like seriously we need to start terrorizing fatphobes. we need to make it genuinely unsafe to engage in body/diet talk in public. we should make it publicly humiliating to talk about calories, guilt, "cheating", etc. we need to start laughing at people who go, "are you sure you want all that?" and "you know that's not good for you, right?".
we need to start telling these people, no matter how much weight you lose, you're rotten to your fucking core. and no diet can fix that.
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so i know i´m being communist on main here but i do think that even small businesses run by artists need to do their best to not exploit other peoples labor. I know how hard it is to source every material ethically but i see more and more people getting labor intensive things like clothes, bags, plushies, ect. made in factories. it worries me how untransparent a lot stores and kickstarters are about the conditions in the factories that produce their products. especially when those factories are located in countries with poor labor rights.
of course you can go ahead and tell me there is no ethical consumption under capitalism and that even someone who handmakes everything and does their best still needs to f.e. buy materials that were produced in unknown conditions BUT
i think that the moment you actively are in control over production you are responsible for making sure it is done in a way that doesn´t make you profit from the exploitation of other people.
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I'm still thinking about how ashamed I was (and am) with being open about my pain because I am so young. It's so hard to feel worthy of having your pain taken seriously when the people around you insist that young bodies are always in pristine, untouched condition and that you must earn your pain through aging. Never is it considered that young people aren't lying or being a hypochondriac for expressing their pain.
Young people can be in life-altering pain. Young people can have debilitating pain. It doesn't matter what age it happens because pain doesn't discriminate. Complaining about pain and doing things to prevent needless pain aren't something you have to "earn" through aging.
If you want young people to be in less or lesser pain, then encourage them to do whatever they can to minimize it. Don't downplay what they're experiencing. Not everything is a lie, not every experience that is different than yours is exaggeration or deceit.
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I don’t really have the right words but i like the idea of Hobie doing quick checks for people’s safety without even really moving too much, as both a skill learned from his childhood and just a way he would be anyway. Like let’s say Gwen is calling him and she’s crying but sounds very detached. Hobie’s gonna do a quick mental checklist like this: (Injured? -> Alone? -> Aware? -> Show up -> distract as hiding weapons -> calm her -> check speech -> move location? -> check for injury) and it gets more complex as need be. He’d do this with all his friends and the people he helps in general, and it’s a quick and barely noticeable process unless he tells you he’s even doing that, which he usually doesn’t. I also like to think he was kind of doing this when he was talking to Miles on the way to meet Miguel, just very toned down (for him).
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hi what do you think abt t4t kakayama (it's canon to me tbh)
:) hi ty for the question. i will do two sweet pictures of them being intimate and then under the cut there's going to be a longer very unsweet and more technical response
so i'm usually not a very shippy person! but that said i am also on the record as an occasional kakayama + kakayamagai enjoyer
i do hc them both as trans and in different ways w/ different experiences of transition and identity! i have no interest in proving my view as canon, but i do regard my reading of the text (text here including the anime) as a valid interpretation of yamato's experience of identity
yamato, for example, imo, doesnt have any real lived experience of being raised as a child of any gender. he was an experimental subject, and then he was Danzō's weapon/vessel for the mokuton, and then he was in anbu.
in a fun little word game which should not be taken seriously: it'd almost be more fitting to describe him as "adgender" rather than "transgender" since the prefix "trans" implies moving across where the prefix "cis" means to stand still, but the prefix "ad" means "to move towards" and i headcanon him as somebody who was degendered as a child, not in a cool nonbinary way, but instead in a dehumanizing, objectifying way, so his experience of creating his identity and his gender along with it is one of moving toward the concept of gender
this word doesn't and wont exist, but bc of the way english works it would probably be simplified to be spelled precisely the same as "agender" in the same way that "aggression" came from latin "aggredi" which came from "ad" (meaning to/toward) and and latin "gradus" (meaning step) (essentially the combination means "to step to" [in a threatening manner])
the only diferences is where agender (meaning no gender) is pronounced ay-gender, the agender that comes from adgender would be prounounced more like "uhgender" in the same way that agressive isnt pronounced like "ay-gressive" but instead like "uhgressive"
and then...as for kakashi? i just decided on vibes. i didn't think hard about it.
i guess i should also say that, while i draw kakayama very infrequently, when i do draw it i usually try to be very apparent about the transness in the artwork if i can?
especially if i'm drawing anything more intimate than a peck on the cheek.
it's no secret that shipping is often times the most energized part of fandom, and i kind of don't want to produce romantic or sexual artwork which will be enjoyed by people who don't think trans people can be attractive? or who find that trans headcanons make a character uninteresting to them? or worse, "ruin" a depiction of a character to them?
often i think about in terms of. IF there are people that follow me that love my work (usually) and think that kakashi or yamato are hot (usually) and love kakayama (usually) but get frustrated or even uncomfortable out when i draw them as explicitly trans? then i'm drawing all intimate artwork of them as explicitly trans.
it's a little like...nobody gets to love my work if transgender characters are a turnoff for them. that's the bar for entry, is the way i think of it, but really its more like putting onions in a dish. if you want to eat the dish you have to eat the onions. if you don't want to eat the onions, don't eat the dish. all the meals i make contain onions. i'll never compromise on my intention to put onions in every dish i make. that's my ninja way, as the kids say.
especially in the climate we're in right now.
i don't know. i have a lot of feelings about how most fandoms tend to view trans men, especially in terms of romantic and sexual relationships. I'm doing a bad job of expressing the depth of how much seeing how fandom treats trans male identity and transmasculine bodies impacts the way that i draw + write kakayama, but genuinely it's something i think about every single time i create content about them.
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Hey remember when Bishop Percival dipped his hand in my wound and drank it? That was fun.
An-y-ways if any watchdogs-- especially soldiers-- give blood at the Glornists' blood drives I will kill you. This is not an empty threat.
If you gave blood before that bastard lapped up my blood you're fine I guess. Still an idiot who fueled their shady rituals for cookies or whatever. Can't really remove liabilities there without throwing myself out the airlock...
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considering it's almost ~resolution season~ i'm obviously thinking about fat people and about solidarity between (non-fat) ppl with EDs and fat people of all kinds. and i want us to remember that the unhealthiest diet, regardless of its contents, is one that is forced on you. the worst amount of calories is the one strictly managed and mandated by paternalistic authorities. the worst body is the one you are commanded to have, forbidden to change.
and the best of all of these things are the diet, lifestyle, habits, and body that you choose. autonomy = freedom = life.
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rereading animorphs and once in a while marco will say “people dont understand the word ruthless. they think it means ‘mean.’ its not about being mean. its about seeing the bright, clear line that leads from a to b. the line that goes from motive to means. beginning to end. its about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. not caring about anything else but the perfection of it.” and then repeat it, over and over, "i can see the bright clear line and i know she can too" as he tries over and over again, as he tries to lead a group of his friends to kill his own mother, who is host and slave to the leader of a race of parasitic slugs who have so much genocide and incomprehensible crimes on their hands its impossible to describe in a succinct post
and then they go to school the next day and giggle about cinnabon, play video games, and steal back a doodle saying "cassie ♡ jake" from another students house. bc theyre all like. 13 years old. and the second they stop having to carry the weight of a species and a war on their shoulders, theyre really fucking written like 13 year olds k.a. applegate did such a good job with this series
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