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#buckley begins
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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watchyourbuck · 11 days
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Imagine planning your wedding to the love of your life but having to keep putting out fires bc your stupid blond bitch of a baby brother who’s built like a refrigerator hurt his hus-best fiend apparently on purpose bc he was hanging out with some other guy just to have him stumble into ur kitchen a few days later telling u he kissed the other dude instead
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loveyourownsmiilee · 29 days
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Eddie loves Buck to his core. And he shows it by always reassuring and comforting Buck when he doubts himself or thinks negatively. Eddie is Buck’s person through & through 🥹
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dinogoose · 1 month
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there’s something so bonkers about writing and filming a scene of buck throwing himself to the ground using his bare hands to try and claw his way to eddie while he screams ‘eddie! eddie! eddie! no, eddie!’, only to never mention it after.
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alexisrosemullens · 3 months
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9-1-1 4x05 | 4x14
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alleiwentcrazy · 1 year
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The point is, Steve can’t hear.
A person can get hit in the head only so many times before it takes effect and does permanent damage. Steve’s incessant claims that being in the front row when the fight breaks down does nothing to him, that he’s safe and alright as long as everyone else is, mean very little in the face of cold, evident facts.
His hearing isn’t intact. It takes him a while to adjust to this reality, but with the help of his friends, he eventually does. Thanks to Nancy’s fierce bullying of the government guys who come to Hawkins to assess the situation and cook up some half-assed excuse for everything that’s happened, Steve now has a small army of well-paid doctors that really seem to be eager to help. He also gets state-of-the-art hearing aids that, well—they work, but Steve’s range of possibilities is still quite narrow. Let a few people into the room, let them speak simultaneously and all he can hear is static, rustles and crackling.
But he’s pliant. He listens when Robin tells him they have to get in the car and hit the road to get to his appointment on time. He lets her help with inserting the aids properly on the days he’s just too impatient and too bugged about how they feel and look to even care if they help him hear. He’s not dismissing her enthusiasm when she starts learning sign language before he even gets a chance to discuss it as his option.
He’s doing a lot of things for her, even if they’re supposed to be important to him first. To be honest, these days it’s mostly doing things for Robin that keeps him going. He would have gone completely numb ages ago if it weren’t for her and her unique ways of picking up the severed pieces whenever he crumbles.
He’s also doing it for Dustin. If Robin is his twin sister, Dustin is the little brother he’s never had. And Dustin… It’s just been too rough on him. It’s been rough on everyone; how could it not be if the only thing they seem to be able to do is wait? Wait for the lab guys to figure out a way to end this. Wait for the panic to cease. Wait for Max to wake up.
Wait for the grief to pass.
They wait and wait, but it never stops—on the contrary, it brings fresh, equally unwanted feelings. They’re always there, lurking behind the corner like a kitten that wants to launch itself at an unsuspecting owner – only with them, there won’t be any playtime involved. Steve recognizes this feeling. It’s the same feeling he’d had in that Winnebago when he was dropping off Max, Lucas and Erica at Creel’s doorstep. An awful anticipation of doom waiting to happen.
He doesn’t like it. He’d like to find a way to do something about it, but he can’t seem to get to the core of it.
Maybe that’s why he thinks he’s hearing things when he really can’t be hearing them.
At first, Steve writes it off as him being paranoid. It happens only when he’s home by himself, so it’s the only logical explanation – he takes off his aids, he gets too attentive about his surroundings, right? He thinks he hears something, but it’s only his tired mind playing tricks on him.
Especially because what he hears are mostly usual, non threatening things. The sound of water running in the bathroom (he goes inside, everything is dry and quiet). The sound of kitchen drawers being opened (he goes to the kitchen, the cabinets are exactly the way he left them). The sound of cutlery being dropped on the floor (but he hasn’t even taken anything out in the first place).
He even gets used to it. Things happen, his brain is weird. It’s confusing, sure, but hasn’t he seen worse things? He definitely has.
But it doesn’t keep him away from sleeping with his bat perched on the side of the bed. If he sleeps at all, if a sudden sound of breaking glass doesn’t keep him awake until his morning shift with Robin, when he can finally leave this goddamn house and take his mind off of things.
Steve tries to ignore it. He really tries, but the point is—Steve can’t hear things like running water in the bathroom when his aids are off. Hell, he only makes it out if he focuses on it when they’re in, so why the heck can he hear it so well? Why are the sounds multiplying?
It goes on for weeks. He avoids the topic for as long as possible, trying to shoo away the obvious similarities between his house and the house that made him hate spiders and cringe at fireplaces not too long ago.
It gets a little too real on just some random Tuesday, when his kitchen positively explodes with sounds the second he gets the hearing aids off. Cabinet doors slam left and right, mugs fall to the floor and shatter, forks and spoons seem to be getting thrown around like ragdolls—but Steve sees nothing. He hears it, he hears it so loudly it hurts, the cacophony of noises he’s never even heard before, but his eyes register no proof of it. He curls down on the floor, expecting sharp glass pieces to cut his skin, but nothing happens. Nothing’s here.
He still covers his head, tucked away in the furthest corner of the kitchen, waiting for it to just stop, to leave him alone—
Steve doesn’t know how long it takes, but when it’s finally done, his knees are shaky and his breathing is ragged. He snatches his aids and takes off, straight to Robin’s house. He doesn’t even lock the door, a thing his parents would kill him for if they knew.
It’s the first time he explains everything to her. It would be hard not to, because she sees right through him. His panicked, restless eyes are enough indication of things not being right.
“Maybe, uh—I think I’ve read something about hearing loss and auditory hallucinations? That they happen, sometimes, especially if the loss of hearing is sudden?” she says, already flipping through her notebook where she keeps all Steve-related stuff and pacing around the room with enough force to make a hole in the carpet.
Steve’s not convinced. “It seems pretty real to me,” he mumbles and frowns. “But that’s the point of it, right?”
Robin shrugs. He notices that she has a small set of wrinkles around her eyes. Steve looks at them for a second in total disbelief. They already have some worry wrinkles, and they’re not even well into their twenties.
He’s gonna lose all his precious hair in a span of months if this doesn’t stop.
*
They decide to bring it up during his next appointment, still hoping that it’ll maybe go away on its own. Robin tries to make him get a consult straight away (what if it is rabies after all, Steve, like a really really really weird, belated presentation of rabies?), but he waves it off. The option of hallucinations doesn’t soothe his nerves, but as long as it’s not a chiming clock, he can avoid confronting it for a while longer.
It doesn’t go away, though. Steve can’t quite pinpoint it, but it almost feels like—well, it obviously doesn’t feel like it’s real enough to be real. But there’s something that accompanies the sounds, the lack of evidence, the missing of this ominous feeling that Creel’s house inflicted on him.
The sounds—it feels like they bear a presence. Steve’s still scared and gets spooked by them whenever they happen, but he’s no longer truly afraid of them.
Some of them are even comforting. The sound of his pillow being fluffed up before he gets to bed, the sound of pen scratching on paper whenever he leaves his journal open on the desk, the whooshing sound of a lighter being opened and closed – they all make this eerie place his parents have left him a little less empty.
He rarely lets himself think about it that way. He may be a little kooky, but admitting that he’s lonely enough to find hallucinations comforting would be way too much to handle at the moment.
So Steve can’t hear, but he learns to accept the fact that, apparently, sometimes he can. He doesn’t know how it works—to be quite honest he doesn’t know a lot about experiencing hearing loss at all, despite now being hard of hearing himself—but it just makes its place in his life.
He thinks about it a lot, but he tries not to overthink it too hard. It just happens. Things fall to the floor in his house, curtains get torn, the fridge gets opened frequently. He just can’t see it. His mind hears it, but his eyes don’t get the memo. He lives for longer than a week. It’s probably a good sign; nothing’s going to make his bones snap in two now, probably. Hopefully.
Things change suddenly.
Steve tries to spend as much time with Dustin as possible. Between work, his appointments and Robin, Dustin, Max and the kids are his top priority. He doesn’t think he would be able to function if he let himself take a breath and step down from his piled up responsibilities that he chose to take on himself. They keep him together. They keep him going.
Besides, Mrs. Henderson gets really worried. Sometimes it’s just better for Dustin to stay with Steve, and Steve is more than happy to be with him, even though it seems that Dustin doesn’t really like his cold house either.
It’s one of Dustin’s quiet days. He gets them, sometimes—Steve knows that trying to get him to talk on one of those days is a lost cause, and his ears are killing him. He was in such a hurry this morning he didn’t take the time to put the aids in properly. Work was overflowing with people, too, so now his temples are throbbing from trying to pick up the chatter from the static. Seriously, how is it possible that people still spend so much time watching movies in the face of almost-apocalypse, Steve doesn’t know.
“Would you mind if I took my aids off for a while?”
“Go ahead,” Dustin mumbles, bending over his new book.
Something flips inside Steve’s chest. He knows it’s not supposed to be like that, it’s unlike Dustin to be so… not himself. But what can Steve do? He can’t make him talk. He can just wait, nothing else.
He gets up to leave his aids on the counter and pour himself some coffee. He should probably start making dinner soon, but he decides to take a few peaceful sips first.
It’s weird. To sit with Dustin Henderson, of all people, without a single word. Steve glances at him every once and again, but Dustin either ignores him or genuinely forgets that he’s there.
Steve’s so deep in his thoughts about Dustin, he doesn’t even look to the side when a sudden sound of kitchen chair toppling over cuts through the silence. His eyes are trained on the kid.
Who flinches. And frowns. Steve can swear that he fights the urge to look around.
Each and every chair Steve keeps in the kitchen is standing where he placed them in the morning after breakfast. Nothing real has happened. But Steve heard it. And, apparently, Dustin did too.
Steve’s brain is working overtime for the rest of the evening, and he desperately tries not to show any of it. He’s jumping into conclusions. It was an accident; dumb luck. It’s nothing. He’s working himself up, nonsensically.
But it doesn’t feel like it’s nothing. It was only one chair, one sound, but the feeling that accompanied it was strong. Too strong to be nothing.
He waits to drop Dustin off at home like he’s on pins and needles, fumbling with his fingers and keys and pacing around. Maybe it’s better that it’s one of Dustin’s quiet days, he mostly gets away with it, getting only a few side glances.
When gets back home, it’s late, but he’s buzzing with anticipation nonetheless. He can finally do something. He discards his aids haphazardly, not nearly as carefully as he should, and starts running around the house. The house his parents built is huge—but the kitchen turns out to be quite small when he’s finally done with arraying at least a dozen lamps there. He has to raid three of his father's garages to get enough extension cords.
When he turns them on all at once, he has to take a step back and shut his eyes, because it’s too much light.
Just the right thing he needs.
His heart is beating so fast he can almost feel it ramming against his ribs. That’s about how far he’d thought this plan through.
“Come on,” he says and clears his throat, trying to gauge how his voice may really sound now. He repeats himself, hoping that it’s louder this time.
Nothing happens for a while, but he knows he’s close. The feeling is here. The presence that hasn’t left him in months. It’s here.
Steve walks around the kitchen, moves the lamps a little, shakes some of them. His hands are clammy and it feels like he’s chewed through his cheek at this point, but he can wait. He’s waited for a long time. He can wait a while longer.
When the microwave beeps, he stops breathing for a second.
Until it beeps again. And again.
“Oh god,” he breathes. He doesn’t know if he speaks clearly or not, he doesn’t even care. “Come on, show me that it’s you. Come on, come on—”
The lamp furthest to the left starts blinking, slowly at first. Then the one next to it, then another one, and another one, like someone’s walking around and making them flicker one by one.
They’re blinking so much one of the bulbs goes out. Steve doesn’t hear it hiss, so he knows it went out here, now. He knows it’s real.
“Oh god,” his hand goes to his mouth. His eyes are weirdly itchy. “Oh god, is it really you, Eddie?”
The lamp directly in front of Steve goes wild. When he reaches out, it’s almost like he can touch the presence that’s here with him.
And it’s Eddie. Eddie’s here with him.
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dilfbuck · 2 months
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What is a home if not the first place you run from? You've got to bite the hand that starves you and in doing so praise the place that birthed you // Birthed you fucked up, birthed you ugly, and interesting, and ready to scream — clementine von radics
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rainbow-nerdss · 2 days
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Buck goes over to Tommy's place late one morning, coffees in hand. They agreed to go out today, maybe go for a walk in a nearby park or something, no solid plans for the day other than spending it together.
When Buck gets there, though, he feels something is wrong. The curtains are closed, for one thing. And when Buck knocks, he doesn't hear any immediate movement towards the door. Usually, Tommy opens the door before Buck even makes it up the drive.
But today, Buck knocks, and he waits.
Had Tommy gotten held late at work? Buck knows he had a shift that was supposed to end a few hours before, but maybe he got stuck with overtime and didn't have a chance to call or text. But his car is there, in the same place it always is, and there hasn't been anything on the news about any major disasters.
Buck knocks again and considers calling or texting when he finally hears shuffling on the other side of the door, then the jingle of keys before the door opens.
Tommy is... A mess, honestly.
His hair is sticking up in every direction, old sweatpants with a hole at the knee, and a worn out old hoodie which Tommy shoves his hands back into the pockets of when he sees Buck.
"Hey, Evan." He swallows, voice think with some heavy emotion. "I'm so sorry, I... I forgot we had plans today, I—" he's hunched into himself, and he looks smaller than Buck's ever seen him.
"Tommy," Buck reaches for him with the hand that isn't holding the coffee cups. "What happened? Are you okay?"
Tommy shrugs, hesitating before stepping aside to let Buck in. "Rough shift," he says after an extended silence. "Everyone... The team all made it out, but... We lost someone. I lost someone."
Buck sets the coffee cups down on the entrance table and pulls Tommy into a hug, tucking his head into his shoulder and holding him tight. Slowly, Tommy's hands raise enough to wrap around Buck's waist.
"I don't think I'm gonna be much company today," Tommy sniffs after a while. Buck can feel a wet patch on his shoulder, but doesn't mention it.
The fact that Tommy trusts him enough to be this vulnerable with feels like something sacred, something he's been searching desperately for. Up to now, Tommy has been the one adjusting to make space for what Buck needs, but it's time for Buck to step up, to be there for Tommy.
"I get it, but I'm here." Buck kisses Tommy's cheekbone, just below his eye and he tastes the salty tang of tears there. "If you'd rather be alone, I-I get it. I can go home, and we can reschedule this. But, Tommy, I don't care if all we do is sit on your couch in the dark, okay? Whatever you need, I'm here."
Tommy holds Buck tighter for a moment.
"Evan," he says, in the same way he always says it. Like it's a something precious and delicate and wonderful. Buck's not sure where it came from, but he adores it.
"What do you usually do after a bad shift?' Buck asks.
Tommy sniffs, and it takes a while to answer. "Usually..." He clears his throat. "Usually I curl up in bed or on the couch and watch a rom-com. I know, it's a little—"
"Don't you dare say it's embarrassing," Buck warns, cupping Tommy's jaw and running his thumb over the stubble there. "Go make yourself comfortable, drink your coffee, pick a movie. I'll make us some snacks and join you in a minute, okay?"
Half an hour later, Buck settles on the couch—the coffee table full of popcorn, chopped vegetables and dips to snack on.
Buck reclines against the arm, and pulls Tommy on top of him, head on his chest. It's a tight fit, but from the way Tommy settles into him, Buck knows it's what he needs.
Tommy hits play, and Buck smiles at the opening monologue. "Love Actually?" He asks.
Tommy makes a sound, a soft sort of hum. "It's... kind of my favourite," he admits.
Buck smiles and kisses the top of Tommy's head, then replaces his lips with his fingers, running them over Tommy's scalp.
"That's really cute."
Tommy nestles in closer to Buck's chest, and neither of them say anything else for a while.
"Thanks," Tommy says, when they're about halfway through the movie. "For staying."
Buck kisses his head again, and Tommy lifts himself up a little so he can turn and kiss Buck on the lips, instead before settling back against his chest.
"Thank you, for letting me stay. For letting me look after you."
The words are on the tip of his tongue as he looks down and watches Tommy turn his attention back to the movie, watches him mouth along to a handful of lines.
I love him, he thinks. He doesn't say it out loud, not yet, but the realisation is soft, and warming, and perfect. And he will say it, soon. When the time is right. And he hopes Tommy will say it back.
For now though, Tommy is like a weighted blanket on his chest, comforting and warm, and Buck's content to just stay here for as long as he can.
They'll put on another movie, finish the snacks, maybe order takeout for dinner later, and Tommy will smile again, will laugh again, will kiss Buck the same way he says his name.
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gibuckaroo · 2 months
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maddie helping buck get ready to ride a bicycle and buck and eddie helping chris get ready to ride a skateboard
theyre both ready 🥹
(maddie being the earliest and important parental figure in buck’s life; how he’s now a great and important parental figure in chris’ life)
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stagefoureddiediaz · 25 days
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The whole thing with Ryan and Oliver constantly talking about buck and Eddie getting closer than they’ve ever been - stronger than ever etc pairs with a jealous Buck episode is only leading in one direction - there’s literally no where else this can go
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cuddlyreader · 13 days
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Not me sobbing watching Buck Begins…
Please ABC, let Buck have Tommy choose him, take care of him, and make him feel loved.
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evankinard · 2 months
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I was gonna say it's so funny that canonically the very first thing buck notices literally immediately upon setting eyes on eddie is how hot he is but then I remembered I really can't even isolate that to buddie cause it's also the first thing infamous pussy-lovers hen and chim noticed too. eddie just IS that girl. only buck tuned in his hot-new-coworker psychic damage frequency to a constant barrage of what a man what a man what a man what a mighty good man though I'll give him that
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all-for-the-feels · 13 days
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buddie from the beginning (14/?) | season two: episode four
diaz boys morning routine☀️
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aramblingjay · 11 months
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What happened to Eddie wasn't your fault. No, I was just the guy standing there when it happened who couldn't do anything to protect him.
in/sp
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chronicowboy · 8 months
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obsessed with the absence of eddie in buck centric episodes. like i can't explain it very well so this is going to sound incoherent but bear with me here. episodes focused on buck's trauma are always so tightly tied to family, his biological family and the scars they left him with both physical and mental. buck begins and in another life are so heavy on the family of it all and it speaks fucking volumes that in both of these episodes eddie has one scene that sets him apart from everyone else. in buck begins it's the like five second exchange of "i had to do it/i know you did" and in in another life it's eddie being unable to look at buck in the hospital bed. and fuck i don't really know how to explain it without saying things i've said a hundred times before but it's carving eddie out of the family that hurt buck so badly and setting him in his own little category. it's eddie being family outside of the biological barely-a-family buckley family, but it's also eddie being family within the wider 118 family. it's a sanctuary of sorts. buck has the buckleys, buck has maddie as both his mother and sister, buck has bobby, he has hen and chim, he has eddie and the rest of the 118. but buck also has eddie and chris as an entirely separate entity. a family full of trauma (tsunamis and ladder trucks and bullets and lightning bolts) but a family that provides refuge from it rather than causes it. at first it seems odd for eddie to be so absent in those episodes when he's such a huge part of buck's life (and when buck plays such a big part in eddie centric episodes like eddie begins and fear-o-phobia) but it's eddie taking a step back and saying i know you aren't sure of where you fit in because you've struggled with family all your life but we're here, i'm here, whenever you're ready to come home we'll be waiting.
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