love, and Voldemort, with none. Bellatrix and Ginny are memorably paralleled twice in the series: once, at the Department of Mysteries, where Bellatrix moves to ‘torture the little girl’, and Harry steps in to prevent her (OotP, 783), and again in the final battle:

'Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch— He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways…’ (DH, 589)

As Harry waits for the killing curse, we see the most direct parallel with Ginny's final kiss to him:

‘None of the Death Eaters moved. They were waiting: everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his — ’ (DH, 564)

There's such an intense physicality and breathlessness to the whole scene, and an enduring pseudo-sexual tension, with Bellatrix audibly panting. Even the sentence structure even invokes the kissing scene: the run-on build up of clauses, the repetition of the present participle to actively hold the reader in one present moment, building and building and ending on a dash, the promise of something more.

At the end of his life, Harry returns to the memory Ginny gave him. She meant for it to be useful, if he was to go to his death. And at the close of his life he chooses to use it, as he prepares to leave her behind in this world and depart for the next. Just as the Resurrection Stone helped accept death, so too does the memory of Ginny. He feels the memory of her, the sensation of physical touch and of being kissed, the look she gives him that he knows as one of love and great courage. As he is killed, he remembers her last gift to him, the certainty of her love for him impressed upon him.

There's a line in OotP that I think is such an underrated line that sums up who Ginny is as a character. Harry is trying to get to Umbridge's fire to speak to Sirius when he thinks the latter is being tortured at the Ministry; Hermione suggests using Ginny and Luna as a distraction, despite Harry's objections:

'Though clearly struggling to understand what was going on, Ginny said immediately, ‘Yeah, we’ll do it,'... (OotP, 736)

This is who Ginny is. It's especially who she is to Harry, during the war. She doesn't fully know what's actually being asked of Harry (and, by extension, what is being asked of her, as the person who loves him, and who has most to lose if he is to die). But even when kept in the dark, she is enormously selfless, and her biggest act of bravery is extremely quiet. She keeps the secret Harry accidentally bestows on her, and she realises, in some sense, before he does, what it will likely mean for his life. She chooses to let him go on, knowing that he is loved, to make the path that he is on a little bit easier, even when she has realised that it will take him away from her for good.

#well that was longer that it needed to be #when in doubt write your way thru ur thoughts #pointing out foreshadowing and gasping is a full time job #justice for the birthday smooch basically #man said: blissful oblivion and also oblivion as in my DEATH #too deep in this to work out if this is even insight at this point #hp analysis #meta #harry/ginny #harry and ginny #hinny #harry x ginny #harry potter #ginny weasley #deathly hallows

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thyme-in-a-bubble · 1 year

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Ok ok ok that last Angel/Devil Steve and Eddie oneshot was just *chefs kiss* perfect, but what if we take it to the beginning where reader just found out about Steve and Eddie and is refusing to masturbate or have sex cause she feels watched so their sexual tension just builds and they get sooo stressed and horny that Steve and Eddie are just like “yeah no this isn’t healthy for you let us take care of you” all flirty and hot and stuff.Also clearly this is smutty or just suggestive if not smut

A/N: omg please! i love that they just go yeah no, we quit! we can’t take it anymore! and then just takes matters into their own hands. also, i’m gonna finally use this idea, an image, that’s been floating around in my brain since the beginning of this au…

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“Told you this was what you needed, baby,” Eddie groaned harshly as he withdrew his hips, letting you finally suck in a gasp of air once more.

Bending down to cradle your dreamy face in his hands, his thumb brushed over your messy lips, “look at you,” you jolted in his grasp as Steve’s sharp thrusts rocked your entire body, “fucking putting your own needs aside,” he smeared your saliva into your skin, “basically hurting yourself, just because what, suddenly you can see us?” his mocking tone was accompanied with a playful slap to your cheek, making your eyes roll back.

“Did you really think you’d stay innocent when we now have the ability to touch you?” he straightened up once more, his throbbing cock already tightly wound in his fist, “we both know what a little slut you are,” he kept a hand rooted on the back of your head, as he stroked himself and sporadically tapped the heavy tip against your blushing face, “what a little whore you can be for us now that we have you…”

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canarydarity · 5 months

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(Thought a little bit too hard about Romeo and Juliet ranchers...)

Keeping his head low and his tread light, Tango ducks from tree to tree under the cover of dark from the canopy, protecting him from the spotlight of the moon and therefore his discovery. Behind his back, leftover laughter from Skizz and Etho drifts further away; the volume of Skizz’s last protests, however, remains annoyingly the same as it continues to plague his mind, as does the memory of Etho’s agreement that Tango was—for lack of a better word—fucked.

Louder than all of that, though, more insistent, more pressing, was the ghost of Jimmy’s lips against his. The sole force of it drove him on, his heart tripping in anticipation when around the trunk of a tree he’d glimpse the stone of the house of Solidarity, or through a break in the leaves he’d catch a glimpse of light from a brazier.

Voices draw near just as the treeline breaks at last, and Tango ducks behind the nearest trunk as two servants meander by, following a worn path toward the back of the manor; his courage returns to him as they fade, and as if pulled by some rope falling taught or some string being coiled, Tango draws as close as he dares to the base of the stone without giving up the shade of the last tree. He kneels.

Now that he’s here, he must admit, his mind draws blank of any possible plan for continuing on. It’s not like he can wander the house of Solidarity unattended, making it clear in every way that he did not belong, and, on top of that, with one of Verona’s most recognizably unwanted faces.

Idiot, Skizz had called him; blinded, his friend had laughed. Always the most cautious of them, Etho had recalled that even a masquerade hadn’t been enough to conceal his presence from Grian.

And Tango hadn’t really until now heard a word.

Movement in the far window, the unmistakable shifting of the curtains, drawn by an imaginary force—the manmade wind of someone passing through. After a moment, a more permanent form takes shape, and Tango finds himself wondering how he could have stayed still for so long, how the sun could possibly have risen while he had been unaware.

But it of course is not the sun. He blinks and darkness is restored around him as his eyes adjust to the sight.

Jimmy, framed in beiges and creams and white—the masonry, the curtains, his blouse—fair as any portrait, as any bolt of silk, as any fine jewel. The slightly damp flop of his hair, the color like spun gold; the curve of his shoulder, the tan glow of skin shimmering beneath the cotton—he’s breathtaking, breath-robbing, even at such distance away, and Tango wobbles enough in his stance that he places a hand on the ground for stability.

How clear it is that this is a setting in which he doesn’t belong; how envious must be the moon for how dull it shines in comparison. Its colors—silver, the cool tones it usually accompanies—they were despicable in their wrongness. Tango thinks he’d be suited more enveloped by heat; in open fields of flowers, stranded in miles of wild wheat and tall grass, in places without trees, without shade, without reprieve.

The masquerade, Tango thinks, was not to foster intrigue amongst the guests, but to shield them from such raw beauty, to protect them from its temptation.

Jimmy’s chest bellows with what Tango imagines a sigh, and he continues on, momentarily disappearing from Tango’s view only to appear again in the following window, and then the one after. Tango follows, and they walk together along the length of the manor, albeit separated by its walls.

Bound, tethered, Tango’s heart tugs him along.

A corner is turned, and instead of a further row of windows through which to watch, Tango finds a balcony jutting out of the stonework, grand and open to the air. He swallows as Jimmy steps out onto it; stares, enraptured, as Jimmy wanders over to the railing, balances his elbows on top of it, and then drops his head into his hands.

Through the stillness of the moment comes an unmistakable and truly inspired groan, and Tango startles and glances around expecting to be caught by a rather resentful servant before realization alerts him to its source.

Jimmy drops his hands and sighs again, and this time Tango can hear the puff of his breath as he exhales.

“Stupid,” he mutters, “so incredibly stupid. Why did I…” He shakes his head and decides better than finishing the thought, squeezing his eyes shut tightly as if he can will the arrival of more to a complete halt with just enough concentration.

Tango is familiar with this method, and, he’s gotta say, it is not as successful as he’d like it to be.

Jimmy’s lips move again, but too little sound comes out for any of it to be heard, and Tango finds himself wandering closer before he can arrive at any of the reasons why he absolutely should not—too distracted by the thought of those lips touching his mere hours before.

Just as he’s braving closer ground, Jimmy’s voice rises to exclaim “Tango!” and Tango’s foot finds false purchase over a well-placed root and he slips, catching himself on the cool dewy grass. His head raises slowly, ready to be forever expelled from the grounds—or more likely stuffed and made to decorate Grian’s quarters—but Jimmy’s gaze remains safely away, off into the distance beyond. “Why did it have to be Tango?”

Tango does not dare move.

Jimmy grabs the balcony railing with both hands and leans back, closes his eyes and takes a deep breath through his nose. When he opens them, he draws himself back in and lets his arms go slack. His brow furrows in thought, his nose forming a little scrunch by the action, like his tutor’s just posed him a particularly troubling set. “But…it’s not Tango that’s the problem, is it? It’s just his name…Tek.”

Should he be listening to this? Tango doesn’t bother thinking about it, he already knows the answer; not that that stops him, or compels him to turn around and proceed the way he came—for how could he when he’s hearing the echo of his own musings? An utterance of reciprocation for the feelings to which he’s fallen victim? Shared dismay at the grandeur of their circumstance?

“Maybe…maybe if he weren’t Tango.”

Even before Jimmy drops his head in defeat, Tango knows that line of thinking is for naught. Maybe if he wasn’t Jimmy, maybe if his cousin wasn’t Grian, maybe if his name wasn’t Solidarity and his very existence meant to be an offense. Maybe if the sun didn’t shine, or the moon didn’t beam, or resentment didn’t flow through the streets like blood spilled. Maybe did not stand the test of time nor outlast the memory of a grudge.

“Perhaps, should I not call him Tango, but assign him some other name…”

If only Skizz was there to witness Tango blurt out, “You can call me anything you’d like.” Idiotic and blind would not have been the only adjectives he was assigned if he had. A few immediately come to Tango’s mind himself—stupid, insane, absolutely and completely screwed.

He has no memory of deciding to speak, but the words have undeniably come out of his mouth, and there’s no hope of them not having been heard based on the way Jimmy rises to attention.

“Hello? Is someone there?” Alert and understandably perhaps a little frightened, Jimmy's eyes scan the treeline in which Tango dwells.

Intelligently, Tango replies, “uhh.”

“Who are you?”

Tango flounders, his voice raising a dozen octaves, becoming high and stringent as he at once wheezes out, “God, why has that question become so complicated all of a sudden?”

Jimmy shuffles to the corner of the balcony, his waist pressed against the perpendicular juncture of stone as he leans over the railing to squint into the orchard. “Wait—Tango?”

Tango is left with no other option than to abandon his haven of trees and shade and step into the torch light of the Solidarity’s garden, lest he’d rather Jimmy lean so far over the balcony that he falls. He catches the moment that Jimmy sees him—the softening of his features, fear being overtaken by the more welcome feeling of surprise, the nervous tightening of his jaw, the biting of his lip.

If he thought revealing his presence would mean less of Jimmy’s precarious balancing act, then he thought wrong; Jimmy doubles over more, if possible, and Tango throws his hands out in a gesture he hopes is universally interpreted as stay put while some sort of alarmed squeaking comes out of his mouth. But Jimmy just fervently whispers, “What are you doing here? Are you crazy?!”

“Are you?!” Tango whisper-shouts back. “You’re giving me a heart attack here, lean back wouldya?”

Jimmy thankfully returns his upper body to a standing position safely behind the balcony’s edge, but his voice gets no less intense, his words no less urgent. “They will kill you if they see you here, you know that right?”

In return, Tango can only nod as if this realization has only just, for him, come to light. Of course, it hasn’t—Skizz and Etho had been trying to tell him since they left him outside the Solidarity’s walls, and by instinct alone he knew to hide if he suspected someone walking too close by, and yet. His frantic nodding does not cease as he says, “You know, I hadn’t really thought about it…to be quite honest.”

“You hadn’t thought about it?!” Jimmy grabs at his hair, incredulous, and Tango is momentarily distracted for the amount of time it takes to imagine doing it himself and wonder at what it would feel like. “I can’t believe this.”

Shaking his head, desperately trying to restore function, Tango delivers the only defense with which he’s come equipped. “I just—I had to see you!”

Once more, Tango curses the moon for its inadequacy, for what must be its deliberate hindrance to the wonder of this scene. Because, though it’s too dark to really tell, firelight falling much to short, Tango swears that Jimmy begins to blush.

Since he can’t completely be sure, he’ll have to make due with admiring this: the way Jimmy tucks his head down, closer to his shoulder, the shifting of his weight from one foot to another; how his eyes seemingly impossibly get a fraction of an inch bigger, wider.

He doesn’t quite look back at Tango when he says, “You really mean that?”

Tango smiles, “I do, I swear it.”

Whatever modesty was held in his expression before disperses and Jimmys face holds room for little more than mirth when he turns back and demands, “On what?”

“On…” Tango draws his shoulders higher, his hands raising with them as if attached by puppeteers string. They suspend there momentarily, waiting to be released by the arrival of a coherent thought that unfortunately never comes. “I don’t know…”

Tango bites the inside of his cheek. “What would you want me to swear on? Name it and it’s done.” He holds his hands up in pure complacency, a promise and an offer; take me, im yours.

Jimmy laughs at his near madness, and Tango swears that it moves like wind through the orchard, rippling across all the branches and leaves of all the trees; he sways on his feet to the music of it, doesn’t bother to curb the urge to smile harder at it—his face a perfect mosaic of every feeling he’s every felt.

With a shake of his head, Jimmy admits, “I dont know either.”

“Ah, an impasse.”

Though his head doesn’t move, Jimmy’s eyes duck away again, seeking safer purchase as he instills the night sky with his reply. Tango doesn’t mind, for it’s easier then for him to continue to to watch. “Maybe just…say it again then. Instead.”

“I came because I had to see you, Jimmy.”

Jimmy’s eyes dart back and then away again, needing to see Tango to truly be sure, but needing privacy to be able to comprehend. “Alright…” He glances back into the room behind him, whatever is beyond the curtains that are all Tango can see. “They’ll come looking for me soon, you really should go.”

Playfully outraged, Tango sputters, “What! That’s it, I don’t get anything in return?”

The dramatics earn Tango an eye roll, but Jimmy also begins bouncing a little in place—resevoired anxiety that lets Tango know he was serious about the chance that someone would soon seek him out. Whatever stolen time they had managed to accrue was fleeting and not a second more.

Even so, Jimmy plays along. “And what am I supposed to give?”

“I don’t know, something!”

“You’re very helpful, has anyone ever told you that?”

Tango laughs, “A fair hit.” He watches as Jimmy turns around again to assure their privacy once more, understands for both of their sakes the importance of not overstaying his welcome, and his hands tucked behind his back, comes up with, “alright, just tell me this: are you glad I came?”

Jimmy turns back to him, and this time Tango is absolutely certain of the blush present on his cheeks by the way Jimmy raises a hand as if to feel his own temperature on instinct, or to hopelessly pat it away with the back of his hand. He’s smiling, but it’s clear he’s trying not to, and that’s all the answer Tango needs.

Before Jimmy can, in his bashfulness, form a verbal reply, from inside a voice does indeed call “Jimmy?”

Bliss turns to panic in an instant, and instead of earliers soft tone Jimmy near hisses when he says “Tango!”

If he was smart, he would heed the warning and go, but Tango is still drunk on their proximity alone, on the events of the night—all of which were set in motion by the taking of a chance on an innocently shared kiss. He figures if this is where one chance has gotten him, then he can stand to risk another.

“I mean, I’m perfectly content to wait, Jimmy.” Tango steps to the nearest tree and leans against it like he’s planning to stay for some time, tries not to laugh as Jimmy’s eyes practically bug out of his head.

“You—” Jimmy’s head swivels back and forth, caught between the harmlessness in the tease and the actual realistic harm in its consequences if Tango legitimately followed through. Of course, he isn’t going to—the second Tango sees another silhouette in the window he’s out of there, blending back the way he’d come into the trees—but where was the fun in it if there wasn’t just a little bit of real life pressure? “You’re insane,” Jimmy berates, but before he turns and disappears behind his walls that are meant to keep out Tango and Tango specifically, he whispers, “Yes, I’m glad you came.”

Jimmy’s already gone, but when Tango says, “That’s all I needed,” its more to himself than anything as he turns to go back the way he’d come.

He did not imagine when the night began that he’d find himself betraying the one rule his family had ever demanded he follow, nor did he expect to feel little concern for himself in spite of this fact, but he did know he’d be helpless but to do it again had the situation started anew, because Tango doesn’t know what greater purpose he could have than to love this man. It wasn’t just the remembrance of a kiss that drove Tango to Jimmy’s window, but the sense that it was only the first, and where there was one would come more. Of this, Tango was certain: attending the masquerade, glimpsing Jimmy through the party-goers, risking following him through the crowd and delighting in that first, perfect kiss had set off more than the events of tonight, one singular night, but rather of whatever was in store for him—for them—all the rest of their lives.

(gonna put "can translate Shakespearean English into gamer speak" on my resume under special skills. [read on ao3 here])

#worm writes #so this is what i was doing. in that blissful period where i hadnt yet learned jimmy died btw.#this is where thinking jimmy is alive and well gets me #and now its just incrdibly funny that instead of mourning i was straihgt up like giggling to myself like haha rancher balcony scene !!!#like...oh my god #team rancher #team rancher fic #solidaritygaming #jimmy solidarity #tango tek #double life fic #romeo and juliet au #edit:#realized I should probably also tag this —>#trafficshipping #just in case

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hearts-hunger · 8 months

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can i keep coming back to you? || danny wagner x reader

Read on AO3 | Masterlist

Summary: Danny comes home to you after a long day, and you show him the decorating you've been doing. | Standalone in the Four Weddings universe

Pairings: Danny x Reader | Genre: domestic fluff | Word Count: 2k | Warnings: none!

A/N: Besties, I admit this fic is 100% gratuitous self-indulgent fluff. I just want to decorate my house for Halloween in August, and I want to do it with Danny. Enjoy! ♡

“Don’t get scared, sunny.”

You turned, careful to put one hand on the bookshelf to keep your balance, and saw Danny coming in the door.

“What do you mean?” you asked. From your vantage point perched atop one of your dining room chairs, you looked around for something he might be hiding. “Scared of what?”

He smiled. “I just meant don’t get scared of me coming in,” he said. “I didn’t want to startle you and make you lose your balance.”

“Oh,” you said with a laugh. “Thanks.” You turned back to the shelf you were decorating, straightening a picture frame once you had the little pumpkin lights arranged just so. “Don’t you love this picture?”

He crossed to stand by your chair, looking for a long moment at the picture of the two of you from your trip to the beach in the spring. His hair was longer in the picture, tangled by the breeze, and his smile was big and bright as you kissed his cheek.

“Yeah,” he said fondly. “I do love that picture.” He put his arm around your waist and looked up at you. “Doing some redecorating, sweet sunny?”

You gave him a bashful smile and draped your arms over his shoulders. “Yeah, well, I know it’s not even September, but... I went a little crazy in the Halloween section at TJ Maxx.”

He chuckled. “I kinda figured from all the pictures you sent me. Did you end up getting the sheets with the skeletons and pumpkins and whatnot?”

“Yes!” you gushed. “And I got a blanket to match. You’re gonna love it.”

“I'm sure I will, sweetheart.”

“Do you want to see all the other stuff I got?” you asked, already knowing the answer. You were very grateful for the way Danny so generously indulged your love of decorating; no matter the holiday, you were given free rein to decorate anything and everything in your house, and Danny always complimented the changes you’d made with genuine interest and sincerity.

He smiled. “Of course I do.” He looked up at you with a tired sort of patience and affection, and you put your hands on either side of his face.

“I haven’t even said hi to you,” you scolded yourself. You gave him a kiss. “Hi, baby. I’m glad you’re home.”

He smiled against your mouth. “Me too.” He hugged you and rested his head on your chest as you gently ran your fingers through his hair.

“Long day?” you asked.

He hummed in agreement. “Your boys couldn’t quit fighting long enough to play through a whole song. We didn’t get anything done.”

You huffed a laugh, thinking of ‘your boys’ and how every once in a while, they’d get into a mood where they couldn’t seem to do anything but bicker.

“I’m sorry,” you said. “Hopefully everybody just needs a good night’s sleep. You guys have been burning the candle at both ends lately.”

You brushed your fingers over his necklace, the permanent chain that apparently would stay on until the day he died, or the day you went crazy for him and found a way to get it off.

“This still isn’t driving you up the wall, huh?”

He looked up at you with a grin. “No, but I think it might be driving you up the wall. You don’t like it?”

“I like it just fine on you,” you said. “But say the word and I’ll get a pair of bolt cutters and take it off for you.”

He laughed. “That seems excessive, but I appreciate it.”

You cradled his face and kissed his cheeks and over the bridge of his nose, enjoying the novelty of being taller than him for a moment.

“You look tired, sweetheart,” you said gently.

He nodded. “I am tired,” he admitted. “But I still want to see all your new Halloween trinkets.”

You gave him a beaming smile. “I love you.”

“I love you too, sunny.” He scooped you up to carry you, and you giggled as you put your arms around his neck. “Where to?”

“Depends,” you said. “Are you going straight to bed, or do you want some dinner first?”

“Dinner,” he agreed.

“To the kitchen, then.”

He carried you in and set you on the counter, right next to the candle holder with four little ghost candles perched atop it.

“Hey, those are cute,” he said.

You sighed. “Here’s my dilemma with them.” You picked one up and ran your thumb over the waxy surface. “They’re candles, obviously, but when I got them all set up — ”

“You didn’t want to burn them,” he said with a smile. “Isn’t that right?”

“Oh, I just couldn’t.” You held it out to him, and he held it for a moment in his big palm. “They’re just so cute! I couldn’t melt them.”

He chuckled and put the ghost back with its companions. “I understand, sweetheart.”

He patted your thigh before he went to the fridge and pulled out a Corona. “You want one?”

“Sure.” You hopped down from the counter and started to get things set out for dinner. “I tried a new crock-pot recipe, so I hope it’s not awful. It’s some kind of chicken taco casserole something or other.”

He lifted the lid of the crock-pot. “It smells good,” he said agreeably. “I’m sure it’ll be great, honey.”

You were too distracted to respond, trying to figure out how to get the plates you wanted from the top shelf. You knew you could just ask Danny and he’d happily get them for you, but you didn’t want to bother him, and you stood on tiptoes and tried to reach them.

He gave a soft laugh. “Sunny,” he scolded lightly. He handed you your beer and reached above you to take down the plates.

“You know you have a really tall boyfriend to get things off a high shelf for you,” he said. “You ought to put these long limbs to use.”

You smiled. “Thank you. I just didn’t want to bother you.”

“Helping you is never a bother, sunny.” He kissed your nose. “Now tell me what else I can do to help you, please.”

You enjoyed the bashful butterflies he still gave you as he followed your directions on setting up for dinner, and the two of you sat catty corner at the table for a long time after you finished eating and talked about how your days had been. After dinner, Danny washed and you dried, and you shared a bowl of ice cream at the counter.

“Are you at the studio all day tomorrow?” you asked.

“Yeah,” he said, and his tone was apologetic. “I know you had some errands you wanted to do together, but...” He absently toyed with one of the ghost candles, distracted and tired. “If those errands can wait until this weekend, I’ll just move my golf thing and we can do them then.”

He looked over at you. “Unless they can’t wait until the weekend. Then I’ll ask the guys if I can step out for a little while to get them done.”

You brushed a few curls from his face. “They can wait, but I don’t want you to have to cancel with your dad.” He and his dad had planned to golf together on Saturday, and you knew Danny had been looking forward to it.

“I’ll just go tomorrow by myself,” you said. You didn’t really need Danny to go with you, but both of you preferred to do boring errands with each other to make them less boring.

“Are you sure?” he asked. He washed your ice cream bowl and set it to dry. “I can talk to the guys, see if I can leave for an hour or so. Maybe we can get coffee or something.”

“I’d love that,” you said. You laced your fingers with his as he came back over to you. “We’ll figure it out. I just feel like I haven’t seen you a lot this week.”

“Yeah, me too. I miss you, sunny.”

You smiled. “Aw, honey. I miss you too.” You tilted your face up for a kiss, and he leaned close and obliged you.

“Come in the shower with me,” he said, kissing the corner of your mouth.

You grinned. “Okay, but only so I can show you the new shower curtain I got.”

He chuckled. “Lead the way, sweetheart.”

He did end up liking the shower curtain with pumpkins and black cats on it, but you guessed he probably would have been happy with any kind of shower curtain just so long as you were behind it with him. He wasn’t interested in showering as much as he was interested in simply being close to you, and you happily indulged his desire for long, slow kisses and gentle touches. You washed his hair for him and enjoyed the way he relaxed under your hands as you washed the worries of his day away in a soft lather.

He was a little more energized after your shower, and when both of you were in your pajamas with your hair bushed and your skincare done, he sat on the bed and waited for you to show him all the things you’d bought. He put on some music, and you hummed along to First Aid Kit while you fished your trinkets and tchotchkes out of their bags.

“Look at this guy,” you said, holding up a little cauldron with moons and stars around the rim.

“Candy bowl,” he guessed.

You laughed. “Yeah, candy for one person, maybe.”

He looked thoughtful as he wrapped your new pink Halloween blanket around his shoulders. “Um... we could use it as a bowl to hold keys and stuff on the table by the door.”

“That’s actually a great idea,” you said. “Okay. Key bowl.”

You held up the next thing, a light up crystal ball held in gold skeleton hands.

“Okay, that’s cool,” he said. “We should just keep that out all year round.”

You hid a smile at his real interest in this particular decoration. You knew he didn’t mind all the things you’d picked out, but he was sort of indifferent to them; mostly, he was just happy to enjoy them if they made you happy. Every once in a while, though, you’d find something that really sparked his decorative interest, and it seemed like you’d hit the nail on the head with this one.

“Watch,” you said, and you flipped the switch at the bottom that made the crystal ball light up and swirl with glitter.

His eyes widened. “Dang, sunny. You should go to TJ Maxx more often.” He took it when you offered it to him, watching it like a kid with a shiny new toy. “This is some real wizard shit. We should get one for Jake. He’d love it.”

“Okay, but fair warning — if you let me go back, I’m gonna end up getting more decorations we don’t need.”

He smiled and handed the crystal ball back to you so you could put it on the dresser. “I like it when you go shopping for stuff like this.” He nodded to the bags you still had at your feet. “What else did you get?”

When you’d given him a show of the rest of your baubles, he convinced you to leave them strewn about your room in a state of disarray with the promise of helping you set them up later. When he opened up his blanket cape and invited you in for a hug, you gladly accepted, and he held you in his lap all cuddly and snug.

“You were right,” he said. “I do like this blanket. You’re a genius.”

You giggled as he hugged you tighter and made sure you were wrapped in the blanket with him.

“My sweet sunny,” he said, resting his head against yours. “You’re so good at making our house cosy and fun and beautiful. Thank you for making it a home.”

Your heart wobbled. “I’m glad you like it, Dan.” You pulled back just enough to see his face. “It’s all for you, honey.”

He smiled. “Thank you. And thank you for sharing it with me.” He kissed you and snuggled you close, rocking you gently to the music.

“Did I ever show you this album?” he asked.

You smiled. “We listened to it the day it came out,” you reminded him. “We went on a drive and listened to it all the way through.”

“We sure did,” he agreed. “I remember.” He was quiet for a moment, thinking of that early-morning drive with the cool breeze and one hand on the steering wheel with the other hand in yours.

“That was a pretty good date,” he said. “Don’t you think?”

You smiled. “Yeah, I do. We should do it again sometime.”

He hummed along to the song for a moment. “This song makes me think of you.”

You didn’t know it well enough to know the lyrics, but you knew it was a compliment. “Oh yeah?”

He hummed in agreement. “I’m gonna love you ‘til the moon don’t shine,” he sang. “I’m gonna love you ‘til the waters run dry. Oh, you, can I keep coming back to you?”

His voice got a little muffled towards the end as you pulled him down for a kiss, and he smiled as he tried to keep singing and kissing you at the same time.

“Can I keep coming back to you, sunny?” he asked.

“You are simply not allowed to go anywhere else,” you replied.

He laughed and kissed you again. “Yes ma’am.”

danny taglist:@tearsofbri@busybeingtrash@myway-late@gotavansleep@gretavanbri@stardustchxrds@pxppylove @bajabule69 @radmads-gvf@sunnykiszka@audgeppp @ageoffleeet @stardustjake

gvf taglist:@malany-gvf@spark-my-nature@eearevee@madneedshelp@demonrat444@josh-iamyour-mama @honeyandsweettae @mydarlingdanny@gretavandann@sacredjake@myleftsock@joshskittytickler21@hellowgoodbye@watchingovergvf2@fearfulspirit@mywaysoon@carbondancingthroughtime@caprisunsister @eraofstardustchords @sacredthefran@shesawomaninadream @serendipiti @demonrat444@wildflowerxx-x @tearsofdanny @iluvjoshkiszka @jordie-gvf-admin @demolitionndann

@gvfrry@ohhey1293@the-chaotic-cow@mountain-in-springtime@xserenax-13@stardustjtk @brooke-gvf@weightofdreams-gvf@jakeydoesit@gretasmokerising@hayley1623@doodle417@finestoflines@brokenbellz@bowievanfleet@s0livagant@strugglingtodoshit@s-u-t@kay-jordan@gretavanfleas@jakeyboiiiiiii@gretavansteph@gretavanbitches@myownparadise96@luverleaver@weightofdreamz@greatervanfleet@maedesculpaeusoubi@jakekiszkasbestie@pineapple-photographer@baguettejuliette@alexxavicry@levi-wants-ur-bones@carlybubs@cowboysamkiszka@dannyandthekiszkas@jordierama@slutforsteve@starshine-wagner@quartzzzzzzz@edgeofdreams@writingcold @lostoverseer @catharu77 @mackalah@jaketlove @haileygvf @blacksoul-27 @ur-m0ms-blog

sorry if tumblr didn’t tag you — it’s stupid sometimes. but i’m real thankful for you, sweet peaches! and if you’re a new bestie and would like to be added to my taglist, check out the form right here! ♡

#okay i was thinking this wasn't so cute but upon the editing re-read it actually is adorable #i feel like most of the danny fics i write are like this #just soft domestic bliss with danny <3 #danny wagner x reader #danny wagner #danny wagner fluff #greta van fleet fanfiction #gvf fanfiction #gvf fluff #maddie writes stuff!#four weddings universe #danny x sunny

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