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#but anything is appreciated!
tariah23 · 2 months
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Oh…. Well, it’s over for Crunchyroll I guess
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unforth · 9 months
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Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.
That blog with a tagging system you love? A person curates those tags by hand.
That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.
That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.
That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.
That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.
That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.
None of this was done automatically. None of it just appears whole out of the internet ether.
I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.
If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.
Celebrate fan work!
To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.
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[ID: Tweets from Emily 'Soup Lesbian' Gwen (@theemilygwen) on twitter with the following text:
Well, just left a job interview crying because the hiring manager told me they liked my application but were disappointed that I didn't bother dressing appropriately. I tried to explain that I haven't been able to afford new clothes in years but I just couldn't handle it.
That comment and my reaction was one of the most mortifying moments of my life. I thought I put together a decent outfit for the job with what I had, and hearing her say that just destroyed me.
Anyway I'm still looking for work and struggling a lot. Even $5 would help pay for a meal. ko-fi.com/emilygwen
End ID]
Please help Emily Gwen, the creator of the lesbian flag. If you show me that you donated any amount I will draw you something. You can also support them by buying something from their Threadless store!
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chick-it-out · 2 months
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rice-enjoyer · 9 months
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iwoulddieforienzo · 5 months
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Personally I think percabeth is at its best when Grover is in it. I don’t necessarily mean in a polycule way I just think it’s great when he’s around
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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moraent-keys · 1 month
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So apparently red deer shed the velvet on their antlers before shedding their actual antlers, they get completely red and it looks like a massacre tbh
So naturally I had to draw Alastor shedding
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Alt version
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thesorrowoflizards · 7 months
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taskmaster is such a funny concept though they really said "okay we force five comedians do increasingly pointless, humiliating, and hilarious tasks, while the host bullies them all mercilessly. also the host's assistant is in a slightly concerning psychosexual dom/sub relationship with him, and gets off on the humiliation. and despite all of this it somehow feels wholesome and not Actually Mean. sometimes a swedish man is there"
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skullfragments · 13 days
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soooo i've been real busy this past month and change working on this monster of a painting! it was originally for the GO Ref library study club but clearly took much longer than i anticipated😅
for those of you who don't recognize it, this is based on one of my favorite historical paintings, Judith Beheading Holofernes (1620) by Artemisia Gentileschi. i love the Baroque period and this painting (as well as her other works) makes me insane. here it is Good Omens style so maybe all of you can be insane with me <3
"Aziraphale (and Crowley) Beheading the Metatron"
(non-bloody and non-glowy versions under the cut)
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lexumpysfunland · 2 months
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the bucket-
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it's just a silly idea I had so I drew it. don't mind my weird ideas- Stanley probably did that on purpose knowing how Walter would react... who knows....
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best friendisms
bonus <3
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bixels · 4 months
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While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.
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Bye.
#ask me#anon#once AGAIN.#I am not dropping anything#the au is not getting cancelled. more than likely i'm gonna take a break from it until i find motivation again#But I've been drawing the AU for half a fucking year#In that time I've only drawn 5 things that aren't mlp related#I'm getting tired and my last few posts didn't do as well as I'd hoped#And I'm not about to burn myself out on mlp au art even if I really do love making it#I'm still gonna make comics. I have a bunch of ideas.#Tulli and I still wanna do the limited run merch shop#Discord is still coming. Sunset is still coming. Sombra is still coming. I have so many ideas#But I need to do something else for my own sake. Did you know I was supposed to get the background 6 designs done by now#But I didn't because I'm TIRED#I've been keeping myself on a schedule to keep content pumping despite travel and school and family and I'm tired#what i'm getting isn't matching what i'm giving and that's nobody's fault. i'm not frustrated at anyone. a slump was bound to happen#drawing the au was fun until it become my Thing. Because when your Thing––your identity––starts to faulter#it can really make you freak out#And that's not healthy for the project or for myself. I need to find the fun again and I'm sure I will#I'm really appreciative of everyone's support in my inbox and replies it really does mean a lot especially given that about 2/3 of my#followers followed for mlp. But if you're gonna react to me saying “i'm gonna cool down on mlp art and draw my own stuff” with “i'm#disappointed in you." then Leave! I think it's good you're unfollowing#you are not obligated to stick by my side! But don't act like I'm doing you a disservice by turning my attention elsewhere#I didn't promise anyone anything and I definitely didn't say I'm breaking any promises.
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Been thinking recently about the goings-on with Duolingo & AI, and I do want to throw my two cents in, actually.
There are ways in which computers can help us with languages, certainly. They absolutely should not be the be-all and end-all, and particularly for any sort of professional work I am wholly in favour of actually employing qualified translators & interpreters, because there's a lot of important nuances to language and translation (e.g. context, ambiguity, implied meaning, authorial intent, target audience, etc.) that a computer generally does not handle well. But translation software has made casual communication across language barriers accessible to the average person, and that's something that is incredibly valuable to have, I think.
Duolingo, however, is not translation software. Duolingo's purpose is to teach languages. And I do not think you can be effectively taught a language by something that does not understand it itself; or rather, that does not go about comprehending and producing language in the way that a person would.
Whilst a language model might be able to use probability & statistics to put together an output that is grammatically correct and contextually appropriate, it lacks an understanding of why, beyond "statistically speaking, this element is likely to come next". There is no communicative intent behind the output it produces; its only goal is mimicking the input it has been trained on. And whilst that can produce some very natural-seeming output, it does not capture the reality of language use in the real world.
Because language is not just a set of probabilities - there are an infinite array of other factors at play. And we do not set out only to mimic what we have seen or heard; we intend to communicate with the wider world, using the tools we have available, and that might require deviating from the realm of the expected.
Often, the most probable output is not actually what you're likely to encounter in practice. Ungrammatical or contextually inappropriate utterances can be used for dramatic or humorous effect, for example; or nonstandard linguistic styles may be used to indicate one's relationship to the community those styles are associated with. Social and cultural context might be needed to understand a reference, or a linguistic feature might seem extraneous or confusing when removed from its original environment.
To put it briefly, even without knowing exactly how the human brain processes and produces language (which we certainly don't), it's readily apparent that boiling it down to a statistical model is entirely misrepresentative of the reality of language.
And thus a statistical model is unlikely to be able to comprehend and assist with many of the difficulties of learning a language.
A statistical model might identify that a learner misuses some vocabulary more often than others; what it may not notice is that the vocabulary in question are similar in form, or in their meaning in translation. It might register that you consistently struggle with a particular grammar form; but not identify that the root cause of the struggle is that a comparable grammatical structure in your native language is either radically different or nonexistent. It might note that you have trouble recalling a common saying, but not that you lack the cultural background needed to understand why it has that meaning. And so it can identify points of weakness; but it is incapable of addressing them effectively, because it does not understand how people think.
This is all without considering the consequences of only having a singular source of very formal, very rigid input to learn from, unable to account for linguistic variation due to social factors. Without considering the errors still apparent in the output of most language models, and the biases they are prone to reproducing. Without considering the source of their data, and the ethical considerations regarding where and how such a substantial sample was collected.
I understand that Duolingo wants to introduce more interactivity and adaptability to their courses (and, I suspect, to improve their bottom line). But I genuinely think that going about it in this way is more likely to hinder than to help, and wrongfully prioritises the convenience of AI over the quality and expertise that their existing translators and course designers bring.
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bellarkeselection · 4 months
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Hiii!! I saw that you wrote for Georgie Cooper from you Sheldon and I was wondering if you would write for him again 😊 Can I get Georgie with a latina gf that loves to cook, whenever she goes over to his house she's always bringing food from her culture (I'm Mexican so Mexican food ofc) .
Culture Cooking
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I am not Latina so I hope I wrote this correctly 🤗 and a very short request in my opinion but I hope you still enjoy
Coming out of Missy’s room that used to be Georgie’s old bedroom, I had decided to get up early and make the family breakfast. I had stayed the night after my date with her older brother, and we didn’t get back till really late, so she said I could sleep over in her room. Walking down the small hallway and into the kitchen, I got lost in thought, thinking of the ingredients that I needed. I have been bringing over some spices and stuff when I would come over here. I loved cooking for Georgie, and he always seemed to enjoy my family's food. “Hey…uh what are you doing up this early?”
Whipping my head around away from the stove I saw Georgie stumbling his way into the kitchen. “Oh hey. I thought I’d make the family my kind of breakfast.”
“Sweet.” He smiled sitting down at the table watching me go back to cooking. My family had moved to Texas after my father got a new job here being the assistant principal.
One day after I was leaving from English class I had been walking down the hallway and accidentally bumped into Georgie. All of our notebooks went flying and that’s how we met basically. Turning the oven off I put the whole meal together on a plate and slid it across the table to him. “I present to you one of my families favorite things to eat for breakfast.”
“Woah this smells really good.” Georgie gave me praise picking up his fork and dove right in. He took a big bite making the same noise he does whenever his Meemaw makes brisket for dinner that he loves.
Georgie stared at me with a mouth full of food. “So what’s in this?”
“Let’s see it’s a fried tortilla topped with salsa. And there’s eggs, pulled chicken, cream cheese and bean included inside it too.” I chuckled sitting down and taking some bites out of the one I had made for myself with him.
Georgie took a few minutes to finish his food wiping some sauce that was left on his plate. I bite my lip trying not to laugh at seeing some cream in his hair where I moved one hand up wiping it away. “Awe dang it! I guess you are a really good cook if I get it in my hair.” He chuckled back at me.
“Yeah suppose so.” I responded moving our plates off the table hearing someone else entering the kitchen seeing it was Missy.
She squealed hugging me by the waist. “Hi Y/n. What did you make for breakfast?”
“She made a fried tortilla.” Her older brother said forking some more from the pan onto his plate.
Missy gave me a confused look. “A fried tortilla?”
“Yes but it’s actually called Chilaquiles.” I told her before she sat down and I made her a plate of her own.
Georgie finished his second plate putting his plate up in the sink then came over to me. He wrapped his arms around my waist bringing me closer to his chest with that same cheeky grin. “Even if I can’t pronounce your food half the time. You’re still a really good cook. Everybody in the family enjoys it. So thank you for this and all the other meals.”
“You’re welcome, Georgie. I always love cooking for y’all.” Draping my arms over his shoulders I grinned up at him kissing him slowly where he tightened his hands around me deepening the kiss.
He moved one hand into my hair and the other on my waist. We we’re getting caught up in the kiss that we almost wound have gone further if it wasn’t for his sister being in the kitchen with us. “Eww. If I knew you two were going to kiss after you ate I would have eaten my breakfast in front of the tv.” Missy made a look of discomfort.
“Awe I’m sorry Missy. I can’t help if he’s a good kisser and likes my food at the same time.” I shrugged my shoulders with him draping an arm over my shoulder so I laid my head on his shoulder since he was slightly taller than I was.
Georgie looped our hands together sending me a smirk. “Best of both words, my darling. You’re pretty awesome Y/n.”
“Stop being cute or I’m gonna barf my food.” She whined at us with her tounge sticking out.
I gasped remembering that their parents were already at work for the day so that left Sheldon in our care. Snapping my fingers at Missy I questioned his twin sister worried he needed to eat. “Missy, go tell your brother that I made breakfast.”
“Sheldon, Y/n made breakfast!” She spun around in her seat hollering towards their bedroom causing me and her older brother to start cracking up in laughter. Squeezing Georgie’s hand in mine I always enjoyed anytime I got to cook for this family.
Comments really appreciated ❤️
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fertbutt · 1 year
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playing fallout new vegas and having to listen to caesar complaining about travelling and getting to study the languages of various communities living in the wasteland and calling it a waste of time while irl the humanities are constantly disregarded and getting a higher education and opportunities to study anthropology hands-on costs tens if not hundreds of thousands of dollars and requires so many connections and he was just getting that FOR FREE from the followers but that wasnt cool enough for him so he decided to use the education he was given to start his little fascist larper group and enslave people
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