#bts cuts

[bbyteach]

That BTS…… 🥹🥹

#ofmd #our flag means death #blackbonnet #my draws #gentlebeard #saveofmd #adopt our crew #ofmd bts #release the shopping montage cut I’m so serious

[raplinenthusiasts]

they were destined together 💜

cr. namuspromised

#and if I cry #kim namjoon #jeon jungkook #bts #btsgif #dailybts #dailybangtan #userbangtan #usersky #annietrack #heyryen #userdimple #usermag #tuserandi #userban #useremmeline #*mine #who’s cutting onions here 🥹 #i miss them #coloring all over the place as usual

[kiwistede]

[ source ]

#our flag means death #ofmd #ofmd s2 #rhys darby #blackbonnet #stede bonnet #gentlebeard #ofmd cast #STEDE RINGS! #those fingers went to places #ALSO there’s a glimpse of Rhys - those pics are cut - release the full half naked Stede! #ofmd s2 bts

[jimimn]

you know night after night i'll be fuckin' you right seven days a week

#btsgif #jungkook #jeon jungkook #bts #userbangtan #btsedit #* #*jk #seven performance video. #IM SORRY OK I COULDNT HELP MYSELF. THERE WERE SUPPOSED TO BE MORE GIFS BUT I CUT THEM DOWN BUT NOT MORE THAN THIS I CANT CUT MORE.

[taee]

yoongi (ft. hobi) disagreeing and rebutting every time jin says something negative about himself  

#btsgif #bangtan #bts #ipurpleunet #suchwita #yoongi #seokjin #yoonjin #tq:cr #long post #so invested in making this set i missed tae's live o_o #anw i had to cut down a few things here asdsfsdf #sorry its still so messy but #yoongi is so so sweet :(((

[ahappyphjl]

just wanted to say hi

#since the extended cut is behind a paywall i Will take this post down in a heartbeat if it's a problem #this only has two more sentences than the original but still #if u can go support pj on patreon he's got some rly cool bts stuff there #mine #dnp #dan and phil #phan #daniel howell #dan howell #amazingphil #phil lester #pj #dpgdaily

[mockingjaysnakes]

Sony really knows how to squeeze every penny possible out of theatrical revenue by releasing the extended cut of the film Anyone But You in theaters this February 9, especially for Valentine's Day. Successful movies are proving to perform well in theaters. The film has already surpassed 150 million dollars at the global box office, the production cost only 25 million dollars. Meanwhile, Lionsgate does not want to release the extended cut of the ballad of songbirds and snakes. i want and need to see that tbosas cut so bad!

#tbosas #the ballad of songbirds and snakes #thg #the hunger games #tom blyth #rachel zegler #coriolanus snow #lucy gray baird #snowbaird #anyone but you #movies #extended cut #lionsgate #deleted scenes #the lake #sony pictures #bts

[meraki-yao]

I think because RWRB is so far the only (live-action) movie I watched on repeat to the point of losing count (and honestly a lot of that was because we didn't have any other promo stuff so I could only pour over the movie over and over again), plus I'm starting to learn a little more about movie making/ storytelling, RWRB has made me hyper-aware of the movie making/ shooting aspect

So looking back at the Paris scene, there are two main ways they framed the shot (besides that pointed shot of Henry's hand training down Alex's back and pressing him in)

Parallel to the boys (either up to their torso or extreme close up on their faces)

and over Alex/Taylor's shoulder, a close-up of Henry/Nick's face

And it got me thinking about the shooting process and I have a question:

Was the shooting process shooting the whole scene (so from kissing to Henry's pressing down to insertion to building up) in one angle, and then repeating the whole scene in another? Or is it two cameras simultaneously?

Because if it's a former, that means not only are there multiple takes of the scene as per standard movie shooting, but THERE'S ALSO THE WHOLE SCENE IN ANGLES WE HAVEN'T SEEN

*URGE TO STEAL RWRB HARD DRIVE FROM PRIME INTENSIFIEs

Seriously I need more behind-the-scenes talks and videos from these movie

#rwrb #red white and royal blue #rwrb movie #taylor zakhar perez #nicholas galitzine #alex claremont diaz #henry fox mountchristen windsor #henry hanover stuart fox #firstprince #rwrb thoughts #rwrb bts #seriously will these and the rehearsal videos ever see the light of day #there's more moments in the movie that make me go “huhu how was that shot” or “there's def an alt cut” #I'll see if I can write more about it

[namchyoon]

jungkook x seven facecam 230730

#btsgif #btsedit #bts #jeon jungkook #jungkook #* #*gifs #*jjk #*bts #sbs inkigayo #230730 #i have no excuse for the number of gifs i cut so much and yet

[kth1]

⁂ 31/100 days of park jimin | bwl beauty

#*100jimin #pjm #park jimin #jimin #jimin gif #bts gif #bts jimin #gif #btsgif #btsedit #kpopccc #bangtanarmynet #armysource #networkbangtan #pink hair jimin #there were so many choices and i was conflicted on giffing haha #also i wanted big gifs... so cutting frames was evil #his smile is nice

[rwrbmovie]

BTS of #RWRBMovie: V&A

Via Amazon:

NG: I think their time together at the Victoria and Albert Museum really sticks out to me as a defining moment of their relationship. My character, Henry, really shares the last frontier of his vulnerabilities and really opens Pandora's box in a way saying plainly to Alex, ‘This is my life. I'm terrified, but I'm willing to take this risk.’

From EW:

For Galitzine, who grew up going to the museum, it was a surreal experience. "I was born and raised in London and the V&A is an iconic place to visit — the galleries, the displays, exhibitions that have been on there. To be able to witness it in such a quiet state was really bizarre. Night shoots are disorienting at the best of times. It's 5:00 in the morning, you're trying to act and be emotional, and you're in this truly beautiful, picturesque setting. It was really cool to be able to explore it. It felt a bit like Night in the Museum. It was a weird, surreal but extremely enjoyable experience."

Director Matthew López didn't know for much of the pre-production process whether the V&A would even allow them to film there. "They were very, very protective as you could imagine," he tells EW. " Especially when we told them where we wanted to shoot, which is a lot of things we could break, and I really didn't want to be the guy who ended up breaking a priceless piece of statuary. But we ended up getting permission, and that was amazing." In McQuiston's novel, this key scene takes place in the Renaissance Gallery, which López and cinematographer Stephen Goldblatt visited while scouting in London. But while we still see Henry and Alex run through that gallery, they decided to choose another due to the V&A's filming parameters. "It's not the most photogenic gallery," explains López. "It's kind of dark and it's very, very big, so there's a lot of blank space between the statues. The chances that you're going to get just a white wall behind you are good. And it's very hard to shoot in there because the rule that the V&A had for us was that we couldn't bring in any exterior lighting. We could not bring it in our own lights." But Goldblatt had an idea to work around that limitation. "He led me to this area of the museum where we did end up filming it," the director continues. "That long, beautiful corridor with all those gorgeous statues filled with very homoerotic art, as well as that narrow alleyway of busts. We came back another night after closing, and he had them turn off everything, all the lights except for the spotlights that were there, illuminating the artwork. But turning off the floodlights that lit the gallery for people to walk around in. What you had in an instant was darkness everywhere and light shining on the art." Goldblatt manipulated the light further with a dimmer switch, creating an almost sacred environment in which Henry and Alex could express their love for each other. "We did not bring in any of our own lighting," emphasizes López. "That scene is shot with the lighting that's available to us at the V&A. We decided that the scene would be the boys for the most part in shadow and the statues illuminated. It was a beautiful use of a problem to create a better solution that you could not have come up with on your own if you had no problem."

From Glamour:

“My absolutely favorite scene to film was the night we shot inside the Victoria and Albert Museum,” says López of the scene depicted here. “We arrived at 10 p.m. and filmed until sunrise. To have access to that museum at night without any other people around made you feel what Henry and Alex must have been feeling the night they go there together. What made it so special is that, for one of the first times in the shoot, it was just me, Taylor, and Nick working. No other actors, no background players. It’s a magical scene in the book, and it was a magical night for all of us.” 

From HELLO:

In the film, as in the book, the pair dance together here as they vow to make their relationship work, come what may. This scene is also Matthew's favorite scene, "because it's the only scene in the film that is actually filmed at the location that it's set".  "That night was very beautiful and I think it's reflected in what you see on screen; there's a magic to that place at night and I like to think we captured it," he adds.

From NYT:

The two men under the dimmed lights were the actors Taylor Zakhar Perez and Nicholas Galitzine, and they swayed until the director, Matthew López, called “Cut!” around 2 a.m. for a lunch break. “It was just the three of us and our crew,” said López, who’s also the film’s co-writer. “It made for an incredibly intimate, really special night.”

From W Magazine:

There’s a sweet moment in the Victoria and Albert Museum. Why did you shoot in that sculptural exhibition? That’s not the gallery from the book. I went there with Stephen Goldblatt, my director of photography, and it wasn’t very cinematic. Stephen took me to another part of the museum, where we shot, with lower ceilings a more contained space with beautiful statues: David and Goliath, three women, the corridor of busts and torsos—very cinematic.

#rwrb movie #red white and royal blue #rwrb #rwrbsource #Nicholas galitzine #Matthew Lopez #stephen goldblatt #this one’s long read under the cut #ng #bts #rwrbbts #* #my gifs

[daria-meoi]

Video source - Samba Schutte

#ofmd #ofmd bts #ofmd cut scenes #ofmd gifs #stede bonnet #edward teach #rhys darby #taika waititi #blackbonnet #gentlebeard #thank you samba!! #our flag means death

[sopekooks]

#i feel so so so normal about them :) #they aren’t allowed to cut their hair btw #yoongi #jungkook #bts #crystal rambles

[kithtaehyung]

➛ bts in busan 1/? | yoongi performing run for @kth1​

#yes this will be a series bc i'm emotional lol #also maggie hope you enjoy mr min being RUDE #bts #bangtan #yoongi #suga #bts in busan #shirleytothesea #usersky #tuserjay #usermaggie #annietrack #*gifs #*busan #*latest #*myggif #can't wait for HQ footage! #then this series will be better quality lol #this was right before my stream cut LMAO #which is why there isn't more gifs i'm cackling

[jeonjungkoos]

his hairrr!!!

#networkbangtan #armiesnet #btsgif #armysource #jungkook #jeon jungkook #jeongguk #bts #bangtan #* #i just cmae back to gif this!! dont cut his hairrr #okay bbtyyeee

[bird-inacage]

A Prapaisky Gifset | The Alternative Shots

I'd happily watch continuous, unedited footage of every B-roll taken throughout the entire production. All these amazing performances captured from multiple angles, some of which I think were better than what actually made the final cut.

#LITA #love in the air #love in the air series #prapaisky #paisky #prapai x sky #sky x prapai #fortpeat #fort thitipong #peat wasuthorn #god this series still has me in a chokehold #i wish they'd kept that shot of sky breaking down in ep13 #in the bts peat was advised to express relief/joy/acceptance #and his expression said it beautifully #why cut it???