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#but I still love her she’s a cool character just not super well written at times
jesncin · 4 hours
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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written
Sure! And thank you for throwing me this bone because WOOF
(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)
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Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.
The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.
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The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.
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You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.
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Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.
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At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.
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"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.
Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.
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YouTube’s been recommending Danny Phantom clips for some reason, so I drew Sam 🤷🏾‍♀️
Sort of a redraw of this post
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cashmoneyyysstuff · 1 month
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Hiya there!
I have two questions,
first, what if Katsuki was whipped over a popstar reader?
Also, who's the character in your profile? i wanna maybe draw her.
Much love
-Kovu :>
hello this is LOOOOONG overdue @kovu-bunnbunn im soooo sorry ! i didnt rlly know how to get to this at first cus i've never done hc's before, but either way i hope you like it ! also tumblr just randomly ate this so i had to restart...yay.
p.s.: the character on my profile is my oc ryoko ! she's my mha oc, i'd be so super flattered if you decided to draw her ! (also idk if you couldve guessed but shes my oc x canon katsuki ship I KNOOOOW shocker)
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katsuki has literally every single piece of merch he can get his hands on
vinyls, album records, posters, accesories and t-shirts but he never wears them he hides them somewhere in his room so you don't find out he has them.
(you do find out eventually.)
he gets so giddy on the inside when you give him limited edition stuff and that's always something he shows off
"woah man that's limited edition ive been LURKING for that !" "yeah well apparently you haven't been lurkin' hard enough cus I HAVE IT--"
he shows up to all your concerts and somehow he manages to be the loudest one there lmfaooo his ass is NOT on mute.
if you ever take him backstage he's so awkward cus he doesnt know anyone so he just sticks to you (not like he doesn't on the daily)
at most he'll nod at people in greeting (he's kinda scared he'll start stuttering)
but he's scary lookin so the staff n others think he's just protective over you
for sure your other bandmates / staff think he's your personal bodyguard LOLOLOLOL
but nope turns out he's just a loser lol
if you sell photocards as merch or something like that best believe has ALLL of them
collectin em like his phone isn't already filled with pictures of you
his storage about to burst and it's still not enough for 'im LOLOL
he for sure has a secret fan account that entirely revolves around you.
he defends you with his LIFE on there too he's one of them fans😭😭😭
he has a different playlist from specific albums depending on his mood, so whatever playlist he's on there's always at least one song of yours on there
he has a seperate 'bad boy playlist' that he has so you don't find out he's a hyperfan
one time you guys were sharing earbuds in the bus while his playlist was on shuffle and he'd accidently added one of your songs on his edgy dark n brooding cool guy playlist.
needless to say he was more than embarrassed, damn near MORTIFIED and didn't look at you for the whole bus ride 😭😭
gets so flustered when he finds out songs you've written were while you thought of him or were dedicated to him. he gets so blushy about it but he's such a show off
like whenever he hears a song meant for him, he smirks about it to himself and no one understands why but he really doesn't care cus they don't need to understand
cus it's something between you and him <3
all in all, he loves you and your music (and your merch) and he couldn't be prouder to call himself your boyfriend <3
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flyingtornado · 1 year
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One of my least favourite things about the heroes of Olympus series, is just how DIRTY Rick did Percy.
Like in the og series, Percy was an actual good character who was actually portrayed as someone strong with character development.
In the heroes of Olympus, he just made Percy downright dumb. Like, Percy was my favourite character for a while but then I read heroes of Olympus and he annoyed me SO much.
Like… where’s the Percy who tricked Briaes, the hundred handed one, into a game of rock, paper, scissors, and WON?? Where’s my guy who fought Ares at TWELVE??? Where’s my dude who gained ARTEMIS’ TRUST??? PULLED 5 PEOPLE IN A SINGLE BOOK??? WHERE ARE YOU???
Rick honestly made Percy so… annoying? Boring? Weak?
Like EVERYONE ELSE, including Annabeth, had SUCH good Chapters (yes, including Jason bc I love him), but PERCY WAS LITERALLY JUST SO DUMB.
I’m not kidding when I say I downright LOATHED him.
Rick even changed his FATAL FLAW???
What happened to personal loyalty??? When did it become not being able to step away?? When Kym told him that he would finally have to face his fatal flaw, there was only like a sentence where Frank stopped him to not join Jason, Piper and Leo???
LIKE THE REASON I AGREED WITH NICO SO MUCH IS BECAUSE HOW DISAPPOINTING PERCY WAS?? When he saw Percy as a regular guy and not some cool hero, I FULLY AGREED.
WHAT WAS THAT RICK???
He downgraded Percy so much just to make the newer characters have bigger parts, which I get, but absolutely hated.
I was so excited to see Percy in a new series and only got disappointed. His chapters? Mainly used for comic relief. His fights? After Mark of Athena his only good one was with Akhlys, which he never actually got to win (still mad at Rick for making Annabeth stop him 🙄) and all the others he either got pretty injured and the others did some AWESOME stuff while he literally just sat there??
Like no wonder Piper wasn’t impressed. I WOULDN’T BE EITHER???
EVERYONE treated him like he was a dumbass, which I would normally argue with if you told me he was dumb in his series, but in HOO?? I’d be wrong if I did.
He has honestly just no point in being there?? Like Annabeth spent MONTHS searching for him, and I feel like she just doesn’t really care about him that much anymore and has probably become more used to being alone than being with him. She had more dynamic with Piper and Reyna than she had with Percy.
They had like… the judo flip?? That’s it. They also had like a kiss in Athens underground?? Piper made it sound awkward for her so it made me feel awkward.
Annabeth got along super well with Leo, Jason and Piper, so why didn’t Percy talk that much with Hazel and Frank?? They literally all went on a quest together and they spent more time with Leo.
Everyone on the Argo was all friendly and connected. Ex: Piper with LITERALLY EVERYONE EXCEPT PERCY. Annabeth with LITERALLY EVERYONE with the OCCASIONAL PERCY.
He was basically only connected with Annabeth, who kinda grew used to not needing him, while Percy still absolutely loved her. Heck, Annabeth was scared AND angry at Percy after Tartarus.
Once again, Annabeth had honestly a whole bunch of character development while Percy was SOLELY used for comedy.
That fight with Kymopoleia? WHY WAS HE SO DUMB?? Like in the Percy Jackson series, HE WOULD NOT HAVE JUMPED IN HEAD FIRST. It also made me mad that JASON was the one who ending up bringing them to victory when they were UNDERWATER? LIKE WHERE WAS COOL, DARK PERCY?? I know Percy said he was afraid of controlling the poison since Tartarus but still??
His chapters? Bleh. His fight scenes? Even more bleh. His character connections? I’ve had more dynamic with my morning toast.
I have SO much more to say, but I’ve literally written an essay so I’ll end this here.
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linderosse · 25 days
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I LOVE YOUR WIELDERS OF WISDOM COMIC!!!! i think its wonderful and so absolutely necessary (if u will excuse my feminism)... the art style is GORGEOUS and im just so grateful someone is giving love to all the zeldas <33
sorry that this is anon but. i dislike being perceived lmao
Thank you so much!!
And heck yeah on the representation front! I’m doing my best to write a variety of interesting characters that will help me tell the stories I want to tell. To me, the fact that they’re mostly women is both incidental and vitally important at the same time.
Tetra was my first Zelda, and I always loved her pirate captain badassery and no-nonsense attitude. I was a bit of a ‘tomboy’ (used in the non-insulting sense, simply referring to a girl who liked traditionally boyish hobbies/clothing) growing up, so I identified with Tetra real hard <3. Heckin’ loved her practical, forthright nature— and the way the games don’t hesitate to show her wackier side and how her actions sometimes get her in trouble— and how she gets out of it, with or without help.
And of course, girls can also be girly and get things done! Love the more traditionally feminine Zeldas as well; shirking feminine mannerisms definitely isn’t a requirement for a well-written female character. You can have a character wear a tiara, battle in a dress, and still be cool. Heck, you can have ’em don a soft gown, not fight at all, and still be an awesome character: maybe she genuinely wants good for the world, or maybe she controls the board with gentle magic and soft “feminine” persuasion to achieve her goals, turning foes into friends— or her pawns.
And characters don’t always have to succeed! Sometimes persuasion fails. Sometimes they argue with someone they know is right. Sometimes her sword falters. But that’s fine! That’s what makes for a good, realistic, fun character— that’s how humans are.
(continued under the cut)
See, I feel like some popular media is trending towards forcing women to be *exclusively* badass, almost flawless in their physical skill yet boyish in their mannerisms.
Like, as a random example: Peach in the Mario movie. Movie Peach no longer giggles and blows kisses, because that would be too girly. And Movie Peach is a perfect platformer and politician, because female empowerment. Same thing with Galadriel in RoP (and it’s honestly a bit different and way worse with RoP Galadriel, because her mother-name is Nerwen which translates to man-maiden and she is canonically a tomboy, but they write it so badly in RoP that not even the rest of the characters in the show respect her for her over-the-top ‘female badassery.’) And as a huge, longtime fan of both the Mario series and the Silmarillion, it kinda hurt to see those Mary Sue-esque, somewhat shallow depictions of what should be complex characters.
Now, the thing is: one or two perfect characters like that are just fine! The problem lies in the fact that many of these shows have only a few female characters to begin with, and they’re all like that. Peach is kinda alright, but Galadriel’s major flaws are barely even shown because the writing has to try to make her look badass even when she’s making objectively terrible decisions.
Because here’s the thing— depicting only perfect women and minimizing flaws isn’t supporting female empowerment. Girls have flaws too, folks. Popular media relying only on the immaculate femme fatale badass just makes for a more cliche story, and imposes higher standards on young girls who look up to these characters. And the forced boyishness forces standards as well.
Why can’t Peach flutter her eyelashes, giggle, and still knock bad guys on their asses? Or, better yet, why can’t Peach flutter her eyelashes, giggle, knock bad guys on their asses, help Mario out, also get helped by Mario, and maybe admit that it took practice for her to get to where she is now?
That’s how she used to be in the middle Mario era, like Super Mario RPG, Thousand Year Door, and Super Paper Mario. Peach was feminine and still relatable to a young tomboy like myself.
I’ve rambled on for far too long, but anyways, that’s what I’m gonna try to do here with the Wisdomverse: tell stories of a bunch of different types of people, where each of them has their own take on what it means to be Zelda.
I can’t promise I’ll be perfect at writing this either, honestly. Perhaps I’ll fall into some of the same traps— I’m sure it’s hard to avoid them.
And perhaps my thoughts on this will evolve over time as well, and I’ll later have an even better understanding of how to write the characters I want to write.
Either way, I’ll certainly do my best!
Tl;dr: I got really sidetracked, but thank you for the kind message! Glad to hear you’re enjoying Wielders of Wisdom; hope to keep building my characters into interesting and at least somewhat complex women as things progress :)
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alleycatchitchat · 1 month
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Kung Fu Panda 4 Initial Reactions
Just got back from the theater! Here are my thoughts. I'll try to be vague about the plot, but be warned: spoilers below.
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So I went into the theater with rock-bottom spirits. I had seen the cringeworthy previews, read the disheartening reviews, connected the unsatisfactory dots and concluded that the movie I was about to see would be a nasty dumpster fire of a train wreck. And yet kfp played such a big role in my childhood that I couldn't just stay away. Filled with dread and morbid curiosity, I braced myself for the worst.
And it wasn't that bad.
Don't get me wrong; this movie made some decisions that I HUGELY disagree with. And compared to the other kfp movies, it's undeniably lousy. But it didn't ruin the franchise for me and I actually enjoyed myself in the theater.
Listing off my thoughts in no particular order:
Zhen. She is, to my surprise, a lot less irritating that I expected. The trailers don't do her justice and Awkwafina's voice was a whole lot less jarring than I expected. In terms of actual personality and even backstory, I liked her! However. Let's be honest, her design is shit. She looks like someone's Zootopia self-insert. She feels totally out of place in this movie -- particularly, during the end credits when she's side-by-side with the five (who all have the most beautiful stylized designs). Also, plotwise, WHAT is she doing in this film? Spoiler alert: she becomes the new dragon warrior. Spoiler alert again: yes, this is every bit as random and undeserved as you can imagine.
Furious Five: Were not in the movie. First of all, fuck you dreamworks, how dare you withold my children? My darlings? The loves of my life? Their absence is keenly felt and the plot is emptier without them, and I mean that with complete sincerity. I’m also going to point out the obvious; if there has to be a new Dragon Warrior, and I’m not saying that’s a good plot idea, but if there has to be, it should be Tigress. It makes the most sense thematically and the possibilities are just so good – developing her relationship with Po as he provides guidance, facing her feelings of inadequacy, exploring her connections with Shifu and the rest of the five — I could go on and on. The wasted potential is breathtaking. To be honest, it kinda feels like Zhen was written to replace her(using a hug to de-escalate a fight with Po, anyone?). Fanfic writers, I need a rewrite of this movie with Tigress, stat.
TAI LUNG! He was obviously played for nostalgia and there was no concrete point to his lines or presence. He was also written, if you ask me, pretty out of character. I’m still fuming over the fact that they brought him back and we don’t get to see Shifu’s reaction at all. Again, the wasted potential is breathtaking. When compared with Kai and Shen, who have NO speaking lines, it’s obvious that dreamworks just didn’t want to pay for extra actors. I thought that his acceptance of Po as the Dragon Warrior at the end was super cool, but there was NO lead up, NO meaningful character development to make this feel sincere, and again, it would have hit much harder if Tigress or Shifu were also there or if Po was NOT giving up the title. That being said, I never thought he would appear in a movie again, and I’m happy to have any crumbs I can get. They did a bad job, yes, but they BROUGHT HIM BACK. 
Po’s dads! Their side story was goofy and unnecessary but fun, and I enjoyed it. Also maybe it’s just me but the romantic tension between them is AMPED UP – does Li, like, live at the restaurant now? And they spend the movie acting like the most married couple ever. And when Li bursts into the tavern to rescue Mr. Ping, who looks at him with those starstruck eyes – well. I’m just saying. I think there’s something going on there.
I liked the Chameleon! Yeah, her whole gimmick is a little bit ripped off from Kai, but she’s sinister and greedy and badass, so she’s the real deal. I actually thought she was scarier than previous villains – there was less comic relief, maybe? I can only think of one instance where she’s presented in a comedic light, and even then, the tension just picked right up from where it left off. Which is strange, because the rest of the movie is a lot more lighthearted than previous films.
The pacing was weird. Too fast.
Shifu was cute in this movie. More Shifu please!
The reaction to Tai Lung’s return was WEIRD. It’s obvious Dreamworks didn’t want to dedicate time or effort to what was, essentially, a red herring. But. Plot-wise, it’s SO WEIRD that Po would try to face him with no backup. And the fact that we didn’t get to see Shifu’s reaction AT ALL, ugh. Realistically speaking I think Shifu would try to go face Tai Lung, no matter how “inner peace”-y he is now. Like come on, Tai Lung was his son, for crying out loud! 
The goats at the start? Also weird designs. Feel out of place.
Mantis got married! What the heck? (neutral about this, but it was definitely unexpected.)
In general, the plot was weird. It didn’t feel meaningful and it didn’t quite fit in with the rest of the kfp universe. Storytelling decisions were just plain bad. But as a standalone movie, it was not… terrible. Not irredeemable. I think, if Tigress had taken Zhen’s place, this could have actually worked. But she didn’t, and it didn’t.
So I’m going to headcanon it as fake and just stick to loving the first 3 movies. I don’t regret watching it, but there were huge problems that prevented me from enjoying it to its full potential.
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coccinelle-et-chaton · 2 months
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Thoughts on NATLA so far (up to ep 5)
I'm really loving it!!! There are some parts where the pacing gets a bit slow but it makes up by hitting you out of left field with the feels.
Episode 4 is my favorite so far.
I absolutely LOVED this rendition of Sukka. What bisexual disasters, the pair of them.
ON THE FIRE NATION:
I absolutely LOVE the background story on the fire nation family, particularly the bond between zuko and iroh. It is presented completely different than in the OG, since the 'show don’t tell' of the original happens in Book 2 and here they use flashbacks, but it works. Still ended with me in waterworks. Also, I understand the logic behind showing all of the cards from the very get-go being that Netflix can cancel the show before it is renewed for another season, so it needed to make the best impression possible, show all the stakes but not reveal them in ther completion. I think they did that very well so far.
ZUKO IS SO AWKWARD I LOVE HIM
his expressions and reactions are just peak comedy. He is the embodiment of "😫😟" and I love that for him.
Dallas' performance is definitely one of my highlights.
ON KATARA AND SOKKA:
The thing that is the most foreign to me so far is the decision to improve Sokka's emotional stakes at the expense of Katara's. I like it but this has to be the element where the adaptation departs the most from the og. Like, in the cartoon it is Katara who bears the brunt of the responsibility taking care of the water tribe and her brother, which is why Sokka's sexism as a character flaw worked there. I can see now why they chose to drop that. With the script flipped like this, with Sokka being the main caretaker and provider between him and Katara, making him stay sexist would've been a bit too much. It is very different, but I like how they flipped the script between them.
What I did not like about this flip is that the change seems to affect Katara's character for the worse. She is not as outspoken or short-tempered as she was in the cartoon. It's almost the complete opposite. But I can definitely see the shyness and insecurity being the deliberate starting point of her arc. Now in ep 5, you can see her becoming more confident both in personality and bending. I think this was a conscious decision, but I still wish she had been written to be more headstrong from the very beginning.
That being said, I really appreciate how different the dynamic between Sokka and Katara is. I love how Katara is trying to get her independence while Sokka is still caught on the fact he has to be her protector, almost parent figure, which is a cool change of pace. One of the things that kinda bothered me as a young girl watching Avatar was that Katara was always stuck being the mom and sort of getting teased for it despite the fact no one else could or wanted to step up to that responsibility. It's cool to see Sokka bearing that responsibility as the eldest in the adaptation.
ON THE BLATANTLY MISSING KATAANG
You know, I don't hate this change. Aang and Katara's interactions are still pretty wholesome, and once they start catching feelings for each other, it will be super cute because you see where the love is truly coming from. It's not just Aang's childhood crush/Katara's "destiny", as it was presented it the cartoon. Besides it would have looked a little weird, considering that the age gap between Gordon and Kiawentiio is way more obvious on screen than it is right now when you see the interviews with the cast, because that kid Gordon is growing up SO fast.
OVERALL:
I am enjoying it very much! The adaptation is excellent. Despite some changes being quite big, they managed to capture most of the show's essence. I do believe it could have benefitted from a bit more balance between the comedy and the seriousness, particularly when it comes to Aang because he is mostly just weighted down by his responsibility in the adaptation, I don't see him joke as much, but in general and all limitations considered, I think they did an excellent job! It won't be for everyone, for sure, but I can say it has managed to bring back that feeling of watching the show for the first time again on some parts :)
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ganondoodle · 4 months
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I was at first in love with totk, and I still think mechanical wise, its quite impressive
And when I collected all the tears and saw the "story" I genuinely got upset in a good way (at first), because man! Did they really got the balls to go that far? Is there nothing I can do for her? Now I MUST do all the temples, see how it plays out and --oh, I've got this cutscene already. Why are all the people so dumb about Zelda, I KNOW where she is, Link say something-- Link??
After finishing all the temples and almost falling asleep, I stopped playing the game, looked up the last boss and remaining cutscenes and went "Thats it?"
Watching other people (including you) being critically about so many things, both character and mechanical wise, I've almost startled myself with a realization what the gnawing feeling I constantly had, actually was.
Totk feels like a fanfic.
And don't get me wrong, I love fanfiction, I think its great and important, I adore fanfic writers, I love finding gems, I love reading self indulgent stories, see new spins and interpretation of characters. I love the casual, the passion, the creativity!
But totk gives me the same feeling everytime I am reminded that Fifty Shades is a Twillight fanfic.
The world is there. The faces I know and grew to love are there. But everything is ever so slightly different, uncannily so. Just how some characters talk, how they act, how they were placed in the story. The Zonai appearing out of nowhere, but no, they always had been there you see, they were these super magical advanced people but they all died, the king is so tragic. And you see, the king is super cool and powerful and-- oh I dont get to interact with him outside of the tutorial. Did they try to do another King Rhoam-- but wait, that only worked because we didn't knew he was a ghost-- totk wait stop why do you take him out of the story, why couldn't he be a companion, he IS ABLE TO TALK THROUGH THE ARM LET THE OLD GOAT COMMENT ON STUFF?? If you bring up all this ancient stuff and you still got a ghost lingering, let him talk?? (I never ended up getting Mineru but I smell wasted potential as well)
Im not even mad, I am disappointed. It feels like the devs saw what all the lore hunters got attached to and talked about and then just... took the "cool". All the Zonai stuff could've easily been Sheikah tech, but got just reskinned to look more exciting instead of being its own thing.
Like... at this point I prefer what fans are doing over what Totk gave us. The characterization of Rauru (and everything Zonai), projects like you do of what totk couldve been, the little nuggets of actual highlights and details of love fans find in the game. I found much more enjoyment in these concepts than I got from a 70bucks game. And thats depressing.
I love fanfiction. I dont love it when my corporate 70 dollar, six year development, console exclusive game feels like a story that passionate fan couldve written miles better in a week (and I've already seen much cooler and interesting rewrites and ideas).
Zelda has been a huge part of my childhood and its depressing seeing it treated like that. It always was about the story, the epic, its The Legend of Zelda for crying out loud. To be courageous to enter a dungeon, to be wise and solve all the riddles. To become powerful over the journey you embarked on. Zelda to me is the campfire story you tell to others and go into the woods or the beach and imagine what monsters you would slay. Zelda is not the sandcastle you build in the sandbox and then add dinosaurs and star wars ships because you didn't had any other toys, and just stumble into and over some story to entertain yourself until lunch is ready.
I'd have an oracle of seasons over another totk any day at this point. They should've just make the mechanics of totk its own thing, but I guess they were scared it wouldn't sell if it doesn't have a Mario or Zelda skin straped over it.
Anyways, sorry for the mini rant - love your art, love your thoughts and insights, and I am looking forward to see more of it - Zelda related or not (your original characters look amazing, I adore your style sm)
Hope you have a great rest of the day!
*nods along through this entire rant*
idk how many of my rants you have read but yeah ... yeah ... and the further you think about it the further it all falls apart, the wasted potential of it all and the goddamn audacity of them to do those interviews in which they make it EVEN WORSE is just
i know the expectation for a direct sequel to botw was huge and understandbly so but i really REALLY think it would not have been that hard to make it a good follow up even taking into account that totk was originally a DLC, pretty much all of botws aspects could have been developed further, i dont know what could have happened to make totk have turned out like this .. literally it feels like something had to have gone wrong, its like someone who doesnt know zelda nor botw at all was given a few prompts and then just made some generic fantasy story while the rest worked on ultrahand for 5 years
the technical impressive things ARE technical impressive, but i dont think it was necessary nor served the game well in any way (and i LOVE building games- however totk is neither a building game nor a story game nor a zelda game nor an exploration game nor a sequel imo) but zelda, this zelda, is not made for that and i cant help but think it was mainly to encourage people to make some ridiculous mechs so it can go viral on tiktok (not trying to discredit them, it IS cool what they are doing but i .... have my doubts if zelda is the right place for that)
ill stop there bc i have ranted so much about everything i dont wanna repeat it here again; it just doesnt feel like a real game (derogatory), it feels extra bad bc i was not really into zelda when botw came out and while i did get it as soon as i could (months after release since i just started a minijob and didnt have the money) i only over time grew to love zelda this much again, devouring any theories and anything about it bc i loved it so much- i was never into it like this when a new title was announced and dont own any special editions so i bought the totk collectors bc i was just so damn excited for it after the 2019 trailer dropped (god i want that time back ... it looked so much more like it was going to be an actual sequel) even if i was already worried it wouldnt be good at that point given how much i started to sense stuff i dont like about the newer trailers
i recently sold it at our local gameshop bc it was like a thorn in my side given how expensive it was and how dissapointed i was in the game, i genuinely think that, technical impressiveness aside, totk is the onyl zelda i truly cannot stand (for alot of reasons) and im genuinely worried for the future of the franchise
i bought an Oki (Okami) figurine for what i got back and i feel much happier with that :3
(also on a note, i did finish the game two weeks after release but stopped playing it right then and hadnt touched it since, i also streamed all of what i played and its still up if you want to see my slow descend into madness fjkdhkdhjk though its been a long while since then and i by far did not talk about everything back then, just what my most immediate frustrations were while still playing)
(also the gameplay isnt as good as people make it out to be, so much is so frustrating and punishing to use i am kinda baffled it got through like that and most people call that its best aspect ..... though i guess if the rest is so much worse even mid gameplay can seem good ooooooooh how dare i)
also thank you for liking what i do!!! <3 it means alot to know it is appreciated by someone :D
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I hate when they change like vital plot points of a book to fit in a movie. I mean, first of all the iconic F outfits. The Circus of Talents. We lost Princess Uma, a bad bitch if there ever was one. Anyway thoughts below but I can’t add a read more on mobile so sorry. Spoilers obviously.
Thoughts on the School for Good and Evil movie
Good
- The design and aesthetic of all of it was beautiful. I mean like everything was elegant and stunning and just visually incredibly pleasing.
- Sofia Ann Caruso is a great Sophie, she’s cringey and mean and overdramatic. She is the love child of Megamind and Regina George.
- Also Theron and Washington made great professors.
- The Tedros had a cool sword, iconic dumbassery, was pretty and also had cool fits which is how I like my men personally.
- Sophie and Agatha’s friendship at the start was super natural and well written.
- Soman cameo.
- I loved the little addition of Professor Anemone previously being a history teacher. It was just such a nice little touch to the world building and her character.
- The inherent creepiness of the casting for Rafal. I mean I always imagined him looking like a teenager but him looking like he’s in his twenties and trying to claim Sophie as his child bride really adds that extra layer of ickiness.
- Literally everything with Gregor Charming. An icon, a legend, he is the moment.
Bad
- Sofie Wylie is a good Agatha but they wrote her so blandly. Also like where was the initial awkwardness? We deserved bitchy goth loner Agatha. And like it would’ve been cool if Agatha was more conventionally unattractive. Like no hate to Sofie Wylie she’s absolutely gorgeous but it would’ve been nice if she did have that whole thing of yeah people don’t think she’s pretty but then her personality begins to outweigh that.
- Where the actual everloving fuck where Anadil’s rats? I was promised little rats. I was robbed.
- Why were all the Ever girls such bitches? I mean like passive aggressive? Yeah sure. But they were outright bullies.
- The plot change of Rafal purposefully letting Good grow complacent and vain. I think it’s more interesting when you have Good who genuinely have grown complacent without the manipulation of true evil or whatever. It adds more weight to it.
- The Circus of Talents was iconic and we deserved to have the wolves and fairies reveal.
- The blood magic? I mean like what? You have regular magic, no deus ex machina necessary.
- More development between our girls and Teddy. Like I love him being a pathetic little scrunkly but it felt like everything happened in two days. This may have been better adapted as a show considering it’s meant to be covering a whole year of school.
- We deserved hot pink finger glows.
- Lack of iconic book characters: Princess Uma, Castor and Pollux, the Golden Goose, the little pets they had, Anadil’s rats (yes I’m bitter), the librarian dude whose name I’m forgetting, he has Giles vibes, the seer, you know the dude.
- I wanted to see Hort’s frog pajamas.
- The actual explanation for the nemesis stuff like in the books.
- Where was the witches/Agatha friendship? Sophie betraying Aggie to avoid going home? Dovey caring about Good?
- More mean Sophie. Give the people what they want
- It felt so queer-baity. I know the book three twist but like it was just annoying.
Edit - Also the iconic line ‘I’m worse than my father. Because I still love you.’
All in all it was a fun movie but having loved the books as a kid I felt like they didn’t really get done justice. Two and a half hours wasn’t enough to cover the whole story adequately in my opinion.
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needle-noggins · 8 months
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I wanted to point out this page alone because I just really love the idea of Meryl and Luida as foils. Also I just really want to bang a bunch of pots together like, LOOK AT THESE WOMEN THEY ARE WRITTEN SO WELL AND I LOVE THEM SO DEEPLY!
Luida is a character archetype I really adore (one of my dnd NPCS/basically an OC at this point is just. Wizard Luida). Love an older woman in charge who has some internal struggles but exercises empathy and careful judgement. Meryl is... a baby in comparison. The kind of girl, adventurous and a bit headstrong, who may be changed into someone more like Luida with hard lessons and deep self-reflection. I don't know. Maybe I'm just talking out of my ass at this point.
This conversation is... difficult. Luida is considering having Vash use his angel arm to destroy Knives, to have another July (to which, poor Meryl is like "god the horrors are endless. I saw how that went"). She hates that she even considers it, hates the idea of Vash being a weapon of mass destruction just to take down Knives (ethics of using atomic bombs, anyone?). It is especially hard for her to consider because "this battle with undoubtedly push his limits". Vash is still a friend (and if we want to get Stampy with it, like a son to her), and she knows this could kill him.
Luida scolds herself for being a coward, and I'm not sure in what way - is it cowardly that she won't sacrifice people for the "greater good", or that she's having this internal struggle in the first place? That she won't make Vash pull the trigger?
I forgot to screenshot the panels about it but there's also a very important topic in the conversation preceeding this page about how Vash has been fighting alone, trying to save everyone, but perhaps he needs people to fight for him too. Vash is obviously well-known around Ship 3 as an incredibly powerful plant, so I can understand if they believed him when he said he could take Knives alone, but Luida is now having doubts about Vash's independence - is he too afraid to ask for help? (this is a secret tool that will help us later! Remember that Meryl is here to hear this!)
Using this thread of thought, Luida and her forces attack the ark, which allows Wolfwood to rescue Vash (and then we get the SUPER COOL bit of Vash reversing his angel arm to allow them to escape! and the fall out of the sky! OUGH). It's about the teamwork, it's about helping each other. No one can fight alone. (and then idiot Wolfwood leaves Vash to let him fight Knives alone) (we can already tell this is a bad idea)
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mdhwrites · 4 months
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Is Amity a Good Person?
This is not if she's a well written character. A judgement of that is a part of this but the bigger point is just: Is Amity a 'good' person? Does she appear to actually care about others? Does she choose selflessness over selfishness? Etc. etc.
And part of this is going to be subjective. To some people, not being mean is enough to make someone nice. Other people will ask for a bit more, especially out of a fictional character. Hell, you can even see it with most fictional parties. The lancer character who is meant to contrast against the hero is usually a pretty dickish person but you might still call them good because even if they're cursing while doing it, they are still putting their life at risk in order to save a town or the like. Meanwhile, you probably wouldn't call Vegeta a nice person, even by the time of Dragon Ball Super because he is still mostly selfish, even once he's explicitly no longer trying t get stronger regardless of the consequences to others.
So what does Amity do that is actually nice?
...
........
Oh, were you expecting me to start listing things she does? Because I have bad news for you.
See, one hang up I have with going "Amity always wanted to be a good person and so even if she loses her drive, motivation, etc. she gains the personality of a good person," is that Amity doesn't do fucking anything to earn that. She isn't unpleasant. After S1, she isn't trying to murder people or actively bullying people but like... Cool, you upgraded from Mega Bitch to Background character. Why do you claim that's a new personality instead of the death of one?
Because being a 'good person' is actually more complicated than just not being an asshole. Being nice to your friends? Of course you're nice to your friends. You care about them (put a pin in it). Noticing when your partner is in pain and wanting to help them? You supposedly love that person, much like why you might be nice to family, so OF COURSE, you put in a little extra effort.
A good person, at least in a narrative, doesn't need the excuse. They help because it is the right thing to do and then their personality dictates how they go about doing so. Maybe they write wiki pages to share their knowledge in a free way so people can benefit from it. Maybe they help out at a soup kitchen because it gives them a chance to be more directly kind and they have the time for it. Or maybe it's just that when they see someone who is potentially having problems, they risk whatever it may lead to be asking this complete stranger if they're okay.
Amity doesn't do this. In fact, as far as actually giving a shit about anyone other than Luz, she's AWFUL at it. Hunter is her kindest moment to a theoretical stranger in the series but it is still characterized by her being suspicious, judgemental and not giving him a chance until the dude is suicidal and has drawn a dozen parallels between them. Even then, she does it as part of mimicking Luz, at least with the joke she immediately makes of how 'this always works for Luz'. Then you have poor fucking Willow. This is a girl that Amity abused, especially for her powerlessness and helplessness, for YEARS. Amity even knows explicitly why Willow should hate her. What her crimes are. But... Then 'good person' Amity, showing 'care' for her friend, treats her as powerless after having thought she didn't need to do shit to be allowed to come to Willow for advice (Labyrinth Runner and Falls and Follies respectively). That is TOTALLY someone who always just wanted to be a good person and is dedicating themselves to that instead of any of their old dreams and desires.
The only person or thing she puts any effort into post S1 is Luz. She doesn't care about anyone else besides that. Belittle Eda for not focusing on taking of Luz in a tangible way during Eclipse Lake? Check. Feel justified to give marching orders to literally everyone in the house just because she's Luz's girlfriend during that same episode? Check. Including Willow, who she has done NOTHING to make up for at this point? Check. Hell, even further: Not give a fuck about stopping Boscha while Luz could just step out of the splash zone around Willow during Winging it Like Witches? OF COURSE NOT. She only gets involved once Boscha's only focus is going to be on Luz.
That. Is not. A good person. Not if the only people who matter are those she deems are worthy of mattering. Changing from actively crushing those other people to just being entirely indifferent to them and their plights is not as a big of a deal as you all seem to think it is, not for it to become the only defining trait of a character's personalities and motivations.
Are they evil? Bad? No. But anything beyond nice is giving such a character a LOT of credit. A rogue isn't Robin Hood just because they only steal from the rich. If they're still lining only their pockets and the pockets of their friends with their thievery, they're still selfish and self centered, they just have code. That's called Lawful Neutral, or Lawful Evil, in D&D for a reason. Not any form of good.
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I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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shkika · 8 months
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Do you have a post explaining your SoS = Saint headcanon (like the hows and the whys)? I think it’s a super cool theory but I can’t find anything you’ve written in depth about it :(
Yes sure!
I have realized it is extremely difficult to search through my asks related only to a specific topic oops..
My theory stems from a specific Moon dialogue. The one in the void where she explains that the solution was something beyond their understanding. A variable out of infinity that EVEN if they found, the wouldn't know to test. Basically this this finding one single thing out of an infinity of options. Not only that, but the only way to know the answer is to cross into the void and escape the cycles. Which would mean that upon discovering it, you would ascend.
Hey. Did you know that Sliver of Straw's name suspiciously much sounds like the saying "Needle in a haystack".
I've rambled about her name before it's extremely clever. I mean it literally translates to SOS while she's known for sending the triple affirmative signal and perishing.
In my theory I want to give the idea that Sliver didn't find the answer on purpose. She stumbled on it and forcefully ascended before she had enough time to explain, share or do anything more than send it out.
So then okay she's in the void. Why did she come back as Saint. What's going on?
Well the void is described as a dream. Which would mean it gives those who have departed the cycles a peaceful existence. Think of Hunter being embraced by NSH and Survivor finding their family in the home tree. Monk finding their sibling as well.
Well Sliver no doubt went through the same experience as well... however..
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You can tell it's a dream. Or at least the iterators can, because they are much more intelligent. Sliver would know that her dreams aren't real. Her loved ones she sees are still stuck in the cycles, somewhere she can't reach. And she's stuck unwillingly, it was all an accident she can't escape from. And she had friends! She often bet on animal fights like a dumbass, you cannot tell me she was fully devoted and did nothing else, but work with that silly hobby in mind. It's a very goofy detail to add to her character.
I think she suffered a lot in the void. Being all alone and stuck. It was unfair to be the only one free of the cycles, especially when her accomplishment wasn't even purposeful. So she attempts to escape. More or less swim up just how we see Saint doing.
But there are in fact void worms guarding the sea. I imagine they dragged her back down. Again and again.
What goes in the void can't leave. That's a rule!
So what she does is basically destroy herself. Take herself appart in any way she can, mentally and physically so that she can ascend as something anew.
Which is where the last challenge in arena mode makes more sense. It's non canon. Sliver didn't die, because of Saint. But it is more so symbolic! She is ascended so that Saint can take her place.
It is difficult and painful, but she manages. It is also beyond cool how the motif of the game, but inverted is use for Saint's swim back to the world. I did a lengthy ramble about it here I highly recommend you give it a read, because even the music used adds to this theory! > (x) < Here it is.
All the creatures in rain world are helpless from the big iterators to the smallest of slug cats.
Sliver takes her fate in her own hands refusing to follow the world's rules, becoming Saint. This was he can give the answer to his family. To every creature he can save from the repeating cycles. Comic about that here > (x) Even if Saint's goal is unachievable he chases it anyway. Which is what makes him an echo!
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As Moon and Pebbles understand.. he's the only one that can. And it is why his journey is so incredibly important. He's the only one who has seen beyond the void sea and can bring back that knowledge to others! And it's what Saint does. This is why Sliver can never return to a peaceful existence in the void sea.
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punkitt-is-here · 1 year
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ooough its punkitt thoughts on mlp season 5 wow!!
finished season 5 last night! putting Twlight in a position where she couldn't just DBZ laser beam her way out of the villain this time made for a much more thematically resonant resolution with the main baddy. Tirek was completely forgettable because the challenge was mostly just beating the shit out of him; cool animation for sure, but for a show based on its character interactions I think there could have been something a lil deeper. Putting Twilight in a spot where she straight-up cannot brute-force her way through the solution unless she and the villain come to an understanding was a smart choice on the writer's part to avoid that happening this time around.
seeing all those AUs with the apocalypses was kind of crazy and super fan-indulgent but I think after five seasons of normal horse stuff I think you deserve to get kind of wacky and fan-indulgent in some ways? like, yeah, even if it MAY have jumped the shark a lil in this season, there's still a solid 3 seasons of Lauren Faust-type beat stuff and Season 4 and 5 have some of my favorite episodes of the series so far. I get why people hopped ship around this point but as An Adult In My 20s Who Enjoys An Optimistic and Well-Written Cartoon (not the initial target audience) 4 and 5 are more up my alley in terms of situations to slap those equines in. Someone on the staff was DEFINITELY aware of the popularity of fan stories like Fallout Equestria and stuff and you could tell a lot of alternate timelines were mostly made with a "wouldn't that be a cool thing for fans to expand on?" mindset which might be offputting for some but honestly I'm a fan of Kingdom Hearts and One Piece and shit so doing things that are Cool For The Sake Of Cool is far from something i dislike on principle.
I also think that it's silly that folks felt like Starlight shouldn't have been redeemed and instead punished or something! She clearly didn't know what she was doing and, stepping outside the in-universe lore for a moment, this is once again still a show about rainbow horses aimed at kids called Friendship Is Magic. Having someone who caused an entire apocalypse because she had a friendship problem is like, ripe for the picking for Redeeming Their Ass. I felt like that montage of Starlight hanging out did leagues more for me in terms of redeeming a villain than all of Discord's post-redemption episodes combined because it actually showed The Mane 6 being charitable and kind and having fun with Starlight rather than us just being told. That's the power of a montage baby!
Honestly it felt like a series finale, in a sense, even tho I know we're far from that. I love a good wrapping bow on a good season, though, so even if it felt very ending-ish I still think it went out with a bang. good season and im very excited to see where we go next with starlight she's neat :]]]
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Not that anybody really cares, but these are my personal takes on the first 2 PJOTV episodes.
1. Grovers character so far is getting too much hate! I, personally, think that the additions of Grover aren't that bad of a change for him. The scene in the office genuinely show how he is willing to risk his friendship just to save Percy. Also, be mad at Chiron for that, not Grover. Chiron made him do it.
2. Mr. D is adapted so well in this, and you cannot convince me otherwise.
3. Gabe is actually NOT written too nice. As someone who has dealt with manipulation/emotional abuse he is almost exact to the people who are like this (atleast in my personal experience.) Like, I'm no pro, but it's pretty spot on.
4. I don't really like Lukes character development... you're supposed to like him before the big betrayal and his character just feels super stiff.
5. THE BLACK SCREENS FOR TRANSITIONS ARE SO ANNOYING AND A TERRIBLE CHOICE. It doesn't really take away from the episodes, and I still enjoyed them either way, but it was still a really lazy and weird way to show a time skip.
6. Episode 1 had really weird pacing and went super fast. I can't really explain it, but it just felt rushed.
7. The fight with Ms. Dodds was super disappointing :( although Percy being unconscious on the floor while everybody is standing there was really funny.
8. The mythomagic for training is actually a really cool detail and I'm super excited to see how that helps him and Nico bond in the future! However, it's gonna make Nico running away hurt even more😭
9. Clarisse is amazing. The restroom scene felt a little disney channel, but she is so cool and well executed I love her anyway. Also, THE CAMO PANTS!! I am so happy that made an appearance.
10. Walkers sass for Percy is literally the best, he is literally him. Same thing for Leah for Annabeth. The small detail with her fixing Percy's strap was hilarious. Her blunt "tell it how it is" attitude is honestly such a good personality trait for her, and I think will mean a lot in the further episodes.
Overall rating?
Episode 1: 7/10
It was a great start to the series! The editing is certainly... a choice. Felt kinda rushed, but I really loved some of the changed made. Kind of mad that the outro song isn't Riptide (PJO version.) Still got me hooked!!
Episode 2: 8.5/10
They shouldve knelt when he was claimed. Pacing was better, but the weird transition point was still there. Lukes development is super boring, and I genuinely considered skipping his scenes. They should've shown the Council of the Cloven more, but I don't really care about that, it was just a missed opportunity. Loving Annabeths character, even if she wasn't there a whole lot! Chiron is making me mad, though. I LOVE DIONYSUS.
I'm super excited to see what they do with the characters. I'm trying to be super patient with the characters development, since its only the first 2 episodes, but I'm super worried that 6 more episodes won't be enough to properly execute everything necessary for the book. This is especially because most of the book is spent explaining things and is mainly world building. Everybody is almost exactly how I imagined, with maybe a few minor details, but nothing I even mind.
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toothpastecanyon · 1 month
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Hi! I’d like to start with the fact that your writing is PHENOMENAL, the way every first chapter is designed to grab the readers attention, with a mystery or a cozy little opening, establishing where the character is in life and their motives, or a sneak peek at the problem the characters must overcome.
I’m really bad at articulating my thoughts, but ur characters are really well written and I’d like to make more fanart of them, but I’m not quite sure what they look like.
(The only fics of your la that i KNOW you wrote are Unto Dust, and The Comfort of Agony (both of which are really good btw, I also love how you write existing characters, and your portrayal of them(especially Lucy Ann))
Anyway, because there are so many interpretations of species used in TAU, I got a little mixed up on what the non-human characters look like.
Darceus- in Lucy Ann and the Lunch Bunch, there is a Kitsune named Felicity, who is described as “looking a kind of like a human, and kind of like a fox” which my interpretation of is shown below. I forgot that that isn’t typical for kitsune characters in tau (even though she’s the only one since yours) and drew her in a similar way. ( also, are there any distinctive features on her nieces?) btw the LION idea is phenomenal, also do you think she has a mane? They’re fun to draw.
June- how big is she? I assumed she was the size of a human based on her interactions, but then I realized she might be looking down of people because she can fly. But then I remembered that it says she walks around. So then I confused myself. Also, skin tone, hair color/texture, eyes?
Beatrice- SHE IS SO WELL WRITTEN I felt genuinely angry while reading her meeting with Lucy Ann (in a good way) and she seems like someone you would meet in real life, totally obnoxious! Also, I don’t really know how TAU elves usually look so, idk anything about her skin tone or hair or eyes.
Here are pictures of my doodles in case you want to take a look, try to ignore the paper texture please.
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Also, an old picture of Felicity:
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Sorry if any of this is worded weird, im not that good at talking, but could you please give a solid description of the major/cool characters in Unto Dust?
(And in case I didn’t say it before, the Comfort of Agony is SO WELL WRITTEN there is too much for me to say about it!)
Oh wow, this is all so kind of you to say! Thank you so much - I'm so glad to hear you enjoy my writing, and I love the sketches you've done! You already have a lot of great designs and the characters look super expressive!
It's really exciting to be asked more of what my characters look like and I'll give you the best description I can, but I do want to note I often don't have a clear idea of what my characters look like - I like that writing lets a reader come up with their own spins on what a character looks like! So while I'm adding my own interpretation of my characters here, if you have a different idea you think works better or just looks cooler to you, I say go for it!
I'll organise my thoughts by each character:
Darceus: I was definitely inspired by @feferipeixes' character Felicity to make a kitsune character! I really like the mane idea you have going in your sketches, and female lions do occasionally grow manes! I like the way you've drawn her formal attire, with the nine tails spread out behind her like a sort of cape! You really brought her to life!
I probably still imagine her with a fox's colouration - I liked the lion imagery to evoke the broader facial features and just overall stockier build than an average kitsune.
The nieces: They're probably both young adults of average height. I don't have a clear idea of what they look like, but it might be fun to draw them as a different type or species of fox - silver foxes look really pretty with distinctive markings! They probably have less tails than Darceus, maybe three or so.
June: I definitely had the idea of her being average sized - I think writing it from Lucy Ann's perspective makes her seem taller as a lot of characters have to look down on her (sorry Lucy Ann!). I really like the wings you drew for her! She's a middle-aged lady with a little grey in her red hair, and probably likes wearing a lot of running gear - gotta train for that 10K!
Beatrice: I really like the long ears you've given her, that looks super distinctive! The loose t-shirt is really good. I probably imagine her with more of a pear shaped build with dark brown eyes and hair. If she does magic like in her appearances with Noie I like to think it'd look a lot how Mod V's elf OC Florian does it.
Also I definitely am looking for Lucy Ann to start wearing a glove! I'm not sure whether it would be fun to have it be a red glove to match the rest of her outfit, or if it's black or some other clashing colour to illustrate how she sees it as something unwanted and forced upon her.
That's all I can think of, but if you'd like anything more specific I'd be more than happy to help! Thank you again for this ask and your awesome sketches - if you end up drawing anything else I'd really love to see it!
Have a great day! :D
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etherealnoir · 6 months
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Thoughts on Dhan Rana (S1 E5)
One thing I LOVE about Found is that everybody starts out as kind of a broad archetype of a character, and each one has been slowly getting deconstructed with each episode. We also learn more and more about relationship dynamics with each episode. We're only on episode 5 and we've already learned so much.
TL;DR: Dhan is a wonderful character who kind of surprised me. I didn't expect to love him as much as I do. I like that Gabi and Margaret are super protective of him, and in turn, he's fiercely protective of them. I'm excited to see his character grow. I also don't really like his relationship with his husband from the little bit we've seen. It's just not sitting right with me.
More detailed thoughts below the cut.
In THIS episode we learned that baby boy CANNOT be alone. He doesn't do well. It's connected to his trauma from being held captive for 3 years. Which is such a long fucking time and I think the longest kidnapping situation we've seen from the group thus far (I don't think we don't know how long Zeke was gone, yet...please correct me if we do).
In a passing conversation around episode one or two, his husband was revealed to be a therapist (whether his husband was HIS therapist or just so happened to be a therapist is unclear, but I still have my reservations). His husband mentioned that Dhan should give Zeke grace, because Dhan was in a similar position to Zeke not too long ago. He also added that they "worked on it" together. Again, idk if his husband was HIS therapist, or if he meant they worked on it as a couple.
We've only seen Dhan's husband once, and Dhan speaks fondly of him on the rare occasion that he's mentioned. But...I think the one thing that kind of stuck out to me is how much he can't quite function without his husband in the house. Like at all. He can't sleep, he doesn't groom himself, he doesn't dress himself (not really). It took all of one day (presumably) for Dhan to unravel in his husband's absence. The team also pointed out that this happens OFTEN every time his husband leaves. If Dhan's husband is a therapist, it's just odd to me that there were no safeguards in place when there's probably a strong understanding that being alone is triggering for him. It gives me this vibe that Dhan's recovery is wholly reliant on codependency with his husband. It also proves that though Dhan may have worked on his recovery with his husband...I don't think he worked on it alone. Which is SUPER important.
I'm gonna put my shipper goggles away for like 5 seconds but I feel like Dhan is beginning to learn a lot from Zeke. More than he realized he would. On some level, I think he's beginning to understand that even though he's not necessarily in the same place he was before, mentally and emotionally, he still has a LOT of work to do. And I like that he and Zeke have found companionship over it, because they're both on different paths of recovery but still fully understand what the other person is going through.
Another thing that stuck out to me is how protective Gabi is of Dhan. I've said it before, but Dhan is clearly her ride of die. I still have the belief that he knows Hugh is in that basement. But it became even more obvious when she rushed to hug Dhan and check his injuries after the fight with Manny in the kitchen where he was almost shot. Both Margaret and Gabi seem super protective of Dhan. It makes me wonder what he was like when they first met him.
Anyway Dhan is a wonderfully written character. I like that it didn't take 3 seasons for us to finally see the sarcastic, cool guy character show GENUINE FEAR, anxiety, and vulnerability.
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