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#broadway goddess
bootleglupone · 2 years
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Company Broadway Links (Audio)
Please don't share my links. Download them.
March 2, 2020 (1st Preview)
November 15, 2021 (Re-opening)
November 20, 2021
December 9, 2021 (Opening Night)
December 14, 2021
January 19, 2022 (matinée)
February 23, 2022 (matinée)
March 30, 2022 (matinée) - Nikki Renée Daniel’s Bobbie Debut
April 5, 2022 - Britney Coleman's Bobbie Debut
July 28, 2022 - This Performance was taped for NYPL
July 31, 2022 (Closing Performance)
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fuckyeahlupone · 2 years
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Miss her❤️
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darktwistdchaos-blog · 9 months
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lovetgr76 · 5 months
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Scenes from A Night Must Fall
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nhlovesadri3 · 1 year
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Adriana Lima, with Grace Elizabeth, at the Prada Linea Rossa party at Prada Broadway, NYC, 8/09/18.
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operaqueen · 2 years
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Mary Martin - One Touch of Venus
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persephonaae · 2 years
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Hey so any musical theatre inclined people, keep your eyes peeled for this new musical called Goddess
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timespanner · 1 year
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hotvintagepoll · 1 month
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Propaganda
Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?
Maggie Smith (The Prime of Miss Jean Brodie)— Look, ok she's best known now for Downton Abbey and the Potter franchise, but the woman won an Oscar in 1969, so that makes her eligible in my oh so humble opinion. She starred opposite Olivier in her first major play role (which was filmed) and her wit and beauty was just the epitome of everything I wanted to be as a child
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Eartha Kitt:
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"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."
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"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."
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"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”
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"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."
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Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.
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Maggie Smith:
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reiniesainyo · 2 months
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IN BETWEEN. charlie bushnell x reader – 01
01 | SPARKS FLY previous | next | masterfile
SYNPOSIS. when a girl's co-star is good to her and now she wants it more than everything in between. (smau)
A/N. this chapter is more like world building (it's where i explain what the fuck i'm doing with the YN okay)
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The "Percy Jackson and the Olympians" series at Disney+ has added an unexpected pick to its growing cast.
The new live-action series is based on the hugely successful novels from author Rick Riordan of the same title. We will be seeing YN LN join the series as Rina Velasco, one of the supporting characters of the show.
LN's Rina Velasco is referred to as "the offspring of The Muses, goddesses of the sciences and the arts." Unlike most other demigods, she is born out of the artistic and scientific output of the muses. When the moral ingenuity of humans meets the divine musings of The Muses. Her character is described as a unique allrounder who becomes a mentor figure to our main cast as they embark on their journey.
This will be LN's first on-screen role of her career. LN's experience mostly lies in Broadway, she is known for playing Kim in the Miss Saigon revival on Broadway. LN was nominated for a Tony in 2022 for the same role. She is repped by Salonga/Chien Entertainment and B817 Agency.
Riordan posted on the Meta app, Threads, about this update to the casting saying: "YN was one of the actors we didn't expect to see a tape of but when we saw it, we couldn't help but fall in love with her. She embodies the spirit of Rina so well and is such a kind spirit, we can't wait for you to fall in love with her too! Welcome to the cast, YN!"
The live-action show is based on Rick Riordan's Percy Jackson book series. It tells the fantastical tale of the titular 12-year-old modern demigod (Scobell), who's just coming to terms with his newfound supernatural powers when the sky god Zeus accuses him of stealing his master lightning bolt. With help from his friends Grover (Simhadri) and Annabeth (Jeffries), Percy must embark on an adventure of a lifetime to find it and restore order to Olympus.
Production on the show is now underway in Vancouver. Riordan and Jon Steinberg are writing the pilot with James Bobin directing. Steinberg and his producing partner Dan Shotz are overseeing the series and serve as executive producers alongside Bobin, Rick Riordan, Rebecca Riordan, Bert Salke, Monica Owusu-Breen, Jim Rowe, Anders Engström, Jet Wilkinson, and Gotham Group's Ellen Goldsmith-Vein, Jeremy Bell, and D.J. Goldberg. 20th Television is the studio. Salke was formerly the president of Touchstone Television and originally put the show into development.
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liked by percyseries, iamcharliebushnell, and 37,789 others thelnarchive the child of the muses @percyseries
percyseries OUR MUSE!
user1 this is literally perfect casting who cried i did ↳ user2 she's so rina coded! thank the gods for the casting directors
iamcharliebushnell only muse in my life ↳ thlnarchive only traveler in my life ↳ user3 the way filming hasn't started and they're already like this ↳ user4 their chemistry is chemistry-ing
user5 roman empire. she is my roman empire.
dior.n.goodjohn i LOVE LOVE LOVE women ↳ thelnarchive HELP i love you
user6 this is so fcking random but i NEED her in a taylor swift music video
A/N i truly hope you guys can forgive the horrible editing in the pictures. the article portion is based on (and has some parts that are directly pulled from) this article from variety ! here's some succint information about rina velasco, the PJO character YN LN plays (and is my childhood OC!) - rina velasco, filipino, 18 years old (year younger than luke) - she's an offspring of the muses, not directly a child or daughter, though she may be referred as such - by her being an offspring of the muses, i mean that she was born in the same way athena's children are born. - but in rina's case she's more like a weird conglomeration of each muse. her birth is a rare event, but her mothers are honored as minor goddesses so she stayed in the apollo cabin (connection to music) - rina operates as a guidance figure for the main trio, especially annabeth - she's also luke's love interest, there's a lot of tragicness and doomed romance stuff with those two - and for the sake of everyone, we pretend like the weird i love you from the books didn't happen !
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fuckyeahlupone · 1 year
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CUTE Cute, Cute, Cute Patti!
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From 18th December 2022
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Broadway Divas Tournament: 2A
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Judith Light (1949) JUDITH lIGHT (Madame Raquin). A graduate of Carneige Mellon University, Judith Light currently co-stars in the Golden Globe-winning series "Transparant." She received a Tony nominatino for the play Lombardi, followed by two consecutive Tony and Drama Desk wins for Other Desert Cities and The Assembled Parties. In the Pulitzer Prize-winning play Wit she was awarded Helen Hayes and Eliot Norton awards. A star of the hit TV series "Who's the Boss?," she also received two consecutive Emmy Awards for her work on "One Life to Live." Light has been a longtime champion for LGBTQ and human rights and is an active participant in a variety of organizations including Broadway Cares/Equity Fights AIDS and the Point Foundation." - Playbill bio from Thérèse Raquin, November, 2015.
Marin Mazzie (1960-2018) “MARIN MAZZIE (Clara). 1994 Drama Desk and Tony Award nomination for Best Supporting Actress in a Musical. B’way: Into the Woods (Rapunzel, Witch, Cinderella), Big River (Mary Jane Wilkes). Off-B’way: …And the World Goes Round. Nat’l tour: …And the World Goes Round (L.A. Drama-Logue Award), Doonesbury (Boopsie). Regional: Merrily We Roll Along (Beth), La Jolla Playhouse and Arena Stage; South Pacific (Nellie), Pittsburgh Civic Light Opera and Birmingham Theatre; Guys and Dolls (Sarah), Denver City. Other Regional: Born Yesterday (Billie); Anything Goes (Reno); Lend Me a Tenor (Maggie); Romance (Josephine/Monica); How to Succeed…(Hedy). Love and thanks to Mom and Dad." - Playbill bio from Passion, February, 1995.
NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
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"Has anyone given any thought to why all the frequent screen actresses who do a little stage show every few years are white blonde ladies of a certain age? Well, regardless, this white blonde lady is a tour de force on stage, and few other screen actors can say the same thing."
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"Last propaganda was a eulogy, so let's make this one a celebration. Marin had a voice we will never hear the likes of again. She could be a bold and brassy broad with a belt that would make Ethel Merman jealous. And in the same breath, she could soar up the octave to shatter every glass in the room with a crystal-clear coloratura most singers only dream about. It didn't matter if it was a dirty ditty or a wrenching aria. She owned every song that passed her lips. When she walked into a room, she brought joy with her. She exuded light and happiness and love even to the end. She was truly a golden goddess of a woman with a naughty sense of humor that would have you rolling on the floor with laughter."
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daisymintt · 8 months
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Still the River Flows
Inspired by the song Still/Neva Flows Reprise from Anastasia the Broadway play.
Emrys was barely eight years old when Uther and his men had found them hiding in a cellar near the outskirts of Camelot with the few other remaining Druids. When his mother had heard the sound of horses nearing she had shoved him into an empty grain barrel in the corner and told him to be quiet no matter what he heard.
Through a small split in the wood Emrys watched as the cellar doors were smashed open, knights poured in and roughly grabbed his parents. They pulled them out of the cellar into the chilly night air kicking and screaming, herding the rest of the Druids that he had grown to consider family with them.
“Where is the boy? Where is Emrys?” The tyrant king thundered. His mother begged the tyrant king to spare him.
“He’s just a child!” She had pleaded, her cries falling on deaf ears. His father had raged against Uther but with all the dragons dead his rage had little effect on the tyrant king. The cries of the fearful children and the pleading of the parents was cut short leaving only a horrible silence. Emrys knew in his heart that his parents were dead. He felt tears threatening to overwhelm him and a sob clawing its way up his throat.
He bit into his neckerchief to try and muffle any sound he made as the tears flowed down his face. “Search the cellar, he can’t be far.” The tyrant king commanded.
Emrys stiffened and tried to shrink down farther into the barrel as once again the knights stormed the cellar upending baskets and knocking over anything person sized, searching for any sign of him. Emrys whimpered quietly to himself, terrified of being found. After what felt like an eternity the knights gave up and started heading back out, all but one.
A boy who couldn’t be more than a couple years his elder stayed behind. The boy had flaxen hair that gleamed silver in the moonlight and his sword seemed too big for him, he kept having to adjust the belt and the tip of the sword dragged on the ground.
Emrys shifted in the barrel and the wood creaked, the boys head whipped in his direction. Emrys held his breath and prayed to the Triple Goddess that he would walk the other way. The boy gripped the hilt of his sword and neared the barrel. Emrys feared for his life as the boy looked down into the barrel. Their eyes met and for a brief moment Emrys thought, This is it. I’m dead.
“Arthur! Hurry up!” The tyrant king called. The boy gave him a pitying look and stepped away. “Coming, father!” He yelled before quickly departing from the cellar, careful not to look back at the boy hidden in the barrel.
~*~
Ten years later Emrys, who now goes by Merlin, finds himself once again in Camelot and as the prince’s manservant no less! Over the years Merlin and the Prince grew close, closer than any Prince and his servant ever should. Merlin would die for Arthur and Arthur would die for him. Despite their close bond Merlin still kept his magic a secret from him for fear of what would happen if he found out.
Despite his best attempts to undue all that Uther had taught Arthur about magic the damage was already done. Arthur could be so kind but at the smallest hint of magic he turned into father, untrusting and even cruel. One day this all came to a head when Merlin went with Arthur on a quest near the border town Ealdor that had reached out begging for protection from a warlord.
Merlin had found himself cornered and was left with no choice but to use his magic. The look of absolute betrayal on Arthur’s face broke his heart. Once the warlord was dealt with Merlin remained in Ealdor while Arthur returned to Camelot. Little more than a month later Arthur returned to check in on the people of Ealdor, avoiding Merlin to the best of his abilities as he did until on the final day before Arthur was to depart Merlin finally got him alone.
“Arthur…” Merlin reached out for Arthur but Arthur shrugged him off as all the missing pieces started fitting into place. Merlin was that Druid boy he had spared all those years ago in that cellar in Camelot.
“An underhanded boy, an act of desperation, and to my consternation I let you go. Not this time. Ealdor is no place for a good and loyal Camelonian.”
“We are both good and loyal Camelonians.” Merlin insisted.
“I’ve come to take you home.”
“My home is here now.”
“Stop playing this game, Merlin! I beg you.” Arthur’s voice grew desperate as he tried to convey the seriousness of the situation.
Merlin’s voice quieted, “We both know it’s not a game, Arthur.”
“If you really are Emrys do you think history wants you to have lived?”
“Yes! Why don’t you?” Merlin’s voice cracked at the last bit, his hurt breaking through.
“The Druids were given everything and gave back nothing until my father rose up and destroyed them.”
Merlin straightened his back, all traces of subservients gone replaced with cool confidence, and with a steely voice he stepped closer to Arthur and challenged, “All but one. Finish it. I am my fathers progeny.”
“AND I AM MY FATHERS SON!” Arthur roared as he unsheathed his sword with the hiss of metal against leather and pressed the tip against Merlin’s throat, “Finish it I must. My father shook his head and told me not to ask, Gaius said he died of shame.”
“In me you see them, look at their faces in mine, hear their scream, imagine their terror, see their blood!” Merlin cried, his eyes flaring gold and a wind started circulating around them kicking up dust.
“But I believed he did a proud and vital task and in my fathers name!” Arthur pressed the tip of the sword harder against Merlin’s throat, blood beading around the cut and trailing down the pale skin of his throat.
“Do it! And I will be with my parents and my brothers and sisters in that cellar in Camelot all over again!” Merlin’s voice raised, recalling the fateful night they had first met all those years ago.
Arthur shivered at the memory of the Druid children crying out as they where cut down at his fathers word, begging for their mothers. The sword dropped to Merlin’s chest. Arthur pressed on, “The children… their voices… a man makes painful choices. He does what’s necessary, Merlin! For Camelot, my beauty. What choice but simple duty. We have a past to bury, Merlin!”
Arthur tightened his grip on the hilt of his sword and pressed the tip against Merlin’s chest where his heart would be, “And soon it will be spring. The leaves unfold, the king lies cold. Be careful what a dream may bring, a revolution is a simple thing!”
Merlin inhaled sharply as Arthur pulled back his sword and swung it down towards his neck. At the last moment Arthur plunged the sword into the earth, collapsing against it as sobs wracked his body. “I can’t do it… I… I can’t…”
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cartermagazine · 9 months
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Today We Honor Phyllis Hyman
Phyllis Linda Hyman was an American singer-songwriter and actress, born in Philadelphia, Pennsylvania July 6, 1949. She was best known for her singles from the late 1970s through the early 1990s including: You Know How to Love Me, Living All Alone, and Don’t Wanna Change the World.
She performed on a national tour with the group, New Direction. Later she joined All the People while working with another group, The Hondo Beat. She made her acting debut in 1974 in the film Lenny. Hyman also led a group called Phyllis Hyman and the P/H Factor.
Hyman’s debut solo album named Phyllis Hyman was released in 1977 on Buddah Records. When Arista Records bought Buddah Records, she transferred to the new label and released four albums: Somewhere in My Lifetime (1979), You Know How to Love Me (1979), Can’t We Fall in Love Again? (1981), and Goddess of Love (1983).
She also performed on Broadway in the musical, Sophisticated Ladies, the tribute play for Duke Ellington. For that work, she received a Tony Award, nominated for Best Supporting Actress in a Musical, and won a Theatre World Award for Best Newcomer.
In 1983 Hyman recorded the song “Never Say Never Again” for the James Bond movie of the same name which starred Sean Connery but the song she recorded couldn’t be used for the movie soundtrack due to legal reasons. In 1986 Hyman released the album, Living All Alone, on the Philadelphia International label. She also appeared in the movies, Too Scared to Scream (1985), Spike Lee’s School Daze (1988), and The Kill Reflex (1989).
In 1991 Phyllis Hyman released the album, The Prime of My Life, on Philadelphia International, which was the biggest album of her career. It included her first number-one R&B hit as well her first Billboard Top 100 hit, Don’t Wanna Change the World. The album, her last released while she was alive, was certified gold by 1992.
Phyllis Hyman… One of the Greatest Artists of our Lifetime.
CARTER™️ Magazine carter-mag.com #wherehistoryandhiphopmeet #historyandhiphop365 #cartermagazine #carter #phyllishyman #music #blackhistorymonth #blackhistory #history #spikelee #schooldaze #staywoke
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pookacangetit · 2 years
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I remember a Musical called Hadestown. I remember both the Broadway version and the pre Broadway version. And makes me wonder if MC ever sings the Our Lady of the Underground, maybe at Monstro Lounge.
Now I wonder how Idia and the Ignihyde dorm. Especially when the part
Wanna know my name
I tell you my name
Persephone
Because my man Idia will be foaming.
Idia had fainted once after Yuu appeared onstage, dressed like the goddess of Spring but somehow shone more beautifully than Aphrodite. The man fainted a second time when Yuu started serenading to him and Ortho (He wasn’t actually serenaded since Ortho had been filming live but still this wonderful being serenaded to him?? This SSR+ Spring Special Edition of a goddess???).
Our Lady of the Underground~
Our Lady of Ways~
Our Lady of Means~
An Ignihyde in the crowd whimpered as Yuu gave a wink to the audience, and boy was Idia jealous he wasn’t there in person to receive that playful wink.
Wanna know my name?~
I’ll tell you my name~
Persephone~
Idia fainted a third time after that, thankfully Ortho recorded the entire performance and saved it to all of Idia’s hard drives.
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theamericanpin-up · 1 year
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Alberto Vargas - “Hymn to Diana” - March 1941 Esquire Magazine Varga Girl Gatefold Illustration - Gatefold # 5 of 63 - American Pin-up Calendar Collection - Verse by Phil Stack -
In mythologic ages You were Goddess of the Chase And the poets and the sages Hymned the beauty of your face, Yes, you thrilled them to the marrow As you roamed the woodland, dense, With your crafty bow and arrow You were certainly immense! But it seems a shame, Diana, That you're still not on the job, What a uniform hosanna You would get from all the mob! You're so charming, blonde and vital That if Broadway's haunts you graced You'd soon have another title - You'd be GODDESS OF THE CHASED!
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