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#brooklyn art
takunwilliams · 12 days
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art and street art by technodrome1 and takun williams
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dogandcatcomics · 7 months
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#repost @judithlinhares Judith Linhares (New York City, USA, b. California, USA, 1940-). Romancing the Stone at @junglepress.
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art-bank · 1 year
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Nicholaas Chiao, Blue Armageddon, 2023, mixed media
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longlistshort · 2 months
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Today’s throwback is to Jenson Leonard’s solo exhibition Workflow, at Wood Street Galleries in Pittsburgh, from the beginning of February.
From the gallery about the work-
Workflow, the first institutional solo exhibition of artist Jenson Leonard, centers on a titular film that explores the velocity and momentum of Blackness as it relates to the philosophical concept of acceleration—the notion that the only way out of capitalism is through its intensification.
In Workflow, a spectral Michael Jackson Halloween mask recites a surrealistic quarterly earnings reports. Building on a 2017 essay by artist Aria Dean titled “Notes on Blacceleration,” the short film centers on the ways in which the Black subject grapples with its commodified status within the labor market despite—or, resultant of—its own history as a commodity, stemming back to the Trans-Atlantic slave trade. Completed during Leonard’s residency at Pioneer Works in 2021, the video utilizes uncanny humor as a mechanism to expose the shared grammars inherent in Afro-pessimism and speculative finance.
Within the exhibition, the film repeats simultaneously across two grids of computer monitors situated on ergonomic desks that flank the gallery, mimicking the workstations that can be found ubiquitously across stock trading floors and financial institutions. Sculptures modeled after computer keyboards and mouses are displayed on the desks, each rendered inoperable by concentric riffs that symbolize the erratic transformations caused by the flows of capital. The appearance of Jackson represents a transmogrification of its own; whereas many have aligned the controversial pop icon’s bleached skin and surgical procedures with Black self-hatred, Leonard positions his bodily modifications as a radical rupture from racial paradigms of being.
In Leonard’s own words, “Workflow is defined as the sequence of industrial, administrative, or other processes through which a piece of work passes from initiation to completion. My film seeks to disabuse notions of completion, whether it be completion of the human, the nation state, or civil society. As Dean notes, Blackness is ‘always already accelerationist’ via its incongruence with Western humanism, a wrench thrown into the locomotive gears of ‘capital and subjecthood.’ Her essay prompts us to look toward the way that the Black has been historically constructed outside of the human, as coterminous with the slave. Slavery therefore represents a kind of proto-automation, a mass forced coercion of labor, and the Blacks’ transition from object to subject calls for a reappraisal of accelerationist ideas about the (non)human entity and its revolutionary potential.”
The artist continues, “There is something about going to work—the repetition of it—that gets inscribed at an epigenetic level, as an everyday, embodied violence. From there, I thought about the panoptic workplace (open air plan, transparent yet closely surveilled, management that does not have to be in the room to be monitoring you), the fetish of efficiency (ergonomic mouse and keyboards so you can work longer), biometric data of a labor force (fingerprint and facial scans to help reduce repeat processing tasks). All of these methods to maximize profits and production can be traced back to methods worked out and perfected in the cotton and sugar cane fields hundreds of years prior.”
The text from the video was included on one of the gallery walls (image above) but I’ve included it below as well as it is definitely worth reading.
“Looking out across the macro- Panoptic eyes are everywhere. Predictive models rendered bilious, You are scalable, You contain platitudes. Clean and renewable, black from the waste management down. These are micro-credentials too big to fail. Angel investors watch over you, guide you through your webinar. You are green with infrastructure. A Nick Land acknowledgment. A multiprocession of the tiniest micropixels in all of the Anglosphere. Plan your obsolescence. Chitin’ circuitry courses through you. Wayward modulation thrumming, throbbing like an old techno spiritual. A Self driving mythology Keloid optimized. Upload speeds faster than Drapetomania. A contactless, decentralized, hands free accumulation. The base salary determines the superstructure of your beast of burden of proof of concept. Perfection is the enemy of egress. Pay the heap of flesh no mind, live in the nanosecond. Fake it till you’re skeuomorphic. You’re more than the sum of your outsourced manufacturing components. Know your neural net worth. Walk with your overhead held high. There’s never been more exciting growth in the excrement sector! It is easier to imagine the end of the world than to unsubscribe from my Onlyfans. Rather, If you can’t handle me at my Linkedin you don’t deserve me at my locked in chastity. Will you risk it all to manage my assets? Are you willing to do my taxes from the back? Tax to mouth? From the overton window, to the overton wall, to the overton sweat drop down my overton balls. Going, going… Zong.”
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nakedcomedy · 8 months
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As seen in VULTURE, TIME OUT, CAKE on FX, SXSW & more:
Comedianne/art critic/comedy writer/performance artist/clown queen CHRISTINA CATHERINE MARTINEZ presents a ONE NIGHT ONLY art/commentary/comedy extravaganza, featuring some of her most talented friends: River Ramirez, Ikechukwu Ufomadu, Cory Peter Lane & Pierce Campion!
#Brooklyn Don't sleep on this event! We are just 2 weeks away from greatness so mark your calendars and get tickets now!
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annafacose · 1 month
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Some old-fashioned stucky to celebrate Bucky's birthday!
If you want follow me, you can find me on patreon 🖤
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ryanseslow · 3 months
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Fog, reflection & saturation -> 📸 Brooklyn
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amomorii · 3 months
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Draco fighting for his life in the common room
(based on Captain Holt from B99!)
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dulcealuf · 1 year
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amazing/ultimate student-slash-genius ⭐️👑
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389 · 11 months
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"Tranquility" May 2022 8.5x11" Printed on raw canvas
Designed and printed by Ash Allen in Brooklyn, NY
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shortbreadly · 6 months
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i can’t stop thinking about how similar vaggie and rosa diaz could be now that stephanie beatriz is playing them both
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takunwilliams · 1 year
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Satoru Gojo from Jujutsu Kaisen
pop art digital portrait by 
#takunwilliams
@technodrome1 
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svampira · 1 month
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hellooo nurse
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paracosmicessence · 1 month
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i’m rewatching brooklyn nine-nine
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longlistshort · 4 months
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José Parlá’s majestic paintings, pictured above, are from his series CICLOS: Blooms of Mold. They are currently on view as part of the Brooklyn Museum exhibition, Brooklyn Abstraction: Four Artists, Four Walls.
The other artists included are Maya Hayuk, Kennedy Yanko, and the late Leon Polk Smith.
From the museum about the work- In his monumental compositions, José Parlá layers and scrapes paint to obscure, reveal, and abstract both text and narrative, creating landscapes with textured gestural skies interwoven with a unique code of writing to reveal a new horizon with a universal line. Parlá’s abstracted text visually recalls underground mycelium formations, complex and mysterious fungi communication networks he references that interconnect everything on earth through a web of life. The five newly created paintings on view draw upon his youth as a Cuban American in Miami in the 1980s, his world travels, his almost fatal battle with COVID-19 in 2021, and his survival and recovery.
While in a three-month-long coma after contracting the virus, Parlá experienced dreams that carried him through his healing process. While recovering in the hospital, he transformed these visions into acrylic on paper drawings and, once back in the studio, into these powerful, otherworldly paintings that evoke natural landscapes. Their distinct horizon lines and internal, precise, psychological geographies remind us of our shared humanity.
Blooms of Mold, this new body of large-scale paintings, was inspired by what the art historian Simon Schama, in describing the art of Dutch painter Rembrandt van Rijn, once called “blooms of mold,” which one encounters on decaying urban and natural landscapes.
Parlá chose the subtitle Ciclos (from the Greek Kúkos, meaning circle) to refer to the life cycle and the function of the mycelium. It connects to ecosystems, providing nutrients and information to trees, which, in turn, convert carbon dioxide into oxygen, providing critical support for the respiratory systems of humans and all other living beings. Without mycelium, there would be no life.
The exhibition will be on view until 7/28/24.
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bontwisty · 1 year
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Raphs and Wrestling (2/3) ❤️🐢
All the Raphs get to see a match! And a new Raph joins the party! I watched Batman vs the TMNT sometime ago and have gotten questions about them and decided they deserve to be in this crossover as well <3 so because I watched it afterwards they showed up a bit late traveling from Gotham lol. This Raph also made me realize another thing a lot of them have in common: motorcycles so stay tuned for the next part!!
This has the same continuity as the bandanna bow Mikeys comic where all the other turtle iterations have been dropped into the Rise universe and they all hang out and vibe <3
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