#broker!oscar au | Explore Tumblr Posts and Blogs

bookgeekgrrl · 1 month

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My media this week (10-16 Mar 2024)

📚 STUFF I READ 📚

🥰 Art Thief, Heart Thief (odetteandodile) - 58K, stucky white collar inspired AU - enjoyed how author took the WC set up (fbi art agent, criminal consultant) and made it theirs & perfect for stucky

💖💖 +195K of shorter fic so shout out to these I really loved 💖💖

Midlife Crisis (profoundalpacakitten) - MCU: stucky, 7K - reread, forever fave - the quiet, piercing, understated tenderness in this fic is unmatched

Progredi (justanotherStonyfan) - MCU: shrunkyclunks, 37K - the next installment in the fabulous Honey Honey series

Pistachios and Rose Water (goldsaffron) - The Old Guard: kaysanova, 15K - J&N spend 10 years putting down roots, building a home & collecting a found family as Nicky learns to express his love through food

Consensual Catfishing (foresthearts) - Stranger Things: steddie, 32K - modern AU, told via social media - delightful story! adored these characters & their voices and using all different sorts of SM to tell it. brilliant idea, adeptly executed. the art is also pretty great

they're going to send us to prison for jerks (greatunironic) - Stranger Things: steddie, 16K - another really fun modern steddie with a strong social media AU premise

Os Impurum (the_deep_magic) - The Eagle | The Eagle of the Ninth: Marcus Flavius Aquila/Esca Mac CunovalMarcus/Esca, 18K - solidly good fic about marcus/esca post canon, esp marcus discovering some new things about himself 😉

📺 STUFF I WATCHED 📺

Ghosts (US) - s3, e5

Game Changer - s6, e3

D20: The Unsleeping City: Chapter II - "For the Hoard!" (s7, e15)

D20: The Unsleeping City: Chapter II - "Treachery at Gramercy" (s7, e16)

D20: The Unsleeping City: Chapter II - "Two Sides of the Same Coin (Part 1)" (s7, e17)

D20: The Unsleeping City: Chapter II - "Two Sides of the Same Coin (Part 2)" (s7, e18)

D20: Adventuring Party - s3, e12-16

Um, Actually - s9, e2

D20: Fantasy High: Junior Year - "Cursed Out" (s21, e10)

D20: Adventuring Party - "Cool Ranch Communion" (s16, e10)

D20: Tiny Heist - "Big Little Crimes" (s4, e1)

D20: Tiny Heist - "Chicanery at Shoeby's Casino" (s4, e2)

D20: Tiny Heist - "Scheming and Scoring Fairy Dust" (s4, e3)

Agatha Christie's Marple - "The Secret of Chimneys" (s5, e2) [shout out to @leupagus for this rec; they were not wrong about the acting choices made here 🤩]

🎧 PODCASTS 🎧

Worlds Beyond Number: Fireside - Fireside Chat for WWW ep001 The Open Door

What Next: TBD - Instagram’s Pedophile Problem

Desert Island Discs - Cillian Murphy, actor

WikiHole - Lenny Kravitz (with Paul F. Tompkins, Drew Tarver, and Heléne Yorke)

This Cultural Life - Andrew Scott

Pop Culture Happy Hour - Our 2024 Oscars Recap

The Atlas Obscura Podcast - The Grave of XYZ

Vibe Check - Hey, Sis: featuring Morgan Parker

WikiHole with D'Arcy Carden - Fear of Dolphins (with Kumail Nanjiani, Emily Gordon, and Jonah Ray)

The Allusionist - 190. Craters

WikiHole with D'Arcy Carden - Tetris (with Adam Pally, Jon Gabrus and Blair Socci)

The Atlas Obscura Podcast - The Lighthouse Keeper

⭐ Vibe Check - A Special Conversation with Afeef Nessouli

Short Wave - What We Know About Long COVID, From Brain Fog to Fatigue

⭐ Decoder Ring - Why Stylists Rule the Red Carpet

⭐ 99% Invisible #573 - Toyetic

You Are Good - My Best Friend's Wedding w. Sam Sanders

If Books Could Kill - Lean In

The Atlas Obscura Podcast - Law of the Tongue

Imaginary Worlds - The Nine Lives of Red Dwarf

Today, Explained - Lip gloss, gum, and the Pill

Dear Prudence - My Ex Had Sex With My Brother. Help!

What Next: TBD - Is TikTok Cooked This Time?

Short Wave - Are We On The Brink Of A Nuclear Fusion Breakthrough?

Pop Culture Happy Hour - Love Lies Bleeding And What's Making Us Happy

Endless Thread - The Music Man, Part 1

Welcome to Night Vale #244 - A Multiplicity of Kevin

Today, Explained - Hollywood’s still not back

99% Invisible - The Power Broker #03: David Sims

Off Menu - Ep 233: Frankie Boyle (Live in Glasgow)

⭐ Hit Parade - Gotcha Covered Edition

🎶 MUSIC 🎶

The Donnas

Smooth Rockabilly

Respect: '60s Iconic Women

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squipedmew · 4 years

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@bimyouda‘s broker!oscar AU has been living in my head rent free for a while so here

also i dunno why the quality is shit. jpeg stuff i guess

#rwby #rwby au #rwby broker oscar au #broker!oscar #broker!oscar au #man i cant belive we just started using the undertale au thing where you stick a ! after an adjective and before the characters name #i think undertale did that anyways #rwby oscar #Oscar Pine #rwby ozpin #Ozpin #bimyouda if you see this i want you to know your art brings me so much joy and im too much of a pussy to say that to your face #LMAO #sophi screeches

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immortal-green-snom · 3 years

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A Long and Detailed List of the Oscar and Ozpin AUs (In Alphabetical Order) - WIP

ADHD Ozpin AU (though this one is more of a headcanon)

Antique Shop AU by @insulationsun There’s a fanfiction! by @plexieglasses

Art AU by @bowl-of-shortness

Assassin AU by me and @theangelofangst (just the outfit ideas are posted so far)

Atlas Scientist Ozpin AU by @bowl-of-shortness

Babey Overlord AU by @ezroar

Baseball AU by @mcmystery

Baker AU by @oscar-lime

Beetlejuice AU by @psuedomonas-aeruginosa

Broker!Oscar AU by @marrowgxld

Boss Baby AU where Oscar and Ozpin’s occupations are switched by @rosedosed and @gauntletqueen

British Oscar AU by me

Demigod AU by @oscar-lime

Dinosaur and Caveman AU by @rubyxoscar4life

French Cajun Ozpin AU by @theangelofangst

Cowboy AU (just an idea that got thrown around, it’s fair game)

Dadpin AUs (almost all of these AUs could be considered Dadpin AUs. but for just plain ol’ Dadpin, here’s a few that I know off the top of my head):

Dadpin but he adopts Pyrrha AU

Dadpin but he Adopts Weiss and Whitley along with Oscar AU by @starlightshadowsworld

Lost in Limbo by @bowl-of-shortness

Modern Dadpin AU about an intense custody battle for Oscar between Ozpin and Salem by me and @theangelofangst There’s a Fanfiction!

Modern Day Dadpin AU by @theangelofangst. There’s a Fanfiction!

De-Aged Ozpin AU by @tigerstripedmoon

Dragon Dadpin AU by me. There’s a Fanfiction!

Evil Oscar AU (not sure who started this one, but there are quite a few. I’ll add as I find them)

Evil Ozpin AU (there’s a lot of these)

Evil Ozpin Adopts Everyone AU by @charlietheepicwriter7 and @theangelofangst

Evil Ozpin is only Evil to unite the world AU (a lot of people seem to enjoy this take, actually)

Basileus, an Evil Ozpin created by @epsilon-system

There’s an Evil Ozpin that has a comic going rn by @therewasntanythingtobeginwith

Evil Ozpin Battles back the forces of Oscar Lime (who is nonbinary btw) with his two evil best friends, Glynda and Qrow. Oscar Lime appears to be Evil Ozpin’s “Oscar” in this universe, strangely enough...

Grimm Emperor Ozma AU by @gamebawsome This AU comes with Lore!

Overthrown Evil Ozpin by some of us in the OPPS Discord Server! It combines the “Evil Ozpin being evil to unite the world” theory, as well as has some necromancy thrown in just for funzies

Fairy (bug?) AU by me and @theangelofangst

Faunus Oscar AUs (there’s a lot, will have to add on later)

Deer Faunus Oscar AU by @lieu-rey

Another Deer Faunus AU by @insulationsun

Faunus Ozpin AUs (Also a lot of different ones)

Cat Faunus Ozpin by @ozcarpin

Crab Faunus Ozpin by me

Kitty Oz by @z-1-wolfe

Ram Faunus Ozpin by @therewasntanythingtobeginwith

Grimm Oscar AU. I can’t really trace the origins of this one. It happened after a bit of black goo landed on Oscar’s face in V8 when the Hound took him. The fandom ran with the concept that this goo would corrupt him like it did Salem. Thus, Grimm Oscar.

Haunted AU by @dissonantharmony. Not strictly about Oscar and Ozpin--since the other Oz reincarnations are there--but still a super cool AU! Take a look at it <3

Hospital AU by @psuedomonas-aeruginosa

Ib AU by @brunswickfarms

Infinity Train AU by me and @theangelofangst

Lighthouse AU by @carbonated-fenwater There’s a Fanfiction!

Lost Souls AU by @bowl-of-shortness

Twitch Streamer Ozpin AU by @theangelofangst

Mermaid AU by @idance2silence (I personally adore this one! It’s very creative.)

Mermaid Oscar AU by @insulationsun

Modern Day

Mushroom Oscar AU by @otterdoesart

Necromancer AU by @bowl-of-shortness (there’s a blog now!!!)

Oscar escapes the Whale with Mercury AU (quite a few artworks were inspired by this concept, though I’m not entirely sure who started it)

Ozpin and his Freaky Horror Son by @insulationsun

Over the Garden Wall AU, where Ozpin is The Beast and Oscar carries the lantern by @oscar-lime

Pacific Rim AU by @carbonated-fenwater

Pirate AU by @theangelofangst

Pirate AU by @mcmystery

Preincarnation AU by @tsundere-bellwether

Produce Ozpin and Oscar (due to an overabundance of Oz and Oscar as produce, this has to be a section now)

Avocado Ozpin (Ozocado) AU by @bowl-of-shortness

Cheese AU by @i-celadon

Cereal AU by @hyperfixation-hideout

Oscar Lime AU by @torontofarmboi. It’s Oscar. As a lemon. Or maybe a lime. Who knows. I couldn’t even find the original edit in the tag and had to do some extra digging to find it, that’s how deep this rabbit hole goes.

Oscar Relish and Ozpepper

Watermelon Ozpin and Watermelon Oscar by @z-1-wolfe

Relic AU by @otterdoesart (decided to add because it’s cool!!)

Reverse!Oscar AU by @lieu-rey

Robot Dadpin AU, which came into being in The Soul Dozen (AKA, the 12 most insane people in the Ozcar Fandom) group chat. This AU was taken on by @zacs-of-rwby. There’s a fanfiction!

Roboscar by @lampsandclovers

RWBY Acadamy of Death AU by @bowl-of-shortness

SCP Oscar on his SCP Hellfarm. Everyone was making fun of Oscar’s Hellfarm and, after a chat in the Oscar Pine Protection Squad Discord Server, we decided that both the farmboi and his farm are SCPs. No posts or anything. It’s more just a concept that floats around in the server.

Seamster Ozpin by @bowl-of-shortness

Silver Eyed Warrior Oscar AU by @lieu-rey

Smurf Ozpin by @z-1-wolfe (you should feel ashamed </3)

Split AU by @theangelofangst (this one is a fanfiction!)

Steampunk AU. Started off as a joke. Came into reality thanks to the Soul Dozen literally, like, today about 3 hours ago (1/12/2021)

Strawberry Ozpin by @psuedomonas-aeruginosa

Summoner Oscar and Slime Ozpin AU sent in by an anon (this one is hilarious, I love this one) <33

Two Souls AU by @bowl-of-shortness

Unicorn AU (came from the Oscar Pine Protection Squad Discord Server. Basically, Ozpin is a unicorn and Oscar is his rider and they are magically bonded together)

Warped Remnant AU by @bowl-of-shortness

Warrior Cats AU by @ozpins-coffeemug

Wolfwalkers AU by @hawkheartedlion

Young Headmaster Ozpin AU by me

Young Leaders AU by @bowl-of-shortness

More to possibly be added and explained in the future <33

If you’d like me to remove your blog or your AU, let me know! Also, let me know if I missed any Oscar and Ozpin AUs or links!! <33

#gonna continue this at a later date #if there's anything you want me to add #lemme know #<333 #Oscar AUs #Ozpin AUs #MAN we have a lotta AUs #more links to be added in the future #More AUs to be added in the future #Ozcar AUs

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insulationsun · 3 years

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a little late for this, but top 5 rwby aus you've seen? :]

you're fine!!!!! thank you for sending smth!!!!

hmmm...let's see...im gona exempt anything I've ever made so!!!!

1) the oscar and ozpin centric lighthouse au, it has a fic on ao3 right here! (by carbonated-fenwater)

2) ace's evil ozpin au, it has an ongoing comic right now if I wasn't on mobile I'd link it, but its made by (therewasntanythingtobeginwith)

3) the uhh robot ozpin au!!! and like oscar has to teach him Emotions. that was very sweet (by zacs-of-rwby)

4) broker oscar au (marrowgxld) morally gray oscar is such a treat to me!

5) blanket statement on most rwby modern aus, they can all get really fun and creative and I love to think about the rwby cast getting a Break for once in these with their concepts (bowl-of-shortness's art au, the musical theater au (bucketofbees), baker au etc.)

sorry theyre all mostly oscar and oz centric I dont actually uh..know much, stuff outside of t

edit: wait, honorable mention for aus that swap penny and ruby's roles, idk how many do this but the only thing I know is war machines on ao3 and I love it so much so. my oz and oscar brain forgot aghh D:

#asks #cruel..i cant just Choose five #i rly zoom into like modern fantasy stuff though #theres way too many hsnsmxk T_ wuv...conceppts #i spent like 30 mins on this aaaaaa everyones ideas good #also rvery single faunus au for characters who arent faunus #if anyone has any really cool robyn and qrow centric aus ill give you a Big hug because im desperate

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mystech-master · 4 years

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For any of your pre Fall fanfics, or Au where the Fall isn’t As bad an no seperation, what kinds of AU bullshit could you use to get any of the characters from Vol 4 onwards in Vale, here are some ideas:

Any of the 3 new villains: Watts, Tyrian, Hazel, IDK maybe have them do shit too instead of just Cinder.

Sienna Khan: She is at WF HQ in Mistral so IDK if you can remove her from there. If a character’s whole deal is very tied to a location then they might not be able to be a part of this.

Oscar Pine: He is Ozpin’s next reincarnation but IDK how/why he’d be at Beacon considering her’s a farm hand in Mistral. using Au bullshit to make Ozpin be able to KNOW who his next reincarnation will be seems cheap.

Klein Sieben: maybe after the Fall (whch for AU’s sake we’ll say isn’t as bad and Beacon isn’t taken over by Grimm) Jacques still comes by to pick up Weiss with Klein coming with as part of his staff.

same with Whitley, under the guise of “being worried for his sister”

Ghira and Kali: Ghira is chieftan of Menagerie so he can’t leave I bet, even if he’s worried about his daughter.

Corsaic and Fennec Albain: maybe they could be part of the WF invasion on beacon.

Ilia Amitola: same as the Albain brothers.

Leo Lionheart: fuck the “headmasters don’t travel with their sutdents for the Festival” which is just bullshit so they don’t need to have more charcters. But he’ll come with the Haven students.

Vernal: She’s Raven’s second in command but she can’t come all the way from Mistral because without someone back home Raven can’t portal back. So probabaly not very practical.

Yuma and Trifa: two side characters yes, but they’d be a part of the WF invason too.

Maria Calavera: I found an AU I love where she is approached by Ozpin to become a professor (now retired) after her eye situation, and she ends up mentoring Qrow and maybe adopting him. Just imagine Ruby having Maria as her grandma and all the cute moments we’d have.

Jinn: tied to the Relic of knowledge, which is locked in the vault, so nope.

Little Miss Malachite: She is supposedly the mother of the Malachite twins, so what if in this AU Junior is also their dad and outside of this “underground info broker” they have this family dynamic. With LMM not knowing how her husband and daughters can handle the loud thumping of a club. Plus it’d be funny to see Junior be a hen-pecked husband and having LMM be the scary one.

the Cotta-Arc family: they visit for the Vytal Festival. Let Jaune be cool in front of his big sister, sister-in-law, and his nephew.

Caroline Cordovin: I remember reading that Caroline, or at least her mech, was supposed to show up in the Breach. So just use that.

Red Haired Woman (who we all agree was either Pyrrha’s mom or Pyyrha reincarnated or something): once again, visiting family.

Most of the cast from RWBY After the Fall are all from Vacuo, so no.

Pietro Polendina: Have him be present so he can manage his daughter for fucks sake.

The Ace Ops: In the Vol 2 Op ironwood had some unmasked people by him, or at least people with unique appearances compared to his usual soldiers, so Ithought that he was going to have some kind of Elite Guard. So maybe the Ace Ops could fill that role.

Robyn Hill and her Happy Huntresses’ whole deal was the election in Atlas, so they can’t really exist outside of that setting and time.

Lemme know what you guys think could be done to have these later characters show up in the Vol 1-3 era?

#rwby #rwby volume 7 #rwby7

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commandercrouton · 7 years

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KogKag Week - Prompt #7

A/N: So this is basically inspired by Captain America, because I like to hurt myself and found this beautiful video which destroyed me on the inside.(I’ll post the video on a separate post.) I thought it would be fun to write a KogKag version, but give it a happy ending. I also want to say that I had the BEST time doing KogKag Appreciation week. I really want to thank @maddieson-san and @kagomehigurashi for making me feel so welcome and loved. You guys rock!!!

Smoke filled the club while a slow jazz number was being played by the band. Kagome entered the club in a striking red dress and matching lips. Soldiers openly stared as she made her way past them, her eyes looking for one specific man.

His blue eyes met hers, and the roamed over her body appreciatively. Kagome met his gaze confidently, and watched as he left his two buddies to meet her.

“Fancy seeing you here,” Kouga greeted her, handing her a drink.

“I believe we talked of dancing before you shipped out on your mission,” Kagome smiled. Her fingers lingered, grazing his hand as she slowly took the drink for him.

“I’m not much of a dancer.”

“You just need the right partner.”

Kouga chuckled as she flirted with him. He was glad she was trying to keep things light. They both knew he might not make it back alive.

“That’s my woman. Always keeping a brave face.” He tilted her face to his, trying his best to remember every inch of her face. The curve of her smile. The gray-blue of her eyes. How she always blushed when he told the troops that was his woman leading those troops. Only his woman would be the lead code broker.

Kagome leaned into his touch, breathing his scent in. She knew at that moment she would always remember the rough feel of his hand as he touched her.

“I came to say goodbye,” she whispered.

Kouga’s heart broke as the words she said sank in.

“I got to do this,” he argued.

“I understand. You wouldn’t be the man I fell in love with if you didn’t volunteer yourself. This mission could change the war for us. I just can’t see you off tomorrow.” Kagome looked at him sincerely and continued, “Let’s just have one more night together. Let’s act like there is no war, and you aren’t leaving tomorrow. We can have the band play something slow.”

Kouga placed his lips on her, softly and gently. “One more night,” he agreed.

“Kouga, we gotta go.”

Kagome and Kouga both looked up at their intruder who broke their spell. Hakkaku stood there, nervously wringing his hat.

“Our commanding officer just called. We got orders to leave tonight. I’m sorry. I’m so sorry. I’ll stall the men for a few minutes so you can say goodbye.” Hakkaku nodded at Kagome, dismissing himself from their private moment.

Kagome looked at Kouga helplessly.

“Wait for me,” he passionately said as he grabbed her hands.

“Kouga…,” Kagome trailed off as she looked away, doubt etched on her face.

He softly cupped her face and brought it back to his, his blue eyes looking at her were full of promise.

“I promise I’ll come back, and I don’t ever break a promise to my best gal.”

“Write me every chance you get. I’ll try to get radio time with you. Just come back to me darling.”

Kouga sealed the promise with a firm kiss. He didn’t look back as he left the club. He was sure if he saw her standing there alone waiting for him, he would abandon orders and stay with her. His men were waiting for him outside the bar. He looked them over as he realized they were all like him. They all had loved ones they had back home, and they were all sacrificing it all for their country.

“Come on men, we got a war to win,” he commanded gruffly.

—-

Kagome wrote letters to Kouga weekly on the battlefront. She did her best to sneak into meetings that discussed the mission, and held her breath as she heard the mortality list. As long as he survived that one more day, he could get to come home.

She never knew if he got the letters. Travelling in a secret mission meant their location had to stay hidden. Knowing that, Kagome continued to send the letters, hoping her love would get them so he would know she never gave up on him.

Kouga never had the opportunity to write Kagome consistently. The few letters he did write were filled of promises of what was to come for them once the war was over, and how she was the only woman for him. He always ended his letters reminding her she was his woman, and he would always keep his promise to his best gal.

He constantly took out his small, golden pocket watch and looked at the picture of her he kept in there. It was a small token that reminded him of home and his woman waiting for him. The other soldiers understood. Whenever they had a moment alone to themselves late at night, or camped out in the woods, they would pull out their special photo, and think of a place far away.

Kouga was out on the mission for a few months before they got word their target was a day away. They prepared their weapons, went over strategies, and discussed what they knew about the enemy.

Their mission was to destroy the Bird of Paradise, a new plane that was being sent out to destroy cities all over the globe. Millions of people could die, and they had to stop it.

“We have to make sure that plane never leaves the ground. If we don’t, not only will our country suffer, but others as well. This is a dangerous weapon that needs to be destroyed. We all knew we may not make it out of here, but we are gonna do our damn best to make sure we do. On my mark we go,” the commander ordered. “Go!”

The unit went screaming into battle, rushing forward fearlessly as bullets whizzed by. Some fell and never got up, their eyes open as the life drained out of them. Some were shot and still managed to rush in.

Kouga was with Ginta and Hakkaku, running into the warehouse to set up the bomb that would destroy the plane.

A single shot ran out and blood spurted from Ginta’s left shoulder.

“Ah!” he cried out.

“Take Ginta and hide. I’ll come back for you!” Kouga ordered Hakkaku. He nodded and dragged his friend behind shipment crates, putting pressure on the wound.

“You ain’t gonna die out here man, keep it together,” Hakkaku pleaded. “Ayame is waiting for you. You’re gonna be a dad,” Hakkaku continued, urging his buddy to stay strong and stay focused.

Ginta’s face was paler than normal. “If I don’t make it-”

“Don’t talk like that man. You’re gonna be fine. Kouga is gonna come back and we’ll go get you help.”

“If I don’t make it,” Ginta tried again, “take care of Ayame for me. Watch out for my kid. I got a letter for her I wrote in my duffel just in case. Make sure she gets it.”

Hakkaku nodded, doing his best to fight the unshed tears.

Kouga was running forward, fighting off the enemy soldiers as best as he could so he could get on the plane. He almost got shot, but the next wave of his infantry made it through. He grabbed one of the shoulders and told him what happened to Ginta and told him to take care of them. He prayed it was enough to help his friend.

Kouga boarded the plane and set the bomb down, not noticing there was an enemy fighter pilot in the cockpit. The engines roared to life and the plane prepared for takeoff, shutting the door with Kouga inside.

He hoped the pilot didn’t know he was on there, and prepared to sneak up behind him and shoot him dead. Luck wasn’t on his side as the pilot veered to the right violently, causing Kouga to crash into the side of the plane.

“Who’s there?” the pilot called out.

Kouga had no choice but to attack. He grabbed the pilot by his uniform and pulled him out of the seat, dragging him onto the floor and punching him in the face. The pilot threw a right hook that landed squarely on Kouga’s jaw.

Kouga shook it off as he fumbled for his gun, before the pilot pushed him off and stood on his own two feet. Kouga could taste blood from his lip. When did that bust open?

The pilot tackled him on the ground, attempting to hold him down as Kouga struggled. Somehow his fingers reached his gun, and he swung it against the temple of the pilot. With a sickening crunch, the pilot collapsed on top of him. Kouga locked him up in case he regained consciousness and ran to the chair.

The plane was set on auto pilot, and Kouga did his best to remember some flight rules. He needed to get on his army’s radio frequency and make contact. Maybe they could help him.

“Mayday, mayday, this is Officer Kouga needing immediate assistance. Repeat, mayday, mayday, this is Officer Kouga needing immediate assistance.”

Kouga listened, but all her got was static.

“Repeat, mayday, mayday this is Officer Kouga, repeat this is Officer Kouga, is anyone there?”

Static was heard on the other end, when suddenly it came to life.

“This is Officer Inuyasha, what’s the issue?”

“Officer Inuyasha, this is Officer Kouga requesting immediate assistance in landing a plane. I am a member of the 127th infantry, and was part of the special operation program paradise bird. Identity code: Whiskey, Oscar, Lima, Foxtrot.”

“Standby as we verify,” Inuyasha responded. He had his deskmate Miroku run the information through the phone line operators.

“Officer Kouga you are verified, what is the issue?”

“The bird is en route to capital, need immediate assistance in landing. I cannot override location, but I think I can takeover if someone helps me land this damn thing.”

“Shit,” Inuyasha muttered as he realized the gravity of the situation. “Miroku, get someone in here from aviation, now! Shippou go grab Kagome.” The two scrambled out of the room as Inuyasha tried to get as much information from Kouga about what was happening.

“What’s happening? Where’s Kouga?” Kagome demanded as she entered the room.

Inuyasha handed her the radio as he began to search for coordinates where Kouga could safely land.

“Kogua is that you, are you alright?’ Kagome asked as she sat in Inuyasha’s chair.

“Kagome? I’m as well as I could be,” he grimly joked.

“What about the plane?” she asked.

“That’s a bit tougher to explain. I’m on it right now.”

Kagome cursed under her breath. “That’s alright darling, Inuyasha and his team are looking for a safe landing spot right now. You’ll be alright,” she tried to placate him, but failed to hide the quaver in her voice.

Inuyasha took the radio from her. “Kouga, this isn’t going to be easy. There is no good landing spot. You’re gonna have to take her in the water.”

“No, please don’t do this!” Kagome cried out to Inuyasha. “There has to be another way!”

Kouga sat in the seat, realizing what it meant. He sat quietly for a minute before he broke the silence. “Kagome, this is my choice. A lot of people are going to die if I don’t do this.”

Kagome did her best not to cry as she realized she may never see her love again. Why did she fall in love with such a fool like him?

“There’s a chance you can survive this,” Miroku jumped in. “If you can get the plane to land within five degrees of these coordinates, we can get our air force guys nearby to meet you. It won’t be easy, but it is doable.”

“Kagome, I love you.”

“Don’t,” she pleaded, “this isn’t goodbye. You still owe me a dance.”

Kouga let out a soft laugh as he began to steer the plane downward to the ocean. He pulled out his pocket watch and looked at her photo one last time. ‘I’m still not much of a dancer. We are gonna have to ask the band to play something slow.”

Kagome smiled at his lightheartedness, knowing he would want her to be brave right now.

“Kouga, the impact is going to hurt you the most, be prepared for the force. Do your best to slow down the plane as much as you can. Look around you, is there anything you can use to keep the steering wheel in place?” Miroku asked.

“I’ll figure it out. Don’t forget to send the boys looking for me,” Kouga replied.

“Kouga, be safe,” Kagome begged.

Static came through on the other end.

“Kouga?”

The room was silent.

“Kouga?” her voice broke as she tried to reach him one last time. She felt someone put a hand on her shoulder as she began to cry in the radio room.

“I’ll go tell our air force boys to head out and search for plane remains. Don’t worry Kagome,” Inuyasha told her.

Kagome barely heard as she felt her world crashing around her.

—-

The first thing Kouga regained was his hearing. He heard a steady beeping and the sounds of machines. Everything was black, and he realized his eyes were still closed. It took him a few tries to open them, the world bursting in and out of focus. When his eyes finally opened, he was greeted by the sight of his Kagome sitting at his bedside table.

“Kagome,” he croaked out.

Kagome looked up and saw those beautiful blue eyes she fell in love with.

“You’re alive. You came back to me.” She squeezed his hand and felt tears began to fall down her face.

“Well I couldn’t leave my woman. Not when she owes me a dance.”

Kagome laughed through her tears as she realized he came back to her, just like he promised.

#kogkagweek #kogkag au #captain america crossover #kouga x kagome #koga x kagome #my fanfic #marissa writes #prompt 7 #free day #steggy inspired feels #this has been a great week #thanks everyone for letting me be a part of it

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legaltools-blog1 · 5 years

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Manipulé(es) par Facebook ?

Publicité en ligne : reprenons la main !

Facebook sur un mur. george pagan/ unsplash Oana Goga, Université Grenoble Alpes and Patrick Loiseau, Inria Vous avez peut-être été stupéfaits par des pubs que vous recevez sur des plates-formes du web, peut-être vous êtes-vous inquiétés. Vous avez sûrement entendu parler de Cambridge Analytica et d’autres manipulations de la foule des internautes. Tout cela est mystérieux, opaque. Les recherches de deux informaticiens grenoblois, Oana Goga et Patrick Loiseau, les ont amenés à étudier le sujet. Ils racontent ce qu’ils ont appris. Cet article est publié en collaboration avec Le Blog Binaire. La plate-forme de publicité de Facebook est fréquemment source de controverses en raison de potentielles violations de vie privée, de son opacité, et des possibilités de son utilisation par des acteurs malhonnêtes pour du ciblage discriminatoire ou même de la propagande destinée à influencer des élections. Pour répondre à ces problèmes, de nombreux gouvernements et activistes prônent une augmentation de la transparence et de la responsabilité de Facebook au sujet des publicités qui circulent sur la plate-forme. Par exemple, le Règlement général sur la protection des données (RGPD) européen introduit un « droit à l’explication ». Toutefois, comment apporter de la transparence à un tel système reste une question largement ouverte sur le plan technique. En collaboration avec des chercheurs de l’institut Max Planck (Allemagne) pour les systèmes logiciels, de l’université de Northeastern (États-Unis), et de l’université fédérale du Minas Gerais (Brésil), nous explorons les différentes sources de risques dans les plates-formes de publicités des médias sociaux telles que celle de Facebook et des solutions pour les atténuer via des mécanismes de transparence.

Les abus sont facilités par certaines caractéristiques des plates‑formes

Pour bien comprendre pourquoi le problème est à la fois répandu et complexe à résoudre, commençons par regarder comment ces plates-formes fonctionnent. On peut distinguer principalement trois caractéristiques, inhérentes à leur fonctionnement, qui rendent la transparence à la fois plus importante et plus difficile : La plate-forme offre aux publicitaires un canal de communication privé avec chacun de ses utilisateurs : son « mur ». Il est donc impossible de savoir quelles publicités un utilisateur particulier reçoit, qui sont les publicitaires qui le ciblent et pourquoi ; ce qui rend les abus extrêmement difficiles à détecter. N’importe quel utilisateur possédant un compte Facebook peut devenir un publicitaire en quelques minutes sans vérification d’identité. Il n’y a donc aucune barrière pour des acteurs mal intentionnés souhaitant exploiter le système. La plate-forme met à disposition des publicitaires une quantité énorme de données sur les utilisateurs pour cibler très précisément certains segments de la population avec des messages susceptible de résonner en eux. Les publicitaires peuvent cibler les individus satisfaisant une combinaison précise d’attributs, avec plus de 1 000 attributs prédéfinis choisis dans une liste et plus de 240 000 attributs libres suggérés par la plate-forme lorsque le publicitaire tape des mots clés. On peut cibler par exemple les utilisateurs « intéressés par les enfants, mais pas par The Economist, ayant récemment déménagé et habitant au code postal 38 000 ». Les publicitaires peuvent également cibler des individus en particulier s’ils ont des informations appelées informations d’identification personnelle telles que l’email ou le numéro de téléphone. Si on combine ces trois caractéristiques, on voit qu’un publicitaire peut cibler de façon très précise (ouvrant la voie à une manipulation potentielle) sans qu’il y ait de contrôle sur l’identité des publicitaires et sans qu’il n’y ait de possibilité pour un acteur extérieur (comme un régulateur) de vérifier l’absence d’abus.

Vous avez dit protection des données personnelles ? lamauvaiseherbe.net, CC BY

Un premier audit externe de l’utilisation de la plate-forme

Puisque les publicités ciblées sont vues seulement par les utilisateurs ciblés en question, la seule façon d’auditer la plate-forme est de collecter directement les publicités montrées aux utilisateurs sur leur mur. Pour permettre un tel audit externe, nous avons développé une extension de navigateur, AdAnalyst que les utilisateurs peuvent installer et qui collecte (de façon anonyme) des données sur les différentes publicités reçues. En utilisant les données de plus de 600 utilisateurs, nous avons pu réunir des éléments de réponses à quelques questions importantes pour bien comprendre comment la plate-forme est utilisée et quelles sont les sources de risques potentiels : Qui sont les publicitaires ? Notre analyse révèle que 16 % des publicitaires sont peu populaires (ils ont moins de 1 000 likes sur leur page Facebook) et que seuls 36 % sont « vérifiés » (par un processus de vérification volontaire proposé par Facebook) et peuvent donc être tenus responsables de leurs publicités. Nous constatons aussi que plus de 10 % de publicitaires visent des catégories de sujets potentiellement sensibles (c’est-à-dire information/politique, éducation, finance, médecine, droit, religion) ; il est donc crucial et urgent de pouvoir les « monitorer » ! Quelles stratégies de ciblage utilisent les publicitaires ? Une fraction importante des publicitaires (20 %) utilisent des stratégies de ciblage qui, soit potentiellement envahissent votre vie privée (c’est-à-dire basées sur les informations d’identification personnelle ou sur des attributs de tierces parties collectés en dehors de la plate-forme par des compagnies appelées data brokers qui les vendent ensuite à Facebook), soit sont opaques (c’est-à-dire utilisant la fonction « lookalike audience » de Facebook qui laisse le réseau social sélectionner les utilisateurs ciblés sur la base d’un algorithme de « similarité » privé). Cela représente une transition par rapport au mode de ciblage plus classique (et mieux compris) basé sur la localisation, sur les attributs démographiques ou de comportement, ou sur le re-ciblage (pratique qui consiste à montrer des publicités pour des produits que vous avez précédemment cherchés par vous-même). Quels attributs les publicitaires utilisent-ils ? Même lorsque ce mode plus classique de ciblage sur les attributs est utilisé, il peut être source d’inquiétude. En effet, les attributs « voyage » ou « nourriture et boisson » restent les plus utilisés, mais une fraction surprenante de publicités (39 %) utilisent des attributs libres qui sont beaucoup plus spécifiques et peuvent être beaucoup plus sensibles : on trouve par exemple des attributs tels que « connaissance du diabète de type 1 », ou un intérêt pour diverses organisations ou actions telles que « Adult Children of Alcoholics » (adulte dont les parents sont alcooliques) ou « Defeat Depression » (vaincre la dépression). Les publicitaires adaptent-ils leurs publicités aux sujets ciblés ? Nous avons découvert que 65 % des publicitaires adaptent effectivement le contenu de leurs publicités en fonction des attributs ciblés. Par exemple, Vice News (un site américain d’information généraliste) envoyait aux utilisateurs intéressés par PC Magazine (un magazine spécialisé dans la technologie) une publicité pour un article « A self-driving, flying taxi could soon be a reality » (un taxi volant autonome sera bientôt une réalité) et aux utilisateurs intéressés par le Parti démocrate une publicité pour un article « Mr. Trump and Mr. Cohen have a lot of explaining to do » (M. Trump et M. Cohen ont beaucoup à expliquer). Si ces pratiques ne sont pas malveillantes en elles-mêmes et existent d’ailleurs aussi dans le monde déconnecté, elles requièrent une attention particulière dans le cas de la publicité en ligne car elles ouvrent la porte à une manipulation fine par l’intermédiaire du micro-ciblage. Dans un autre contexte, nous avons mis en évidence par exemple que cette pratique a été utilisée par la Russian Intelligence Agency pour envoyer des publicités clivantes de façon ciblée aux utilisateurs vulnérables pendant l’élection présidentielle américaine de 2016. Malgré des réponses intéressantes, cette étude du cas de Facebook ne révèle qu’une petite partie émergée de l’iceberg que représente l’écosystème de la publicité dans les médias sociaux et met surtout en lumière le besoin de travaux supplémentaires pour comprendre l’écosystème et son impact sur les utilisateurs.

Don’t Be Evil. Oscar Berg/Flickr, CC BY-NC-SA

Quid des mécanismes de transparence ?

Pour répondre aux inquiétudes des utilisateurs, les plates-formes ont récemment commencé à offrir des mécanismes de transparence. Facebook (en premier) a introduit un bouton « Pourquoi je vois cette pub ? » qui fournit aux utilisateurs une explication pour chaque publicité du type : « Une des raisons pour lesquelles vous voyez cette publicité est que Würth France souhaite atteindre les personnes intéressées par Industrie automobile, en fonction d’activités comme les Pages aimées ou les clics sur les pubs. D’autres raisons peuvent expliquer que vous voyiez cette publicité, notamment que Würth France souhaite atteindre les hommes de 24 à 58 ans qui habitent en France. Cette information est basée sur votre profil Facebook et les lieux où vous vous connectez à Internet. » Même si ces explications ne fournissent d’information que sur une petite partie du processus de délivrance des publicités (le choix de l’audience par le publicitaire), elle constitue a priori un bon début ; mais il est toutefois indispensable de les auditer afin de s’assurer de la qualité de l’information fournie aux utilisateurs ! Pour ce faire, nous avons créé des campagnes de publicité contrôlées ciblant les utilisateurs volontaires d’AdAnalyst et collecté les explications reçues que nous avons alors comparées aux paramètres effectifs des campagnes. Nos résultats montrent que les explications fournies par Facebook sont loin d’être parfaites. Nos expériences montrent d’abord que les explications de Facebook sont incomplètes d’une façon potentiellement inquiétante. Dans le détail, on observe que l’explication montre au plus un attribut même si plusieurs ont été utilisés pour le ciblage. Plus inquiétant, l’attribut montré est choisi de façon surprenante. Il est d’abord choisi en fonction du type d’attribut, en donnant la priorité aux attributs démographiques par rapport aux attributs d’intérêt et de comportement. Ensuite, l’attribut montré est celui qui a la plus grande prévalence (c’est-à-dire, qui est partagé par le plus grand nombre d’utilisateurs de Facebook). Ne révéler que l’attribut le plus commun ne semble pas être en mesure de fournir des explications utiles pour les utilisateurs. Imaginez par exemple un publicitaire qui ciblerait des utilisateurs intéressés par le fascisme et ayant un téléphone portable, l’explication ne mentionnerait que l’attribut téléphone portable. En plus de donner une information très partielle, une telle explication apparaît facilement manipulable par un publicitaire mal intentionné qui pourra par exemple masquer un attribut rare et discriminatoire ou sensible en y ajoutant un attribut très commun. Nos expériences ont aussi montré que les explications de Facebook suggèrent parfois des attributs qui n’ont en fait pas été utilisés par le publicitaire ; ce qui au minimum induit en erreur et risque de briser la confiance de l’utilisateur dans les mécanismes de transparence offerts. Dans l’ensemble, cette étude nous met en garde sur le fait qu’il ne suffit pas de donner n’importe quelle explication pour apporter de la transparence ; et même si notre étude a été menée sur la plate-forme de Facebook, cette conclusion s’applique à l’ensemble des plates-formes. Des explications mal conçues peuvent être dangereuses car elles offrent seulement une partie de l’information, peuvent être facilement manipulées par des acteurs mal intentionnés et donnent un faux sentiment de confiance. Il est donc crucial d’avancer sur des bases scientifiques rigoureuses pour définir des standards pour les explications si nous voulons que de tels mécanismes de transparence soient un succès.

Comment avancer vers plus de transparence ?

Il n’existe malheureusement pas de réponse définitive à cette question pour l’instant. Toutefois nous pensons qu’il est fondamental que la transparence soit apportée par des tierces parties et ne vienne pas directement des plates-formes sans possibilité d’audit. C’est aussi pour aller dans cette direction que nous avons conçu l’outil AdAnalyst qui fournit aux utilisateurs des statistiques agrégées sur les publicités reçues, les publicitaires les ayant ciblés et les méthodes de ciblage utilisées mais aussi les autres attributs utilisés par un publicitaire pour d’autres utilisateurs. Nous espérons que cela donnera aux utilisateurs une vision plus complète de la façon dont ils sont affectés par la publicité sur Facebook pour qu’ils puissent en prendre conscience et se protéger contre les pratiques malhonnêtes – en attendant que la transparence soit mieux réglementée. AdAnalyst peut être téléchargé ici.

Oana Goga, Research scientist, Centre national de la recherche scientifique (CNRS), Université Grenoble Alpes and Patrick Loiseau, Research Scientist in the POLARIS team, Inria This article is republished from The Conversation under a Creative Commons license. Read the original article. Read the full article

#commerceélectronique #confiance #conformité #droitGAFA #facebook #RGPD

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universallycrownpirate · 5 years

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Anthony Perkins (* 4. April 1932 in New York City; † 12. September1992 in Hollywood) war ein US-amerikanischer Schauspieler und Regisseur. In Alfred Hitchcocks Klassiker Psycho schrieb er in der Rolle des krankhaft mutterfixierten Motelbesitzers Norman Bates Filmgeschichte.

Anthony Perkins gab sein Filmdebüt 1953 in Theaterfieber, einem von George Cukor inszenierten Drama, an der Seite von Spencer Tracy, Jean Simmons und Teresa Wright. In seinem zweiten Film Lockende Versuchung spielte er den Quäkersohn von Gary Cooperund erhielt 1956 eine Nominierung für den Oscar sowie dem Golden Globe Award als Bester Nachwuchsdarsteller. Seine erste eigene Hauptrolle hatte er 1957 im Film Fear Strikes Out, in dem er den Baseballspieler Jimmy Piersall verkörperte. 1959 spielte Perkins eine größere Rolle in dem Endzeit-Drama Das letzte Ufer mit, das zahlreiche Nominierungen und Auszeichnungen für bedeutende Filmpreise erhielt. Für seine Rolle in Lieben Sie Brahms? nach dem gleichnamigen Roman von Françoise Sagan gewann er den Darstellerpreis bei den Filmfestspielen von Cannes 1961.

Anthony Perkins gehörte einer neuen Generation von Hollywoodschauspielern an, die sich von dem stereotypenMännerbild des frühen Hollywood, welches maßgeblich von Schauspielern wie John Wayne geprägt war, abheben wollte. Im Gegensatz zu den scheinbar unverwundbaren, „harten“ Männern, rückten nun junge, zweifelnde, gefühlsbetonte, oft auch psychisch labile Anti-Helden ins Zentrum der Filme, zu anderen Vertretern zählten etwa John Garfield, James Dean, Montgomery Clift und Marlon Brando.

Nach weiteren erfolgreichen Auftritten im Film und am Broadwayfolgte 1960 Perkins’ bis heute bekannteste Rolle als identitätsgestörter Mörder in Psycho von Alfred Hitchcock. Die Figur des Norman Bates wurde später vom American Film Institute bei der Wahl zu den 50 größten Schurken des amerikanischen Films auf Platz 2 gewählt und erlangte auch über den Film hinaus Kultstatus. Da Perkins verhindern wollte, durch den Erfolg des Films auf ähnliche Rollen festgelegt zu werden, wandte er sich vielseitigeren Rollenangeboten in Europa zu. In den folgenden Jahren wirkte er dort in einigen erfolgreichen Produktionen mit, so als Joseph K. in Orson Welles’ Film Der Prozeß. Zu seinen folgenden Filmen zählten Phaedra, Die dritte Dimension und Der zehnte Tag. Als Koautor zum Filmdrehbuch des Kriminalfilmes Sheila betätigte er sich 1973. 1974 spielte er in der starbesetzten Filmadaption des berühmten Kriminalromans Mord im Orient-Express von Agatha Christie mit.

In Hollywood wurde er trotz dieser Erfolge jedoch noch immer mit der Figur des Norman Bates verbunden. Nach seiner Rückkehr in die Vereinigten Staaten spielte er die Rolle des Norman Bates in drei weiteren Fortsetzungen von Psycho, die nicht denselben Respekt bei Kritikern und Publikum wie Hitchcocks Film erreichten, aber dennoch Achtungserfolge waren. Bei Psycho III betätigte sich Perkins außerdem 1986 als Regisseur. Seinen zweiten und letzten Film als Regisseur drehte er zwei Jahre später mit der Horrorkomödie Der Dicke und die Schöne… zum Fressen gern. Im Laufe seiner Karriere spielte Perkins neben Bates noch weitere bemerkenswerte Charaktere, so unter anderem den Kaplan in Catch-22 – Der böse Trick, der 1970 nach dem Roman Catch-22 von Joseph Heller entstand. 1980 drehte er den Kinofilm Killer aus dem Dunkel mit Lee Broker und Kenneth Welsh. Viele seiner späteren Arbeiten wurden jedoch für das Fernsehen produziert, meist Miniserien oder Fernsehfilme.

Anthony Perkins war bisexuell und hatte einige Affären mit Männern, darunter mit dem Balletttänzer Rudolf Nurejew sowie dem Schauspieler Tab Hunter. Perkins selbst erklärte, dass er bis zum Zusammentreffen mit der Schauspielerin Victoria Principal bei den Dreharbeiten zu Das war Roy Bean (1972) nur homosexuelle Liebesbeziehungen hatte. Im Alter von 41 Jahren heiratete er 1973 die 16 Jahre jüngere Fotografin Berinthia „Berry“ Berenson (1948–2001). 1974 kam sein Sohn Osgood „Oz“ Perkins zur Welt, der ebenfalls Schauspieler wurde. Sein zweiter Sohn Elvis Perkins (* 1976) arbeitet als Musiker.

1992 bereitete sich Perkins auf den fünften Teil der Psycho-Filmreihe vor, der jedoch nicht mehr realisiert werden konnte. Anthony Perkins starb am 12. September 1992 mit 60 Jahren an einer durch AIDSverursachten Lungenentzündung. Er hatte die AIDS-Erkrankung seit der Diagnose im Jahr 1986 vor der Öffentlichkeit und sogar vor seinen Freunden und seinen Kindern geheim gehalten. Nur seine Frau war eingeweiht. Sie starb bei den Terroranschlägen am 11. September 2001 an Bord von American-Airlines-Flug 11 – in dem ersten von zwei Flugzeugen, die in das World Trade Center gesteuert wurden.

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cleancutpage · 5 years

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Rum Raisin and Tenant Representation

City Slickers is an Oscar winning comedy classic in which Billy Crystal and his friends battle mid-life crisis by joining a cattle drive across the Southwest. In the movie, we meet brothers Barry and Ira Shalowitz, ice cream moguls whose characters are based on the real-life Ben and Jerry. Barry’s claim to fame is that he can determine the perfect ice cream flavor to follow any meal.

What goes with sea bass, potatoes au gratin and asparagus? Rum Raisin! How does he know? “1,400 retail locations across the country, that’s how we know.”

So what does that have to do with commercial real estate? With years of research experience and hundreds of leases closed, I believe I can pick the perfect South Florida office building just like Barry can pick the perfect ice cream. Office space comes in all different shapes, sizes and flavors and you need the right flavor to compliment the way you do business.

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Easy access to Miami or Fort Lauderdale, high image 15-20 employees? Presidential Circle in Hollywood. Downtown Miami, executive suite, lots of privacy, financial firm? Regus at The Wells Fargo Building. Glitz and glamour of Miami’s Brickell Avenue, small space, short-term lease? The Latitude. Live/work/play, access to 2 airports and all of South Florida? Main Street Miami Lakes. Tech startup, millennial employees, rapid growth, close to Mass Transit? WeWork at Miami’s Security Building.

But we go one better at Truss. While Barry has a great partner in his brother Ira, I have an even better partner in Vera. Vera is Truss’ artificial intelligence bot. Vera asks tenants where they want to be, how many people will use the office, how long a lease they are willing to sign, what type of layout they prefer and whether price or size is more important.

Vera then searches our inventory of over 12 million square feet of available office space and over 100 coworking facilities in South Florida, rating each space on a 1 to 100 scale. In each of our 9 (and expanding) US markets, Truss employs a seasoned professional broker who uses his or her experience and Vera’s technology to find our clients the best space at the best value. Vera makes sure I don’t miss any buildings and supplements my own market knowledge and experience with hard data. One of Vera’s most important features other than her great smile is that she provides our clients with full price transparency. Net lease, gross lease, modified, who cares. Vera is able to boil it all down to a monthly or annual cost to compare all alternatives on an apples-to-apples basis. Technology will never fully replace a broker, but a seasoned broker armed with the latest technology is a very dangerous creature indeed. Vera herself actually found a perfect space for a client herself for my client tour this morning.

RSS Feed provided by theBrokerList Blog - Are you on theBrokerList for commercial real estate (cre)? and Rum Raisin and Tenant Representation was written by Ken Silberling.

Rum Raisin and Tenant Representation published first on https://greatlivinghomespage.tumblr.com/

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kimmiecupcakes · 7 years

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Tolle Neuigkeit zum Thema Hochzeit

New Post has been published on https://www.festivaldd.ch/eheringe-schweiz/goldschmied-geschichte-eheringe/

Goldschmied-Geschichte Eheringe

Wir bieten Ihnen eine grosse Auswahl an modernen sowie klassischen Eheringen. In Krisenzeiten hingegen steigt weltweit das Interesse an der Geldanlage Gold wieder an. Ein gutes Beispiel für diese Entwicklung ist der Anstieg des klick hier nach der weltweiten Finanzkrise im Jahr 2008 und auch seit Beginn dieses Jahres. Die reichsten Länder der Welt: In der Liste auf Platz 1 steht die Schweiz mit einem durchschnittlichen Vermögen von 513.000 US-Dollar pro erwachsenem Einwohner. Am 24. Oktober 1648 erreichten die Schweizer Kantone im Westfälischen Frieden die Anerkennung ihrer Ausgliederung aus dem Heiligen Römischen Reich und wurden somit unabhängig Die Auslegung des betreffenden Art. Jeder Ehering, der in präziser Handarbeit im Atelier in Zürich geschmiedet wird, beinhaltet die eigenen Essenzen der Ehepartner. Einen festen Platz im kulturellen Leben der Schweiz hat die Jazz-Musik eingenommen.

Nicht nur die positive Entwicklung in Deutschland und Großbritannien, sondern vor allem nun auch die explosionsartige Zunahme von Neukundenanträgen aus der Schweiz sind für GlobalPayer in London und Wilmington ein Grund, die Akquisitionsaktivitäten um neue Finanzdienstleister aus den Bereichen Kapitalanlage, Versicherung, Investmentfonds und Vermögensverwaltung zu verstärken.

Für die Benützung der Autobahnen mit weiss-grüner Beschilderung besteht in der Schweiz jedoch Vignettenpflicht für Personenkraftwagen, die einmalig für ein Jahr zu entrichtende Nationalstrassenabgabe (40 CHF). Mit unserer gratis App für iOS und Android Geräte überprüfen Sie schnell und bequem jedes Schweizer Medikament auf verbotene Substanzen. Mit der Erfindung des patentierten Unikat-Metalls hat die Elfenmetall GmbH einen Weg gefunden, personalisierte Eheringe und Schmuckstücke zu erschaffen. In der Schweiz leben circa 83 Säugetierarten 49 in der freien Wildbahn, davon ist der grösste Teil den Fledermäusen und anderen Kleinsäugern zuzuordnen. Ansonsten ähneln sich die Suche nach der Arbeit in der Schweiz und in Deutschland sowie das Bewerbungsverfahren sehr stark.

Am häufigsten zu beobachten ist der Rotfuchs Er fühlt sich auch in den Schweizer Städten sehr wohl. Wirtschaftlich betrachtet steht die als stabil und solide geltende Schweiz sehr gut da. Selbst in Zeiten der Wirtschaftskrise gibt es nur eine verschwindend geringe Zahl an Arbeitslosen. Dem 1877 gegründeten Schweizer Brauerei-Verband gehören 18 schweizerische Brauerei-Unternehmen mit 20 Braustätten an, die über 95 Prozent der inländischen Bierproduktion abdecken. Auch 2016 werden am Samstag und Sonntag Finalspiele der St.Galler Handballschüeleri stattfinden. Diese Gruppe enthält die drei Münzmetalle: Kupfer sowie die Edelmetalle Silber und Gold. In der Schweiz werden rund 12.000 Tonnen frischer Flussbarsch pro Jahr konsumiert.

Das geschieht seit dem 17. Jahrhundert am London Bullion Market Seit dem 12. September 1919 treffen sich wichtige Goldhändler in einer Rothschild-Bank in London, um den Goldpreis formal zu fixieren (siehe Goldfixing ). Seit 1968 gibt es ein weiteres tägliches Treffen in der Bank um 15 Uhr Londoner Zeit, um den Preis zur Öffnungszeit der US-Börsen erneut festzulegen.

Mit Voralpen werden in der Schweiz jene Gebiete bezeichnet, die den Übergang vom leicht hügeligen Schweizer Mittelland zum Gebirgsraum der Alpen markieren und sich durch ihre Erhebungen als Naherholungszone speziell während Zeiten des Hochnebels auszeichnen.

Wie im vergangenen Jahr werden sieben Runden gespielt – drei Rapid-Partien mit einer Bedenkzeit von 20 Minuten plus 10 Sekunden am Freitagabend, vier Partien mit normaler Bedenkzeit 90 Minuten plus 10 Sekunden) am Samstag und Sonntag. Die Jobsuche in der Schweiz ist unterm Strich auf jeden Fall eine interessante Alternative.

Bei einer Verlobung kann mal nur die Herzdame mit einem stattlichen Klunker bestückt werden, mal tauschen sich beide Partner die Ringe aus, die bis zum Hochzeitstag getragen werden und dann gegen die eigentlichen Eheringe eingetauscht werden. Die Bevölkerungsdichte der zu der Homepage wird von den sämtlich im Mittelland liegenden Ballungszentren mit den beiden in der Grösse bescheidenen und dennoch wichtigen Weltstädten Zürich und Genf bestimmt.

Mit sehr individuellen und gleichzeitig zeitlosen Palladiumdesigns Ihrer Eheringe und Verlobungsringe fangen wir gemeinsam mit Ihnen Ihr einzigartiges Liebesglück ein und halten es fest – für immer. Fast 70% der Schweizerinnen und Schweizer zwischen 15 und 74 sind laut der Studie Sport Schweiz 2014 aktiv und dies in nicht weniger als 250 Sportarten. Um das Leben in der dennoch abgeschiedenen Lage zu attraktivieren, ist die Gemeinde heute ein Italienisches Zollausschlussgebiet , nachdem sie zuvor dem Schweizer Zollgebiet angehörte. Aktuell wird in zwei Jahren mehr Gold gefördert, als in den tausend Jahren des Mittelalters zusammen dokumentiert ist. Der erfolgreichste Schweizer im internationalen Filmgeschäft ist der Produzent Arthur Cohn , der bereits viermal für einen Oscar nominiert war und dabei drei Oscars in der Kategorie Bester Dokumentarfilm gewonnen hat. Gold wird seit Jahrtausenden für rituelle Gegenstände und Schmuck sowie seit dem 6. Jahrhundert v. Chr.

Palladiumeheringe vs Weissgoldeheringe – Besondere Info zum Thema hochzeitslocation

Ob Sie sich nun für ein Schmuckstück oder für Eheringe von 123gold entscheiden – jedes Produkt durchläuft einen hochspezialisierten Fertigungsprozess, vom Legieren und in Form drehen bis zur Politur der Ringe, der Fassung der wertvollen Diamanten und der individuellen Gravur.

Der von der Regierung angestrebte Beitritt zum Europäischen Wirtschaftsraum (EWR) scheiterte am 6. Dezember 1992 bei einer Abstimmung (→ Alleingang der Schweiz ). Nach dem Jahr 1999 stimmte das Schweizervolk mehreren bilateralen Verträgen mit der Europäischen Union zu. 2005 trat die Schweiz auch den Schengen – und Dublin -Abkommen bei.

Die erfahrenen Profi-Meteorologen der Unwetterzentrale passen die Unwetterprognosen für die Schweiz laufend manuell an und stellen damit sicher, dass sie rund um die Uhr (24 Stunden pro Tag, 365 Tage im Jahr) zuverlässig und topaktuell sind. Rotgold:hier gibt es mehr Info aus Rotgold besitzen ein edles Flair und sind durch ihre außergewöhnliche Farbgebung sehr auffällig. In der Schweiz dominiert in der Landwirtschaft die integrierte Produktion Der biologische Anbau beträgt etwa 9 Prozent der Produktion und ist stark im Wachsen.

Aufgrund einer 100% Steuerfreiheit auf alle Erträge (inklusive des Kapitals) sowie einer Durchgriffssicherung auf allen ECN Forex Tageshandelskonten steht der Broker und Partner der deutschen und schweizer Finanzdienstleistungsindustrie hoch im Kurs.

Sobald genügend Mittel für Einrichtung und Betrieb eines stationären Kinder-Palliativ-Zentrums zur Verfügung stehen, können auch in der Schweiz unheilbar kranke Kinder und ihre Familien auf professionelle Unterstützung bei ihrem schwierigen Weg zählen.

#Schweiz: Eheringe: Weissgold in echten Leben #Schweiz: Palladiumringe vs Weissgold 31 fuer Dich #Eheringe Schweiz

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vegan-ftw · 7 years

Text

New Post has been published on Mademoiselle Ka: Eheringe-Tipps

New Post has been published on https://www.festivaldd.ch/eheringe-schweiz/goldschmied-geschichte-eheringe/

Interessante News über das Thema Verlobungsringe

Goldschmied-Geschichte Eheringe

Palladiumeheringe vs Weissgoldeheringe – Besondere Info zum Thema hochzeitslocation

#Schweiz: Eheringe: Weissgold in echten Leben #Schweiz: Palladiumringe vs Weissgold 31 fuer Dich #Eheringe Schweiz

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visualresort-blog · 7 years

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Goldschmied-Geschichte Eheringe auf Mademoiselle Ka: Eheringe-Tipps

Neues Posting auf https://www.festivaldd.ch/eheringe-schweiz/goldschmied-geschichte-eheringe/

Goldschmied-Geschichte Eheringe

Palladiumeheringe vs Weissgoldeheringe – Besondere Info zum Thema hochzeitslocation

Interessante Neuigkeit über das Thema Verlobungsringe

#Schweiz: Eheringe: Weissgold in echten Leben #Schweiz: Palladiumringe vs Weissgold 31 fuer Dich #Eheringe Schweiz

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meandmiworld-blog1 · 7 years

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Schweiz: Eheringe: Weissgold in echten Leben, Schweiz: Palladiumringe vs Weissgold 31 fuer Dich - Mademoiselle Ka: Eheringe-Tipps

New Post has been published on https://www.festivaldd.ch/eheringe-schweiz/goldschmied-geschichte-eheringe/

Goldschmied-Geschichte Eheringe

Modische News über das Thema Hochzeit:

Palladiumeheringe vs Weissgoldeheringe – Besondere Info zum Thema hochzeitslocation

#Schweiz: Eheringe: Weissgold in echten Leben #Schweiz: Palladiumringe vs Weissgold 31 fuer Dich #Eheringe Schweiz

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