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itsxroxannex · 2 months

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It's ewwow

Error belongs to CrayonQueen

#utmv #undertale #sans #error sans #he fab

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identifyallen · 8 months

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I will never ever get over the way Wally looks at Dick. Not in a million years.

#dick grayson #nightwing #wally west #flash #the flash #kid flash #teen titans #titans #dc titans #fab five #birdflash #dickwally #wallydick #justice league #justice league of america

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luaneedssleep · 3 months

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AROACE ALASTOR FOR THE SOOOULLLLL 💚💜

#you don’t have to fuck to be fab #alastor #asexual #ace #aromantic #aroace #hazbin hotel #fanart #art #hazbin hotel fanart

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deceitfuldevout · 3 months

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Until Death (Part 1)

Arranged Marriage AU: Dark!Husband!Rafe Cameron x Wife!Reader

Word Count: +1,524

Warning(s): +18, Non con, Non consensual photographing, Domestic Violence, Humiliation, Forced breeding, Unwanted orgasm.

Author's Note(s): I wrote this cause I really wanna get married and find someone to love me but I don’t think it’s possible so here’s a fic instead 🥲

You never would've imagined being married to the Kook king himself, Rafe Cameron. But here you were, almost a year in. From the beginning you felt like an outsider. Even in the new home that Ward had gifted you. It was decision made by both of your fathers. Ward wanted someone from a family he knew very well. Your fathers were childhood friends and trusted each other enough to make the right decision. Whether their children were willing to or not. An arranged marriage between a Kook and a Pogue. One of the first of its kind.

Ward needed an heir from his only son. It was about time Rafe learned some responsibility. Ward needed to find a family with no authority or power. So, what better decision than to contact an old friend from the cut? Ward managed to pull himself out of there, your father on the other hand, wasn't so lucky. However, by Mr. Cameron's gracious offer, your father had been given a position in his company. Ward would handle the paperwork, while your father handled construction and remodeling.

It was enough to get by, but not enough to get out of the cut. That's why your father made the brash decision. Ward didn't see a problem with the arrangement given your family had no name for themselves. To him, having a family with no name or status is better than being involved with a tarnished one. It would avoid any unwanted attention for the Cameron family.

All your father wants is to make sure his only child would be taken care of once he's gone. You've only met Rafe during family events/outings, and when you did meet, he'd always try to torment you. Other than that, most of time would be spent clinging to Sarah for protection.

You hadn't known about the arrangement until a week prior. You defiantly hadn't expected Rafe to get on one knee in front of everyone. Your engagement was a nightmare, Rafe had decided to ambush you during the Kook's annual midsummer event. A few months later you married into the Cameron family. The event being of the most lavish, expensive, and largest weddings in the history of the Outer Banks.

Rafe made the decision that your honeymoon would be spent ‘setting up home’. You bid your family and friends a farewell before leaving with your husband. It was awkward enough that he'd been drinking for most of the night. What was supposed to be a beautiful ceremony quickly became a frat party. It was awkward enough when Rafe (who'd been drinking most of the night) tried carrying you across the threshold of what was your new home. He stumbles a few times, almost dropping you on the front steps. All you wanted was to go to bed after a long and eventful day.

In a fit of rage you rush up the stairs and into the master bedroom. You hadn't even changed out of your wedding dress. Deciding that it would be done tomorrow, as would everything else. It was tiring, putting on an act in front of hundreds of people. You were relieved for it to be over with. Until the harsh turning of the doorknob catches your attention. In came a very intoxicated Rafe Cameron, stumbling in with his tie already undone.

His hair was a mess from wrestling his groomsman, his expensive cologne overtaken by the stench of alcohol. All you want now is to sleep after being anxiety ridden for the past few hours. But the shuffling on the end of the bed made your stomach churn. Maybe if you pretended to be asleep he would leave you be.

Rafe reaches down to brush the back of his hand on your cheek. He couldn't help but chuckle at his fiancee--no, his wife. You're his wife now and he couldn't believe it. He grins from cheek to cheek, hovering over to study your features. You could hear Rafe talking to himself, "You're even prettier up close..."

Rafe was fine with the wedding day being for his wife, but it was the wedding night that belonged to the husband.

He gets on his knees, preparing to strike. He pulls you but the ankle, dragging you across the bedsheets. He locks his arms around your thighs to pull you in. It was futile trying to fight back. Rafe rips away at the fabric, revealing what was for his eyes only. He doesn't waste time getting to work, suckling, lapping, and teasing at your sex.

When he starts to dip his tongue inside that's when you crumble beneath him. Your thighs shake when coming undone. A gush of arousal splashes his face. Rafe doesn't stop there, instead he keeps going until you're brought to tears cumming for the second time. He retreats with a triumphant look on his face.

"Hey...." he whispers followed by a harsh grip on your jaw that turns your attention back to him, "Hey," his voice boomed. He held you in place, looking you right in the eyes when he states, "Look at me," a small pause follows, "No one is coming through that door to save you," he readjusts his grip, digging his fingers into your jaw, "No one is coming through that door, we're the only ones here," leaning in, "And if they heard they wouldn't care, they know their place," before lifting your skirt up, "It's about time you did too," Rafe held his cock in one hand, his other held your hip in place. He pumps his shaft a few times before rubbing it against your slick. He moans, "Oh fuck...can't wait to stuff you with it..." Rafe dips his head into the crook of your neck, his lips find that sweet spot. He suckles until he's certain there would be bruising.

"You can scream all you want, no one’s gonna stop me,” he presses his leaking tip against the small opening, pushing it in without hesitation, “Not you…” he just his hips, “Not our families,” thrusting his cock inside, “No one…” fastening his pace. He’d been waiting for this moment for a long, long time. You had no idea that Rafe had willingly entered this marriage.

Can’t you see? He’s been in love with you for as long as he can remember. Yet you kept denying him repeatedly. Now Rafe has everything he’s ever wanted. He’s inherited the Cameron family fortune, gained the trust of his father as well as yours, and now he has you.

He doesn’t stop thrusting his hips back and forth. Reveling in the feeling of you squeezing his member. It was exactly how he’d fantasized about. No more having to spend late nights wondering what you would feel like. He has you right where he wants. Rafe pulls down your top, exposing both breasts. He nips and suckles at them until they’re nice and bruised. He takes pride in being able to do so. Rafe squeezes your mouth open before pressing his lips against them. He sucks your tongue into his mouth, swirling it around his. The taste of liquor makes you nauseous.

This wasn’t how you wanted to end the night. In the end you never had a choice. Your entire life revolving around men in power. A lamb sent to be slaughter, given only the right to live. Even if it meant living for someone else. Rafe presses his sweaty forehead against yours. He snarls, "You're my wife until I fucking die, do you hear me? Until death," his teeth sink into the flesh of your shoulder, digging hard enough to break skin.

A howl escapes your body as pain shot through it. Rafe held you close to him until he finally reached his limit and finishes inside. A deep, guttural moan is muffled into the bite mark. For a moment the two of you stay together until finally Rafe draws back. He’s a panting mess. He could practically feel how slick you became. He lets out a satisfying huff of victory. Rafe had won.

A part of him wants to remember the day he finally got to take you. Then it hits him, “Wait…don’t move,” rummaging through a cabinet. He retreats down the hall. You could hear him searching for something in the unopened boxes. He then returns to you with a Polaroid in hand. He straddles your waist, aiming the lens at you. Rafe smiles, “Something to remember this moment...” he aims it right in your face, “...our first time as husband and wife,” before clicking it.

You could only give a startled look as you stare back at him. Like a deer caught in headlights. Rafe inspects the photo of you. He whistles at the beautifully captured moment. There you were, staring back at him with smudged lipstick and running mascara. You only blink as he stood there, snapping pictures like it was some heartfelt moment. What was supposed to be the most important day of your life, ended in the worst way imaginable.

"Smile for me Mrs. Cameron..."

Rafe was fine with the conditions of inheritance. In order to stay in his father's will, he would have to settle down first. But if there's one thing Ward taught him, it's to negotiate. Rafe remembers striking the deal in his father's office. For the first time ever, the young Cameron man put his foot down,

"No," Rafe states,

Ward looks up at his son, "I'm sorry?"

"I'm not getting married, not unless it's her," he's dead serious too. Ward sighs, he leans back in his chair, "Do you really want to marry this girl?" questioning his son's authenticity. Rafe nods, "It's always been her,"

Ward understands now that his son's mind is made up. Not even he could stop it, "Rafe...you have to understand that her father is a very important member of my company..." he starts, "...he's a bit of a... traditionalist," he pushes himself off the desk, approaching his son, "He expects a certain price for her hand, that I’m not worried about…” he held Rafe's shoulder.

Ward looks his son dead in the eyes to show how serious this situation was to both of their families, “Do not fuck this up, you only get one shot and then you're done, do you hear me? Done," he expects an answer. Rafe looks him in the eyes, there’s a park of determination in the young Cameron man, “I won't,” sealing the deal. Ward picks up his phone and dials up your father’s number, "My friend, you're needed at the office, it's about time we discuss family matters,"

The best decision Rafe made was making you Mrs. Cameron.

#dark!rafe #dark!rafe cameron #dark!rafe x reader #dark!rafe cameron x reader #reader #reader insert #fem!reader #afab!reader #fab!reader #my works #my work

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undergroundrockpress · 3 months

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Debbie Harry, Fab 5 Freddy, Joseph Saddler aka Grandmaster Flash, Tracy Wormworth, and Chris Stein, 1981.

Photo by Janette Beckman.

#80s #Janette Beckman #urban dance #1981 #Debbie Harry #Fab 5 Freddy #Grandmaster Flash #Tracy Wormworth

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devildomwriter · 11 months

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Beel just lets him pet him for like 30 seconds

Did I spend like 300 to get this? Yes. Was it worth it? Yes

#obey me shall we date #obey me diavolo #obey me beelzebub #obey me diabeel #obey me diavolo x beelzebub #obey me beelzebub x Diavolo #obey me fab snap

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weavile · 20 days

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'maximum legend' in solid gold, roboto font

#d20 #dimension 20 #fhjy #fhjy spoilers #fabian seacaster #hope it heals ok fab :?#why did mr. wilson look especially good this ep

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zoe-oneesama · 1 year

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(I’m sorry this just felt a little more realistic than that juggling act she did in canon)

Episode 42 Part 2

First < Previous > Next

Season 1, Season 2, Season 3, Season 4, Season 5

Ep 41, Ep 43, Ep 44, Ep 45, Ep 46, Ep 47

Bonus:

Ko-fi | Patreon

#another example of jacques being fab U_U #scarlet lady #scarlet lady au #scarlet lady comic #the mime #fred #fred haprele #episode 42 part 2

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dbp · 23 days

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Paul with a cigarette

#the fab four #the beatles #paul mccartney

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identifyallen · 8 months

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I’m about to ruin your guys day. Let’s talk about canon and fanon. Dick Grayson edition. I’ve realized that some people don’t actually know what’s canon and what’s fanon. (It’s okay to like what’s fanon more than what’s canon, but I want to clear some things up)

Cooking: Dick can actually cook! Literally everyone says that he can’t cook, but he can! He has cooked for his younger brother (Tim Drake) numerous times! I’m pretty sure he’s cooked with the Titans too.

Singing: Dick is one of the only batfam member’s who can sing. In fact Dick is good at literally everything. (Not EVERYTHING but he can do most things)

Kindness: Don’t get me wrong Dick is a sweetheart but some people make it seem like he’s sweet, in a very dumb way. My point is that he’s nice, but not to the extent people make it out to be.

Brothers: This has to do with Dick and Tim, but I still want to add it. Most people think that Tim’s favorite brother is Jason. This is not the case. Tim is the closest with Dick. After Jason died, whatever Dick didn’t do for Jason, he did for Tim. He even trained Tim.

Ps: Tim even grew up with Dick as Robin.

#dick grayson #nightwing #tim drake #red robin #teen titans #titans #dc titans #fab five #batfam #batfamily #batbros #bat brothers #bat boys #bat kids

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zahri-melitor · 3 months

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In terms of trying to transplant how Dick’s generation grew up to independent adult heroes onto Tim’s generation, one of the significant issues is that the two groups have very different backstories.

The Fab Five and their generation were largely cared for children with present guardians during their teen years. Their ‘growing up’ rebellion moments were about wanting to establish their own identities separate to their parent/guardian. Then once NTT occurred and new young adult characters were added to it, you had a bunch who were escaping overbearing guardians with expectations the young adult didn’t want to fulfil, and leaving trauma behind.

The Core Four and other 90s heroes, in contrast, were mostly latchkey kids. They had loving but absent parents and parental figures. They were largely expected to grow up and show they were independent in their early teens. The arcs of their stories were not about growing up and finding themselves and ‘be your own person’, but about learning to trust others and interdependency and working together.

Like the shape of a Fab Five story is ‘in my preteens or earlier a Disaster Happened and I was taken in by a hero who cared for me and taught me the business as their sidekick. Then around 18-20 I moved out to live in a sharehouse with my friends as I wanted to find who I was outside of the shadow of being a sidekick’.

While…Tim’s generation largely aren’t sidekicks in the same sense. The shape of THEIR stories are of ‘teenager with largely absent adults is expected to grow up and show emotional maturity too early’. It’s actually notable that Tim, Kon and Bart all have long term story arcs that involve gaining a stable household right near the end.

Kon’s entire solo is the story of how he is neglected and exploited by every adult around him. He doesn’t have parents. He’s Peter Pan, the little boy who cannot grow up, who lives without parental expectation. He’s a celebrity kid exploited by Rex Leech and by CADMUS, who’s expected by those around him to act in an adult manner and held to that standard while simultaneously specifically being underage and not having the right to make his own decisions. His final arc in Superboy is about being so abandoned he doesn’t even have CADMUS to depend on anymore so he has to find an apartment and a job (the building superintendent) and is expected to act and function like an adult in that position. Superboy #59 (FIFTY NINE) is when Kon finally gets his own name. Superboy #100 is ABOUT Kon moving in with Jonathan and Martha Kent and finally having a stable home environment where he can be a child. Heck Kon’s already had a story where he’s ‘married’ and responsible for a kid. He’s had solo space adventures.

Bart’s solo is about Bart and Max learning to be a family together, but also: Bart’s childhood didn’t contain parents. Meloni turns up occasionally through his solo and loves him but also has to disappear away back to the 30th century at the end of each appearance. The final arc of Bart’s solo is about him moving in with Jay and Joan Garrick for more stability, because Max has disappeared (and stays disappeared). And then, post his solo, Bart even already has HAD an arc where he had to grow up and assume the Flash mantle (which went horribly wrong and led to his death).

Tim? Tim’s entire solo is about upheaval and change. The first time he’s expected to behave as an independent hero, not a sidekick, is literally Robin #1 when Azbats kicks him out of the Cave. Jack threatens to send him away to boarding school on multiple occasions and DOES for the Brentwood arc. He loses Jack, he loses Dana, he moves out to be a hero caring for his own city at 16, in Bludhaven post War Games. Bruce’s adoption of Tim was all about giving him back that sense of stability and support so that Tim had people backing him up again in his personal life and not only as a hero. And then he does the ‘leave and get a new identity’ thing during Red Robin.

And Cassie? Cassie starts with a loving mother and her story arc over becoming a hero is about periods of operating on her own. She moves away from her mum to go to Elias School. Due to operating as a hero under her own name she eventually has to come up with the alias of Drusilla Priam to give herself a non-public identity to retreat to (and isn’t living with Helena Sandsmark but renting on her own during this period to protect Helena).

This is a set of characters for whom it makes no narrative sense to tell a story of them growing up by ‘moving out and finding their own identity as separate heroes’ because their entire PAST is about being alone and looking for connections and people to rely upon. They haven’t been looking for their mentors to accept them as independent adults, they’ve been looking to their mentors to be present and work with them.

They have already all BEEN through the steps of moving out (while underage) and learning to look after themselves as nobody else was there to support them. Growing up for them is about learning to trust and be respected for the skills they already have and trusted to know what they’re doing, rather than leaving to show they can operate independently.

And that’s a harder narrative to show, because it’s a less common growth story in our culture. But in the Core Four’s case, I’d argue a lot of the traditional signifiers of adulthood (moving out; moving away for education; taking responsibility for a city on their own; travelling for quests) are things they were already expected to do while still significantly underage, and so sending them through that plot again isn’t showing anything new to allow them growth. What they need is the adults around them to treat them as adults for the things they already can and do do.

#dc meta #core four v fab five

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thottybrucewayne · 4 months

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Since we're about to see a record-breaking COVID surge, I want to share Teanna Fab socialism's Disillusioned by the idea of Community

video about being Disillusioned by the idea of Community. She touches on alot of the issues within left spaces in it but, the main one is how many leftists have left COVID consciousness to the wayside and how it serves to isolate disabled people and immunocompromised people. I've been seeing many well-meaning people on here leaving COVID safety measures out of the conversation when talking about protesting safely and we need to nip that in the bud going forward. There's also a section at the end of the video that gives good tips and tricks on COVID safety and proper masking. This video also has a really good section on the misrepresentation of prison abolition too.