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#bottega veneta stride
umlewis · 28 days
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Lewis Hamilton on finding his personal style—and why Pharrell is his style icon
At Mercedes-Benz Australia and Vogue Australia's dinner in celebration of the upcoming Melbourne Grand Prix, the seven-time world champion and driver spoke candidly about all things Formula 1 and fashion.
How does Lewis Hamilton spend a Thursday evening, the day before a race weekend? If tonight was something to go off of, the answer would be waxing lyrical about personal style and his style icons onstage at a dinner trackside. The seven-time world champion popped into the Mercedes AMG Lounge at Melbourne's Albert Park for a dinner hosted by Mercedes-Benz Australia and Vogue Australia in celebration of the Formula 1 Grand Prix, speaking on stage with teammate George Russell and Fox Sports commentator Hannah Hollis. And there was no better person to ask about style than Hamilton, a driver who has arguably pioneered the modern synergy between fashion and Formula 1. A race week brings plenty of speed and adrenaline, but also outfit after outfit from Hamilton, who often roams the paddock in labels like Bottega Veneta, Valentino, Dior and Rick Owens. How, then, Hollis wondered aloud before a seated audience, did he discover his own sense of personal style, and what would he recommend to someone else attempting to do the same? "I'm sure many of you look at your old photos and think, 'What the hell was that?'" Lewis laughed. "But what I've discovered is it's a real process, a real journey. It’s just trying and being daring. I think I've tried so many different styles. I kind of describe my style as an evolution. It's whatever makes you feel great. The trick is about self-expression. None of us are the same as anyone else. We have our own unique tastes, but it's whatever makes you feel sexy! Embracing confidence." For Hamilton, style goes hand-in-hand with performance. "I grew up aspiring to be a Formula 1 driver. I wasn't thinking about my fashion sense on the journey," he continued. "I think a lot of drivers have gone through the same experience. Fashion is such an important way to express yourself, and you have got to feel good. If you're wearing something that you feel confident in, you walk in with a lot of extra inches in your stride and you know that's what you need when you walk into the paddock. When your fans have cameras on you and you've got your competitors around, you need to have that confidence, so I think fashion is actually really important. It's taken me a long time to get fashionable and a long time to actually convince the teams to change; I wasn't able to wear my own things. And then I started going to fashion shows. I really love the fashion shows because there's a very diverse audience; so many different people from different walks of life, all dressed in their own styles, with no apologies. So it's been a fun journey, and now all of these other drivers are starting to express themselves in their own way." On the topic of sartorial icons, Hamilton was quick to praise Naomi Campbell, cover star of Vogue Australia's most recent March 2024 issue. "Naomi is incredible. I met Naomi many, many times. In the first year [we met], 2007, she just immediately adopted me as a brother, so she's always been that big sis. But for me, when I was younger, I think I was heavily influenced by hip-hop, R&B and pop culture. I was always watching those videos when I got home. Pharrell, for me, was that style icon for me. I loved how he progressed from music into the fashion space when he was working with Chanel. And what he’s doing now, leading LV, is pretty incredible, so I look up to him for that."
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lamaisongaga · 3 months
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LADY GAGA GOES FIERCE IN ALL BLACK LOOK
In the sun-kissed enclave of Malibu, Lady Gaga graced the coastal scene in an ensemble that effortlessly blurred the lines between business sophistication and avant-garde allure.
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Clad in the Wolford x Sergio Rossi turtleneck catsuit ($477), she elevated the streets into a runway.
The catsuit, a symbiosis of Wolford's renowned craftsmanship and Rossi's daring design, clung to Gaga's silhouette like a second skin.
Adding a touch of sartorial rebellion, Gaga threw on her Saint Laurent Iconic Le Smoking shawl lapel wool gabardine tuxedo jacket – a statement piece that played the role of a power blazer. She previously wore it way back in 2013 and again in 2016!
Shop:
Wolford x Sergio Rossi Catsuit ($477.00)
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Gaga's accessory game was a symphony of opulence. Clutching the Bottega Veneta Intreccato woven black leather pouch priced at a cool $4,200, she turned the location into a high-stakes fashion parade.
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Bottega Veneta "Intreccato" Pouch ($4,200.00)
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But Gaga didn't stop there; her stride was accentuated by the Saint Laurent Pre-Fall 2016 Candy platform booties. We saw them two weeks ago on her too!
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Who: Rocky Barnes
What: Gap High Rise Stride Wide-Leg Jeans in Light Indigo ($79.95) Where: Instagram - March 4, 2024
Worn with: Gap tank top, sweatshirt, baseball hat and necklace, Adidas Sneakers, Bottega Veneta bag
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bragmyshoe · 2 months
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BragMyShoe: Stride in Style with Exquisite Replica Bottega Veneta Boots
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BragMyShoe: Elevating Your Style with Impeccable replica Bottega Veneta boots. Discover unparalleled craftsmanship and attention to detail in our curated collection of replica Bottega Veneta boots. At BragMyShoe, we redefine luxury footwear, offering a seamless blend of sophistication and affordability. Step into the world of elevated fashion with our meticulously crafted replicas, reflecting timeless elegance and trendsetting designs.
Shop Now! https://www.bragmyshoe.com/designer-boots/bottega-veneta.html 
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lovefrenchisbetter · 2 years
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Bottega Veneta Stride
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cosette-gucci · 3 years
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Selling Designer Handbags - Advice on Selling Wholesale Prada Bags
Prada is a commonly recognized name in the design business. At the point when shoppers start the chase for a tolerably evaluated fashioner sack, Prada is certainly one of the brands looked for.
Today Prada addresses extravagance and polish. Their exemplary plan and ubiquity endure over the extreme long haul. As the organization makes strides in the 21st century, they are accepting more current styles to get interest and request high.
In case you are in the creator purse business, selling Prada sacks is the best approach. Numerous internet based retailers offer the brand name items for half of their retail cost. The way to becoming beneficial in the discount creator satchels business is offering valid Prada sacks at mind boggling costs.
How would you ensure you are selling genuine Prada? Here are a few things to search for:
Tag
The tag inside the sack will be metal and it will say - Prada Made in Italy. On the off chance that the tag inside is everything except metal, it is phony.
Coating
The inside fixing is dark with Prada imprinted on it in an apparent dark tone. Some imitations will have a coating that appears to be identical however may have an alternate word, no word by any means, or have Prada incorrectly spelled.
Sewing
Likewise with any phony sack, if the crease or line is off, muddled, or doesn't arrange as expected - you can wager it is a phony. Genuine architect sacks will be without clear imperfections.
When you realize what to search for, you should track down a discount or outsourcing organization offering the perfect items at the ideal cost. In the event that this bit of examination turns out to be excessively overpowering, considering utilizing an internet based discount registry like Salehoo to aid your inquiry.
Maintaining an internet based discount business can be interesting. Verify you are introducing yourself well, as a respectable retailer, and advertising ought to be a breeze.
For more details visit our website :
Bottega Veneta
Prada
Dior
Gucci
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bluemagic-girl · 4 years
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🔥New wave workwear topped the agenda at Milan Fashion Week🔥
The latest lifestyle, fashion and travel trends
Womanhood and femininity are not antithetical to power and success.
If last week’s catwalk shows in Milan are to be summarised in one sentence — and talk of coronavirus removed momentarily from the agenda — then certainly, it is this.
“Women carry the weight now” noted Miuccia Prada in the moments after her show on Thursday. Coming from a designer who has forged a whole career — as well as a global fashion brand — on the idea that the female species can be powerful and still buy really nice shoes, this wasn’t so much groundbreaking news but a necessary reminder.
A show of contrasts followed, with Prada exploring what she described as the “clichés and contrasts of femininity” by juxtaposing that which is perceived to be elegant — see crystal trimmings and thigh-exposing shredded skirts (NB: this is a mega trend next season) — with harsh tailoring and oversized ties. Her vision, Chapter 907 from the Prada school of power dressing, came to define a Milan Fashion Week in which Italian workwear was reborn.
(Prada)
Having struggled with its reputation as the fashion capital that matters most to the corporate classes, Milan’s power players at last seem at peace with the idea. Certainly, the city’s most exciting designers seem to have hit a stride, with workwear for the most modern and future-facing of women topping a critical point in the season’s agenda.
Daniel Lee’s latest collection for Bottega Veneta emerges as a prime example. At the designer’s much hyped third show for the house, Yorkshire-born Lee kicked off proceedings with a series of structured tailoring which was as precise as it was blindingly modern. His intention was to occupy the space between classic tailoring and the streetwear that has been the fashion world’s play thing in recent years. Or, put in more easily digestible terms, it was Milan meets the rest of the world.
Bottega Veneta AW20
The result is a collection that offers elegance and comfort simultaneously. More than that, it offers empowerment. A year since the death of her co-designer Karl Lagerfeld, Silvia Venturini Fendi seemed equally inspired to equip her female protagonist for the here and now — or at least to reflect the many guises of modern women. Her latest collection, on a cast of models who spanned ages and body types, saw the opulence of the Fendi of old replaced with a woman who can be beautiful and mean business at the same time. For our workwear wardrobes, Fendi prescribes sheath dresses — unapologetically loaded with sex appeal — and oversized outerwear, worn cinched in with a scaled-up belt.
At Versace, where a sexualised aesthetic is never off the agenda, workwear also emerged as a highlight. In the designer’s first co-ed production, Donatella Versace unveiled sharp-shouldered jackets and animal-print suiting for men and women. Versace’s intention was to enforce the idea of power dressing as a phenomenon that exists outside of gender stereotypes.
Versace AW20
Of course, this genderless approach prevailed at Gucci too. Alessandro Michele called on papal artefacts to make a statement about fashion as religion – and also examined the power plays between the fashion show format and its audience. The show doubled as cultural experiment, with guests entering via the backstage area and taking their seat in front of a carousel upon which models and their dressers prepared. For the most part, Michele’s Gucci exists out with the zeitgeist where trends are concerned, but unisex suiting — cut in brocade, identically for men and women — emerged as a defining feature.
Tod’s AW20
Jil Sander, another brand that looks best dancing to its own beat, also found its aesthetic to be in tune with the broader cultural mood. The house’s pin-sharp tailoring, cut to celebrate the individual wearing it instead of drowning her out, has scarcely felt more relevant.
Trends were easier to spot at Tod’s. Now in the care of Walter Chiapponi, the designer charged with finding a new relevance for the leather fashion juggernaut, the Tod’s woman looked free and more in step with the times than she has done in quite some time. Her wardrobe — both achingly expensive and agile — has the means to go to the boardroom and beyond, with tonal dressing (NB: head-to-toe red is a thing for AW20) and leather coats among the options for modern working women.
But this new-look breed of corporate cool occupying Milan is more than a bunch of expensive wardrobe solutions. Certainly, it is as much about clothes that offer ease as it is femininity. From the sharpness of Jil Sander to Fendi’s powder-pink prom dresses and Prada’s awkwardly angular ties, Milan’s new heroine is a beautiful contradiction — because aren’t we all.
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