in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!
they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.
they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.
you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.
but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.
where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.
and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?
doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.
but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.
what if you're both just people, and you're no saint neither.
just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?
your mouth will always have a hole, is the thing, if you remove the tooth.
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'It was late spring, the first time all year that the sunshine had any real strength behind it. Satoru was wittering on about something inane as always — Tentomon or something equally ridiculous.
There was nothing special about the moment. Not really. Except for the fact that Satoru had shrugged off his jacket in the heat. It was draped around his shoulders just so, exposing the long column of his throat, pale after a long winter.
Really, there was nothing special about the moment. But when Suguru looked at the boy silhouetted against the spring sky, bright and blue and boundless and beautiful — just like his eyes, Suguru thought — his heart skipped a beat all the same.
With all the sight afforded to him, Satoru never missed a thing. So it was risky, what Suguru did. Later, when he was looking at his new phone wallpaper under the cover of darkness, grinning like an idiot, he'd wonder how he ever got away with it.
Yet, if Suguru's yearning to capture that perfectly ordinary moment forever was stronger than all reason, perhaps it was stronger than the Six Eyes, too. After all, not even Satoru could stop time.'
- by my beloved @fushiglow ♥
(( also glo says: FUN FACT! Tentomon is voiced by Suguru's VA — ergo it's Satoru's favourite Digimon, obviously ))
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freshly added headcanons:
• gojo at some point randomly barged into sugurus room and put glowy stickers all over his ceiling
• suguru has gojo as his phone wallpaper, but keeps it a secret
• suguru is a hamasaki ayumi fan
• the cinnamoroll phone charm is from gojo who spent almost an eternity getting that out of a gatcha machine for him
• they were happy
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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and there was only one bed (oh my god there was only one bed)
extra:
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Zukka for the win my guys
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once more around the sun!! :3
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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xavier falls asleep easily enough as he is, but whenever he has his head on your lap, your fingers combing through his hair—all he can do is just sigh and give in. closing his eyes, he knows better than to fight the temptation, especially within the comfort of your touch and pleasant weather. though admittedly, he will find any weather pleasant as long there is you, safe and close to his side. as he slowly drifts to sleep, he dully notes with a hum when you praise his hair. he will do his best to make sure he will also praise your features after he is awake. he could think of so many to say—your smile, your voice, your whole being. and maybe, he will also give a kiss on your forehead and lips too—he thinks before finally falling asleep.
zayne loves many parts of you, from the one that often surprises him most to the one that offers him a comforting mundanity. so, when you press your forehead to his and call his eyes beautiful, he knows himself enough to just accept your words in silence with a smile. a burst of adoration and more blossomed warmly, weighing his chest and dizzying his head instantly. he is tongue-tied, certainly, however, he too can't exactly find the words to tell you how much more beautiful yours are to him. or perhaps, he doubts there are any words to describe what he truly feels. though, for now, he will settle with a gentle squeeze from his hands to tell you as he presses back his forehead gently against yours.
rafayel gets flustered pretty easily sometimes. it is both adorable and funny, seeing the way his ears turn red as his usually chatty mouth closes with a pout-like expression. but, even this state he could never take his hands off you. you could keep kissing his face, neck, and chest—right over his beauty mark—while hugging him without a clear rhyme and reason, and like a true lovesick man he will let you. hands resting on your arm, stilled in his brand of rare shyness all while still clinging unto you out of his obvious fondness. of course, even if he does enjoy this, he will come back with a vengeance the moment he gathers himself.
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looking up to you
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for i am worthless without you
anyways i had silly thoughts about them and of course my silly thoughts had to become silly pictures ! the envy of being good at something but someone else who you love is just effortlessly better but you hate yourself for your own ugly thoughts dia. anyways i present to you two matching pfps. textless version below keep reading
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izzy getting adopted by them is EVERYTHING to me. fuck you youre part of our found family now, whether you like it or not. we have claimed you.
bonus: the way jim defends him here. theyre So mad:
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Every day I’m haunted by the fact the boys happily swim in sewer water
Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear
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Assisting Acquaintance Acquired.
[First] Prev <–-> Next
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Hand-me-downs 💙🌻
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