A Burgonet with a wonderful grotesque Buffe,
Height: 10.6 in/27 cm
Width: 9.3 in/23.5 cm
Depth: 11.2 in/28.5 cm
Weight: 5.3 lbs/2.3 kg
Germany, ca. 1540-1550, housed at the Kunsthistorischesmuseum, Veinna.
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Department of Arms and Armor at the Metropolitan Museum of Art
Burgonet. Filippo Negroli (Italian, Milan ca. 1510–1579), Italian, Milan, dated 1543. Gift of J. Pierpont Morgan, 1917 (17.190.1720) Photos: Paul Lachenauer @ The Metropolitan Museum of Art, New York
This masterpiece of Renaissance metalwork is signed on the browplate by Filippo Negroli, whose embossed armor was praised by sixteenth-century writers as "miraculous" and deserving "immortal merit."
Formed of one plate of steel and patinated to look like bronze, the bowl is raised in high relief with motifs inspired by classical art. The graceful mermaidlike siren forming the helmet's comb holds a grimacing head of Medusa by the hair. The sides of the helmet are covered with acanthus scrolls inhabited by putti, a motif ultimately derived from ancient Roman sculpture and wall paintings.
Picture taken at the Metropolitan Museum of Art
A burgonet (a combat helmet) made of steel by Filippo Negroli, ca 1543
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1) Burgonet of Philip II, Northern Italy, c. 1560–1565
Medium: gold- and silver-damascened steel, fabric
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2) Shield, Milan, c. 1565–1570
Medium: gold- and silver-damascened steel, leather, fabric
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Ancient wars were a popular subject for Renaissance parade armor, as on this shield and burgonet depicting scenes from the Trojan War.
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The left side of the helmet shows the Judgment of Paris, the Trojan prince who declared Aphrodite the most beautiful goddess after she promised him Helen, wife of the king of Sparta.
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On the right side, Trojans tear down part of their city walls to make way for the huge Trojan horse in which Greek warriors were hidden. Paris’ abduction of Helen and the Greeks’ departure for Troy appear in the center of the shield.
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🏛 Patrimonio Nacional, Real Armería, Madrid
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1) Бургиньот Филиппа II, Северная Италия, ок. 1560–1565 гг.
Материалы: Сталь, дамаскирование золотом и серебром, ткань.
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2) Щит, Милан, ок. 1565–1570 гг.
Материалы: Сталь, дамаскирование золотом и серебром, кожа, ткань.
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Древние войны были популярной темой для парадных доспехов эпохи Возрождения, как на этом щите и бургиньоте: сюжет со сценами Троянской войны.
На левой стороне шлема изображен Суд Париса, троянского принца, объявившего Афродиту самой прекрасной богиней после того, как она пообещала ему Елену, жену царя Спарты.
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На правой стороне - троянцы сносят часть городских стен, чтобы освободить место для огромного троянского коня, в котором прятались греческие воины. Похищение Парисом Елены и уход греков в Трою изображены в центре щита.
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🏛 Королевская Оружейная палата в Мадриде
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#armsandarmor #medievalarmour #armour #knight #armor #armure #harnisch #harness #armatura #armadura #Burgonet #Philip_II #Бургиньот #Филипп_II #Shield #щит
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Burgonet - Filippo Negroli (Italian, Milan, ca. 1510–1579)
"This masterpiece of Renaissance metalwork is signed on the browplate by Filippo Negroli, whose embossed armor was praised by sixteenth-century writers as “miraculous" and deserving “immortal merit." Formed of one plate of steel and patinated to look like bronze, the bowl is raised in high relief with motifs inspired by classical art. The graceful mermaidlike siren forming the helmet’s comb holds a grimacing head of Medusa by the hair. The sides of the helmet are covered with acanthus scrolls inhabited by putti, a motif ultimately derived from ancient Roman sculpture and wall paintings."
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Burgonet with Buffe ca. 1555–60 Italian
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Triple-Combed Burgonet
Title: Burgonet
Armorer: Replacement cheek-pieces made by Leonard Heinrich (American (born Germany) Munich 1900–1966 Clarksville, New Jersey) , in The Metropolitan Museum of Art, Armor Workshop
Armorer: Replacement cheek-pieced made in The Metropolitan Museum of Art, Armor Workshop
Date: ca. 1540–50; cheekpieces replaced, 1932
Geography: Augsburg
Culture: German, Augsburg
Medium: Steel, leather
Dimensions: H. 11 7/8 in. (30.2 cm); W. 8 1/8 in. (20.6 cm); D. 12 in. (30.5 cm); Wt. 4 lb. 15 oz. (2251 g)
Classification: Helmets
This burgonet belongs to a series of virtually identical examples having three raised and engrailed combs that were worn by the guards attached to a noble German or Austrian house. Several helmets bear the mark of Augsburg and that of Desiderius Helmschmid (1513–1579), the city's leading armorer in this period (this particular helmet is unmarked). Pairs of holes in the bowl suggest that the surface was covered with fabric, stitched in place, leaving only the tall combs exposed. The forging of a helmet bowl with three tall combs from a single plate of steel required considerable skill; the challenge was also met by Italian armorers, who created triple-combed burgonets for the Farnese guard (see acc. no. 04.3.219). (The cheekpieces are modern replacements made by the Museum's armorer Leonard Heinrich in 1932.)
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omgomg everybody look at this burgonet helmet its SO cute
it's frm this website (its not available tho)
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A closed Burgonet with a removeable visor made for Holy Roman Emperor Charles V, attributed to Desiderius Helmschmid,
Height: 12.4 in/31.5 cm
Width: 9.1 in/23 cm
Depth: 12.2 in/31 cm
Weight: 5.3 lbs/2.4 kg
Augsburg, Germany, ca. 1535-1540, housed at the Kunsthistorischesumuseum, Vienna.
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⚜ Reconstruction of a helmet of the "Bourguignot" type, mid-second half of the XVI century.
Medium: iron, leather
Technique: forging, surface aging
Made in 2015 by our Creative workshop "Steel Legacy"
More photos on the website 👉 http://sl-armours.com/en/gallery-of-medieval-arms-and-armour/helmets/160.html
Ph. by V. Sibrikov
⚜ Реконструкция шлема типа "Бургиньот", середина—вторая половина XVI в.
Материалы: железо, кожа;
Техника: ковка, состаривание поверхности;
Изготовлен в 2015 году в нашей Художественной мастерской "Стальное Наследие".
Больше фото на сайте 👉 http://sl-armours.com/ru/gallery-of-medieval-arms-and-armour/helmets/160.html
Фото: В. Сибриков
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Etched burgonet, southern Germany, circa 1590
from Czerny's International Auction House
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Burgonet of Charles V. Photography Jane Clifford, circa 1865.
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Closed Burgonet. ca. 1525–30. Credit line: Gift of George D. Pratt, 1927 https://www.metmuseum.org/art/collection/search/26441
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Burgonet of Holy Roman Emperor Charles V produced by Filippo Negroli, a master of armors in Milan who worked with steel, rather than the more common iron, 1500's.
Emperor Charles V in the 1550s - Tiziano Vecelli (Titian)
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